An examination of Roman naval development, drawing upon archaeological evidence, documentary accounts and visual representation. The Roman Imperial Navy was the most powerful maritime force ever to have existed, prior to the European naval development of relatively recent centuries. It was able to deploy huge fleets and dominate the seas around western Europe, north Africa, and the Middle East, as well as the great rivers that formed a large part of the eastern boundary of the Roman world. It secured the trade routes and maintained the communications that allowed the Roman Empire toexist. It brought previously untouchable and unreachable enemies to battle and enabled the expansion of Imperial power into areas thought hitherto inaccessible. At the height of its power the Roman Navy employed tens of thousandsof sailors, marines and craftsmen, who manned and maintained a fleet of warships far larger than anything in existence today. And yet these warships, the very tools that allowed the Roman Navy to dominate the seas, have remainedlargely unstudied. Drawing upon archaeological evidence, documentary accounts and visual representations, the book charts the development and evolution of the Roman warship over eight centuries of naval activity, showing howships were evolved to meet the circumstances of the different areas in which they had to operate, the different functions they needed to fulfil, and the changing nature of their enemies. ALSO AVAILABLE: Navies of Rome, by Michael Pitassi

The Ptolemaic and Seleucid empires are usually studied separately, or else included in broader examinations of the Hellenistic world. This book provides a systematic comparison of the roles of local elites and local populations in the construction, negotiation, and adaptation of political, economic, military and ideological power within these states in formation. The two states, conceived as multi-ethnic empires, are sufficiently similar to make comparisons valid, while the process of comparison highlights and better explains differences. Regions that were successively incorporated into the Ptolemaic and then Seleucid state receive particular attention, and are understood within the broader picture of the ruling strategies of both empires. The book focusses on forms of communication through coins, inscriptions and visual culture; settlement policies and the relationship between local and immigrant populations; and the forms of collaboration with and resistance of local elites against immigrant populations and government institutions.

Latin literature is a hotbed of holes and erasures. Its sensitivity to politics leaves it ripe for repression of all sorts of names, places and historical events, while its dense allusivity appears to hide interpretative clues in a network of texts that only the reader's consciousness can make present. This volume showcases innovative approaches to the field of Latin literature, all of which are refracted through this prism of absence, which functions as a fundamental generative force both for the hermeneutics and the ongoing literary aftermath of these texts. Reviewing and working with various influential approaches to textual absence, the contributors to Unspoken Rome treat these texts as silent types, listening out for what they do not say, and how they do not speak, whilst also tracing the ill-defined borders within which scholars and modern authors are legitimized to fill in the silences around which they are built.

Antioch in Syria critically reassesses this ancient city from its Seleucid foundation into Late Antiquity. Although Antioch's prominence is famous, Kristina M. Neumann newly exposes the gradations of imperial power and local agency mediated within its walls through a comprehensive study of the coins minted there and excavated throughout the Mediterranean and Middle East. Patterns revealed through digital mapping and Exploratory Data Analysis serve as a significant index of spatial politics and the policies of the different authorities making use of the city. Evaluating the coins against other historical material reveals that Antioch's status was not fixed, nor the people passive pawns for external powers. Instead, as imperial governments capitalised upon Antioch's location and amenities, the citizens developed in their own distinct identities and agency. Antioch of the Antiochians must therefore be elevated from traditional narratives and static characterisations, being studied and celebrated for the dynamic polis it was.

The Peirene Fountain as described by its first excavator, Rufus B. Richardson, is the most famous fountain of Greece. Here is a retrospective of a wellspring of Western civilization, distinguished by its long history, service to a great ancient city, and early identification as the site where Pegasus landed and was tamed by the hero Bellerophon. Spanning three millennia and touching a fourth, Peirene developed from a nameless spring to a renowned source of inspiration, from a busy landmark in Classical Corinth to a quiet churchyard and cemetery in the Byzantine era, and finally from free-flowing Ottoman fountains back to the streams of the source within a living ruin. These histories of Peirene as a spring and as a fountain, and of its watery imagery, form a rich cultural narrative whose interrelations and meanings are best appreciated when studied together. The author deftly describes the evolution of the Fountain of Peirene framed against the underlying landscape and its ancient, medieval, and modern settlement, viewed from the perspective of Corinthian culture and spheres of interaction. Published with the assistance of the Getty Foundation. Winner of the 2011 Prose Award for Professional and Scholarly Excellence in the category of Archaeology/Anthropology. The Prose Awards are given annually by the Professional and Scholarly Publishing division of the American Association of Publishers.

