The sixth volume in the Institute of Classical Archaeology's series on the rural countryside (chora) of Metaponto is a study of the Greek settlement at Sant'Angelo Vecchio. Located on a slope overlooking the Basento River, the site illustrates the extraordinary variety of settlements and uses of the territory from prehistory through the current day. Excavators brought to light a Late Archaic farmhouse, evidence of a sanctuary near a spring, and a cluster of eight burials of the mid-fifth century BC, but the most impressive remains belong to a production area with kilns. Active in the Hellenistic, Late Republican, and Early Imperial periods, these kilns illuminate important and lesser-known features of production in the chora of a Greek city and also chronicle the occupation of the territory in these periods. The thorough, diachronic presentation of the evidence from Sant'Angelo Vecchio is complemented by specialist studies on the environment, landscape, and artifacts, which date from prehistory to the post-medieval period. Significantly, the evidence spans the range of Greek site types (farmhouse, necropolis, sanctuary, and production center) as well as the Greek dates (from the Archaic to Early Imperial periods) highlighted during ICA's survey of the Metapontine chora. In this regard, Chora 6 enhances the four volumes of The Chora of Metaponto 3: Archaeological Field Survey-Bradano to Basento and provides further insight into how sites in the chora interacted throughout its history.

In this wide-ranging and often controversial book, Robert Drews examines the question of the origins of man's relations with the horse. He questions the belief that on the Eurasian steppe men were riding in battle as early as 4000 BC, and suggests that it was not until around 900 BC that men anywhere - whether in the Near East and the Aegean or on the steppes of Asia - were proficient enough to handle a bow, sword or spear while on horseback. After establishing when, where, and most importantly why good riding began, Drews goes on to show how riding raiders terrorized the civilized world in the seventh century BC, and how central cavalry was to the success of the Median and Persian empires.
Drawing on archaeological, iconographic and textual evidence, this is the first book devoted to the question of when horseback riders became important in combat. Comprehensively illustrated, this book will be essential reading for anyone interested in the origins of civilization in Eurasia, and the development of man's military relationship with the horse.

This second edition of Alison E. Cooley's accessible introduction to Pompeii takes into account the major new theories and discoveries that have emerged since the first edition was published 20 years ago. Italy's third most popular tourist destination, Pompeii attracts millions of visitors each year, and images of the town are familiar all around the world. However, even today our picture of the site is being impacted by new archaeological discoveries. This book focuses particularly on the date of the eruption, the natural environment of Pompeii, the recovery of skeletal remains and plaster casts, and Pompeii in the popular imagination. In addition, three new chapters look at the popularization of Pompeii, archaeological reconstruction of the Roman town, and how we know what we know about the people who lived there. The technological advances of the 20th and 21st centuries have transformed our understanding of the urban environment of Pompeii, raising new questions even as they dig ever deeper into the surviving material evidence. This volume offers a succinct and insightful exploration of the impact of these scientific and archaeological innovations, as well as that of contemporary politics, upon interpretations of Pompeii over the last 250 years, including the ways in which advances in volcanology have transformed our picture of its last moments.

This is a collection of eighteen papers presented at a conference that was held at the Hatfield Campus of the University of Hertfordshire with 122 members and guests from the United Kingdom, the United States of America, Germany and Norway were present. The papers are on the research on various aspects of the art and architecture of the abbey, at St Albans and provides an ideal forum for bringing together many aspects of the abbey's history.

In AD 79, Mt. Vesuvius erupted in two stages. While the first stage was incredibly destructive, it was the second stage, a so-called pyroclastic flow, that inundated Pompeii with a combination of superheated gases, pumice, and rocks, killing tens of thousands of people and animals and burying them in ash and mud.

During excavations of the town in 1863, Giuseppe Fiorelli, the director of the dig, poured plaster of paris into a cavity under the soil revealed by a workman's pick. When the plaster set and the mound was uncovered, all were amazed to see the secret that the ground had held for 1,800 years: a detailed cast of an ancient Pompeian such as no one had seen before, frozen in the instant of dying and complete in every respect, including outlines of the clothes he was wearing at the time of the destruction. The bodies, photographed and exhibited in the specially built Pompeii Museum, completely changed the world's ideas of life in ancient Italy.

