The Romans occupied Britain for almost four hundred years, and their influence is still all around us - in the shape of individual monuments such as Hadrians Wall, the palace at Fishbourne and the spa complex at Bath, as well as in subtler things such as the layout and locations of ancient towns such as London, Canterbury and Colchester, and the routes of many major roads. Yet this evidence can only suggest a small proportion of the effect that the Romans had on the landscape of Britain. A Portrait of Roman Britain breaks new ground in enabling us to visualise the changes in town and countryside brought by Roman military and civilian needs. Using clear, well-documented descriptions, John Wacher answers questions such as: Were Roman towns as neat and tidy as they are often represented? How much woodland was needed to fuel the bath houses of Roman Britain? How much land did a Roman cavalry regiment require for its horses?

Everyone has heard of the Minotaur in the labyrinth on Crete and many know that the Greek gods would adopt the guise of a bull to seduce mortal women. But what lies behind these legends? The Power of the Bull discusses mankind's enduring obsession with bulls. The bull is an almost universal symbol throughout Indo-European cultures. Bull cults proliferated in the Middle East and in many parts of North Africa, and one cult, Mithraism, was the greatest rival to Christianity in the Roman Empire. The Cults are divergent yet have certain core elements in common. Michael Rice argues that the ancient bulls were the supreme sacrificial animal. An examination of evidence from earliest prehistory onwards reveals the bull to be a symbol of political authority, sexual potency, economic wealth and vast subterranean powers. In some areas representations of the bull have varied little from earliest times, in others it has changed vastly over centuries. This volume provides a well-illustrated and accessible analysis of the exceptionally rich artistic inheritance associated with the bull.

The Temple of Athena at Sounion has long been recognized as one of the most unusual buildings in the architectural history of Greece. Its plan, with columns uniquely on the front and only one side, is unparalleled in the Greek world. Excavations of the temple and other buildings there, however, were complicated by the fact that many architectural pieces from the site had been reused in a Roman temple in the Athenian Agora. Here, Barletta provides a fascinating examination of the early excavations at Sounion, the debate over who was worshipped at the so-called Small Temple within the sanctuary, the varied architectural influences on the Temple of Athena, and the later use of its architectural pieces in the Athenian Agora. Building on unpublished work by William B. Dinsmoor Jr. and Homer A. Thompson, this study represents the first comprehensive view of the temple and its sanctuary.

The Minoan town at Gournia flourished from the Early Bronze Age until its destruction at the end of the Late Minoan IB period. It was later resettled before being abandoned again in LM IIIB. The town was substantial, with houses arranged in irregular blocks. This book presents the pottery found during Gournia's excavation in 1901, 1903 and 1904. This collection, now in The University Museum, University of Pennsylvania, is the largest and most important group of Minoan objects from a single site outside of Europe.

In this book Michael Morris presents a detailed study of the prehistoric landscape in three regions of Crete. He examines the development, stability, and physio-chemical composition of selected soils near three archaeological sites: Karphi, a Late Minoan IIIC "Refuge Site"; Chrysokamino, a Final Neolithic to Late Minoan IIIB Farmhouse; Vronda and Kastro near Kavousi, two Late Minoan IIIC to Geometric Sites. Morris offers conclusions on the history of the Cretan landscape and its formation processes, and how those processes contribute to our understanding of the human use of the landscape. The book will interest anyone involved with the archaeology of Minoan Crete, as well as those who study the pedological history of other regions.

From Caria to English country houses and iconography to architectural reconstruction, over the past 40 years Geoffrey Waywell has transformed our understanding of Greek sculpture and opened the way for new generations of scholars. In this volume, a celebration of his career on the occasion of his retirement, past and present students, friends and colleagues explore ideas, monuments and regions which reflect the great breadth of his research interests. Essays range from iconographical studies of Myron's Discobolos, to the reconstruction of the Mausoleum of Halicarnassus, an exploration of the role of attribution, and a celebration of one of the works saved for the nation on Geoffrey Waywell's advice, the Jennings dog now in the British Museum.