This book provides a twenty-first century perspective on Roman Britain, combining current approaches with the wealth of archaeological material from the province. This volume introduces the history of research into the province and the cultural changes at the beginning and end of the Roman period. The majority of the chapters are thematic, dealing with issues relating to the people of the province, their identities and ways of life. Further chapters consider the characteristics of the province they lived in, such as the economy, and settlement patterns. This handbook reflects the new approaches being developed in Roman archaeology, and demonstrates why the study of Roman Britain has become one of the most dynamic areas of archaeology.The book will be useful for academics and students interested in Roman Britain.

Rome's rise to empire is often said to have owed much to the efficiency and military skill of her armies and their technological superiority over barbarian enemies. But just how 'advanced' was Roman military equipment? What were its origins and how did it evolve? The authors of this book have gathered a wealth of evidence from all over the Roman Empire - excavated examples as well as pictorial and documentary sources - to present a picture of what range of equipment would be available at any given time, what it would look like and how it would function. They examine how certain pieces were adopted from Rome's enemies and adapted to particular conditions of warfare prevailing in different parts of the Empire. They also investigate in detail the technology of military equipment and the means by which it was produced, and discuss wider questions such as the status of the soldier in Roman society. Both the specially prepared illustrations and the text have been completely revised for the second edition of this detailed and authoritative handbook, bringing it up to date with the very latest research. It illustrates each element in the equipment of the Roman soldier, from his helmet to his boots, his insignia, his tools and his weapons. This book will appeal to archaeologists, ancient and military historians as well as the generally informed and inquisitive reader.

In this magisterial two-volume book, Pier Luigi Tucci offers a comprehensive examination of one of the key complexes of Ancient Rome, the Temple of Peace. Based on archival research and an architectural survey, his research sheds new light on the medieval, Renaissance, and Baroque transformations of the basilica, and the later restorations of the complex. Volume 1 focuses on the foundation of the complex under Vespasian until its restoration under Septimius Severus and challenges the accepted views about the ancient building. Volume 2 begins with the remodelling of the library hall and the construction of the rotunda complex, and examines the dedication of the Christian Basilica of SS Cosmas and Damian. Of interest to scholars in a range of topics, The Temple of Peace in Rome crosses the boundaries between classics, archaeology, history of architecture, and art history, through Late Antiquity, the Middle Ages, and the early modern period.

This volume tackles a pressing issue in Roman art history: that many sculptures conventionally used in our scholarship and teaching lack adequate information about their find locations. Questions of context are complex, and any theoretical and methodological reframing of Roman sculpture demands academic transparency. This volume is dedicated to privileging content and context over traditions of style and aesthetics. Through case studies, the chapters illustrate multivariate ways to contextualize ancient objects. The authors encourage Roman art historians to look beyond conventional interpretations; to reclaim from the study of Greek sculpture the Roman originals that are too often relegated to discussions of "copies" and "models"; to consider the multiple, dynamic, and shifting contexts that one sculpture could experience over the centuries of its display; and to recognize that post-antique receptions can also offer insight into interpretations of ancient viewers. The collected topics were originally presented in three conference sessions: "Grounding Roman Sculpture" (Archaeological Institute of America, 2019); "Ancient Sculpture in Context" (College Art Association, 2017); and "Ancient Sculpture in Context II: Reception" (College Art Association, 2019).

Was the fall of Rome a great catastrophe that cast the West into darkness for centuries to come? Or, as scholars argue today, was there no crisis at all, but simply a peaceful blending of barbarians into Roman culture, an essentially positive transformation?
In The Fall of Rome, eminent historian Bryan Ward-Perkins argues that the "peaceful" theory of Rome's "transformation" is badly in error. Indeed, he sees the fall of Rome as a time of horror and dislocation that destroyed a great civilization, throwing the inhabitants of the West back to a standard of living typical of prehistoric times. Attacking contemporary theories with relish and making use of modern archaeological evidence, he looks at both the wider explanations for the disintegration of the Roman world and also the consequences for the lives of everyday Romans, who were caught in a world of marauding barbarians, and economic collapse. The book recaptures the drama and violence of the last days of the Roman world, and reminds us of the very real terrors of barbarian occupation. Equally important, Ward-Perkins contends that a key problem with the new way of looking at the end of the ancient world is that all difficulty and awkwardness is smoothed out into a steady and positive transformation of society. Nothing ever goes badly wrong in this vision of the past. The evidence shows otherwise.
Up-to-date and brilliantly written, combining a lively narrative with the latest research and thirty illustrations, this superb volume reclaims the drama, the violence, and the tragedy of the fall of Rome.

