Cell-Base will add to the range of effects you can create with resin as it self activates and creates amazing cells

Cell-Base is used just like a regular pigment which you mix into your resin, the only difference is that you use it as your base colour. For best results you need to work at a steady pace with no pauses between steps, once you pour your base layer the pigment starts losing reactivity so don’t wait too long before adding your top colours. As soon as your top colours are down it’s time to swipe! We found that a thin top layer and a light touch to the swipe works best, adding heat will help more cells to form.

You can also pour your regular colours over the base layer in a dirty pour technique, don’t mix too much in your resin as it is very concentrated and goes a long way.

This product was developed in conjunction with MasterCast 1-2-1 clear artwork resin, however other brands of resins will also work but bear in mind that results may vary due to other brands having a different viscosity, density and curing schedule.

Paste pigments performed better in our testing compared to acrylic paints, inks or powder pigments. Metallic pigments did not perform well with Cell-Base. Cell-Base can be used as a regular pigment and in a “dirty pour“. Just remember to swipe or torch lightly to help the cells emerge.

Cell-Base is suitable for use on most surfaces, including canvas, wood, MDF, glass, perspex, concrete and metal.

With Pebeo's special effect paint line Fantasy Prisme and Moon, you will be amazed by the magnificent effects that will be created right before your eyes! It can be applied on: wood, glass, porcelain, terra cotta, acetate, canvas, ceramic, or even metal. The effect is instantaneously visible: textured, hammered and pearly effects. It's opalescent and pearly finish is ideal to decorate on all types of surfaces. Fantasy Moon creates large marbelised circles and Prisme creates tiny circles. Contents Include: 12 x 20ml Pebeo Fantasy Prisme Paints 1 x Eggshell White1 x Onyx1 x English Red1 x Pearl Violine1 x Emerald1 x Antique Gold1 x Vermilion1 x Buttercup1 x Marina1 x Cinnamon 1 x Moonstone 1 x Turquoise

These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.

Pigment Classification: Inorganic Chemical Description: Natural Mica Flakes Opacity/Transparency: N/A Lightfastness Rating: N/A Permanency: Exc Colour index name: - Colour index number: - Munsell Notation Listing: Hue N/A Value N/A Chroma N/A

Viscosity Range: 5000-6000 CPS Gloss Average: N/A CIE L*a*b* Values: L* a* b* Tint Strength: N/A

Fantasy Moon are opaque, Alkyd oil-based colours that instantly show a stunning hammered effect and a pearlescent finish upon application. There are 18 colours available, all with a good lightfastness. Fantasy Moon colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. They can be applied with a brush in thin or thick coats. This provides a the opportunity to experiment widely on a variety of surfaces.

Eli-Glow Photoluminescent Pigments will release light for up to 8 hours in darkness and 'charge up' after only 30 minutes exposure to daylight. By day the powder crystals absorb UV light and after dark they release energy in the form of a long-lasting ambient glow. The technology behind the Eli-Glow pigments shows no sign of any reduction in the ability to rejuvenate daily. The long-lasting glow offers functional and decorative solutions, ranging from workplace and road safety to visual applications, art, sculpture and interior/exterior design. Eli-Glow is harmless, non-toxic, non-radioactive and non-hazardous.

The pigments will recharge themselves an infinite number of times and will last indefinitely. The pigments absorb radiant U.V energy from sunlight (or indoor lighting) and convert it into longer wavelengths in the visible spectrum, thereby emitting it as light with the sensation of colours. By day the pigment is a pale straw-coloured substance. When mixed in a ratio of 10-20% with a binder it becomes invisible and will not affect the optical clarity of your coating.

How do I use Eli-Glow Pigment Powder?

Mix the powder into any non-waterbased binder (Eli Glow TotalCast Resin., PVA glues, clear varnishes, acrylic paints, oil paints, enamel paints, solvent-based paints, concrete sealers, inks etc.)

The binder needs to be clear/transparent or light in colour so as to allow the passage of U.V light to activate the Eli-Glow crystals.

Mix 10-20% powder into your binder to achieve a general glow colour across the finished article. Alternatively the powder can be sprinkled/scattered in some areas to highlight in a line, spot or even trace a curved section.

