This work provides a survey of the jewellery of Roman Britain. Fully illustrated and accessible to both the specialist and amateur enthusiast, it surveys the full range of personal ornament worn in Britain during the Roman period, the 1st to 4th centuries AD. It emphasizes the presence of two distinct cultural and artistic traditions, the classical element introduced by the Romans and the indigeneous Celtic background. The interaction of these traditions affected all aspects of Romano-British life and is illustrated in the jewellery. The meaning and significance of personal ornament in a wide range of cultures is discussed, including such matters as symbolism and the display of wealth and status. The principal types of Romano-British jewellery are classified in detail, drawing attention to those which can be relatively closely dated. The coverage is not restricted to precious-metal objects, but includes jewellery made of base metals and materials such as bone, jet and glass. The final chapter is devoted to the techniques of manufacture, a subject which has become better understood in recent years as a result of scientific advances. The book should appeal to anyone who practices, te

Situated on the shores of the Argolic Gulf, only a few miles away from the much later prehistoric sites of Mycenae, Tiryns, and Midea, Lerna is one of the key building blocks in our understanding of Greek archaeology. The first evidence from the site is Neolithic, and the latest settlement evidence is Mycenaean. However, the most important material from the site comes from the middle of the 3rd millennium B.C. when a remarkable large, rectangular building known as The House of the Tiles was built. Possibly never finished, with unpainted walls and doors that lead nowhere, the purpose and meaning of this building has provoked vigorous debate. Was it the house of a chief and the precursor of the later Mycenaean palaces? Or was it a communal storage facility, designed to store the elaborately sealed chests and jars found inside? No less mysterious than its use is its destruction: After a violent fire, a huge mound was built on top of the charred foundations, the area avoided by later house builders. This guide is illustrated with many plans and black and white photos.

Winner of ASOR's 2022 G. Ernest Wright Award for the most substantial volume dealing with archaeological material, excavation reports and material culture from the ancient Near East and Eastern Mediterranean. This is a complete history of Antioch, one of the most significant major cities of the eastern Mediterranean and a crossroads for the Silk Road, from its foundation by the Seleucids, through Roman rule, the rise of Christianity, Islamic and Byzantine conquests, to the Crusades and beyond. Antioch has typically been treated as a city whose classical glory faded permanently amid a series of natural disasters and foreign invasions in the sixth and seventh centuries CE. Such studies have obstructed the view of Antioch's fascinating urban transformations from classical to medieval to modern city and the processes behind these transformations. Through its comprehensive blend of textual sources and new archaeological data reanalyzed from Princeton's 1930s excavations and recent discoveries, this book offers unprecedented insights into the complete history of Antioch, recreating the lives of the people who lived in it and focusing on the factors that affected them during the evolution of its remarkable cityscape. While Antioch's built environment is central, the book also utilizes landscape archaeological work to consider the city in relation to its hinterland, and numismatic evidence to explore its economics. The outmoded portrait of Antioch as a sadly perished classical city par excellence gives way to one in which it shines as brightly in its medieval Islamic, Byzantine, and Crusader incarnations. Antioch: A History offers a new portal to researching this long-lasting city and is also suitable for a wide variety of teaching needs, both undergraduate and graduate, in the fields of classics, history, urban studies, archaeology, Silk Road studies, and Near Eastern/Middle Eastern studies. Just as importantly, its clarity makes it attractive for, and accessible to, a general readership outside the framework of formal instruction.

Ashes, Images, and Memories argues that the institution of public burial for the war dead and images of the deceased in civic and sacred spaces fundamentally changed how people conceived of military casualties in fifth-century Athens. In a period characterized by war and the threat of civil strife, the nascent democracy claimed the fallen for the city and commemorated them with rituals and images that shaped a civic ideology of struggle and self-sacrifice on behalf of a unified community. While most studies of Athenian public burial have focused on discrete aspects of the institution, such as the funeral oration, this book broadens the scope. It examines the presence of the war dead in cemeteries, civic and sacred spaces, the home, and the mind, and underscores the role of material culture - from casualty lists to white-ground lekythoi-in mediating that presence. This approach reveals that public rites and monuments shaped memories of the war dead at the collective and individual levels, spurring private commemorations that both engaged with and critiqued the new ideals and the city's claims to the body of the warrior. Faced with a collective notion of "the fallen" families asserted the qualities, virtues, and family links of the individual deceased, and sought to recover opportunities for private commemoration and personal remembrance. Contestation over the presence and memory of the dead often followed class lines, with the elite claiming service and leadership to the community while at the same time reviving Archaic and aristocratic commemorative discourses. Although Classical Greek art tends to be viewed as a monolithic if evolving whole, this book depicts a fragmented and charged visual world.