Hellenistic artworks are celebrated for innovations such as narrative, characterization, and description. The most striking examples are works associated with the Hellenistic courts. Their revolutionary appearance is usually attributed to Alexander the Great's conquest of the Near East, the start of the Hellenistic kingdoms, and Greek-Eastern interactions. In Rhetoric and Innovation in Hellenistic Art, Kristen Seaman offers a new approach to Hellenistic art by investigating an internal development in Greek cultural production, notably, advances in rhetoric. Rhetorical education taught kings, artists, and courtiers how to be Greek, giving them a common intellectual and cultural background from which they approached art. Seaman explores how rhetorical techniques helped artists and their royal patrons construct Hellenism through their innovative art in the scholarly atmospheres of Pergamon and Alexandria. Drawing upon artistic, literary, and historical evidence, this interdisciplinary study will be of interest to students and scholars in art and archaeology, Classics, and ancient history.

Richard B. Seager excavated the Minoan town and cemetery at Pseira in 1906-1907, but the work was not fully published. The Temple University excavations (1985-1994) under the direction of Philip P. Betancourt and Costis Davaras conducted an intensive surface survey of the island. The results of the survey on the small island off the northeast coast of Crete are published in two volumes. Pseira IX presents the results from the intensive surface survey.

Among the collections of the Gennadius Library in Athens are over 300 Greek manuscripts, ranging in date from the 13th to the 19th century. This book presents a collection of studies of various aspects of the collection written by leading paleographers, Byzantine art historians, and theologians. Contents: Preface (Maria Georgopoulou); John Gennadius and the Manuscript Collection of the Gennadius Library (Maria Politi); Illustrated Byzantine Manuscripts in the Gennadius Library (Angeliki Mitsani); Manuscripts of the Orthodox Church in the Gennadius Library (Emmanuel Giannopoulos); The Text of The Ladder in Genn. MS Ku. 15 (Nonna Papadimitriou); Illustrated Manuscripts in the Age of the Printed Book (Olga Gratziou); Manuscript Sources for Ecclesiastical History in the Gennadius Library (Kriton Chrysochoidis); Greek and Western Scholars, Scribes and Philologists of the 15th to 19th Centuries in Manuscripts of the Gennadius Library (Eleni Pappa); Post-Byzantine Philosophical Manuscripts of the Gennadius Library (Chariton Karanasios); Another Look at the Karamanli Script as a Mode of Expression among the Orthodox of Asia Minor: Two Manuscripts of the 18th Century (Penelope Stathi); The Memorandum of 1796: A Further Reading (Spyros Asdrahas); Tracing the Presence of Ioannis Emmanouil, Comrade of Riga Ferraios, in an 18th Century Mathematarion (Giannis Kokkonas)

The establishment of large-scale water infrastructure is a defining aspect of the process of urbanisation. In places like Britain, the Roman period represents the first introduction of features that can be recognised and paralleled to our modern water networks. Writers have regularly cast these innovations as markers of a uniform Roman identity spreading throughout the Empire, and bringing with it a familiar, modern, sense of what constitutes civilised urban living. However, this is a view that has often neglected to explain how such developments were connected to the important symbolic and ritual traditions of waterscapes in Iron Age Britain. Water and Urbanism in Roman Britain argues that the creation of Roman water infrastructure forged a meaningful entanglement between the process of urbanisation and significant local landscape contexts. As a result, it suggests that archetypal Roman urban water features were often more related to an active expression of local hybrid identities, rather than alignment to an incoming continental ideal. By questioning the familiarity of these aspects of the ancient urban form, we can move away from the unhelpful idea that Roman precedent is a central tenet of the current unsustainable relationship between water and our modern cities. This monograph will be of interest to academics and students studying aspects of Roman water management, urbanisation in Roman Britain, and theoretical approaches to landscape. It will also appeal to those working more generally on past human interactions with the natural world.

