Kommos, located on the south coast of Crete, is widely known for its important sanctuary of the Greek period for its earlier role as a major Minoan harbortown. Volumes II and III in this series, dealing with the Minoan pottery, have already been published. Volume I, Part I (1995), offered a general introduction to the site, followed by chapters on the archaeological exploration of the area, its geology, fauna and flora, land use, as well as on the Minoan implements and indsutries. Now Volume I, Part II introduces the Kommos town (Joseph W. Shaw), and analyzes and interprets the houses on the hilltop (Maria C. Shaw and Lucia F. Nixon) and hillside (James C. Wright and John McEnroe). There is a catalog of miscellaneous finds from the houses (Mary K. Dabney, Katherine A. Schwab, Maria C. Shaw, John Bennet, Helene Whittaker, David Reese, and Olga Kryszowska), followed by synthetic chapters on town planning and domesetic architecture (Maria C. Shaw) and site development (Joseph W. Shaw). Combined, the interrelated Kommos volumes present an unusually thorough, interdisciplinary interpretation of a prehistoric site in Greece. An excavation by the University of Toronto and the Royal Ontario Museum under the auspices of the American School of Classical Studies in Athens. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

From about 2000 BCE onward, Egypt served as an important nexus for cultural exchange in the eastern Mediterranean, importing and exporting not just wares but also new artistic techniques and styles. Egyptian, Greek, and Roman craftsmen imitated one another's work, creating cultural and artistic hybrids that transcended a single tradition. Yet in spite of the remarkable artistic production that resulted from these interchanges, the complex vicissitudes of exchange between Egypt and the Classical world over the course of nearly 2500 years have not been comprehensively explored in a major exhibition or publication in the United States. It is precisely this aspect of Egypt's history, however, that Beyond the Nile uncovers. Renowned scholars have come together to provide compelling analyses of the constantly evolving dynamics of cultural exchange, first between Egyptians and Greeks-during the Bronze Age, then the Archaic and Classical periods of Greece, and finally Ptolemaic Egypt-and later when Egypt passed to Roman rule with the defeat of Cleopatra. Beyond the Nile is milestone publication on the occasion of a major international exhibition and one that will become an indispensable contribution to the field. With gorgeous photographs of more than two hundred rare objects, including frescoes, statues, obelisks, jewellery, papyri, pottery, and coins, this volume offers an essential and interdisciplinary approach to the rich world of artistic cross-pollination during antiquity.

This book examines the effects of the Peloponnesian War on the arts of Athens and the historical and artistic contexts in which this art was produced. During this period, battle scenes dominated much of the monumental art, while large numbers of memorials to the war dead were erected. The temple of Athena Nike, built to celebrate Athenian victories in the first part of the war, carries a rich sculptural program illustrating military victories. For the first time, the arts in Athens expressed an interest in the afterlife, with many sculptured dedications to Demeter and Kore, who promised initiates special privileges in the underworld. Not surprisingly, there were also dedications to healer gods. After the Sicilian disaster, a retrospective tendency can be noted in both art and politics, which provided reassurance in a time of crisis. Bringing together essays by an international team of art historians and historians, this is the first book to focus on the new themes and new kinds of art introduced in Athens as a result of the thirty-year war.

Roman Amphora Contents: Reflecting on the Maritime Trade of Foodstuffs in Antiquity gathers together the results of the RACIIC International Congress (Roman Amphora Contents International Interactive Conference, Cadiz, 2015), dedicated to the distinguished Spanish amphorologist Miguel Beltran Lloris. The aim is to reflect on the current state of knowledge about the palaeocontents of Roman amphorae. With over 30 specialists from different countries, the text examines four elements diachronically throughout the Roman period up to the 7th century, with some insights on pre-Roman times: 1) the intimate relationships between amphorae and their contents, from an interdisciplinary perspective (from tituli picti to the evidence from underwater sites, including the problems of reuse); 2) the contribution and current state of knowledge concerning archaeometric approaches (especially organic residue analysis); 3) the evidence at regional / provincial level (from Lusitania to Egypt); and 4) recent case studies, from Corinth, Pompeii and Arles to the Fretum Gaditanum, which allow us to illustrate the different and combined study methods, necessarily interdisciplinary (archaeological, archaeobotanical, archaeozoological, epigraphic, palynological or biomolecular), in order to advance in this transcendental theme and its significance for the economic history and maritime traffic of the Ancient World.