"Pompeii's Living Statues" is a narrative account, supported by contemporary documents, of the remarkable discovery of those ancient victims preserved in the volcanic mud of Vesuvius.

Eugene Dwyer examines these casts and related records, the originals of a number of which (along with their museum) were lost in World War II bombing. As he considers the casts as archaeological and cultural pieces, he also discusses Pompeii and its artifacts in the context of Italian unification and party politics, the development of modern excavation methods, and the challenges of maintaining a very large archaeological site. Dwyer's clear organization and writing style, combined with a collection of photographs and engravings, make for a fascinating exploration of Pompeii and its victims.

The Byzantine cathedral of Hagia Sophia has been a source of wonder and fascination since its sixth-century construction. It was the premier monument of the Byzantine capital, Constantinople, and remains one of the most recognisable symbols of modern Istanbul. Often seen as encapsulating Byzantine history and culture, the building has been the subject of much scholarly interest since the Renaissance. However, while almost all previous archaeological work has focussed on the church itself, the surrounding complex of ecclesiastical buildings has been largely neglected. The research project presented here (co-directed by the authors) is the first to focus on the archaeology of the immediate environs of the church in order to understand the complex as a whole. Previously unrecorded material includes parts of the Patriarchal complex, from which the Orthodox Church was governed for almost a millennium, what may be the ‘Great Baptistery’ north of the church, and what are perhaps the first fragments of the fourth-century phase of the cathedral yet identified. The discovery of an unrecognised porch, surviving to its full height within the standing building, changes the known plan of the famous sixth-century church. This new information provides fresh evidence about the appearance and function of the complex, illustrating its similarities to, and dissimilarities from, Episcopal centers elsewhere in the Byzantine world. Combined with other archaeological sources, these discoveries enable us to place the sixth-century cathedral in its urban context and to reconsider what Hagia Sophia can tell us about the wider Byzantine world.

Pseira, a tiny islet near the coast of eastern Crete, has been called a priceless jewel in Crete's archaeological crown. In 1906 and 1907, the American archaeologist Richard Seager unearthed the extensive remains of a Bronze Age village here. Little was known about this site until a joint Greek-American project directed by Philip P Betancourt and Costis Davaras returned to the island in 1985. This is the first volume in a series of final publications on the joint excavations.The site is a seaport dating from the end of the Final Neolithic until the Late Minoan period. This volume presents a series of houses whose main period of occupation is Late Minoan IB. The architecture is constructed of stone and remarkably well preserved. The text includes detailed catalog entries, profile drawings, and stone-by-stone architectural plans.

Everyone has heard of the Minotaur in the labyrinth on Crete and many know that the Greek gods would adopt the guise of a bull to seduce mortal women. But what lies behind these legends? This text discusses mankind's enduring obsession with bulls. The bull is an almost universal symbol throughout Indo-European cultures. Bull cults proliferated in the Middle East and in many parts of North Africa, and one cult, Mithraism, was the greatest rival to Christianity in the Roman Empire. The Cults are divergent yet have certain core elements in common. The author argues that the ancient bulls were the supreme sacrificial animal. An examination of evidence from earliest prehistory onwards reveals the bull to be a symbol of political authority, sexual potency, economic wealth and vast subterranean powers. In some areas representations of the bull have varied little from earliest times, in others it has changed vastly over centuries.

Originally published between 1920-70, the "History of Civilization" was published at a formative time within the social sciences, and during a period of decisive historical discovery. The aim of the general editor, C.K. Ogden, was to summarize the most up to date findings and theories of historians, anthropologists, archaeologists and sociologists. This reprinted material is available as a set or in the following groupings: "Prehistory and Historical Ethnography" set of 12 (0-415-15611-4, u800); "Greek Civilization" set of 7 (0-415-15612-2, u450); "Roman Civilization" set of 6 (0-415-15613-0, u400); "Eastern Civilizations" set of 10 (0-415-15614-9, u650); "Judaeo-Christian Civilization" set of 4 (0-415-15615-7, u250); "European Civilization" set of 11 (0-415-15616-5, u700).

