The study of Roman sculpture has been an essential part of the disciplines of Art History and Classics since the eighteenth century. From formal concerns such as Kopienkritic (copy criticism) to social readings of plebeian and patrician art and beyond, scholars have returned to Roman sculpture to answer a variety of questions about Roman art, society, and history. Indeed, the field of Roman sculptural studies encompasses not only the full chronological range of the Roman world but also its expansive geography, and a variety of artistic media, formats, sizes, and functions. Exciting new theories, methods, and approaches have transformed the specialized literature on the subject in recent decades. Rather than creating another chronological ARCH15OXH of representative examples of various periods, genres, and settings, The Oxford Handbook of Roman Sculpture synthesizes current best practices for studying this central medium of Roman art, situating it within the larger fields of art history, classical archaeology, and Roman studies. This volume fills the gap between introductory textbooks-which hide the critical apparatus from the reader-and the highly focused professional literature. The handbook conveniently presents new technical, scientific, literary, and theoretical approaches to the study of Roman sculpture in one reference volume and complements textbooks and other publications that present well-known works in the corpus. Chronologically, the volume addresses material from the Early Republican period through Late Antiquity. The Oxford Handbook of Roman Sculpture not only contributes to the field of classical art and archaeology but also provides a useful reference for classicists and historians of the ancient world.

The Greek Bronze Age, roughly 3000 to 1000 BCE, witnessed the flourishing of the Minoan and Mycenean civilizations, the earliest expansion of trade in the Aegean and wider Mediterranean Sea, the development of artistic techniques in a variety of media, and the evolution of early Greek religious practices and mythology. The period also witnessed a violent conflict in Asia Minor between warring peoples in the region, a conflict commonly believed to be the historical basis for Homer's Trojan War. The Oxford Handbook of the Bronze Age Aegean provides a detailed survey of these fascinating aspects of the period, and many others, in sixty-six newly commissioned articles.
Divided into four sections, the handbook begins with Background and Definitions, which contains articles establishing the discipline in its historical, geographical, and chronological settings and in its relation to other disciplines. The second section, Chronology and Geography, contains articles examining the Bronze Age Aegean by chronological period (Early Bronze Age, Middle Bronze Age, Late Bronze Age). Each of the periods are further subdivided geographically, so that individual articles are concerned with Mainland Greece during the Early Bronze Age, Crete during the Early Bronze Age, the Cycladic Islands during the Early Bronze Age, and the same for the Middle Bronze Age, followed by the Late Bronze Age. The third section, Thematic and Specific Topics, includes articles examining thematic topics that cannot be done justice in a strictly chronological/geographical treatment, including religion, state and society, trade, warfare, pottery, writing, and burial customs, as well as specific events, such as the eruption of Santorini and the Trojan War. The fourth section, Specific Sites and Areas, contains articles examining the most important regions and sites in the Bronze Age Aegean, including Mycenae, Tiryns, Pylos, Knossos, Kommos, Rhodes, the northern Aegean, and the Uluburun shipwreck, as well as adjacent areas such as the Levant, Egypt, and the western Mediterranean.
Containing new work by an international team of experts, The Oxford Handbook of the Bronze Age Aegean represents the most comprehensive, authoritative, and up-to-date single-volume survey of the field. It will be indispensable for scholars and advanced students alike.

This is the first comprehensive and fully illustrated study of silver vessels from ancient Macedonia from the 4th to the 2nd centuries BC. These precious vessels formed part of dining sets owned by the royal family and the elite and have been discovered in the tombs of their owners. Eleni Zimi presents 171 artifacts in a full-length study of form, decoration, inscriptions and manufacturing techniques, set against contemporary comparanda in other media (clay, bronze, glass). She adopts an art historical and sociological approach to the archaeological evidence and demonstrates that the use of silver vessels as an expression of wealth and a status symbol is not only connected with the wealth spread in the empire after Alexander's the Great expedition to the East, but constitutes a practice reflecting the opulence and appreciation for luxury at least in the Macedonian court from the reign of Philip II onwards.