"Greek Sanctuaries: New Approaches" examines some of the major and less well known Greek sanctuaries from a new light. The traditional approach to Greek sanctuaries and especially temples has been descriptive. Much emphasis is commonly placed on architectural features but only rarely is there an attempt to look at the totality of functions that a Greek sanctuary might encompass. This collection of articles addresses the critical questions which related to the diverse purposes of the sanctuaries: what was their social function? Who were their clients? Regional links and variations are stressed, while some sanctuaries are shown to have had particular uses such as dining and initiation. Among the cults discussed are the Eleusinian mysteries for which a new reconstruction is proposed.

The Romans commemorated many different events with inscriptions, and not just carved in stone: they are found also on such materials as bronze, wood, mosaic, glass and pottery. They range from the official and highly formulaic to the ordinary and personal. Lawrence Keppie introduces the non-specialist to the subject of inscriptions and provides clear guidance towards translating the Latin texts. Reading the text is only part of interpretation, however, and this book also gives an account of the other aspects needed for a full understanding of inscriptions. The author covers such subjects as local government; the armies and frontiers; religion; the titles of emperors; business and commerce; as well as the craft of stonecutting, developments in the alphabet and the discovery and publication of material.

Nearly every aspect of daily life in the Mediterranean world and Europe during the florescence of the Greek and Roman cultures is relevant to the topics of engineering and technology. This volume highlights both the accomplishments of the ancient societies and the remaining research problems, and stimulates further progress in the history of ancient technology. The subject matter of the book is the technological framework of the Greek and Roman cultures from ca. 800 B.C. through ca. A.D. 500 in the circum-Mediterranean world and Northern Europe. Each chapter discusses a technology or family of technologies from an analytical rather than descriptive point of view, providing a critical summation of our present knowledge of the Greek and Roman accomplishments in the technology concerned and the evolution of their technical capabilities over the chronological period. Each presentation reviews the issues and recent contributions, and defines the capacities and accomplishments of the technology in the context of the society that used it, the available "technological shelf," and the resources consumed. These studies introduce and synthesize the results of excavation or specialized studies. The chapters are organized in sections progressing from sources (written and representational) to primary (e.g., mining, metallurgy, agriculture) and secondary (e.g., woodworking, glass production, food preparation, textile production and leather-working) production, to technologies of social organization and interaction (e.g., roads, bridges, ships, harbors, warfare and fortification), and finally to studies of general social issues (e.g., writing, timekeeping, measurement, scientific instruments, attitudestoward technology and innovation) and the relevance of ethnographic methods to the study of classical technology. The unrivalled breadth and depth of this volume make it the definitive reference work for students and academics across the spectrum of classical studies.

The third century BC was a particularly troubled period of ancient Greek history, when the Aegean sea became the main stage for power struggles between various royal circles and dynasties, including the Antigonids and the Ptolemies. This volume addresses the history of interaction in the Aegean world during this time by focusing on the island of Delos, which housed one of its most important regional sanctuaries. It draws on contemporary network theory and approaches to regionalism, as well as thorough investigation of the Delian epigraphic and material evidence, to explore how and to what degree the islands of the southern Aegean formed active networks of political, religious, and cultural interaction. Four case studies examine different types of networks on and around Delos, covering the federal organisation of islands into the so-called 'Islanders' League', the participation of Delian and other agents in the processes of monumentalisation of the Delian landscape, the network of honours of the Delian community, and the social dynamics of dedication through the record of dedicants in the Delian inventories. They reveal not only that these kinds of regional interaction in the southern Aegean were pervasive, but also that they had a significant impact on the creation of a regional identity; one that persisted despite the political changes of the age.