This series was originally published between 1920-70. The aim of the general editor, C.K. Ogden, was to summarize the most up-to-date findings and theories of historians, anthropologists, archaeologists and sociologists. This reprinted material is available as a set or in the following groupings: "Prehistory and Historical Ethnography" set of 12: 0-415-15611-4 (u800); "Greek Civilization" set of 7: 0-415-15612-2 (u450); "Roman Civilization" set of 6: 0-415-15613-0 (u400); "Eastern Civilizations" set of 10: 0-415-15614-9 (u650); "Judaeo-Christian Civilization" set of 4: 0-415-15615-7: (u250); "European Civilization" set of 11: 0-415-15616-5 (u700).

Originally published between 1920-70, the "History of Civilization" was published at a formative time within the social sciences, and during a period of decisive historical discovery. The aim of the general editor, C.K. Ogden, was to summarize the most up to date findings and theories of historians, anthropologists, archaeologists and sociologists. This reprinted material is available as a set or in the following groupings: "Prehistory and Historical Ethnography" set of 12 (0-415-15611-4, u800); "Greek Civilization" set of 7 (0-415-15612-2, u450); "Roman Civilization" set of 6 (0-415-15613-0, u400); "Eastern Civilizations" set of 10 (0-415-15614-9, u650); "Judaeo-Christian Civilization" set of 4 (0-415-15615-7, u250); "European Civilization" set of 11 (0-415-15616-5, u700).

This is an illustrated reference to the art, architecture, religion, society and culture of the Roman world with over 450 pictures, maps and artworks. How the Romans lived: an authoritative and highly accessible exploration of Roman society. It is beautifully illustrated with over 450 photographs of painting and sculpture, architecture and art, artworks and maps that explore the glory that was Rome. You can find out how people in the ancient Roman Empire lived, worked, played and behaved during one of the cultural peaks of world history. This wonderfully illustrated history celebrates the great public buildings, palaces and villas of the Roman Empire, including the Colosseum, the Pantheon and other World Heritage buildings. Daily life in ancient Rome is explored through contemporary accounts of sports and games in the arenas, work and play at the baths, the forum and the woman's world of home. You can discover the scandalous lives of such notorious emperors as Caligula and Nero. With its wealth of pictures and artworks, and an authoritative and enthusiastic text, this is the perfect book for study projects or anyone planning to visit Italy or other sites of the ancient Roman world.

"Lepcis Magna", one of the greatest of the Roman cities of North Africa and one of the most famous archaeological sites in the Mediterranean, was situated in the region of Tripolitania. Birthplace of the Emperor Septimius Severus, the city has yielded many well-preserved monuments from its Roman past. Mattingly presents valuable information on the pre-Roman tribal background, the urban centres, the military frontier and the regional economy. He reinterprets many aspects of the settlement history of this marginal arid zone that was once made prosperous, and considers the wider themes of Romanization, frontier military strategy, and economic links between provinces and sources of elite wealth.

Did homes in ancient Greece have kitchens and bathrooms? If so, why have archaeologists had such troubles finding their remains? What did the concepts of "home "and "house" mean to the ancient Greeks? This book offers an illuminating reappraisal of domestic space in classical Greece. Beginning with the premise that we must cease to view the classical Greek house through the lens of contemporary Western notions, Janett Morgan provides a fresh evaluation of what home meant to different communities in the ancient Greek world. By employing textual analysis alongside archaeological scholarship, "The Classical Greek House" seeks to explain some of the contradictions that previous approaches have left unresolved. Of value to students and academics alike, Morgan's work offers an exciting new perspective on relations between men and women, public and private, and between home and city in the ancient world.