Fantasy Prisme are opaque, Alkyd oil-based colours that dry to reveal a stunning honeycomb effect and a pearlescent finish. The effect will become visible as the paint dries over the course of 5 to 10 minutes. There are 28 colours available, all with a good lightfastness.Fantasy Prisme colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. This provides a the opportunity to experiment widely on flat horizontal surfaces.

Fantasy Prisme are opaque, Alkyd oil-based colours that dry to reveal a stunning honeycomb effect and a pearlescent finish. The effect will become visible as the paint dries over the course of 5 to 10 minutes. There are 28 colours available, all with a good lightfastness.Fantasy Prisme colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. This provides a the opportunity to experiment widely on flat horizontal surfaces.

With Pebeo's special effect paint line Fantasy Prisme and Moon, you will be amazed by the magnificent effects that will be created right before your eyes! It can be applied on: wood, glass, porcelain, terra cotta, acetate, canvas, ceramic, or even metal. The effect is instantaneously visible: textured, hammered and pearly effects. It's opalescent and pearly finish is ideal to decorate on all types of surfaces. Fantasy Moon creates large marbelised circles and Prisme creates tiny circles. Contents Include: 12 x 20ml Pebeo Fantasy Moon Paints 1 x Apricot1 x Carmine1 x Metal Blue 1 x Turquoise1 x Veil of Smoke1 x Gold1 x Emerald1 x Pearl1 x Antique Pink1 x Ebony1 x Silver1 x Chocolate

Cell-Base will add to the range of effects you can create with resin as it self activates and creates amazing cells

Cell-Base is used just like a regular pigment which you mix into your resin, the only difference is that you use it as your base colour. For best results you need to work at a steady pace with no pauses between steps, once you pour your base layer the pigment starts losing reactivity so don’t wait too long before adding your top colours. As soon as your top colours are down it’s time to swipe! We found that a thin top layer and a light touch to the swipe works best, adding heat will help more cells to form.

You can also pour your regular colours over the base layer in a dirty pour technique, don’t mix too much in your resin as it is very concentrated and goes a long way.

This product was developed in conjunction with MasterCast 1-2-1 clear artwork resin, however other brands of resins will also work but bear in mind that results may vary due to other brands having a different viscosity, density and curing schedule.

Paste pigments performed better in our testing compared to acrylic paints, inks or powder pigments. Metallic pigments did not perform well with Cell-Base. Cell-Base can be used as a regular pigment and in a “dirty pour“. Just remember to swipe or torch lightly to help the cells emerge.

Cell-Base is suitable for use on most surfaces, including canvas, wood, MDF, glass, perspex, concrete and metal.

Cell-Base will add to the range of effects you can create with resin as it self activates and creates amazing cells

Cell-Base is used just like a regular pigment which you mix into your resin, the only difference is that you use it as your base colour. For best results you need to work at a steady pace with no pauses between steps, once you pour your base layer the pigment starts losing reactivity so don’t wait too long before adding your top colours. As soon as your top colours are down it’s time to swipe! We found that a thin top layer and a light touch to the swipe works best, adding heat will help more cells to form.

You can also pour your regular colours over the base layer in a dirty pour technique, don’t mix too much in your resin as it is very concentrated and goes a long way.

This product was developed in conjunction with MasterCast 1-2-1 clear artwork resin, however other brands of resins will also work but bear in mind that results may vary due to other brands having a different viscosity, density and curing schedule.

Paste pigments performed better in our testing compared to acrylic paints, inks or powder pigments. Metallic pigments did not perform well with Cell-Base. Cell-Base can be used as a regular pigment and in a “dirty pour“. Just remember to swipe or torch lightly to help the cells emerge.

Cell-Base is suitable for use on most surfaces, including canvas, wood, MDF, glass, perspex, concrete and metal.

Cell-Base will add to the range of effects you can create with resin as it self activates and creates amazing cells

Cell-Base is used just like a regular pigment which you mix into your resin, the only difference is that you use it as your base colour. For best results you need to work at a steady pace with no pauses between steps, once you pour your base layer the pigment starts losing reactivity so don’t wait too long before adding your top colours. As soon as your top colours are down it’s time to swipe! We found that a thin top layer and a light touch to the swipe works best, adding heat will help more cells to form.

You can also pour your regular colours over the base layer in a dirty pour technique, don’t mix too much in your resin as it is very concentrated and goes a long way.

This product was developed in conjunction with MasterCast 1-2-1 clear artwork resin, however other brands of resins will also work but bear in mind that results may vary due to other brands having a different viscosity, density and curing schedule.