The Art and Archaeology of the Aegean Bronze Age offers a comprehensive chronological and geographical overview of one of the most important civilizations in human history. Jean-Claude Poursat's volume provides a clear path through the rich and varied art and archaeology of Aegean prehistory, from the Neolithic period down to the end of the Bronze Age. Charting the regional differences within the Aegean world, his study covers the full range of material evidence, including architecture, pottery, frescoes, metalwork, stone, and ivory, all lucidly arranged by chapter. With nearly 300 illustrations, this volume is one of the most lavishly illustrated treatments of the subject yet published. Suggestions for further reading provide an up-to-date entry point to the full richness of the subject. Originally published in French, and translated by the author's collaborator Carl Knappett, this edition makes Poursat's deep knowledge of the Aegean Bronze Age available to an English-language audience for the first time.

Ayioryitika, a large open-air settlement in Arcadia, in central Greece, was inhabited during the Neolithic and Early Bronze Age. It was excavated in 1928 by Carl Blegen under the auspices of the American School of Classical Studies at Athens, but the research was never published. The site is particularly important for its beautifully decorated Middle Neolithic pottery and for its figurines of human figures and animals. This volume gathers together the scattered and fragmentary evidence for the excavation and its finds. For the first time, the information from this large and important early town has been made available to scholars and students of prehistoric Greece.

*** Winner of the PROSE Award (2019) for Classics *** This major new work on Roman London brings together the many new discoveries of the last generation and provides a detailed overview of the city from before its foundation in the first century to the fifth century AD. Richard Hingley explores the archaeological and historical evidence for London under the Romans, assessing the city in the context of its province and the wider empire. He explores the multiple functions of Londinium over time, considering economy, industry, trade, status and urban infrastructure, but also looking at how power, status, gender and identity are reflected through the materiality of the terrain and waterscape of the evolving city. A particular focus of the book is the ritual and religious context in which these activities occurred. Hingley looks at how places within the developing urban landscape were inherited and considers how the history and meanings of Londinium built upon earlier associations from its recent and ancient past. As well as drawing together a much-needed synthesis of recent scholarship and material evidence, Hingley offers new perspectives that will inspire future debate and research for years to come. This volume not only provides an accessible introduction for undergraduate students and anyone interested in the ancient city of London, but also an essential account for more advanced students and scholars.

The sixth volume in the Institute of Classical Archaeology's series on the rural countryside (chora) of Metaponto is a study of the Greek settlement at Sant'Angelo Vecchio. Located on a slope overlooking the Basento River, the site illustrates the extraordinary variety of settlements and uses of the territory from prehistory through the current day. Excavators brought to light a Late Archaic farmhouse, evidence of a sanctuary near a spring, and a cluster of eight burials of the mid-fifth century BC, but the most impressive remains belong to a production area with kilns. Active in the Hellenistic, Late Republican, and Early Imperial periods, these kilns illuminate important and lesser-known features of production in the chora of a Greek city and also chronicle the occupation of the territory in these periods. The thorough, diachronic presentation of the evidence from Sant'Angelo Vecchio is complemented by specialist studies on the environment, landscape, and artifacts, which date from prehistory to the post-medieval period. Significantly, the evidence spans the range of Greek site types (farmhouse, necropolis, sanctuary, and production center) as well as the Greek dates (from the Archaic to Early Imperial periods) highlighted during ICA's survey of the Metapontine chora. In this regard, Chora 6 enhances the four volumes of The Chora of Metaponto 3: Archaeological Field Survey-Bradano to Basento and provides further insight into how sites in the chora interacted throughout its history.

In this wide-ranging and often controversial book, Robert Drews examines the question of the origins of man's relations with the horse. He questions the belief that on the Eurasian steppe men were riding in battle as early as 4000 BC, and suggests that it was not until around 900 BC that men anywhere - whether in the Near East and the Aegean or on the steppes of Asia - were proficient enough to handle a bow, sword or spear while on horseback. After establishing when, where, and most importantly why good riding began, Drews goes on to show how riding raiders terrorized the civilized world in the seventh century BC, and how central cavalry was to the success of the Median and Persian empires.
Drawing on archaeological, iconographic and textual evidence, this is the first book devoted to the question of when horseback riders became important in combat. Comprehensively illustrated, this book will be essential reading for anyone interested in the origins of civilization in Eurasia, and the development of man's military relationship with the horse.

In AD 79, Mt. Vesuvius erupted in two stages. While the first stage was incredibly destructive, it was the second stage, a so-called pyroclastic flow, that inundated Pompeii with a combination of superheated gases, pumice, and rocks, killing tens of thousands of people and animals and burying them in ash and mud.