This book accounts for the tumultuous period of the fifth to eleventh centuries from the Fall of Rome and the collapse of the Western Roman Empire through the breakup of the Eastern Roman Empire and loss of pan-Mediterranean rule, until the Turks arrived and seized Anatolia. The volume is divided into a dozen syntheses that each addresses an issue of intrigue for the archaeology of Anatolia, and two dozen case studies on single sites that exemplify its richness. Anatolia was the only major part of the Roman Empire that did not fall in late antiquity; it remained steadfast under Roman rule through the eleventh century. Its personal history stands to elucidate both the emphatic impact of Roman administration in the wake of pan-Mediterranean collapse. Thanks to Byzantine archaeology, we now know that urban decline did not set in before the fifth century, after Anatolia had already be thoroughly Christianized in the course of the fourth century; we know now that urban decline, as it occurred from the fifth century onwards, was paired with rural prosperity, and an increase in the number, size, and quality of rural settlements and in rural population; that this ruralization was halted during the seventh to ninth centuries, when Anatolia was invaded first by the Persians, and then by the Arabs - and the population appears to have sought shelter behind new urban fortifications and in large cathedrals. Further, it elucidates that once the Arab threat had ended in the ninth century, this ruralization set in once more, and most cities seem to have been abandoned or reduced to villages during the ensuing time of seeming tranquility, whilst the countryside experienced renewed prosperity; that this trend was reversed yet again, when the Seljuk Turks appeared on the scene in the eleventh century, devastated the countryside and led to a revival and refortification of the former cities. This dynamic historical thread, traced across its extremes through the lens of Byzantine archaeology, speaks not only to the torrid narrative of Byzantine Anatolia, but to the enigmatic medievalization.

In this book, Ellen Swift uses design theory, previously neglected in Roman archaeology, to investigate Roman artefacts in a new way, making a significant contribution to both Roman social history, and our understanding of the relationships that exist between artefacts and people. Based on extensive data collection and the close study of artefacts from museum collections and archives, the book examines the relationship between artefacts, everyday behaviour, and experience. The concept of 'affordances'-features of an artefact that make possible, and incline users towards, particular uses for functional artefacts-is an important one for the approach taken. This concept is carefully evaluated by considering affordances in relation to other sources of evidence, such as use-wear, archaeological context, the end-products resulting from artefact use, and experimental reconstruction. Artefact types explored in the case studies include locks and keys, pens, shears, glass vessels, dice, boxes, and finger-rings, using material mainly drawn from the north-western Roman provinces, with some material also from Roman Egypt. The book then considers how we can use artefacts to understand particular aspects of Roman behaviour and experience, including discrepant experiences according to factors such as age, social position, and left- or right-handedness, which are fostered through artefact design. The relationship between production and users of artefacts is also explored, investigating what particular production methods make possible in terms of user experience, and also examining production constraints that have unintended consequences for users. The book examines topics such as the perceived agency of objects, differences in social practice across the provinces, cultural change and development in daily practice, and the persistence of tradition and social convention. It shows that design intentions, everyday habits of use, and the constraints of production processes each contribute to the reproduction and transformation of material culture.

Andre Tchernia is one of the leading experts on amphorae as a source of economic history, a pioneer of maritime archaeology, and author of a wealth of articles on Roman trade, notably the wine trade. This book brings together the author's previously published essays, updated and revised, with recent notes and prefaced with an entirely new synthesis of his views on Roman commerce with a particular emphasis on the people involved in it. The book is divided into two main parts. The first is a general study of the structure of Roman trade: Landowners and traders, traders' fortunes, the matter of the market, the role of the state, and dispatching what is required. It tackles the recent debates on Roman trade and Roman economy, providing, original and convincing answers. The second part of the book is a selection of 14 of the author's published papers. They range from discussions of general topics such as the ideas of crisis and competition, the approvisioning of Ancient Rome, trade with the East, to more specialized studies, such as the interpretation of the 33 AD crisis. Overall, the book contains a wealth of insights into the workings of ancient trade and expertly combines discussion of the material evidence-especially of amphorae and wrecks-with the prosopographical approach derived from epigraphic, papyrological and historical data.

