Dialogos" encompasses Greek language and literature, Greek history and archaeology, Greek culture and thought, present and past: a territory of distinctive richness and unsurpassed influence. It seeks to foster critical awareness and informed debate about the ideas, events and achievements that make up this territory, by redefining their qualities, by exploring their interconnections and by reinterpreting their significance within Western culture and beyond.

This volume explores the nature of religious change in the Greek-speaking cities of the Roman Empire. Emphasis is put on those developments that apparently were not the direct result of Roman actions: the intensification of idiosyncratically Greek features in the religious life of the cities (Heller, Muniz, Camia); the active role of a new kind of Hellenism in the design of imperial religious policies (Gordillo, Galimberti, Rosillo-Lopez); or the locally different responses to central religious initiatives, and the influence of those local responses in other imperial contexts (Cortes, Melfi, Lozano, Rizakis). All the chapters try to suggest that religion in the Greek cities of the empire was both conservative and innovative, and that the 'Roman factor' helps to explain this apparent paradox.

The Romans occupied Britain for almost four hundred years, and their influence is still all around us - in the shape of individual monuments such as Hadrians Wall, the palace at Fishbourne and the spa complex at Bath, as well as in subtler things such as the layout and locations of ancient towns such as London, Canterbury and Colchester, and the routes of many major roads. Yet this evidence can only suggest a small proportion of the effect that the Romans had on the landscape of Britain.
A Portrait of Roman Britain breaks new ground in enabling us to visualise the changes in town and countryside brought by Roman military and civilian needs. Using clear, well-documented descriptions, John Wacher answers questions such as:
* were Roman towns as neat and tidy as they are often represented?
* how much woodland was needed to fuel the bath houses of Roman Britain?
* how much land did a Roman cavalry regiment require for its horses?^

This volume initiates a new series of books on maritime or underwater archaeology, and as the editor of the series I welcome its appearance with great excitement. It is appropriate that the first book of the series is a collection of articles intended for gradu ate or undergraduate courses in underwater archaeology, since the growth in academic opportunities for students is an important sign of the vitality of this subdiscipline. The layman will enjoy the book as well. Academic and public interest in shipwrecks and other submerged archaeological sites is indicated by a number of factors. Every year there are 80 to 90 research papers presented at the Society for Historical Archaeology's Conference on Historical and Underwater Archaeology, and the Proceedings are published. Public interest is shown by extensive press coverage of shipwreck investigations. One of the most important advances in recent years has been the passage of the Abandoned Shipwreck Act of 1987, for the first time providing national-level law con cerning underwater archeological sites. The legislation has withstood a number of legal challenges by commercial treasure salvors, a very hopeful sign for the long-term pres ervation of this nonrenewable type of cultural resource. The underwater archaeological discoveries of 1995 were particularly noteworthy. The Texas Historical Commission discovered the Belle, one of La Salle's ships, and the CSS Hunley was found by a joint project of South Carolina and a private nonprofit organization called NUMA."

Dionysos, with his following of satyrs and women, was a major theme in a big part of the figure painted pottery in 500-300 B.C. Athens. As an original testimonial of their time, the imagery on these vases convey what this god meant to his worshippers. It becomes clear that he was not only appropriate for wine, wine indulgence, ecstasy and theatre. Rather, he was presenton many, both happy and sad, occasions. The vase painters have emphasized different aspects of Dionysos for their customers inside and outside of Athens, depending on the political and cultural situation.

The resonant ruins of Pompeii are perhaps the most direct route back to the living, breathing world of the ancient Romans. Two million visitors annually now walk the paved streets which re-emerged, miraculously preserved, from their layers of volcanic ash. Yet for all the fame and unique importance of the site, there is a surprising lack of a handy archaeological guide in English to reveal and explain its public spaces and private residences. This compact and user-friendly handbook, written by an expert in the field, helpfully fills that gap. Illustrated throughout with maps, plans, diagrams and other images, Pompeii: An Archaeological Guide offers a general introduction to the doomed city followed by an authoritative summary and survey of the buildings, artefacts and paintings themselves. The result is an unrivalled picture, derived from an intimate knowledge of Roman archaeology around the Bay of Naples, of the forum, temples, brothels, bath-houses, bakeries, gymnasia, amphitheatre, necropolis and other site buildings - including perennial favourites like the House of the Faun, named after its celebrated dancing satyr.