During excavations of the town in 1863, Giuseppe Fiorelli, the director of the dig, poured plaster of paris into a cavity under the soil revealed by a workman's pick. When the plaster set and the mound was uncovered, all were amazed to see the secret that the ground had held for 1,800 years: a detailed cast of an ancient Pompeian such as no one had seen before, frozen in the instant of dying and complete in every respect, including outlines of the clothes he was wearing at the time of the destruction. The bodies, photographed and exhibited in the specially built Pompeii Museum, completely changed the world's ideas of life in ancient Italy.

"Pompeii's Living Statues" is a narrative account, supported by contemporary documents, of the remarkable discovery of those ancient victims preserved in the volcanic mud of Vesuvius.

Eugene Dwyer examines these casts and related records, the originals of a number of which (along with their museum) were lost in World War II bombing. As he considers the casts as archaeological and cultural pieces, he also discusses Pompeii and its artifacts in the context of Italian unification and party politics, the development of modern excavation methods, and the challenges of maintaining a very large archaeological site. Dwyer's clear organization and writing style, combined with a collection of photographs and engravings, make for a fascinating exploration of Pompeii and its victims.

This is a collection of eighteen papers presented at a conference that was held at the Hatfield Campus of the University of Hertfordshire with 122 members and guests from the United Kingdom, the United States of America, Germany and Norway were present. The papers are on the research on various aspects of the art and architecture of the abbey, at St Albans and provides an ideal forum for bringing together many aspects of the abbey's history.

Dialogos" encompasses Greek language and literature, Greek history and archaeology, Greek culture and thought, present and past: a territory of distinctive richness and unsurpassed influence. It seeks to foster critical awareness and informed debate about the ideas, events and achievements that make up this territory, by redefining their qualities, by exploring their interconnections and by reinterpreting their significance within Western culture and beyond.

In this book, Maggie Popkin offers an in-depth investigation of souvenirs, a type of ancient Roman object that has been understudied and that is unfamiliar to many people. Souvenirs commemorated places, people, and spectacles in the Roman Empire. Straddling the spheres of religion, spectacle, leisure, and politics, they serve as a unique resource for exploring the experiences, interests, imaginations, and aspirations of a broad range of people - beyond elite, metropolitan men - who lived in the Roman world. Popkin shows how souvenirs generated and shaped memory and knowledge, as well as constructed imagined cultural affinities across the empire's heterogeneous population. At the same time, souvenirs strengthened local identities, but excluded certain groups from the social participation that souvenirs made available to so many others. Featuring a full illustration program of 137 color and black and white images, Popkin's book demonstrates the critical role that souvenirs played in shaping how Romans perceived and conceptualized their world, and their relationships to the empire that shaped it.

Pseira, a tiny islet near the coast of eastern Crete, has been called a priceless jewel in Crete's archaeological crown. In 1906 and 1907, the American archaeologist Richard Seager unearthed the extensive remains of a Bronze Age village here. Little was known about this site until a joint Greek-American project directed by Philip P Betancourt and Costis Davaras returned to the island in 1985. This is the first volume in a series of final publications on the joint excavations.The site is a seaport dating from the end of the Final Neolithic until the Late Minoan period. This volume presents a series of houses whose main period of occupation is Late Minoan IB. The architecture is constructed of stone and remarkably well preserved. The text includes detailed catalog entries, profile drawings, and stone-by-stone architectural plans.

Everyone has heard of the Minotaur in the labyrinth on Crete and many know that the Greek gods would adopt the guise of a bull to seduce mortal women. But what lies behind these legends? This text discusses mankind's enduring obsession with bulls. The bull is an almost universal symbol throughout Indo-European cultures. Bull cults proliferated in the Middle East and in many parts of North Africa, and one cult, Mithraism, was the greatest rival to Christianity in the Roman Empire. The Cults are divergent yet have certain core elements in common. The author argues that the ancient bulls were the supreme sacrificial animal. An examination of evidence from earliest prehistory onwards reveals the bull to be a symbol of political authority, sexual potency, economic wealth and vast subterranean powers. In some areas representations of the bull have varied little from earliest times, in others it has changed vastly over centuries.