This book contains catalogues, analyses, photographs and drawings of some 2,000 archaeological artefacts excavated from the Insula of the Menander in Pompeii. The catalogues, and analyses are organized by provenance - buildings, rooms, and location within rooms - so that the reader can understand the artefacts as household assemblages. The functions of artefacts and groups of artefacts are discussed, as are the Latin names which are often given to these artefacts, and the relationships of these assemblages to the state of occupancy of the buildings in the Insula during the last years of Pompeii. This study, therefore, provides a wealth of information, not only on the range and use of artefacts in Pompeian houses but also on Roman artefacts, and Roman society, more generally.

In June, 1973, a group of eleven teachers, students and pupils from Glasgow boarded a new school minibus and began a trip - across Europe, Turkey, Syria and Iraq - to Persepolis, in Iran, the ceremonial capital of the great king Darius of Persia and his son and successor Xerxes. This is the story, based on the diary and photographs of one of the teachers. A fascinating mix of archaeology and culture, the practicalities of travel on a tight budget, bureaucracy, political disruption, and food and drink. Liberally illustrated with maps of the route and photographs of ancient sites, cities and landscapes, and of the minibus and its inhabitants.

In June, 1973, a group of eleven teachers, students and pupils from Glasgow boarded a new school minibus and began a trip - across Europe, Turkey, Syria and Iraq - to Persepolis, in Iran, the ceremonial capital of the great king Darius of Persia and his son and successor Xerxes. This is the story, based on the diary and photographs of one of the teachers. A fascinating mix of archaeology and culture, the practicalities of travel on a tight budget, bureaucracy, political disruption, and food and drink. Liberally illustrated with maps of the route and photographs of ancient sites, cities and landscapes, and of the minibus and its inhabitants.

The Roman Remains of Brittany, Normandy and the Loire Valley is the third in a series of companion guides. The only specialist guidebook to the region, it provides context to many sites that deserve to be better known, some only recently conserved for the public. There are plenty of places to chose from: fifty-four treated at length plus fourteen shorter entries. There is an extended chapter dealing with the historical background and two feature sections. The book is easy to use as there are a large number of maps, plans and colour photographs. To ensure accuracy, the author personally followed aqueduct routes, visited hidden temples, admired ramparts, and visited all the museums. Through his writing a visit is transformed into an experience.

Knossos is one of the most important sites in the ancient Mediterranean. It remained amongst the largest settlements on the island of Crete from the Neolithic until the late Roman times, but aside from its size it held a place of particular significance in the mythological imagination of Greece and Rome as the seat of King Minos, the location of the Labyrinth and the home of the Minotaur. Sir Arthur Evans’ discovery of ‘the Palace of Minos’ has indelibly associated Knossos in the modern mind with the ‘lost’ civilisation of Bronze Age Crete. The allure of this ‘lost civilisation’, together with the considerable achievements of ‘Minoan’ artists and craftspeople, remain a major attraction both to scholars and to others outside the academic world as a bastion of a romantic approach to the past. In this volume, James Whitley provides an up-to-date guide to the site and its function from the Neolithic until the present day. This study includes a re-appraisal Bronze Age palatial society, as well as an exploration of the history of Knossos in the archaeological imagination. In doing so he takes a critical look at the guiding assumptions of Evans and others, reconstructing how and why the received view of this ancient settlement has evolved from the Iron Age up to the modern era.

This book explores the spoliation of architectural and sculptural materials during the Roman empire. Examining a wide range of materials, including imperial portraits, statues associated with master craftsmen, architectural moldings and fixtures, tombs and sarcophagi, arches and gateways, it demonstrates that secondary intervention was common well before Late Antiquity, in fact, centuries earlier than has been previously acknowledged. The essays in this volume, written by a team of international experts, collectively argue that reuse was a natural feature of human manipulation of the physical environment, rather than a sign of social pressure. Reuse often reflected appreciation for the function, form, and design of the material culture of earlier eras. Political, social, religious, and economic factors also contributed to the practice. A comprehensive overview of spoliation and reuse, this volume examines the phenomenon in Rome and throughout the Mediterranean world.