Paste pigments performed better in our testing compared to acrylic paints, inks or powder pigments. Metallic pigments did not perform well with Cell-Base. Cell-Base can be used as a regular pigment and in a “dirty pour“. Just remember to swipe or torch lightly to help the cells emerge.

Cell-Base is suitable for use on most surfaces, including canvas, wood, MDF, glass, perspex, concrete and metal.

Fantasy Prisme are opaque, Alkyd oil-based colours that dry to reveal a stunning honeycomb effect and a pearlescent finish. The effect will become visible as the paint dries over the course of 5 to 10 minutes. There are 28 colours available, all with a good lightfastness.Fantasy Prisme colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. This provides a the opportunity to experiment widely on flat horizontal surfaces.

Cell-Base will add to the range of effects you can create with resin as it self activates and creates amazing cells

Cell-Base is used just like a regular pigment which you mix into your resin, the only difference is that you use it as your base colour. For best results you need to work at a steady pace with no pauses between steps, once you pour your base layer the pigment starts losing reactivity so don’t wait too long before adding your top colours. As soon as your top colours are down it’s time to swipe! We found that a thin top layer and a light touch to the swipe works best, adding heat will help more cells to form.

You can also pour your regular colours over the base layer in a dirty pour technique, don’t mix too much in your resin as it is very concentrated and goes a long way.

This product was developed in conjunction with MasterCast 1-2-1 clear artwork resin, however other brands of resins will also work but bear in mind that results may vary due to other brands having a different viscosity, density and curing schedule.

Paste pigments performed better in our testing compared to acrylic paints, inks or powder pigments. Metallic pigments did not perform well with Cell-Base. Cell-Base can be used as a regular pigment and in a “dirty pour“. Just remember to swipe or torch lightly to help the cells emerge.

Cell-Base is suitable for use on most surfaces, including canvas, wood, MDF, glass, perspex, concrete and metal.

Cell-Base will add to the range of effects you can create with resin as it self activates and creates amazing cells

Cell-Base is used just like a regular pigment which you mix into your resin, the only difference is that you use it as your base colour. For best results you need to work at a steady pace with no pauses between steps, once you pour your base layer the pigment starts losing reactivity so don’t wait too long before adding your top colours. As soon as your top colours are down it’s time to swipe! We found that a thin top layer and a light touch to the swipe works best, adding heat will help more cells to form.

You can also pour your regular colours over the base layer in a dirty pour technique, don’t mix too much in your resin as it is very concentrated and goes a long way.

This product was developed in conjunction with MasterCast 1-2-1 clear artwork resin, however other brands of resins will also work but bear in mind that results may vary due to other brands having a different viscosity, density and curing schedule.

Paste pigments performed better in our testing compared to acrylic paints, inks or powder pigments. Metallic pigments did not perform well with Cell-Base. Cell-Base can be used as a regular pigment and in a “dirty pour“. Just remember to swipe or torch lightly to help the cells emerge.

Cell-Base is suitable for use on most surfaces, including canvas, wood, MDF, glass, perspex, concrete and metal.

Eli-Glow Photoluminescent Pigments will release light for up to 8 hours in darkness and 'charge up' after only 30 minutes exposure to daylight. By day the powder crystals absorb UV light and after dark they release energy in the form of a long-lasting ambient glow. The technology behind the Eli-Glow pigments shows no sign of any reduction in the ability to rejuvenate daily. The long-lasting glow offers functional and decorative solutions, ranging from workplace and road safety to visual applications, art, sculpture and interior/exterior design. Eli-Glow is harmless, non-toxic, non-radioactive and non-hazardous.

The pigments will recharge themselves an infinite number of times and will last indefinitely. The pigments absorb radiant U.V energy from sunlight (or indoor lighting) and convert it into longer wavelengths in the visible spectrum, thereby emitting it as light with the sensation of colours. By day the pigment is a pale straw-coloured substance. When mixed in a ratio of 10-20% with a binder it becomes invisible and will not affect the optical clarity of your coating.

How do I use Eli-Glow Pigment Powder?

Mix the powder into any non-waterbased binder (Eli Glow TotalCast Resin., PVA glues, clear varnishes, acrylic paints, oil paints, enamel paints, solvent-based paints, concrete sealers, inks etc.)