The polar dichotomy between man and god, and the insurmountable gulf between them, are considered a fundamental principle of archaic and classical Greek religion. Greek Praise Poetry and the Rhetoric of Divinity argues that poetry produced between the eighth and the fifth centuries BC does not present such a uniform view of the world, demonstrating instead that particular genres of poetry may assess the distance between humans and gods differently. Discussion focuses on genres where the boundaries appear to be more flexible, with wedding songs, victory odes, and selected passages from tragedy and comedy taken as case studies that illustrate that some human individuals may, in certain situations, be presented as enjoying a state of happiness, a degree of beauty, or an amount of power comparable to that of the gods. A central question throughout is whether these presentations stem from an individual poet's creative ingenuity or from the conventional ideological repertoire of the respective genre, and how this difference might shape the comparison of a human with the gods. Another important question concerns the ritual contexts in which some of these songs would have been performed, expanding the scope of the analysis beyond merely a literary device to encompass a fundamental aspect of archaic and classical Greek culture.

Offers up to date full colour maps of the ancient Greek and Roman worlds.

Originally published between 1920-70, the "History of Civilization" was published at a formative time within the social sciences, and during a period of decisive historical discovery. The aim of the general editor, C.K. Ogden, was to summarize the most up to date findings and theories of historians, anthropologists, archaeologists and sociologists. This reprinted material is available as a set or in the following groupings: "Prehistory and Historical Ethnography" set of 12 (0-415-15611-4, u800); "Greek Civilization" set of 7 (0-415-15612-2, u450); "Roman Civilization" set of 6 (0-415-15613-0, u400); "Eastern Civilizations" set of 10 (0-415-15614-9, u650); "Judaeo-Christian Civilization" set of 4 (0-415-15615-7, u250); "European Civilization" set of 11 (0-415-15616-5, u700).

Originally published between 1920-70, the "History of Civilization" was published at a formative time within the social sciences, and during a period of decisive historical discovery. The aim of the general editor, C.K. Ogden, was to summarize the most up to date findings and theories of historians, anthropologists, archaeologists and sociologists. This reprinted material is available as a set or in the following groupings: "Prehistory and Historical Ethnography" set of 12 (0-415-15611-4, u800); "Greek Civilization" set of 7 (0-415-15612-2, u450); "Roman Civilization" set of 6 (0-415-15613-0, u400); "Eastern Civilizations" set of 10 (0-415-15614-9, u650); "Judaeo-Christian Civilization" set of 4 (0-415-15615-7, u250); "European Civilization" set of 11 (0-415-15616-5, u700).

This series was originally published between 1920-70. The aim of the general editor, C.K. Ogden, was to summarize the most up-to-date findings and theories of historians, anthropologists, archaeologists and sociologists. This reprinted material is available as a set or in the following groupings: "Prehistory and Historical Ethnography" set of 12: 0-415-15611-4 (u800); "Greek Civilization" set of 7: 0-415-15612-2 (u450); "Roman Civilization" set of 6: 0-415-15613-0 (u400); "Eastern Civilizations" set of 10: 0-415-15614-9 (u650); "Judaeo-Christian Civilization" set of 4: 0-415-15615-7: (u250); "European Civilization" set of 11: 0-415-15616-5 (u700).

"Lepcis Magna", one of the greatest of the Roman cities of North Africa and one of the most famous archaeological sites in the Mediterranean, was situated in the region of Tripolitania. Birthplace of the Emperor Septimius Severus, the city has yielded many well-preserved monuments from its Roman past. Mattingly presents valuable information on the pre-Roman tribal background, the urban centres, the military frontier and the regional economy. He reinterprets many aspects of the settlement history of this marginal arid zone that was once made prosperous, and considers the wider themes of Romanization, frontier military strategy, and economic links between provinces and sources of elite wealth.

Roman architecture is incredibly rich, both in the techniques it employed and the variety of buildings it produced, many of which are still standing and visible. This book places emphasis on the technical aspects of that architecture, and studies the tools and materials used, partly by studying modern parallels in the Mediterranean area.

Did homes in ancient Greece have kitchens and bathrooms? If so, why have archaeologists had such troubles finding their remains? What did the concepts of "home "and "house" mean to the ancient Greeks? This book offers an illuminating reappraisal of domestic space in classical Greece. Beginning with the premise that we must cease to view the classical Greek house through the lens of contemporary Western notions, Janett Morgan provides a fresh evaluation of what home meant to different communities in the ancient Greek world. By employing textual analysis alongside archaeological scholarship, "The Classical Greek House" seeks to explain some of the contradictions that previous approaches have left unresolved. Of value to students and academics alike, Morgan's work offers an exciting new perspective on relations between men and women, public and private, and between home and city in the ancient world.