Roman cities have rarely been studied from the perspective of women, and studies of Roman women mainly focus on the city of Rome. Studying the civic participation of women in the towns of Italy outside Rome and in the numerous cities of the Latin-speaking provinces of the Roman Empire, this books offers a new view on Roman women and urban society in the Roman Principate. Drawing on epigraphy and archaeology, and to a lesser extent on legal and literary texts, women's civic roles as priestesses, benefactresses and patronesses or 'mothers' of cities and associations (collegia and the Augustales) are brought to the fore. In contrast to the city of Rome, which was dominated by the imperial family, wealthy women in the local Italian and provincial towns had ample opportunity to leave their mark on the city. Their motives to spend their money, time and energy for the benefit of their cities and the rewards their contributions earned them take centre stage. Assessing the meaning and significance of their contributions for themselves and their families and for the cities that enjoyed them, the book presents a new and detailed view of the role of women and gender in Roman urban life.

Walking served as an occasion for the display of power and status in ancient Rome, where great men paraded with their entourages through city streets and elite villa owners strolled with friends in private colonnades and gardens. In this first book-length treatment of the culture of walking in ancient Rome, Timothy O'Sullivan explores the careful attention which Romans paid to the way they moved through their society. He employs a wide range of literary, artistic, and architectural evidence to reveal the crucial role that walking played in the performance of social status, the discourse of the body and the representation of space. By examining how Roman authors depict walking, this book sheds new light on the Romans themselves not only how they perceived themselves and their experience of the world, but also how they drew distinctions between work and play, mind and body, and republic and empire."

Aelius Aristides' Hieroi Logoi present a unique first-person narrative from the ancient world-a narrative that seems at once public and private, artful and naive. While scholars have embraced the Logoi as a rich source for Imperial-era religion, politics, and elite culture, the style of the text has presented a persistent stumbling block to literary analysis. Setting this dream-memoir of illness and divine healing in the context of Aristides' professional concerns as an orator, this book investigates the text's rhetorical aims and literary aspirations. At the Limits of Art argues that the Hieroi Logoi are an experimental work. Incorporating numerous dream accounts and narratives of divine cure in a multi-layered and open text, Aristides works at the limits of rhetorical convention to fashion an authorial voice that is transparent to the divine. Reading the Logoi in the context of contemporary oratorical practices, and in tandem with Aristides' polemical orations and prose hymns, the book uncovers the professional agendas motivating this unusual self-portrait. Aristides' sober view of oratory as a sacred pursuit was in conflict with a widespread contemporary preference for spectacular public performance. In the Hieroi Logoi, Aristides claims a place in the world of the Second Sophistic on his own terms, offering a vision of his professional inspiration in a style that pushes the limits of literary convention.

Tenderness is not a notion commonly associated with the Romans, whose mythical origin was attributed to brutal rape. Yet, as Herica Valladares argues in this ground-breaking study, in the second half of the first century BCE Roman poets, artists, and their audience became increasingly interested in describing, depicting, and visualizing the more sentimental aspects of amatory experience. During this period, we see two important and simultaneous developments: Latin love elegy crystallizes as a poetic genre, while a new style in Roman wall painting emerges. Valladares' book is the first to correlate these two phenomena properly, showing that they are deeply intertwined. Rather than postulating a direct correspondence between images and texts, she offers a series of mutually reinforcing readings of painting and poetry that ultimately locate the invention of a new romantic ideal within early imperial debates about domesticity and the role of citizens in Roman society.

In this study, Hamish Forbes explores how Greek villagers have understood and reacted to their landscapes over the centuries, from the late medieval period to the present. Analyzing how they have seen themselves belonging to their local communities and within both local and wider landscapes, Forbes examines how these aspects of belonging have informed each other. Forbes also illuminates cross-disciplinary interests in memory and the importance of monuments. Based on data gathered over 25 years, Forbes' study combines the rich detail of ethnographic field work with historical and archaeological time-depth, showing how landscapes have important meaning beyond the religious sphere in terms of kinship, ideas about the past, and in their role as productive assets.

