This volume is the third in the Advances in Archaeological and Museum Science series sponsored by the Society for Archaeological Sciences (SAS). The purpose of this series is to provide summaries of advances in various topics in ar chaeometry, archaeological science, environmental archaeology, preservation technology, and museum conservation. The SAS exists to encourage interdisciplinary collaboration between archaeologists and colleagues in the natural and physical sciences. SAS mem bers are drawn from many disciplinary fields. However, they all share a common belief that physical science techniques and methods constitute an essential component of contemporary archaeological field and laboratory studies. The series editors wish to thank the reviewers of each of the chapters in this volume for their excellent comments and suggestions. We also wish to thank Chriss jones for her invaluable assistance in the preparation of the texts for submission to the publisher. xi Preface As noted in the introductory chapter, this volume is the second major review of research progress in the study of archaeological obsidian. An earlier book, Advances in Obsidian Glass Studies: Archaeological and Geochemical Perspectives, appeared in 1976. A comparison of the treatment of topics reflected in this earlier work and that contained in this volume not only highlights important advances in the quality and depth of research on archaeological obsidian over more than a quarter of a century but also illustrates more generally some characteristics of developments in the archaeological science field in general."

The Art and Archeology of Ancient Greece is an introductory-level textbook for students with little or no background in ancient art. Arranged chronologically in broad swathes of time, from the Bronze and Iron Ages through the Geometric, Archaic, Classical, and Hellenistic periods, and concluding with the Roman conquest of the Greek world, the textbook focuses on Greek art but also incorporates Near Eastern, Etruscan, and Roman objects. Judith M. Barringer examines a variety of media, analyzing marble and bronze sculpture, public architecture, and vase painting, as well as coins, domestic architecture, mosaics, terracotta figurines and reliefs, jewelry, and wall painting. This book adopts an approach that considers objects and monuments within their cultural contexts. * More than 500 illustrations, with over 400 in color and 13 maps, including specially commissioned photographs, maps, plans, and reconstructions * Includes text boxes, chapter summaries and timelines, and detailed glossary * Looks at Greek art from perspectives of both art history and archaeology, giving students an understanding of the historical and everyday context of art objects

By triangulating the Greco-Roman world, classical reception, and disability studies, this book presents a range of approaches that reassess and reimagine traditional themes, from the narrative voice to sensory studies. It argues that disability and disabled people are the 'forgotten other' of not just Classics, but also the Humanities more widely. Beyond the moral merits of rectifying this neglect, this book also provides a series of approaches and case studies that demonstrate the intellectual value of engaging with disability studies as classicists and exploring the classical legacy in the medical humanities. The book is presented in four parts: 'Communicating and controlling impairment, illness and pain'; 'Using, creating and showcasing disability supports and services'; 'Real bodies and retrieving senses: disability in the ritual record'; and 'Classical reception as the gateway between Classics and disability studies'. Chapters by scholars from different academic backgrounds are carefully paired in these sections in order to draw out further contrasts and nuances and produce a sum that is more than the parts. The volume also explores how the ancient world and its reception have influenced medical and disability literature, and how engagements with disabled people might lead to reinterpretations of familiar case studies, such as the Parthenon. This book is primarily intended for classicists interested in disabled people in the Greco-Roman past and in how modern disability studies may offer insights into and reinterpretations of historic case studies. It will also be of interest to those working in medical humanities, sensory studies, and museum studies, and those exploring the wider tension between representation and reality in ancient contexts. As such, it will appeal to people in the wider Humanities who, notwithstanding any interest in how disabled people are represented in literature, art, and cinema, have had less engagement with disability studies and the lived experience of people with impairments. FREE CHAPTER AVAILABLE! Please go to https://bit.ly/3pzpO7n to access the Introduction, which we have made freely available.

Every day Roman urbanites took to the street for myriad tasks, from hawking vegetables and worshipping local deities to simply loitering and socializing. Hartnett takes readers into this thicket of activity as he repopulates Roman streets with their full range of sensations, participants, and events that stretched far beyond simple movement. As everyone from slave to senator met in this communal space, city dwellers found unparalleled opportunities for self-aggrandizing display and the negotiation of social and political tensions. Hartnett charts how Romans preened and paraded in the street, and how they exploited the street's collective space to lob insults and respond to personal rebukes. Combining textual evidence, comparative historical material, and contemporary urban theory with architectural and art historical analysis, The Roman Street offers a social and cultural history of urban spaces that restores them to their rightful place as primary venues for social performance in the ancient world.