The study of Roman towns and cities has long been dominated by the "consumer city" model set out by Moses Finley in the 1970s, which characterizes ancient cities as sites of consumption, not production. Archaeologists and ancient historians are becoming increasingly dissatisfied with the limitations of this model, and with its narrowly economic perspective. This work raises questions about how Roman cities are perceived by experts in the 1990s. The contributors use a variety of new approaches and methodologies. They consider the various social implications of Roman urbanism and the organization of urban space. By diverting attention away from "the consumer city", this collection re-contextualizes the Roman town where it belongs: in the realms of social and political relationships.

This work provides a survey of the jewellery of Roman Britain. Fully illustrated and accessible to both the specialist and amateur enthusiast, it surveys the full range of personal ornament worn in Britain during the Roman period, the 1st to 4th centuries AD. It emphasizes the presence of two distinct cultural and artistic traditions, the classical element introduced by the Romans and the indigeneous Celtic background. The interaction of these traditions affected all aspects of Romano-British life and is illustrated in the jewellery. The meaning and significance of personal ornament in a wide range of cultures is discussed, including such matters as symbolism and the display of wealth and status. The principal types of Romano-British jewellery are classified in detail, drawing attention to those which can be relatively closely dated. The coverage is not restricted to precious-metal objects, but includes jewellery made of base metals and materials such as bone, jet and glass. The final chapter is devoted to the techniques of manufacture, a subject which has become better understood in recent years as a result of scientific advances. The book should appeal to anyone who practices, te

The history of funerary customs in Rome contains many unanswered questions and controversial debates, especially concerning the significant developments of the second century CE. In this book, distinguished historian Barbara E. Borg employs the full range of material and written evidence to explore four key questions that change our view of Roman society and its values. For the first time, senatorial burial practices can be reconstructed and contrasted with those of other classes. Borg then explains the change from incineration to inhumation as a revival of old Roman mores that accelerated after the example set by Hadrian. In the third chapter, she argues that tombs became prime locations for promoting and displaying long family lines among the elite, which then inspired freedmen to undertake similar commemorative practices. Finally she explores the association of deceased persons with the divine and apotheosis through portraits on divine body shapes and temple tombs.

Roman architecture is incredibly rich, both in the techniques it employed and the variety of buildings it produced, many of which are still standing and visible. This book places emphasis on the technical aspects of that architecture, and studies the tools and materials used, partly by studying modern parallels in the Mediterranean area.

"Greek Sanctuaries: New Approaches" examines some of the major and less well known Greek sanctuaries from a new light. The traditional approach to Greek sanctuaries and especially temples has been descriptive. Much emphasis is commonly placed on architectural features but only rarely is there an attempt to look at the totality of functions that a Greek sanctuary might encompass. This collection of articles addresses the critical questions which related to the diverse purposes of the sanctuaries: what was their social function? Who were their clients? Regional links and variations are stressed, while some sanctuaries are shown to have had particular uses such as dining and initiation. Among the cults discussed are the Eleusinian mysteries for which a new reconstruction is proposed.

This book brings together sources translated from a wide variety of ancient languages to showcase the rich history of pre-Roman Italy, including its cultures, politics, trade, languages, writing systems, religious rituals, magical practices, and conflicts. This book allows readers to access diverse sources relating to the history and cultures of pre-Roman Italy. It gathers and translates sources from both Greek and Latin literature and ancient inscriptions in multiple languages and gives commentary to highlight areas of particular interest. The thematic organisation of this sourcebook helps readers to make connections across languages and communities, and showcases the interconnectedness of ancient Italy. This book includes maps, a timeline, and guides to further reading, making it accessible to students and other readers who are new to this subject. Italy Before Rome is aimed at undergraduate and graduate students, including those who have not studied the ancient world before. It is also intended to be useful to researchers approaching this material for the first time, and to university and schoolteachers looking for an overview of early Italian sources.