Roman Domestic Medical Practice in Central Italy examines the roles that the home, the garden and the members of the household (freeborn, freed and slave) played in the acquisition and maintenance of good physical and mental health and well-being. Focussing on the period from the middle Republic to the early Empire, it considers how comprehensive the ancient Roman general understanding of health actually was, and studies how knowledge regarding various aspects of health was transmitted within the household. Using literary, documentary, archaeological and bioarchaeological evidence from a variety of contexts, this is the first extended volume to provide as comprehensive and detailed a reconstruction of this aspect of ancient Roman private life as possible, complementing existing works on ancient professional medical practice and existing works on domestic medical practice in later historical periods. This volume offers an indispensable resource to social historians, particularly those that focus on the ancient family, and medical historians, particularly those that focus on the ancient world.

By far the largest single source of new information about the ancient Greek and Roman world is provided by the flow of newly discovered inscriptions, which presents both a challenge and an opportunity. In order to interpret any inscription we need to be able to apply the knowledge that we already have. On the other hand, inscriptions present the opportunity to gain new knowledge about virtually every aspect of the mix of cultures and societies which we call Graeco-Roman antiquity. This book therefore emphasises the importance of the two-way connections and contributions which link epigraphic studies with the historical sciences as a whole. Epigraphic information is helping to reshape and extend our knowledge of the religious life, the languages, the populations, the governmental systems, and the economies of the Graeco-Roman world. New techniques and technologies are helping to make epigraphically based information more accessible, whether in terms of public display or in terms of the ever-widening possibilities of information technology. The act of looking at the Graeco-Roman world through the window provided by the epigraphic record offers a distinctive gaze of unique and exceptional value.

Human beings have speculated about whether or not there is life after death, and if so, what form that life might take, for centuries. What did people in the ancient world think the next life would hold, and did they imagine there was a chance for a relationship between the living and the dead? How did people in the ancient world keep their dead loved ones alive through memory, and were they afraid the dead might return and haunt the living in another form? What sort of afterlife did the ancient Greeks and Romans imagine for themselves? This volume explores these questions and more. While individual representations of the afterlife have often been examined, few studies have taken a more general view of ideas about the afterlife circulating in the ancient world. By drawing together current research from international scholars on archaeological evidence for afterlife belief, chiefly from funerary sites, together with studies of works of literature, this volume provides a broader overview of ancient ideas about the afterlife than has so far been available. Imagining the Afterlife in the Ancient World explores these key questions through a series of wide-ranging studies, taking in ghosts, demons, dreams, cosmology, and the mutilation of corpses along the way, offering a valuable resource to those studying all aspects of death in the ancient world

This unique collection of essays contains a synthesis of recent works by distinguished archaeologists and historians in their field, illuminating extensive research in the Southern Gaul and on the territory of the Greek city of Marseille. Investigating the occupation of Massalia territory before the foundation of the Greek city to the Roman period, these findings provide an overview of the diverse issues behind the circulations between Greeks from Phocaea and Celtic populations. This reflection on a key region of the Euro-Mediterranean space rests on the analysis of archaeological findings, including: urban excavations, spatial studies, analysis of necropolis, submarine remains, paleo-environmental data, and reviewing the ancient literary documentation. These new and innovative findings in Greek Marseille and Mediterranean Celtic Region will be of particular interest to both students and scholars exploring the political, economic and cultural fields of relationships between the Greek migrants and the populations they started to meet at the end of the seventh century BC.

In this volume, the key monuments that form the Theatral Complex, including the Theatral Circle, the Fieldstone Building with its masonry style plaster interior, the marble Doric hexastyle Dedication of Philip III and Alexander IV, the elegant Ionic Porch later attached to the western side of the Dedication, and the remains of dozens of bronze statues that originally framed the Theatral Circle, are presented in their archaeological, architectural, and historical contexts. The potential significance of the Complex within the mystery cult, both as the place that initially gave shape to the group of pilgrims undergoing initiation, and as the place where new initiates ultimately departed the Sanctuary, accords the Theatral Complex on the Eastern Hill a central place in the history of ancient Greek sacred space. Actual-state and reconstruction drawings; photographs; and a catalogue of the small finds, including pottery, lamps, terracotta figurines, coins, metal objects, inscriptions, stone objects, and glass, accompany the text.