This is the fourth volume in a four-book set covering all Egyptian pottery, ranging from the earliest (Fayum A) ceramics to pottery made in Egypt today, organized by historical periods. The manuals are quick identification guides as well as starting points for more extensive research. For each period, ceramic types are illustrated with a line drawing, accompanied by a description that includes information on the pot's material, manufacturing techniques, surface treatment, and shape. Color plates of representative ceramic types are included to give the clearest sense of the color, composition, and surface treatment. All four volumes provide an extensive list of suggested readings as well as a bibliography for each period. Introductory chapters in each book discuss the basics of pottery manufacture and analysis. The first comprehensive guide to Egyptian pottery, this set will prove valuable to students as well as experienced field archaeologists. The volumes come in paperback and spiral-bound versions. The spiral bound versions, with hard laminated covers and tabs, are designed especially for the field and lab.

Culture and Society at Lullingstone Roman Villa paints a picture of what life might have been like for the inhabitants of the villa in the late third and fourth centuries AD. The villa today, in the Darent Valley, Kent, has an unusual amount of well-preserved evidence for its interior decoration and architecture. Seventy years on from the commencement of the excavation of the site, this study draws on the original reports but also embraces innovative approaches to examining the archaeological evidence and sheds new light on our understanding of the villa's use. For the first time, the site of Lullingstone Roman Villa is surveyed holistically, developing a plausible argument that the inhabitants used domestic space to assert their status and cultural identity. An exploration of the landscape setting asks whether property location was as important a factor in the time of Roman Britain as it is today and probes the motives of the villa's architects and their client. Lullingstone's celebrated mosaics are also investigated from a fresh perspective. Why were these scenes chosen and what impact did they have on various visitors to the villa? Comparison with some contemporary Romano-British villas allows us to assess whether Lullingstone is what we would expect, or whether it is exceptional. Examples from the wider Roman world are also introduced to enquire how Lullingstone's residents adopted Roman architecture and potentially the social customs which accompanied it.

This volume is intended as a tribute to the memory of the Sumerologist Jeremy Black, who died in 2004. The Sumerian phrase za-mi-zu dug-ga-am 'Your praise is sweet' is commonly addressed to a deity at the close of a work of Sumerian literature. The scope of the thirty contributions, from Sumerology to the nineteenth-century rediscovery of Mesopotamia, is testament to Jeremy's own wide-ranging interests and to his ability to forge scholarly connections and friendships among all who shared his interest in ancient Iraq.

This volume contains the proceedings of two international meetings held by the Minerva Center for the Relations between Israel and Aram in Biblical Times (RIAB) in Ramat-Gan/Jerusalem (March 2017) and Leipzig (May 2018). Most of the papers relate to various aspects of the Aramaic epigraphy in different contexts with a second part of the volume dealing with Idumean ostraca. The papers will be of interest to ancient historians, archaeologists of the ancient Near East, scholars of Semitic and Biblical studies and the ancient Near East.

A desire to recreate Minoan palaces, villas, and houses of the Late Bronze Age inspired the author of this book to undertake an eight year research program that has radically modified our conception of the appearance of Cretan dwellings. He not only interprets the use of the rooms that partially survive but reconstructs the guest suites and banquet halls of the vanished upper storeys. Written both as a preparation for a visit to Crete and as an actual guide to the sites," the book is prefaced with an account of the island's geography, history, and culture in antiquity, and packed with illustrations including photographs, plans, reconstructions, and a map of the island showing the sites. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In this book, Philip Kiernan explores how cult images functioned in Roman temples from the Iron Age to Late Antiquity in the Roman west. He demonstrates how and why a temple's idols, were more important to ritual than other images such as votive offerings and decorative sculpture. These idols were seen by many to be divine and possessed of agency. They were, thus, the primary focus of worship. Aided by cross-cultural comparative material, Kiernan's study brings a biographical approach to explore the 'lives' of idols and cult images - how they were created, housed in temples, used and worshipped, and eventually destroyed or buried. He also shows how the status of cult images could change, how new idols and other cult images were being continuously created, and how, in each phase of their lives, we find evidence for the significant power of idols.