This book examines the influence of architectural design in the conservation of historic buildings by discussing in detail an important building complex in Rome: the Temple of Venus and Rome, the monastery of Santa Maria Nova and the church of Santa Francesca Romana. As the most complete site in the Roman Forum that has reached our times with a rich architectural stratification almost intact, it is a clear product of continuous preservation and transformation and it has not been studied in its complexity until now. The Temple of Venus and Rome and Santa Francesca Romana at the Roman Forum unravels the original designs and the subsequent interventions, including Giacomo Boni's pioneering conservation of the monastery, carried out while excavating the Roman Forum in the early twentieth century. The projects are discussed in context to show their significance and the relationships between architects and patrons. Through its interdisciplinary focus on architectural design, conservation, archaeology, history and construction, this study is an ideal example for scholars, students and architects of how to carry out research in architectural conservation.

This volume provides a thorough conspectus of the field of Graeco-Bactrian and Indo-Greek studies, mixing theoretical and historical surveys with critical and thought-provoking case studies in archaeology, history, literature and art. The chapters from this international group of experts showcase innovative methodologies, such as archaeological GIS, as well as providing accessible explanations of specialist techniques such as die studies of coins, and important theoretical perspectives, including postcolonial approaches to the Greeks in India. Chapters cover the region's archaeology, written and numismatic sources, and a history of scholarship of the subject, as well as culture, identity and interactions with neighbouring empires, including India and China. The Graeco-Bactrian and Indo-Greek World is the go-to reference work on the field, and fulfils a serious need for an accessible, but also thorough and critically-informed, volume on the Graeco-Bactrian and Indo-Greek kingdoms. It provides an invaluable resource for anyone interested in the Hellenistic East.

This book examines the ways in which lived religion in Roman Italy involved personal and communal experiences of the religious agency generated when ritualised activities caused human and more-than-human things to become bundled together into relational assemblages. Drawing upon broadly posthumanist and new materialist theories concerning the thingliness of things, it sets out to re-evaluate the role of the material world within Roman religion and to offer new perspectives on the formation of multi-scalar forms of ancient religious knowledge. It explores what happens when a materially informed approach is systematically applied to the investigation of typical questions about Roman religion such as: What did Romans understand 'religion' to mean? What did religious experiences allow people to understand about the material world and their own place within it? How were experiences of ritual connected with shared beliefs or concepts about the relationship between the mortal and divine worlds? How was divinity constructed and perceived? To answer these questions, it gathers and evaluates archaeological evidence associated with a series of case studies. Each of these focuses on a key component of the ritualised assemblages shown to have produced Roman religious agency - place, objects, bodies, and divinity - and centres on an examination of experiences of lived religion as it related to the contexts of monumentalised sanctuaries, cult instruments used in public sacrifice, anatomical votive offerings, cult images and the qualities of divinity, and magic as a situationally specific form of religious knowledge. By breaking down and then reconstructing the ritualised assemblages that generated and sustained Roman religion, this book makes the case for adopting a material approach to the study of ancient lived religion.

Often viewed as self-sufficient, Roman farmers actually depended on markets to supply them with a wide range of goods and services, from metal tools to medical expertise. However, the nature, extent, and implications of their market interactions remain unclear. This monograph uses literary and archaeological evidence to examine how farmers - from smallholders to the owners of large estates - bought and sold, lent and borrowed, and cooperated as well as competed in the Roman economy. A clearer picture of the relationship between farmers and markets allows us to gauge their collective impact on, and exposure to, macroeconomic phenomena such as monetization and changes in the level and nature of demand for goods and labor. After considering the demographic and environmental context of Italian agriculture, the author explores three interrelated questions: what goods and services did farmers purchase; how did farmers acquire the money with which to make those purchases; and what factors drove farmers' economic decisions? This book provides a portrait of the economic world of the Roman farmer in late Republican and early Imperial Italy.