Spanning centuries and the vastness of the Roman Empire, The Last Statues of Antiquity is the first comprehensive survey of Roman honorific statues in the public realm in Late Antiquity. Drawn from a major research project and corresponding online database that collates all the available evidence for the 'statue habit' across the Empire from the late third century AD onwards, the volume examines where, how, and why statues were used, and why these important features of urban life began to decline in number before eventually disappearing around AD 600. Adopting a detailed comparative approach, the collection explores variation between different regions-including North Africa, Asia Minor, and the Near East-as well as individual cities, such as Aphrodisias, Athens, Constantinople, and Rome. A number of thematic chapters also consider the different kinds of honorand, from provincial governors and senators, to women and cultural heroes. Richly illustrated, the volume is the definitive resource for studying the phenomenon of late-antique statues. The collection also incorporates extensive references to the project's database, which is freely accessible online.

For almost three hundred years, excavations have been carried out in Roman Bath. At first these were rare and sporadic and archaeological finds were made by chance. Even fewer were reported. But from the 1860s, deliberate investigations were made and increasingly professional methods employed. The Roman Baths were laid open to view, but little was published. From the 1950s, interest accelerated, professionals and amateurs collaborated, and there was never a decade in which some new discovery was not made. The first popular but authoritative presentation of this work was made in 1971 and updated several times. However, from the 1990s to the present there has been some sort of archaeological investigation almost every year. This has thrown much new and unexpected light on the town of Aquae Sulis and its citizens. In this book, Peter Davenport, having been involved in most of the archaeological work in Bath since 1980, attempts to tell the story of Roman Bath: the latest interim report on the 'Three Hundred Year Dig'.

Ancestry played a continuous role in the construction and portrayal of Roman emperorship in the first three centuries AD. Emperors and Ancestors is the first systematic analysis of the different ways in which imperial lineage was represented in the various 'media' through which images of emperors could be transmitted. Looking beyond individual rulers, Hekster evaluates evidence over an extended period of time and differentiates between various types of sources, such as inscriptions, sculpture, architecture, literary text, and particularly central coinage, which forms the most convenient source material for a modern reconstruction of Roman representations over a prolonged period of time. The volume explores how the different media in use sent out different messages. The importance of local notions and traditions in the choice of local representations of imperial ancestry are emphasized, revealing that there was no monopoly on image-forming by the Roman centre and far less interaction between central and local imagery than is commonly held. Imperial ancestry is defined through various parallel developments at Rome and in the provinces. Some messages resonated outside the centre but only when they were made explicit and fitted local practice and the discourse of the medium. The construction of imperial ancestry was constrained by the local expectations of how a ruler should present himself, and standardization over time of the images and languages that could be employed in the 'media' at imperial disposal. Roman emperorship is therefore shown to be a constant process of construction within genres of communication, representation, and public symbolism.

In this volume, Bobou offers a systematic analysis of ancient Greek statues of children from the sanctuaries, houses, and necropoleis of the Hellenistic world in order to understand their function and meaning. Comparing images of children in reliefs, terracotta figurines, and marble statutes, she shows that children and childhood became more prominent in the visual material record from the late fifth century BC, a time during which children became a matter of parental and state concern. Looking at the literary and epigraphical evidence, Bobou argues that statues of children were important for transmitting civic values to future citizens, serving as paradigms of behaviour and standing testament to the strength and future of a community. Created by adults, the statues reveal much about adult ideology and values during this period, and the expectations and hopes placed on children. The combination of iconographic studies and examination of the original locations in which statues were placed highlights the importance of children in Hellenistic society as well as their connection with specific areas of civic and social life.

Artemis is a literary, iconographic, and archaeological study of the ancient Greek goddess of the hunt, who presided over the transitions and mediations between the wild and the civilized, youth and maturity, life and death. Beginning with a study of the early origins of Artemis and her cult in the Bronze and Archaic Ages, Budin explores the goddess' persona and her role in the lives of her worshippers. This volume examines her birth and childhood, her place in the divine family, her virginity, and her associations with those places where the wilds become the "cities of just men." The focus then turns to Artemis' role in the lives of children and women, particularly how she helps them navigate the transition to adulthood and, perhaps too often, death. Budin goes on to reconsider some of the more harrowing aspects of Artemis' mythology, such as plague and bloodshed, while also examining some of her kinder, oft overlooked associations. Finally, the role of Artemis in the Renaissance and modern society is addressed, from the on-going fascination with the "breasts" on the statue of Artemis of Ephesos to the Artemisian aspects of Katniss Everdeen. Written in an accessible style, Artemis is a crucial resource for students not only of Greek myth, religion and cult, but also those seeking to understand the lives and roles of girls and women in ancient Greece, as this goddess presided over their significant milestones, from maiden to wife to mother.