In The Archaeology of Lydia: From Gyges to Alexander, Christopher Roosevelt provides the first overview of the regional archaeology of Lydia in western Turkey, including much previously unpublished evidence as well as a fresh synthesis of the archaeology of Sardis, the ancient capital of the region. Combining data from regional surveys, stylistic analyses of artifacts in local museums, ancient texts, and environmental studies, he presents a new perspective on the archaeology of this area. To assess the importance of Lydian landscapes under Lydian and Achaemenid rule, roughly between the seventh and fourth centuries BCE, Roosevelt situates the archaeological evidence within frameworks established by evidence for ancient geography, environmental conditions, and resource availability and exploitation. Drawing on detailed and copiously illustrated evidence presented in a regionally organized catalogue, the book considers the significance of evidence of settlement and burial at Sardis and beyond for understanding Lydian society as a whole and the continuity of cultural traditions across the transition from Lydian to Achaemenid hegemony.

The crisis of the Roman Republic and its transformation into an Empire have fascinated generations of scholars. It has long been assumed that a dramatic demographic decline of the rural free peasantry (which was supplanted by slaves) triggered the series of social and economic developments which eventually led to Rome's political crisis during the first century BC. This book contributes to a lively debate by exploring both the textual and the archaeological evidence, and by tracing and reassessing the actual fate of the Italian rural free population between the Late Republic and the Early Empire. Data derived from a comparative analysis of twenty-seven archaeological surveys - and about five thousand sites - allow Dr Launaro to outline a radically new picture according to which episodes of local decline are placed within a much more generalised pattern of demographic growth.

This book tells the fascinating story of Roman Britain, beginning with the late pre-Roman Iron Age and ending with the province's independence from Roman rule in AD 409. Incorporating for the first time the most recent archaeological discoveries from Hadrian's Wall, London and other sites across the country, and richly illustrated throughout with photographs and maps, this reliable and up-to-date new account is essential reading for students, non-specialists and general readers alike. Writing in a clear, readable and lively style (with a satirical eye to strange features of past times), Rupert Jackson draws on current research and new findings to deepen our understanding of the role played by Britain in the Roman Empire, deftly integrating the ancient texts with new archaeological material. A key theme of the book is that Rome's annexation of Britain was an imprudent venture, motivated more by political prestige than economic gain, such that Britain became a 'trophy province' unable to pay its own way. However, the impact that Rome and its provinces had on this distant island was nevertheless profound: huge infrastructure projects transformed the countryside and means of travel, capital and principal cities emerged, and the Roman way of life was inseparably absorbed into local traditions. Many of those transformations continue to resonate to this day, as we encounter their traces in both physical remains and in civic life.

The first two centuries AD are conventionally thought of as the "golden age" of the Roman Empire, yet Italy in this period has often been seen as being in a state of decline and even crisis. This book investigates the relationships between city and countryside in Italy in the early Empire, using evidence from literary texts and inscriptions, and the wealth of data derived from archaeological field surveys over recent years. Looking at individual towns and regions as well as at the broader picture, and stressing the diversity of situations across Italy, John R. Patterson examines how changing patterns of building and benefaction in the cities were related to developments in the country, and underlines the resourcefulness of the cities, both large and small, in seeking to maintain and develop their civic traditions.

Private associations organized around a common cult, occupation, ethnic identity, neighborhood or family were among the principal means of organizing social and economic life in the ancient Mediterranean. They offered opportunities for sociability, cultic activities, mutual support and contexts in which to display and recognize virtuous achievement. This volume collects 140 inscriptions and papyri from Ptolemaic and early Roman Egypt, along with translations, notes, commentary, and analytic indices. The dossier of association-related documents substantially enhances our knowledge of the extent, activities, and importance of private associations in the ancient Mediterranean, since papyri, unavailable from most other locations in the Mediterranean, preserve a much wider range of data than epigraphical monuments. The dossier from Egypt includes not only honorific decrees, membership lists, bylaws, dedications, and funerary monuments, but monthly accounts of expenditures and income, correspondence between guild secretaries and local officials, price and tax declarations, records of legal actions concerning associations, loan documents, petitions to local authorities about associations, letters of resignation, and many other papyrological genres. These documents provide a highly variegated picture of the governance structures and practices of associations, membership sizes and profiles, and forms of interaction with the State.