This volume discusses the important, mainly Roman, buildings at the east end of the Corinthian Agora--the Julian Basilica and the Southeast Building, the South Basilica (immediately behind the South Stoa), and the Mosaic House adjoining it. The Southeast building is described first in its present state, and then as it must have looked in its two main phases of use--soon after 44 B.C. and in the second quarter of the first century A.D. It was probably known in ancient times as either the Tabularium or Library of Corinth. The adjoining Julian Basilica was, with the South Basilica, built about A.D. 40; the interior colonnades of both also rebuilt in marble in the Hadrianic period. These basilicas have a cryptoporticus on ground floor and on the main floor an interior colonnade supporting a clerestory and three exedras. Detailed descriptions of each building are followed by a reconstruction of the pair and by a comparative discussion of floor plans. Finally, the Mosaic House is discussed and analysis of the mosaics date it about 200 A.D.

An introduction to the raucous yet educational 'gap year' tours of Europe taken by wealthy British aristocrats in the eighteenth and early nineteenth centuries. For many young eighteenth-century aristocrats, the Grand Tour was an essential rite of passage. Spending many months travelling established routes through France and Italy, they would visit the great cultural sites of western Europe - from Paris, through to Venice, Florence and Rome - ostensibly absorbing art, architecture and culture. Yet all too often, it was a gateway to gambling and debauchery. In this beautifully illustrated guide, Mike Rendell shows how the tour reached its zenith, examining the young tourists' activities and how they acquired 'polish' and an appreciation for fashion, opera and classical antiquity. He also explores their passion for souvenirs and art collecting, and how these items made their way back to grand country houses, which were themselves often modelled to the rules of classical European architecture.

In this new edition of Greek and Roman Technology, the authors translate and annotate key passages from ancient texts to provide a history and analysis of the origins and development of technology in the classical world. Sherwood and Nikolic, with Humphrey and Oleson, provide a comprehensive and accessible collection of rich and varied sources to illustrate and elucidate the beginnings of technology. Among the topics covered are energy, basic mechanical devices, hydraulic engineering, household industry, medicine and health, transport and trade, and military technology. This fully revised Sourcebook collects more than 1,300 passages from over 200 ancient sources and a diverse range of literary genres, such as the encyclopaedic Natural History of Pliny the Elder, the poetry of Homer and Hesiod, the philosophies of Plato, Aristotle, and Lucretius, the agricultural treatises of Varro, Columella, and Cato, the military texts of Philo of Byzantium and Aeneas Tacticus, as well as the medical texts of Galen, Celsus, and the Hippocratic Corpus. Almost 100 line drawings, indexes of authors and subjects, introductions outlining the general significance of the evidence, notes to explain the specific details, and current bibliographies are included. This new and revised edition of Greek and Roman Technology will remain an important and vital resource for students of technology in the ancient world, as well as those studying the impact of technological change on classical society.

Figural and non-figural supports are a ubiquitous feature of Roman marble sculpture; they appear in sculptures ranging in size from miniature to colossal and of all levels of quality. At odds with modern ideas about beauty, completeness, and visual congruence, these elements, especially non-figural struts, have been dismissed by scholars as mere safeguards for production and transport. However, close examination of these features reveals the tastes and expectations of those who commissioned, bought, and displayed marble sculptures throughout the Mediterranean in the Hellenistic and Roman periods. Drawing on a large body of examples, Greek and Latin literary sources, and modern theories of visual culture, this study constitutes the first comprehensive investigation of non-figural supports in Roman sculpture. The book overturns previous conceptions of Roman visual values and traditions and challenges our understanding of the Roman reception of Greek art.

The Villa of the Papyri is a unique archaeological site and has been very influential in the field of classical studies. The papyri (the only intact library to survive from Greco-Roman antiquity) and bronze sculptures found in the villa have contributed to our knowledge of the ancient world and the villa has become for us the "ideal model" of Roman luxury villa culture.This volume brings together papers delivered by experts in various fields addressing the cultural significance of this ancient site in its contemporary Roman context as well as its cultural reception from its discovery over two hundred and fifty years ago to the most recent excavations in the late twentieth century. They also explore the ways in which digital archaeology can assist our efforts to understand and investigate ancient sites. Topics treated include the Villa's architecture, decoration, and content (i.e., wall-paintings, sculptures, and papyri); their reception since the 18th century; and the current state of knowledge based on the recent partial excavations in the Villa, presented here in English for the first time. Furthermore, the use of digital models of the Villa that incorporate the data from the new excavations and a discussion on the ways in which such models may be used for educational and research purposes are also presented.