The Romans commemorated many different events with inscriptions, and not just carved in stone: they are found also on such materials as bronze, wood, mosaic, glass and pottery. They range from the official and highly formulaic to the ordinary and personal. Lawrence Keppie introduces the non-specialist to the subject of inscriptions and provides clear guidance towards translating the Latin texts. Reading the text is only part of interpretation, however, and this book also gives an account of the other aspects needed for a full understanding of inscriptions. The author covers such subjects as local government; the armies and frontiers; religion; the titles of emperors; business and commerce; as well as the craft of stonecutting, developments in the alphabet and the discovery and publication of material.

This volume catalogues more than 400 lamps and lamp fragments dating from the Late Archaic to the Byzantine periods found over several decades at the Isthmian Sanctuary of Poseidon. These come from excavations undertaken by UCLA from 1967 to 1987 under the direction of Paul Clement and since then by OSU under the direction of Timothy Gregory. As well as the detailed descriptions of the lamps in the catalogue, the volume presents a commentary on the types of lamps used at the Sanctuary that enriches our knowledge of their manufacture, use, and artistic evolution over time. The lamps also contribute to a better understanding of the site, as they reflect the various historical, political, and religious vicissitudes at Isthmia and the Corinthia in general over the centuries. The author is one of the leading authorities in the world on lamps from ancient Greece, and her work advances our knowledge of the subject in Isthmia, the Corinthia, and beyond.

Nearly every aspect of daily life in the Mediterranean world and Europe during the florescence of the Greek and Roman cultures is relevant to the topics of engineering and technology. This volume highlights both the accomplishments of the ancient societies and the remaining research problems, and stimulates further progress in the history of ancient technology. The subject matter of the book is the technological framework of the Greek and Roman cultures from ca. 800 B.C. through ca. A.D. 500 in the circum-Mediterranean world and Northern Europe. Each chapter discusses a technology or family of technologies from an analytical rather than descriptive point of view, providing a critical summation of our present knowledge of the Greek and Roman accomplishments in the technology concerned and the evolution of their technical capabilities over the chronological period. Each presentation reviews the issues and recent contributions, and defines the capacities and accomplishments of the technology in the context of the society that used it, the available "technological shelf," and the resources consumed. These studies introduce and synthesize the results of excavation or specialized studies. The chapters are organized in sections progressing from sources (written and representational) to primary (e.g., mining, metallurgy, agriculture) and secondary (e.g., woodworking, glass production, food preparation, textile production and leather-working) production, to technologies of social organization and interaction (e.g., roads, bridges, ships, harbors, warfare and fortification), and finally to studies of general social issues (e.g., writing, timekeeping, measurement, scientific instruments, attitudestoward technology and innovation) and the relevance of ethnographic methods to the study of classical technology. The unrivalled breadth and depth of this volume make it the definitive reference work for students and academics across the spectrum of classical studies.

The site of medieval Euchaita, on the northern edge of the central Anatolian plateau, was the centre of the cult of St Theodore Tiro ('the Recruit'). Unlike most excavated or surveyed urban centres of the Byzantine period, Euchaita was never a major metropolis, cultural centre or extensive urban site, although it had a military function from the seventh to ninth centuries. Its significance lies precisely in the fact that as a small provincial town, something of a backwater, it was probably more typical of the 'average' provincial Anatolian urban settlement, yet almost nothing is known about such sites. This volume represents the results of a collaborative project that integrates archaeological survey work with other disciplines in a unified approach to the region both to enhance understanding of the history of Byzantine provincial society and to illustrate the application of innovative approaches to field survey.

Epigraphy, or the study of inscriptions, is critical for anyone seeking to understand the Roman world, whether they regard themselves as literary scholars, historians, archaeologists, anthropologists, religious scholars or work in a field that touches on the Roman world from c. 500 BCE to 500 CE and beyond. The Oxford Handbook of Roman Epigraphy is the fullest collection of scholarship on the study and history of Latin epigraphy produced to date. Rather that just a collection of inscriptions, however, this volume seeks to show why inscriptions matter and demonstrate to classicists and ancient historians how to work with the sources. To that end, the 35 chapters, written by senior and rising scholars in Roman history, classics, and epigraphy, cover everything from typograph to the importance of inscriptions for understanding many aspects of Roman culture, from Roman public life, to slavery, to the roles and lives of women, to the military, and to life in the provinces. Students and scholars alike will find the Handbook a crritical tool for expanding their knowledge of the Roman world.

