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Arts & Crafts > Crafts and Hobbies > Clays, Ceramic & Glass
Das Air Drying Modelling Clay, easily workable by hand or can be used with a variety of modelling tools.A moist ready to use modelling clay with no need to fire the finished product. Air drying to a hard matt finish, drying time may vary. Can be painted when dry.This modeling compound is made in Italy. It is a solid modeling clay which air dries (no baking required). It is easy to use- simply knead the material briefly and form it. It can also be sanded when dry. It is super soft and very easy to shape. It is a slow drying clay so you can take your time forming it. It is not a lightweight clay so it is perfect for free form sculptures.
The star of modelling clay. Since 1968, Das has been the name in modelling all over the world: bas-relief, sculpting, mosaics and coatings are just some of the possible techniques. Extremely easy to smooth, it lets you create solid, resistant objects that can be customised and decorated however you like, using multi-surface paints and markers. A natural material, it hardens in the air without firing, and is the perfect way to transform and model your world. Especially suited for applications on different supports such as wood, card or terracotta.
Cures at home in your oven!
Cures at home in your oven!
Create outlines with Dala Glass Liners and then fill in the colour using either Glass Stain or Glass Glaze. Can be used to fill in detail work as well.
Idea for mask making, moulding and casting Plaster of Paris Craft Bandage is useful in making "shell", "mother moulds" or "negatives". It can be used to make castings of faces, body moulds, and busts, and can also be used in terrain modelling and more. A popular method for casting with plaster bangdage is to unroll about 60cm of the plaster bandage and then fold it in on itself once, and then fold it in on itself again for the second time, creating a zig zag of 3 layers of bandage on top of each other and cut. Keep doing this until the roll is finished and lay them down in an 'X shape' so that they are easy to pick up while working. Have a bowl of water nearby. Prepare your positive by coating it in a release agent such as vaseline or a layer of cling film for when the plaster has dried and you need to remove it. When the positive that you are going to cast from has been prepared, dunk the plaster strips into the water until saturated. Gently pull the bandage to squeeze some of the excess water out and apply it to your intended surface. Residual plaster will come off into the water, during the wetting process making it milky. It is advised that you change the water when this mixture becomes very milky. How much plaster bandage you need will be determined by your intended casting. A face cast can use up 1 whole roll and a bust cast can use up to 9 rolls. Depending on what your project is, the plaster can take up to .... to dry completely. When dried, remove the negative cast carefully. You can now either cast positives from the shell you've created, or decorate the shell using paints and other craft items of your choice. Please note: 1) This plaster bandage is not for medical use. 2) Hardened Plaster will not come off of or out of bowls and buckets easily. Dispose of remnants as soon as possible to avoid the Plaster hardening onto tools and items used when moulding. *Clean up using warm soapy water.
A strong moulding agent. Dala Casting Stone is a white powder product similar to Plaster of Paris, except it dries to a much harder finish. It can be poured or sculpted with. It can be poured into moulds to form a postive, or poured over objects to cast a negative.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks.
The glaze reproduces the surface of the substrate perfectly, giving you a glass-like finish with no brush marks. |
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