This volume explores Rome's northern provinces through the portable artefacts people used and left behind. Objects are crucial to our understanding of the past, and can be used to explore interlinking aspects of identity. For example, can we identify incomers? How are exotic materials (such as amber and ivory) and objects depicting 'the exotic' (e.g. Africans) consumed? Do regional styles exist below the homogenizing influence of Roman trade? How do all these aspects of identity interact with others, such as status, gender, and age? In this innovative study, the author combines theoretical awareness and a willingness to engage with questions of social and cultural identity with a thorough investigation into the well-published but underused material culture of Rome's northern provinces. Pottery and coins, the dominant categories of many other studies, have here been largely excluded in favour of small portable objects such as items of personal adornment, amulets, and writing equipment. The case studies included were chosen because they relate to specific, often interlinking aspects of identity such as provincial, elite, regional, or religious identity. Their meaning is explored in their own right and in depth, and in careful examination of their contexts. It is hoped that these case studies will be of use to archaeologists working in other periods, and indeed to students of material culture generally by making a small contribution to a growing corpus of academic and popular books that develop interpretative, historical narratives from selected objects.

Mail armour (commonly mislabelled 'chainmail') was used for more than two millennia on the battlefield. After its invention in the Iron Age, mail rapidly spread all over Europe and beyond. The Roman army, keen on new military technology, soon adopted mail armour and used it successfully for centuries. Its history did not stop there and mail played a vital role in warfare during the Middle Ages up to the Early Modern Period. Given its long history, one would think mail is a well-documented material, but that is not the case. For the first time, this books lays a solid foundation for the understanding of mail armour and its context through time. It applies a long-term multi-dimensional approach to extract a wealth of as yet untapped information from archaeological, iconographic and written sources. This is complemented with technical insights on the mail maker's chaine operatoire.

In Corinth in Contrast, archaeologists, historians, art historians, classicists, and New Testament scholars examine the stratified nature of socio-economic, political, and religious interactions in the city from the Hellenistic period to Late Antiquity. The volume challenges standard social histories of Corinth by focusing on the unequal distribution of material, cultural, and spiritual resources. Specialists investigate specific aspects of cultural and material stratification such as commerce, slavery, religion, marriage and family, gender, and art, analyzing both the ruling elite of Corinth and the non-elite Corinthians who made up the majority of the population. This approach provides insight into the complex networks that characterized every ancient urban center and sets an agenda for future studies of Corinth and other cities rule by Rome.

Ashes, Images, and Memories argues that the institution of public burial for the war dead and images of the deceased in civic and sacred spaces fundamentally changed how people conceived of military casualties in fifth-century Athens. In a period characterized by war and the threat of civil strife, the nascent democracy claimed the fallen for the city and commemorated them with rituals and images that shaped a civic ideology of struggle and self-sacrifice on behalf of a unified community. While most studies of Athenian public burial have focused on discrete aspects of the institution, such as the funeral oration, this book broadens the scope. It examines the presence of the war dead in cemeteries, civic and sacred spaces, the home, and the mind, and underscores the role of material culture-from casualty lists to white-ground lekythoi-in mediating that presence. This approach reveals that public rites and monuments shaped memories of the war dead at the collective and individual levels, spurring private commemorations that both engaged with and critiqued the new ideals and the city's claims to the body of the warrior. Faced with a collective notion of "the fallen, " families asserted the qualities, virtues, and family links of the individual deceased, and sought to recover opportunities for private commemoration and personal remembrance. Contestation over the presence and memory of the dead often followed class lines, with the elite claiming service and leadership to the community while at the same time reviving Archaic and aristocratic commemorative discourses. Although Classical Greek art tends to be viewed as a monolithic if evolving whole, this book depicts a fragmented and charged visual world.