Human beings have speculated about whether or not there is life after death, and if so, what form that life might take, for centuries. What did people in the ancient world think the next life would hold, and did they imagine there was a chance for a relationship between the living and the dead? How did people in the ancient world keep their dead loved ones alive through memory, and were they afraid the dead might return and haunt the living in another form? What sort of afterlife did the ancient Greeks and Romans imagine for themselves? This volume explores these questions and more. While individual representations of the afterlife have often been examined, few studies have taken a more general view of ideas about the afterlife circulating in the ancient world. By drawing together current research from international scholars on archaeological evidence for afterlife belief, chiefly from funerary sites, together with studies of works of literature, this volume provides a broader overview of ancient ideas about the afterlife than has so far been available. Imagining the Afterlife in the Ancient World explores these key questions through a series of wide-ranging studies, taking in ghosts, demons, dreams, cosmology, and the mutilation of corpses along the way, offering a valuable resource to those studying all aspects of death in the ancient world

In recent years scholars have re-evaluated the "parting of the ways" between Judaism and Christianity, reaching new understandings of the ways shared origins gave way to two distinct and sometimes inimical religious traditions. But this has been a profoundly textual task, relying on the writings of rabbis, bishops, and other text-producing elites to map the terrain of the "parting." This book takes up the question of the divergence of Judaism and Christianity in terms of material--the stuff made, used, and left behind by the persons that lived in and between these religions as they were developing. Considering the glass, clay, stone, paint, vellum, and papyrus of ancient Jews and Christians, this book maps the "parting" in new ways, and argues for a greater role for material and materialism in our reconstructions of the past.

Herod: King of the Jews and Friend of the Romans examines the life, work, and influence of this controversial figure, who remains the most highly visible of the Roman client kings under Augustus. Herod's rule shaped the world in which Christianity arose and his influence can still be seen today. In this expanded second edition, additions to the original text include discussion of the archaeological evidence of Herod's activity, his building program, numismatic evidence, and consideration of the roles and activities of other client kings in relation to Herod. This volume includes new maps and numerous photographs, and these coupled with the new additions to the text make this a valuable tool for those interested in the wider Roman world of the late first century BCE at both under- and postgraduate levels. Herod remains the definitive study of the life and activities of the king known traditionally as Herod the Great.

The Etruscans and the History of Dentistry offers a study of the construction and use of gold dental appliances in ancient Etruscan culture, and their place within the framework of a general history of dentistry, with special emphasis on appliances, from Bronze Age Mesopotamia and Egypt to modern Europe and the Americas. Included are many of the ancient literary sources that refer to dentistry - or the lack thereof - in Greece and Rome, as well as the archaeological evidence of ancient dental health. The book challenges many past works in exposing modern scholars' fallacies about ancient dentistry, while presenting the incontrovertible evidence of the Etruscans' seemingly modern attitudes to cosmetic dentistry.

Since Sir Arthur Evans rediscovered the Minoans in the early 1890s, the people of Bronze Age Crete have become a fixture in European prehistory. We have defined a whole string of cultural traits that make the `Minoan' personality: elegant, graceful, lithe and athletic, these refined aesthetes surrounded themselves with sophisticated architecture and beautiful objects. Nature lovers, lovers of peace, the inhabitants of each city-state lived in harmony with their neighbours, while their fleets ruled the seas around Crete. This, at least, is the popular view of the Minoans. But how far does the later work of archaeologists in Crete support this view? In Minoans: Life in Bronze Age Crete, Rodney Castleden uses the results of recent archaeological research to produce a comprehensive new vision of the peoples of Minoan Crete.

eBook available with sample pages: 0203135814

This volume gathers together selected contributions which were originally presented at the conference 'Greek Art in Context' at the University of Edinburgh in 2014. Its aim is to introduce the reader to the broad and multifaceted notion of context in relation to Greek art and, more specifically, to its relevance for the study of Greek sculpture and pottery from the Archaic to the Late Classical periods. What do we mean by 'context'? In which ways and under what circumstances does context become relevant for the interpretation of Greek material culture? Which contexts should we look at - viewing context, political, social and religious discourse, artistic tradition . . .? What happens when there is no context? These are some of the questions that this volume aims to answer. The chapters included cover current approaches to the study of Greek sculpture and pottery in which the notion of 'context' plays a prominent role, offering new ways of looking at familiar issues. It gathers leading scholars and early career researchers from different backgrounds and research traditions with the aim of presenting new insights into archaeological and art historical research. Their chapters contribute to showcase the vitality of the discipline and will serve to stimulate new directions for the study of Greek art.