The recent crisis in the world of antiquities collecting has prompted scholars and the general public to pay more attention than ever before to the archaeological findspots and collecting histories of ancient artworks. This new scrutiny is applied to works currently on the market as well as to those acquired since (and despite) the 1970 UNESCO Convention, which aimed to prevent the trafficking in cultural property. When it comes to famous works that have been in major museums for many generations, however, the matter of their origins is rarely considered. Canonical pieces like the Barberini Togatus or the Fonseca bust of a Flavian lady appear in many scholarly studies and virtually every textbook on Roman art. But we have no more certainty about these works' archaeological contexts than we do about those that surface on the market today. This book argues that the current legal and ethical debates over looting, ownership and cultural property have distracted us from the epistemological problems inherent in all (ostensibly) ancient artworks lacking a known findspot, problems that should be of great concern to those who seek to understand the past through its material remains.

This book explores ancient efforts to explain the scientific, philosophical, and spiritual aspects of water. From the ancient point of view, we investigate many questions including: How does water help shape the world? What is the nature of the ocean? What causes watery weather, including superstorms and snow? How does water affect health, as a vector of disease or of healing? What is the nature of deep-sea-creatures (including sea monsters)? What spiritual forces can protect those who must travel on water? This first complete study of water in the ancient imagination makes a major contribution to classics, geography, hydrology and the history of science alike. Water is an essential resource that affects every aspect of human life, and its metamorphic properties gave license to the ancient imagination to perceive watery phenomena as the product of visible and invisible forces. As such, it was a source of great curiosity for the Greeks and Romans who sought to control the natural world by understanding it, and who, despite technological limitations, asked interesting questions about the origins and characteristics of water and its influences on land, weather, and living creatures, both real and imagined.

Olynthus, an ancient city in northern Greece, was preserved in an exceptionally complete state after its abrupt sacking by Phillip II of Macedon in 348 B.C., and excavations in the 1920s and 1930s uncovered more than a hundred houses and their contents. In this book Nicholas Cahill analyzes the results of the excavations to reconstruct the daily lives of the ancient Greeks, the organization of their public and domestic space, and the economic and social patterns in the city. Cahill compares the realities of daily life as revealed by the archaeological remains with theories of ideal social and household organization espoused by ancient Greek authors. Describing the enormous variety of domestic arrangements, he examines patterns and differences in the design of houses, in the occupations of owners, and in the articulations between household and urban economies, the value of land, and other aspects of ancient life throughout the city. He thus challenges the traditional view that the Greeks had one standard household model and approach to city planning. He shows how the Greeks reconciled conflicting demands of ideal and practice, for instance between egalitarianism and social inequality or between the normative roles of men and women and roles demanded by economic necessities. The book, which is extensively illustrated with plans and photographs, is supported by a Web site containing a database of the architecture and finds from the excavations linked to plans of the site.

What were the eating and drinking habits of the inhabitants of Britain during the Roman period? Drawing on evidence from a large number of archaeological excavations, this fascinating new study shows how varied these habits were in different regions and amongst different communities and challenges the idea that there was any one single way of being Roman or native. Integrating a range of archaeological sources, including pottery, metalwork and environmental evidence such as animal bone and seeds, this book illuminates eating and drinking choices, providing invaluable insights into how those communities regarded their world. The book contains sections on the nature of the different types of evidence used and how this can be analysed. It will be a useful guide to all archaeologists and those who wish to learn about the strength and weaknesses of this material and how best to use it.

Taking public space as her starting point, Amy Russell offers a fresh analysis of the ever-fluid public/private divide in Republican Rome. Built on the 'spatial turn' in Roman studies and incorporating textual and archaeological evidence, this book uncovers a rich variety of urban spaces. No space in Rome was solely or fully public. Some spaces were public but also political, sacred, or foreign; many apparently public spaces were saturated by the private, leaving grey areas and room for manipulation. Women, slaves, and non-citizens were broadly excluded from politics: how did they experience and help to shape its spaces? How did the building projects of Republican dynasts relate to the communal realm? From the Forum to the victory temples of the Campus Martius, culminating in Pompey's great theatre-portico-temple-garden-house complex, The Politics of Public Space in Republican Rome explores how space was marked, experienced, and defined by multiple actors and audiences.