Towards the end of Caesar's Gallic War, Rome had reached the Rhine. Since the campaigns under Emperor Augustus (15 B.C.), larger troop contingents were stationed along the river, with focal points around Mogontiacum/Mainz and in northern Switzerland. After the Battle of the Teutoburg Forest (9 AD), when the attempt to occupy all of Germania had failed, the Lower Rhine remained the frontier of the empire's territory until Late Antiquity. East of the Middle and Upper Rhine, however, the Roman sphere of power was pushed forward several times over a period of almost 200 years, and from 90 AD at the latest, the construction of artificial borders was initiated. When the Roman expansion came to an end around 160 AD, the province was secured in its furthest extension by the "Frontal" or "Outer Upper-Germanic Limes", which existed until the middle of the 3rd century. This book illustrates the historical and archaeological significance of the Upper Germanic Limes and provides an up-to-date overview of its manifold features in the field.

The Northern Black Sea region, despite its distance from the centers of classical civilizations, played an integral role in the socioeconomic life of the ancient Greco-Roman world. The chapters in this book, written by experts on the region, explore topics such as the trade, religion, political culture, art and architecture, and the local non-Greek populations, from the foundation of the first Greek colonies on the North Pontic shores at the end of the seventh and sixth century BCE through the first centuries of the Roman imperial period. This volume closely examines relevant categories of archaeological material, including amphorae, architectural remains, funerary and dedicatory monuments, inscriptions, and burial complexes. Geographically, it encompasses the coastal territories of modern Russia and Ukraine. The Northern Black Sea in Antiquity embraces an inclusive and comparative approach while discussing new archaeological evidence, offering fresh insights into familiar questions, and presenting original interpretations of well-known artifacts.

"This is an important publication. Stolba and Rogov have offered us a vivid picture of life and death in this far corner of the Greek world, while at the same time leaving open a series of questions, large and small, that should inspire new research." -- Adam Rabinowitz, The University of Texas at Austin, Bryn Mawr Classical Review (2013.05.10) This is the second volume of the complete publication of Panskoye I, a rural settlement in Northwestern Crimea dating from the period c. 400-270 BC. The settlement was founded by Olbia, the most important Greek city on the northern shores of the Black Sea. Half a century later the fortress was destroyed and the settlement taken over by another Greek city, Chersonesos Taurica. From then on and until its final destruction it formed part of the chora (territory) of this city.

The combination of portrait statue, monumental support, and public lettering was considered emblematic of Roman public space even in antiquity. This book examines ancient Roman statues and their bases, tombs, dedicatory altars, and panels commemorating gifts of civic beneficence made by the Augustales, civic groups composed primarily of wealthy ex-slaves. Margaret L. Laird examines how these monuments functioned as protagonists in their built and social environments by focusing on archaeologically attested commissions made by the Augustales in Roman Italian towns. Integrating methodologies from art history, architectural history, social history, and epigraphy with archaeological and sociological theories of community, she considers how dedications and their accompanying inscriptions created webs of association and transformed places of display into sites of local history. Understanding how these objects functioned in ancient cities, the book argues, illuminates how ordinary Romans combined public lettering, honorific portraits, emperor worship, and civic philanthropy to express their communal identities.