This volume presents a collection of essays on different aspects of Roman sarcophagi. These varied approaches will produce fresh insights into a subject which is receiving increased interest in English-language scholarship, with a new awareness of the important contribution that sarcophagi can make to the study of the social use and production of Roman art. The book will therefore be a timely addition to existing literature. Metropolitan sarcophagi are the main focus of the volume, which will cover a wide time range from the first century AD to post classical periods (including early Christian sarcophagi and post-classical reception). Other papers will look at aspects of viewing and representation, iconography, and marble analysis. There will be an Introduction written by the co-editors.

In this book, Ellen Swift uses design theory, previously neglected in Roman archaeology, to investigate Roman artefacts in a new way, making a significant contribution to both Roman social history, and our understanding of the relationships that exist between artefacts and people. Based on extensive data collection and the close study of artefacts from museum collections and archives, the book examines the relationship between artefacts, everyday behaviour, and experience. The concept of 'affordances'-features of an artefact that make possible, and incline users towards, particular uses for functional artefacts-is an important one for the approach taken. This concept is carefully evaluated by considering affordances in relation to other sources of evidence, such as use-wear, archaeological context, the end-products resulting from artefact use, and experimental reconstruction. Artefact types explored in the case studies include locks and keys, pens, shears, glass vessels, dice, boxes, and finger-rings, using material mainly drawn from the north-western Roman provinces, with some material also from Roman Egypt. The book then considers how we can use artefacts to understand particular aspects of Roman behaviour and experience, including discrepant experiences according to factors such as age, social position, and left- or right-handedness, which are fostered through artefact design. The relationship between production and users of artefacts is also explored, investigating what particular production methods make possible in terms of user experience, and also examining production constraints that have unintended consequences for users. The book examines topics such as the perceived agency of objects, differences in social practice across the provinces, cultural change and development in daily practice, and the persistence of tradition and social convention. It shows that design intentions, everyday habits of use, and the constraints of production processes each contribute to the reproduction and transformation of material culture.

This volume traces the lives, health, and diseases of Winchester's inhabitants as seen in their skeletal remains from the mid-third century to the mid-sixteenth century, a period of over 1,300 years. Although the populations of other British urban areas, York and London in particular, have been studied over an extended period, this volume is unique in providing a continuous chronological window, rather than a series of isolated studies. It is particularly notable for the large sample of Anglo-Saxon burials dated to the 8th - 10th centuries, which provide a bridge between the earlier Romano-British material and the later medieval samples. This study includes information on demography, physical characteristics, dental health, disease, and trauma collected from over 2,000 skeletons excavated from the Roman Cemetery at Lankhills and the Anglo-Saxon and medieval cemeteries of the Old and New Minster and Winchester Cathedral, as well as other Early Anglo-Saxon sites in neighbouring areas of Hampshire. The study establishes the underlying continuity of the population in spite of massive culture change between the Roman and Early Saxon periods, and delineates the increasing tendency to rounder skulls seen in the medieval period, a trend which is found in continental Europe at the same time. There were also significant differences through time in disease patterns and trauma. Leprosy, for example, is found only in post-Roman skeletons, while decapitations are seen only in Roman skeletons. Weapons injuries are confined to Anglo-Saxon and medieval individuals, although broken bones were common during the Roman period.