The rediscovery of the Roman cities overwhelmed by the rage of Vesuvius is one of history's most extraordinary adventure stories. Pompeii Awakened revels in that adventure, and tells of the re-emergence of a long-vanished cosmopolis which profoundly inspired a later age - from its arts and architecture to its science, sex and religion. When Herculaneum, Pompeii' s sister in disaster, was located in 1709, that first discovery launched a frenzied scramble for buried treasure. Then in 1755 Pompeii too rose from its crust of volcanic rock, and the science of archaeology was born. Whereas Herculaneum had artistic, political and philosophical impact, the later discoveries at Pompeii spoke rather of domesticity - of cuisine and household architecture, tools, gardens and religion. To this day it is the only site to show what daily life was like in antiquity. However, the full story of Pompeii consists not just in its uniquely preserved classical villas and votives, but in the powerful response it evoked in the European cultural imagination. Here are the English, whose wealth, wet weather and classical education fostered a passion for Naples and its rediscovered cities. We read of Sir William Hamilton discussing priapic cults with his near neighbour, the dilettante Richard Payne Knight, and of how the famous love affair of Emma Hamilton and Admiral Nelson saved the Heculaneum papyri from the French. Here too are the hosts who arrived from across Europe, and then from America - engineers and artists, dreamers and poets, photographers and cinematographers, whose reconstructions and remembrances of Pompeii have never ceased to resonate. Judith Harris brings the doomed city vibrantly to life. Pompeii breathes again through her account of the diverse people who sifted through its remains to catch a glimpse of themselves in the past. From the poetic souls who found a majestic melancholy in Pompeii's shatttered walls , to the tub-thumping Victorian preachers who denounced the city as akin to Sodom and Gomorrah, Pompeii Awakened uncovers many fascinating stories - of sex, science, love and death. The author has spoken to experts on three continents, flown over Pompeii in a hot-air balloon, delved into ancient diaries and descended deep underground to assess the latest discoveries of a lost world . As the sleeping city re-awakens in her hands, Pompeii casts its spell once more, bewitching those who seek to unearth its buried secrets.

Greek pottery was exported around the ancient world in vast quantities over a period of several centuries. This book focuses on the Greek pottery consumed by people in the western Mediterranean and trans-Alpine Europe from 800-300 BCE, attempting to understand the distribution of vases, and particularly the reasons why people who were not Greek decided to acquire them. This new approach includes discussion of the ways in which objects take on different meanings in new contexts, the linkages between the consumption of goods and identity construction, and the utility of objects for signaling positive information about their owners to their community. The study includes a database of almost 24,000 artifacts from more than 230 sites in Portugal, Spain, France, Switzerland, and Germany. This data was mapped and analyzed using geostatistical techniques to reveal different patterns of consumption in different places and at different times. The development of the new approaches explored in this book has resulted in a shift away from reliance on the preserved fragments of ancient Greek authors' descriptions of western Europe, remains of monumental buildings, and major artworks, and toward investigation of social life and more prosaic forms of material culture. ADDITIONAL E-RESOURCES FOR THIS BOOK ARE AVAILABLE: https://digitalcommons.chapman.edu/art_data/1/

Early in the archaic period of Greek history, Messenia was annexed and partially settled by its powerful neighbour, Sparta. Achieving independence in the fourth century BC, the inhabitants of Messenia set about trying to forge an identity for themselves separate from their previous identity as Spartan subjects, refunctionalising or simply erasing their Spartan heritage. Professor Luraghi provides a thorough examination of the history of Messenian identity and consequently addresses a range of questions and issues whose interest and importance have only been widely recognised by ancient historians during the last decade. By a detailed scrutiny of the ancient written sources and the archaeological evidence, the book reconstructs how the Messenians perceived and constructed their own ethnicity at different points in time, by applying to Messenian ethnicity insights developed by anthropologists and early medieval historians.

Along with Mesopotamia, Egypt, and the Levant, Minoan Crete was one of the primary cultures of the prehistoric Mediterranean world. In this book, L. Vance Watrous offers an up-to-date overview of this important ancient society. Using archaeological evidence from palaces, houses, surveys, caves, and mountain shrines, he describes and traces the development of Minoan Crete from the Neolithic era through the Late Bronze Age. Watrous also presents and interprets Minoan art works in a range of media, including fresco paintings, pottery, and seals, and explains how Minoan Crete affected the culture of classical Greece. Aimed at undergraduate and graduate students, this book can be used in courses on the ancient Mediterranean world and classical archaeology.