In the mid-1970s, Carlisle City Council finalised proposals for the redevelopment of the Lanes, a densely built-up area in the north-east corner of the city's historic core, which, at the time, was crossed by 19 narrow lanes or vennels. These were to be swept away, and the area cleared, for the construction of the Lanes shopping centre. Previous archaeological work had confirmed the existence of complex Roman and medieval deposits in this part of the city, most of which would be destroyed by the new development. Consequently, a programme of archaeological and historical investigation, funded by Carlisle City Council, the Department of the Environment (now Historic England), the Manpower Services Commission, the Marc Fitch Fund and the Society of Antiquaries of London, was undertaken between 1978 and 1982. Historic England also provided substantial funding for post-excavation analysis and publication of the project's results. To this day, the Lanes retains its position as one of the largest and most significant urban archaeological projects ever undertaken in northern England. For post-excavation purposes, the project was split into two parts, the northern and southern Lanes, the results of the latter being published in 2000. The current volume presents the evidence for Roman occupation within the northern Lanes, from the construction of a probable military camp and a series of large timber buildings, possibly mansiones, in the early Roman period, to the expansion of civilian settlement across this area during the mid-late second century AD, which saw the emergence of a distinct pattern of building plots. Good preservation of waterlogged organic materials was a feature of the earlier levels, which yielded a wealth of environmental information and many artefacts of wood and leather. The post-Roman evidence from the northern Lanes will be presented in a companion volume.

As part of a long-term survey of southern Etruria, the site of Monte Gelato, about 30 km north of Rome, was excavated from 1986-90. An exceptionally rich stratigraphy provided excavators with a detailed occupation narrative. An Augustan villa where dormice were eaten and eels kept as pets was abandoned in the early 3rd century AD. Sporadic settlements on the frontier zone' of Lombard incursions were succeeded by the establishment of a fortified ecclesiastical centre and papal estate in the 9th century AD. Two major issues shaped the project design: firstly the chronology of the abandonment of Roman villas and the move to fortified castelli and secondly, the cycles of isolation from and linkage to Rome which continue to affect this beautiful area of Italy.

The collection of pre-Columbian Peruvian textiles in the Danish National Museum consists of around 500 items, which were all found in graves. The textiles are mainly garments that were used for wrapping around the mummies. The mummies were buried in subterranean burial chambers in the sandy desert on the central and southern coast of Peru, from where they were excavated around AD 1900. The burials originate from about 500 BC to AD 1550 and are dated by their style, material, and technology. The pre-Columbian Peruvians mastered all the textile technologies which were known in Europe before the industrialisation -- and even a few more (eg: discontinuous warp, double wrap and possibly some of the supplementary warp and weft techniques). Most of these techniques are represented in this collection.

The Ancient Art of Transformation: Case Studies from Mediterranean Contexts examines instances of human transformation in the ancient and early Christian Mediterranean world by exploring the ways in which art impacts, aids, or provides evidence for physical, spiritual, personal, and social transitions. Building on Arnold van Gennep's notion of universal rites of passage, papers in this volume expand the definition of "transformation" to include widespread transitions such as shifts in political establishments and changes in cultural identity. In considering these broadly defined "passages," authors have observed particular changes in the visual record, whether they be manifest, enigmatic, or symbolic. While several papers address transitions that are incomplete, resulting in intermediary, hybrid states, others suggest that the medium itself can be integral to interpreting a transition, and in some cases, be itself transformed. Together, the volume covers not only a broad chronological span (c. 5th century BC to 4th century AD), but also an expansive geographical range (Egypt, Greece, and Italy). Reflecting upon issues central to a variety of Mediterranean cultures (Egyptians, Etruscans, Greeks, Romans, and early Christians), The Ancient Art of Transformation documents how personal, societal, and historical changes become permanently fixed in the material record. The Ancient Art of Transformation examines the visual manifestation of human transformation in the ancient and early medieval Mediterranean world, exploring the role of art and visual culture in enabling, hindering, or documenting physical, spiritual, personal, and social transitions such as pregnancy and birth, initiations, marriage, death and funerals. The definition of "transformation" is also expanded to address instances of less personal and more widespread transitions such as shifts in political establishments and changes in cultural identity in geographic locations. Additionally, although the ancient material record documents certain rites of passage such as marriage and death extensively, artifacts and their accompanying images are often studied simply to reconstruct these social processes. Authors here suggest that material evidence itself can be integral to interpreting a transition, and in some cases, be itself transformed. Further, several papers address transitions that are incomplete, resulting in intermediary, hybrid states that are very often reflected in the visual record such as Athenian vase-painting imagery forecasting the bride as a mother, displays of nudity that reflect intermediate life stages in Etruscan art and Octavian's visual transformation into Pharaoh and Augustus in Egyptian architecture and material culture. At its core the volume establishes current methods for understanding how ancient visual culture shaped, informed, and was affected by processes of transformation. Together, these papers offer a close examination of various types of visual evidence from several cultures and periods (e.g., Etruscan, Greek, Roman, early Christian), and document how personal, societal, historical changes become permanently fixed in the material record.