This volume is the first comprehensive archaeological catalogue of all the extant inscriptions written in the un-deciphered syllabary of Late Bronze Age Cyprus (1500-1200 BC): the so-called Cypro-Minoan script. In conjunction with Cypro-Minoan Inscriptions Volume 1: Analysis, this volume focuses on the physical reality of the inscribed objects containing Cypro-Minoan and the archaeological contexts in which they were found. Offering a detailed, systematic, and rigorous examination of both the objects and their functions in the material record, it proposes a new way of examining the inscriptions. This comprehensive standpoint therefore considers not only the inscriptions themselves, but more importantly the contexts and functions of the inscribed objects, which are significant for the documentary evidence they bear and the part they play as physical entities manufactured, shaped, and used by past peoples for a defined purpose. Organized in a catalogue format, each object is analysed, illustrated, and accompanied by a detailed commentary on the context of recovery and typological characteristics with full bibliographical references. While a standalone reference work, it aims to showcase the inscribed objects discussed in Volume 1: Analysis, fully illustrating them in a series of photographs, including 50 colour plates, and drawings.

In this volume, Philip Kay examines economic change in Rome and Italy between the Second Punic War and the middle of the first century BC. He argues that increased inflows of bullion, in particular silver, combined with an expansion of the availability of credit to produce significant growth in monetary liquidity. This, in turn, stimulated market developments, such as investment farming, trade, construction, and manufacturing, and radically changed the composition and scale of the Roman economy. Using a wide range of evidence and scholarly investigation, Kay demonstrates how Rome, in the second and first centuries BC, became a coherent economic entity experiencing real per capita economic growth. Without an understanding of this economic revolution, the contemporaneous political and cultural changes in Roman society cannot be fully comprehended or explained.

The south-eastern tip of continental Europe was a major focus of creative energy in the second half of the first millennium BC. As the bridgehead between Europe, Asia, and the Mediterranean, the lands that corresponded to northern Greece, Bulgaria, and the European parts of Turkey became a focus of interest for a variety of external powers keen to benefit from this region's burgeoning wealth. While the ancient kingdoms of Macedon and Thrace were thought of as fringe areas of the Mediterranean, they became rich and successful, partly by exploiting the region's mineral wealth and timber and from the effective herding of livestock. In economic terms, these land-based states were strongly connected to the maritime powers of central and southern Greece and with areas far beyond the Aegean. Using the most up-to-date methods and theories about ancient economies, Archibald explores the cultural and economic dynamics of a region that continues to reveal unexpected dimensions of Classical antiquity.

Since their discovery in nineteenth-century Russia, Greco-Scythian artefacts have been interpreted as masterpieces by Greek craftsmen working according to the tastes of the Scythian nomads and creating realistic depictions of their barbarian patrons. Drawing on a broad array of evidence from archaeology, art history and epigraphy to contextualize Greco-Scythian metalwork in ancient society, this volume confronts the deep confusion between ancient representation and historical reality in contemporary engagements with classical culture. It argues that the strikingly life-like figure scenes of Greco-Scythian art were integral to the strategies of a cosmopolitan elite who legitimated its economic dominance by asserting an intermediary cultural position between the steppe inland and the urban centres on the shores of the Black Sea. Investigating the reception of this 'Eurasian' self-image in tsarist Russia, Meyer unravels the complex relationship between ancient ideology and modern imperial visions, and its legacy in current conceptions of cultural interaction and identity. With a synthesis of material evidence never yet attempted, this volume breaks significant new ground in explaining the archaeology of Scythia and its ties to inner Asia and classical Greece, the intersection between modern museum display and visual knowledge, and the intellectual history of classics in Russia and the West.

In ancient Athenian democracy there were one hundred and thirty-nine official demes, or recognized population centres, which formed the foundation of the political system introduced by Kleisthenes in 508/7 BC. Enrolment in one of these demes was a prerequisite for citizenship and participation in the Athenian socio-political system. Acharnai was by far the largest of the Kleisthenic demes and one of the best known from the ancient sources, most notably Thucydides and Aristophanes' comedy Acharnians; it therefore provides a rare opportunity for a comprehensive investigation into the workings of a rural deme. In this volume, Kellogg combines literary, prosopographical, epigraphical, and archaeological evidence to create an encompassing overview of this dynamic and historical settlement with a well-developed identity and unique traditions. Such an investigation also functions as a corrective to a 'one size fits all' approach to rural Attica, which privileges the city and its political and economic opportunities over the countryside where most of the Athenian citizenry lived. This volume constitutes a new and distinctive contribution to the study of ancient Athens, and is a major advance in the analysis of the critically important role of the Attic demes in the economic, political, social, and religious structures of Athenian democracy.