This volume is a study of the religious system of Mithraism, one of the "mystery cults" popular in the Roman Empire contemporary with early Christianity. Roger Beck describes Mithraism from the point of view of the initiate engaging with the religion and its rich symbolic system in thought, word, ritual action, and cult life. He employs the methods of anthropology of religion and the new cognitive science of religion to explore in detail the semiotics of the Mysteries' astral symbolism, which has been the principal subject of his many previous publications on the cult.

Slavery is a word heavy with emotional and political overtones - to be owned by another person and treated as a commodity is the ultimate injustice. But this was the fate of a substantial percentage of the population of the ancient world. Slavery was essential to their societies; thus slavery is necessarily a core topic in the study of classical civilisation. Most previous studies of ancient slavery have grown out of historical and literary research. In the flood of books and papers on the subject, the archaeological evidence has often been ignored. This book fills the gap by confronting, for the first time, the archaeological evidence for slavery.This evidence is used to build up a picture of rich complexity, drawing both on historical sources or inscriptions and on archaeological studies of the development of technology and the economy. The book covers topics as diverse as the source of slaves, the nature of the slave trade, and the use of slave-labour in agriculture, mines and quarries, corn and weaving mills, and water-lifting. It concludes with chapters on restraint and slave revolts. This comprehensive and masterful book will be used both as a source of evidence and as a starting point for future research but by anyone studying the topic of slavery in any age.

This volume, which replaces Girgis's outdated prosopography from 1938, is an annotated record of every person attested in the Byzantine-era papyri from the middle Egyptian village of Aphrodito. Its papyri make Aphrodito the best attested village for this time period with implications for the study of rural life throughout Late Antiquity. For each entry, the author lists all the relevant texts and all known information about that person's social status, political position and family relations with a summary of activities for each attestation. The volume is indispensable for any scholar working with texts from Aphrodito and valuable for all concerned specifically with Egypt and more generally with rural life in Late Antiquity.

Within the colonial history of the British Empire there are difficulties in reconstructing the lives of people that came from very different traditions of experience. The Archaeology of Roman Britain argues that a similar critical approach to the lives of people in Roman Britain needs to be developed, not only for the study of the local population but also those coming into Britain from elsewhere in the Empire who developed distinctive colonial lives. This critical, biographical approach can be extended and applied to places, structures, and things which developed in these provincial contexts as they were used and experienced over time. This book uniquely combines the study of all of these elements to access the character of Roman Britain and the lives, experiences, and identities of people living there through four centuries of occupation. Drawing on the concept of the biography and using it as an analytical tool, author Adam Rogers situates the archaeological material of Roman Britain within the within the political, geographical, and temporal context of the Roman Empire. This study will be of interest to scholars of Roman archaeology, as well as those working in biographical themes, issues of colonialism, identity, ancient history, and classics.

Offers up to date full colour maps of the ancient Greek and Roman worlds.

Recent studies have highlighted the diversity, complexity, and plurality of identities in the ancient world. At the same time, scholars have acknowledged the dynamic role of material culture, not simply in reflecting those identities but their role in creating and transforming them. This volume explores and compares two influential approaches to the study of social and cultural identities, the model of globalization and theories of hybrid cultural development. In a series of case studies, an international team of archaeologists and art historians considers how various aspects of material culture can be used to explore complex global and local identity structures across the geographical and chronological span of antiquity. The essays examine the civilizations of the Greeks, Romans, Etruscans, Persians, Phoenicians, and Celts. Reflecting on the current state of our understanding of cultural interaction and antiquity, they also dwell on contemporary thoughts of identity, cultural globalization, and resistance that shape and are shaped by academic discourses on the cultural empires of Greece and Rome.

This book explores the relationship between the city of Rome and the Aurelian Wall during the six centuries following its construction in the 270s AD, a period when the city changed and contracted almost beyond recognition, as it evolved from imperial capital into the spiritual center of Western Christendom. The Wall became the single most prominent feature in the urban landscape, a dominating presence which came bodily to incarnate the political, legal, administrative and religious boundaries of urbs Roma, even as it reshaped both the physical contours of the city as a whole and the mental geographies of Rome' that prevailed at home and throughout the known world. With the passage of time, the circuit took on a life of its own as the embodiment of Rome's past greatness, a cultural and architectural legacy that dwarfed the quotidian realities of the post-imperial city as much as it shaped them.