This book provides an introduction to Roman dress accessories - defined here as what would today be called costume jewellery (non-precious metal jewellery). Items such as bracelets and pins are widely found in the Roman period in copper alloy, bone, glass, jet, shale and other materials. Completely new objects were introduced by the Romans, spread rapidly in each area of the Empire and were adopted by local populations. Different styles of Roman object became popular in each succeeding century, as dress fashions changed. Using new evidence from finds, production areas, distribution patterns and the locations of workshops are examined. The interpretation of dress accessories is introduced, with reference to the depiction of objects in Roman art. Brooches, bracelets, beads, necklaces, rings, earrings, pins and belt sets are explained in detail, and the most popular types are described and illustrated, enabling the reader to identify common objects that might be found on an archaeological site or in a museum.

This volume presents sculptural finds made by the University of Chicago at Isthmia during their excavations from 1952 to 1967. Sculpture found by the UCLA team in excavations from 1967 onwards are published elsewhere (Isthmia VI). The finds range in date from the seventh century B.C. to third century A.D. but are mostly fragmentary objects of Roman date. The two most important works are the Archaic perirrhanterion (a large shallow bowl) from the sanctuary of Palaimon, and a cult statue group of Amphitrite and Poseidon on a base decorated with reliefs depicting the Calydonian board hunt and the slaughter of the Niobids.

Hellenistic Alexandria: Celebrating 24 Centuries' presents the proceedings of a conference held at the Acropolis Museum in Athens, on December 13-15, 2017, and includes high-level dialogues and philosophical discussions between international experts on Hellenistic Alexandria. The goal was to celebrate the 24 centuries which have elapsed since its foundation and the beginning of the Library and the Museum of Alexandria. The conference was divided into two parts, to include in the first part archaeology, history, philosophy, literature, art, culture and legal issues and in the second part science, medicine, technology and environment. A total of 28 original and peer-reviewed articles point to the importance of the brilliantly-original ideas that emerged during the Hellenistic age and the curious modernity of the whole atmosphere of the time. The range of presented topics covers a variety of new data on the foundation of Alexandria to comparison between Ptolemaic Alexandria and Ptolemaic Greece through philosophy, culture and drama to the forgotten revolution of science, medicine and the prevailing climatological and geophysical conditions throughout the Hellenistic Period. The conference and its proceedings were co-sponsored by the arianna V. Vardinoyannis Foundation, the Acropolis Museum, the Alexandria Center for Hellenistic Studies at Bibliotheca Alexandrina and the Mariolopoulos-Kanaginis Foundation for the Environmental Sciences. The Publication also celebrates the 10th anniversary of the Alexandria Center for Hellenistic Studies, a joint collaboration between the Bibliotheca Alexandrina, the Vardinoyannis Foundation and the University of Alexandria. Scholars from around the world follow the Center's programme in various specialisations, ranging from historyliterature- art, to archaeology and architecture-philosophy, and science.