The binder needs to be clear/transparent or light in colour so as to allow the passage of U.V light to activate the Eli-Glow crystals.

Mix 10-20% powder into your binder to achieve a general glow colour across the finished article. Alternatively the powder can be sprinkled/scattered in some areas to highlight in a line, spot or even trace a curved section.

Cell-Base will add to the range of effects you can create with resin as it self activates and creates amazing cells

Cell-Base is used just like a regular pigment which you mix into your resin, the only difference is that you use it as your base colour. For best results you need to work at a steady pace with no pauses between steps, once you pour your base layer the pigment starts losing reactivity so don’t wait too long before adding your top colours. As soon as your top colours are down it’s time to swipe! We found that a thin top layer and a light touch to the swipe works best, adding heat will help more cells to form.

You can also pour your regular colours over the base layer in a dirty pour technique, don’t mix too much in your resin as it is very concentrated and goes a long way.

This product was developed in conjunction with MasterCast 1-2-1 clear artwork resin, however other brands of resins will also work but bear in mind that results may vary due to other brands having a different viscosity, density and curing schedule.

Paste pigments performed better in our testing compared to acrylic paints, inks or powder pigments. Metallic pigments did not perform well with Cell-Base. Cell-Base can be used as a regular pigment and in a “dirty pour“. Just remember to swipe or torch lightly to help the cells emerge.

Cell-Base is suitable for use on most surfaces, including canvas, wood, MDF, glass, perspex, concrete and metal.

Eli-Glow Photoluminescent Pigments will release light for up to 8 hours in darkness and 'charge up' after only 30 minutes exposure to daylight. By day the powder crystals absorb UV light and after dark they release energy in the form of a long-lasting ambient glow. The technology behind the Eli-Glow pigments shows no sign of any reduction in the ability to rejuvenate daily. The long-lasting glow offers functional and decorative solutions, ranging from workplace and road safety to visual applications, art, sculpture and interior/exterior design. Eli-Glow is harmless, non-toxic, non-radioactive and non-hazardous.

The pigments will recharge themselves an infinite number of times and will last indefinitely. The pigments absorb radiant U.V energy from sunlight (or indoor lighting) and convert it into longer wavelengths in the visible spectrum, thereby emitting it as light with the sensation of colours. By day the pigment is a pale straw-coloured substance. When mixed in a ratio of 10-20% with a binder it becomes invisible and will not affect the optical clarity of your coating.

How do I use Eli-Glow Pigment Powder?

Mix the powder into any non-waterbased binder (Eli Glow TotalCast Resin., PVA glues, clear varnishes, acrylic paints, oil paints, enamel paints, solvent-based paints, concrete sealers, inks etc.)

The binder needs to be clear/transparent or light in colour so as to allow the passage of U.V light to activate the Eli-Glow crystals.

Mix 10-20% powder into your binder to achieve a general glow colour across the finished article. Alternatively the powder can be sprinkled/scattered in some areas to highlight in a line, spot or even trace a curved section.

Made from tiny particles of mica, mica powders provide a pearly, metallic look without metal. Mica powders are non-toxic and color fast, with a neutral pH, and though you wouldn't want to purposefully inhale them, they are less dangerous than metal pulvers. Available in a wide array of colors, mica powders have numerous uses for polymer clay artists as well as those who work in other media. They can be applied dry to the surface of raw clay, mixed into raw clay, painted onto raw or cured clay (though most will have to be mixed into a moist medium, first), and so on. Most surface applications will need a coat of polymer clay-friendly finish to prevent the powders from gradually rubbing off.

These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.

Pigment Classification: Inorganic Chemical Description: Natural Mica Flakes Opacity/Transparency: N/A Lightfastness Rating: N/A Permanency: Exc Colour index name: - Colour index number: - Munsell Notation Listing: Hue N/A Value N/A Chroma N/A

Viscosity Range: 5000-6000 CPS Gloss Average: N/A CIE L*a*b* Values: L* a* b* Tint Strength: N/A

Fantasy Prisme are opaque, Alkyd oil-based colours that dry to reveal a stunning honeycomb effect and a pearlescent finish. The effect will become visible as the paint dries over the course of 5 to 10 minutes. There are 28 colours available, all with a good lightfastness.Fantasy Prisme colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. This provides a the opportunity to experiment widely on flat horizontal surfaces.