An unparalleled assemblage of Archaic black-figure painted pinakes (plaques) was uncovered near Penteskouphia, a village west of ancient Corinth, over a century ago. The pinakes - represented by over 1,200 fragments - and their depictions of gods, warriors, animals, and the potters themselves, provide a uniquely rich source of information about Greek art, technology, and society. In this volume, the findspot of the pinakes is identified in a contribution by Ioulia Tzonou and James Herbst, and the assemblage as a whole is fully contextualized within the Archaic world. Then, by focusing specifically on the images of potters at work, the author illuminates the relationship between Corinthian and Athenian art, the technology used in ancient pottery production, and religious anxiety in the 6th century B.C. The first comprehensive register of all known Penteskouphia pinakes complements the well-illustrated discussion.

The Ptolemaic and Seleucid empires are usually studied separately, or else included in broader examinations of the Hellenistic world. This book provides a systematic comparison of the roles of local elites and local populations in the construction, negotiation, and adaptation of political, economic, military and ideological power within these states in formation. The two states, conceived as multi-ethnic empires, are sufficiently similar to make comparisons valid, while the process of comparison highlights and better explains differences. Regions that were successively incorporated into the Ptolemaic and then Seleucid state receive particular attention, and are understood within the broader picture of the ruling strategies of both empires. The book focusses on forms of communication through coins, inscriptions and visual culture; settlement policies and the relationship between local and immigrant populations; and the forms of collaboration with and resistance of local elites against immigrant populations and government institutions.

Latin literature is a hotbed of holes and erasures. Its sensitivity to politics leaves it ripe for repression of all sorts of names, places and historical events, while its dense allusivity appears to hide interpretative clues in a network of texts that only the reader's consciousness can make present. This volume showcases innovative approaches to the field of Latin literature, all of which are refracted through this prism of absence, which functions as a fundamental generative force both for the hermeneutics and the ongoing literary aftermath of these texts. Reviewing and working with various influential approaches to textual absence, the contributors to Unspoken Rome treat these texts as silent types, listening out for what they do not say, and how they do not speak, whilst also tracing the ill-defined borders within which scholars and modern authors are legitimized to fill in the silences around which they are built.

Antioch in Syria critically reassesses this ancient city from its Seleucid foundation into Late Antiquity. Although Antioch's prominence is famous, Kristina M. Neumann newly exposes the gradations of imperial power and local agency mediated within its walls through a comprehensive study of the coins minted there and excavated throughout the Mediterranean and Middle East. Patterns revealed through digital mapping and Exploratory Data Analysis serve as a significant index of spatial politics and the policies of the different authorities making use of the city. Evaluating the coins against other historical material reveals that Antioch's status was not fixed, nor the people passive pawns for external powers. Instead, as imperial governments capitalised upon Antioch's location and amenities, the citizens developed in their own distinct identities and agency. Antioch of the Antiochians must therefore be elevated from traditional narratives and static characterisations, being studied and celebrated for the dynamic polis it was.

This book investigates the working mechanisms of public opinion in Late Republican Rome as a part of informal politics. It explores the political interaction (and sometimes opposition) between the elite and the people through various means, such as rumours, gossip, political literature, popular verses and graffiti. It also proposes the existence of a public sphere in Late Republican Rome and analyses public opinion in that time as a system of control. By applying the spatial turn to politics, it becomes possible to study sociability and informal meetings where public opinion circulated. What emerges is a wider concept of the political participation of the people, not just restricted to voting or participating in the assemblies.

Investment in capital, both physical and financial, and innovation in its uses are often considered the linchpin of modern economic growth, while credit and credit markets now seem to determine the wealth - as well as the fate - of nations. Yet was it always thus? The Roman economy was large, complex, and sophisticated, but in terms of its structural properties did it look anything like the economies we know and are familiar with today? Through consideration of the allocation and uses of capital and credit and the role of innovation in the Roman world, the individual essays comprising this volume go straight to the heart of the matter, exploring such questions as how capital in its various forms was generated, allocated, and employed in the Roman economy; whether the Romans had markets for capital goods and credit; and whether investment in capital led to innovation and productivity growth. Their authors consider multiple aspects of capital use in agriculture, water management, trade, and urban production, and of credit provision, finance, and human capital, covering different periods of Roman history and ranging geographically across Italy and elsewhere in the Roman world. Utilizing many different types of written and archaeological evidence, and employing a range of modern theoretical perspectives and methodologies, the contributors, an expert international team of historians and archaeologists, have produced the first book-length contribution to focus exclusively on (physical and financial) capital in the Roman world; a volume that is aimed not only at specialists in the field, but also at economic historians and archaeologists specializing in other periods and places.