Andre Tchernia is one of the leading experts on amphorae as a source of economic history, a pioneer of maritime archaeology, and author of a wealth of articles on Roman trade, notably the wine trade. This book brings together the author's previously published essays, updated and revised, with recent notes and prefaced with an entirely new synthesis of his views on Roman commerce with a particular emphasis on the people involved in it. The book is divided into two main parts. The first is a general study of the structure of Roman trade: Landowners and traders, traders' fortunes, the matter of the market, the role of the state, and dispatching what is required. It tackles the recent debates on Roman trade and Roman economy, providing, original and convincing answers. The second part of the book is a selection of 14 of the author's published papers. They range from discussions of general topics such as the ideas of crisis and competition, the approvisioning of Ancient Rome, trade with the East, to more specialized studies, such as the interpretation of the 33 AD crisis. Overall, the book contains a wealth of insights into the workings of ancient trade and expertly combines discussion of the material evidence-especially of amphorae and wrecks-with the prosopographical approach derived from epigraphic, papyrological and historical data.

Spanning centuries and the vastness of the Roman Empire, The Last Statues of Antiquity is the first comprehensive survey of Roman honorific statues in the public realm in Late Antiquity. Drawn from a major research project and corresponding online database that collates all the available evidence for the 'statue habit' across the Empire from the late third century AD onwards, the volume examines where, how, and why statues were used, and why these important features of urban life began to decline in number before eventually disappearing around AD 600. Adopting a detailed comparative approach, the collection explores variation between different regions-including North Africa, Asia Minor, and the Near East-as well as individual cities, such as Aphrodisias, Athens, Constantinople, and Rome. A number of thematic chapters also consider the different kinds of honorand, from provincial governors and senators, to women and cultural heroes. Richly illustrated, the volume is the definitive resource for studying the phenomenon of late-antique statues. The collection also incorporates extensive references to the project's database, which is freely accessible online.

With The Tools of Asclepius Lawrence Bliquez offers the first comprehensive treatment in English of the instruments and paraphernalia employed by Greco-Roman surgeons since John St. Milne's Surgical Instruments in Greek and Roman Times (1907). Introductory sections cover topics ranging from literary and archaeological sources to the design, materials and production of instruments and the training and practice of the doctors-surgeons who used them. Summaries of Hippocratic and Hellenistic surgery lead to the meat of the book: tools used during the Roman Empire. These are presented by category (e.g. Cutting Instruments) broken into subcategories (Scalpel, Lithotome, etc.). A substantial appendix deals with biodegradable items, such as suppositories. Much new material is featured and the book is richly illustrated.

Using all available evidence - literary, epigraphic, numismatic, and archaeological - this study offers a new analysis of the early Hellenistic Peloponnese. The conventional picture of the Macedonian kings as oppressors, and of the Peloponnese as ruined by warfare and tyranny, must be revised. The kings did not suppress freedom or exploit the peninsula economically, but generally presented themselves as patrons of Greek identity. Most of the regimes characterised as 'tyrannies' were probably, in reality, civic governorships, and the Macedonians did not seek to overturn tradition or build a new imperial order. Contrary to previous analyses, the evidence of field survey and architectural remains points to an active, even thriving civic culture and a healthy trading economy under elite patronage. Despite the rise of federalism, particularly in the form of the Achaean league, regional identity was never as strong as loyalty to one's city-state (polis).

Ancestry played a continuous role in the construction and portrayal of Roman emperorship in the first three centuries AD. Emperors and Ancestors is the first systematic analysis of the different ways in which imperial lineage was represented in the various 'media' through which images of emperors could be transmitted. Looking beyond individual rulers, Hekster evaluates evidence over an extended period of time and differentiates between various types of sources, such as inscriptions, sculpture, architecture, literary text, and particularly central coinage, which forms the most convenient source material for a modern reconstruction of Roman representations over a prolonged period of time. The volume explores how the different media in use sent out different messages. The importance of local notions and traditions in the choice of local representations of imperial ancestry are emphasized, revealing that there was no monopoly on image-forming by the Roman centre and far less interaction between central and local imagery than is commonly held. Imperial ancestry is defined through various parallel developments at Rome and in the provinces. Some messages resonated outside the centre but only when they were made explicit and fitted local practice and the discourse of the medium. The construction of imperial ancestry was constrained by the local expectations of how a ruler should present himself, and standardization over time of the images and languages that could be employed in the 'media' at imperial disposal. Roman emperorship is therefore shown to be a constant process of construction within genres of communication, representation, and public symbolism.