Stones can serve an infinite array of functions both when they are worked and when they are left in a 'raw' state. Depending on their function, stones can also be meaningful objects especially when they act as vehicles of ideas or instruments of representation. And it is, therefore, in their functional context, that the meaning of stones can be best grasped. The stones dealt with in this study are non-figural (or aniconic) or, sometimes, semi-figural. They come from ritual contexts and, as such, act as a material representation of divine presence in their role as betyls. But it is not mainly the representational aspect of these stones that this study seeks to highlight. As material representations of divine presence that are also worshipped, these particular stones form part of a phenomenon that seems to know no geographical or temporal boundaries. They are of a universal character. It is this universal character of theirs that seems to qualify these stones as elements forming part of the phenomenon of continuity: continuity across different cultures and in different places along several centuries. It is this phenomenon which this study seeks to highlight through a study of these stones. The Maltese islands are presented as a case study to demonstrate the phenomenon of continuity through a study of these stones. Worship of stones in representation of divine presence is found on the Maltese islands since prehistoric times. But the practice survived several centuries under different cultures represented by unknown communities during the islands' prehistory and the Phoenicians / Carthaginians and the Romans in early historic times.

Andras Bodor and the history of classical studies in Transylvania in the 20th century is the first comprehensive work focusing on the life of a classicist from Transylvania, presenting in detail the life and academic heritage of Andras Bodor (1915-1999). Based on 1348 newly identified letters, 209 photographs (including 25 portraits), Andras Bodor's complete bibliography and his unpublished memoir from 1915-1959, the work offers also the first publication of Bodor's academic correspondence (107 letters) and also extracts from his unpublished journal. Based on a large number of unpublished documents and the major works of Bodor, the book tries to reconstruct the life and academic heritage of a classicist from the periphery of Europe, a region that changed so many times over the long course of the 20th century. Andras Bodor appears as a student torn between theology and classical studies, a Transylvanian Hungarian who ended up at Oxford, a lecturer at the Hungarian University of Cluj, a researcher who had the idea of establishing a new school of classics, marginalised and compromising, a quiet teacher of the newly established Babes-Bolyai University and also a senior professor engaged in education policy. The personality and work of Bodor is presented through the short history of classics in Transylvania, Romania, reflecting on the European and global changes of the discipline.

Ancient Sardis, the capital of Lydia, was of outstanding importance: in the Lydian period it held the residence of the kings and subsequently, under Persian rule, the satraps. Throughout antiquity it remained an administrative center. Travelers of modern times and archaeological excavations have revealed, from the city site and its surroundings, inscriptions written mostly in Greek, some in Latin. Their texts deal with all kinds of subjects: decrees, public honors, civil and sacred laws, letters, epitaphs, and more. In the corpus "Sardis VII 1" (1932) W. H. Buckler and D. M. Robinson published all inscriptions (228 items) known up to 1922, after which year excavation at Sardis came to a halt because of the Greek-Turkish war. Since excavation resumed in 1958, a portion of the Greek and Latin inscriptions has been published in various, widely scattered places; another portion, containing important texts discovered during the last ten years, was until now unpublished. The aim of this monograph is to present in a comprehensive corpus the entire epigraphic harvest (485 items) made in Sardis and its territory since 1958. Each inscription is accompanied by a description of the monument, bibliography, translation, and commentary; indices, concordances, photographs, and maps complement the collection.

This book was published to coincide with an exhibition mounted in both France and Greece, dedicated to marine representations on vases, and particularly those inspired by mythology. Thanks to the variety of shapes and decorated surfaces found in vases, the art of pottery developed a more extensive repertoire of subjects related to the sea than any other art form. The first part of this book examines forty-two characteristic examples of marine iconography, which come mainly from the collections of the Louvre, though also from those of other museums. These are divided into four groups: marine fauna and seafaring, the deities of the deep, the voyages of gods and heroes who crisscrossed the ocean, and, finally, the miraculous birth of the goddess who emerged from the waves, Aphrodite, born from the foam. The variety and aesthetic quality of marine scenes in vase-painting reveal once more the importance of the sea to Greek civilization. The second part of the book contains more specialist articles on the iconography of the sea, and on various aspects of marine archaeology, contributed by both French and Greek experts in the field. Parallel text Greek and English