This book provides a twenty-first century perspective on Roman Britain, combining current approaches with the wealth of archaeological material from the province. This volume introduces the history of research into the province and the cultural changes at the beginning and end of the Roman period. The majority of the chapters are thematic, dealing with issues relating to the people of the province, their identities and ways of life. Further chapters consider the characteristics of the province they lived in, such as the economy, and settlement patterns. This handbook reflects the new approaches being developed in Roman archaeology, and demonstrates why the study of Roman Britain has become one of the most dynamic areas of archaeology.The book will be useful for academics and students interested in Roman Britain.

Was the fall of Rome a great catastrophe that cast the West into darkness for centuries to come? Or, as scholars argue today, was there no crisis at all, but simply a peaceful blending of barbarians into Roman culture, an essentially positive transformation?
In The Fall of Rome, eminent historian Bryan Ward-Perkins argues that the "peaceful" theory of Rome's "transformation" is badly in error. Indeed, he sees the fall of Rome as a time of horror and dislocation that destroyed a great civilization, throwing the inhabitants of the West back to a standard of living typical of prehistoric times. Attacking contemporary theories with relish and making use of modern archaeological evidence, he looks at both the wider explanations for the disintegration of the Roman world and also the consequences for the lives of everyday Romans, who were caught in a world of marauding barbarians, and economic collapse. The book recaptures the drama and violence of the last days of the Roman world, and reminds us of the very real terrors of barbarian occupation. Equally important, Ward-Perkins contends that a key problem with the new way of looking at the end of the ancient world is that all difficulty and awkwardness is smoothed out into a steady and positive transformation of society. Nothing ever goes badly wrong in this vision of the past. The evidence shows otherwise.
Up-to-date and brilliantly written, combining a lively narrative with the latest research and thirty illustrations, this superb volume reclaims the drama, the violence, and the tragedy of the fall of Rome.

Tenderness is not a notion commonly associated with the Romans, whose mythical origin was attributed to brutal rape. Yet, as Herica Valladares argues in this ground-breaking study, in the second half of the first century BCE Roman poets, artists, and their audience became increasingly interested in describing, depicting, and visualizing the more sentimental aspects of amatory experience. During this period, we see two important and simultaneous developments: Latin love elegy crystallizes as a poetic genre, while a new style in Roman wall painting emerges. Valladares' book is the first to correlate these two phenomena properly, showing that they are deeply intertwined. Rather than postulating a direct correspondence between images and texts, she offers a series of mutually reinforcing readings of painting and poetry that ultimately locate the invention of a new romantic ideal within early imperial debates about domesticity and the role of citizens in Roman society.

The Peirene Fountain as described by its first excavator, Rufus B. Richardson, is the most famous fountain of Greece. Here is a retrospective of a wellspring of Western civilization, distinguished by its long history, service to a great ancient city, and early identification as the site where Pegasus landed and was tamed by the hero Bellerophon. Spanning three millennia and touching a fourth, Peirene developed from a nameless spring to a renowned source of inspiration, from a busy landmark in Classical Corinth to a quiet churchyard and cemetery in the Byzantine era, and finally from free-flowing Ottoman fountains back to the streams of the source within a living ruin. These histories of Peirene as a spring and as a fountain, and of its watery imagery, form a rich cultural narrative whose interrelations and meanings are best appreciated when studied together. The author deftly describes the evolution of the Fountain of Peirene framed against the underlying landscape and its ancient, medieval, and modern settlement, viewed from the perspective of Corinthian culture and spheres of interaction. Published with the assistance of the Getty Foundation. Winner of the 2011 Prose Award for Professional and Scholarly Excellence in the category of Archaeology/Anthropology. The Prose Awards are given annually by the Professional and Scholarly Publishing division of the American Association of Publishers.