A new collection with contributions from performing musicians and Grainger scholars and a detailed Catalogue of Works. In the thirty years since his Centenary in 1982 it has become even clearer that Percy Grainger [1882-1961] - composer, pianist and revolutionary - was a man born out of his time. Many of his ideas, both musical and social, sit farmore easily in our contemporary world. Those thirty years have also seen a notable expansion of interest in Grainger's music. Innumerable recordings have been made, including the first complete Grainger recording survey by Chandos in its monumental Grainger Edition. The growth of the internet has made it possible, as never before, for Grainger's music to be heard widely. The central theme of The New Percy Grainger Companion is to give information and help from established musicians for performing and listening to this life-celebrating repertoire. The Companion's fully detailed, up-to-date Catalogue of Works - the most complete of any existing catalogue - givesinvaluable assistance. Authoritative contextual chapters in the Companion offer some surprising new background information, together with thoughtful evaluations which signal a new twenty-first century perspective in Grainger scholarship. PENELOPE THWAITES is recognised internationally as a leading Grainger exponent. Her research, performances and extensive Grainger discography over four decades reflect a unique understanding of the manand his music. Contributors: BRIAN ALLISON, TERESA BALOUGH, ROGER COVELL, KAY DREYFUS, LEWIS FOREMAN, PAUL JACKSON, JAMES JUDD, JAMES KOEHNE, ASTRID BRITT KRAUTSCHNEIDER, BARRY PETER OULD, STEWART MANVILLE, MURRAY MCLACHLAN, TIMOTHY REYNISH, BRUCE CLUNIES ROSS, DESMOND SCOTT, PETER SCULTHORPE, GEOFFREY SIMON, RONALD STEVENSON, STEPHEN VARCOE, DAVID WALKER

Why are finales different from other movements? Why can we nearly always tell whether a movement comes first or last in a work with several movements? Is the special character of finales necessary as well as traditional? Michael Talbot explores these questions in depth. His wide-ranging analytical and historical survey covers instrumental (and some vocal) music from the Renaissance up to the present day.

Beethoven's seventy-two settings of traditional Irish airs constitute his most prolific output in any genre. The arrangements were commissioned in the early nineteenth century by the Scottish editor and publisher, George Thomson, who sent airs, but no texts, to Beethoven. Poetry, mostly by less well-known poets, was attached to the finished settings before publication by Thomson, and perhaps therein lies the reason why the songs never achieved the popularity which they deserve: many of the poems have been judged to be of inferior quality. In this edition, the first in which all Beethoven's Irish folksong settings are published together, the late baritone, broadcaster and musicologist, Tomas O Suilleabhain, selected texts, mostly by Burns and Moore, which he felt were more appropriate to the airs and to Beethoven's settings.

The long overdue autobiography from guitar great and former member of Genesis, Steve Hackett. As with his music, Steve has written a highly detailed, entertaining and embracing tome that charts his life in full, but with a firm emphasis on his years with Genesis that saw the band's meteoric rise to become one of the most successful British bands of all time. Steve talks candidly about his early life, his time with Genesis, and in particular his personal relationships with the other four band members, with great insight into the daily goings on of this major rock band. Naturally A Genesis In My Bed also regales stories of Steve's career since leaving Genesis and the many different journeys that it has taken him on. With his flair for the creative, and a great deal of levity, A Genesis In My Bed is a riveting read. Indispensable for Genesis fans but also essential for general music lovers and avid readers of autobiographies full of heartfelt and emotive tales.

During his early years, Franz Liszt worked as a traveling piano virtuoso, his adventures highlighted by his entrée into the literary world as a correspondent for the most popular French journals of his time. In this second volume of Janita Hall-Swadley’s The Collected Writings of Franz Liszt, Liszt’s work as a music essayist and journalist is on full display.  In his essays, readers will see the influence of the revolutionary theories of Hugues-Felicité Robert de Lamennais, Victor Hugo, and François-René de Chateaubriand as Liszt boldly calls for social reforms on behalf of musicians and musical institutions, from demands for a repertoire of church music of divine praise to the timely publication of inexpensive music editions. In addition to Liszt’s scandalous review of Sigismond Thalberg and the fiery exchange that ensued, the essays include his testimonies to living composers Giacomo Meyerbeer and Robert Schumann and the recently deceased  Niccolò Paganini. Alongside the essay, this new translation of Liszt’s letters opens a window onto the composer’s immersion in the Italian countryside, where he paints a portrait of a rich musical landscape. Liszt regales his correspondents with amusing anecdotes at Sand’s Italian country estate in Nohant, describes the beautiful landscape and artistic treasures of Italy from his residence on Lake Como, defends himself from Heinrich Heine’s accusations of his “ill-seated� character, discusses the religious aesthetic of Raphael’s painting, and offers his thoughts on the interconnectedness of all the arts. Including two complete facsimile reproductions of the existing manuscripts for “De la situation des artistes� and “Sur Paganini à propos de sa mort,� Essays and Letters of a Traveling Bachelor of Music is a must-read for student and scholars of 19th-century classical music.

Johann Sebastian Bach created what may be the most celestial and profound body of music in history; Frederick the Great built the colossus we now know as Germany, and along with it a template for modern warfare. Their fleeting encounter in 1757 signals a unique moment in history where belief collided with the cold certainty of reason. Set at the tipping point between the ancient and modern world, Evening in the Palace of Reason captures the tumult of the eighteenth century, the legacy of the Reformation, and the birth of the Enlightenment in this extraordinary tale of two men.

A TAROT DECK FOR MUSIC LOVERS with the biggest stars representing the cards' meanings AN ACCESSIBLE ENTRY TO TAROT or an exciting new addition to a card collection CULT FAVOURITES AND BIG STARS: there's something for fans of every genre STUNNING ILLUSTRATIONS with more to find on every reading INCLUDES A BOOKLET that unpacks the meanings of the cards and explains how to conduct your own readings Tune into your inner wisdom with this unique tarot deck inspired by cult music icons. Inside you'll find musicians who perfectly encapsulate the tarot card meanings: Lorde is the Fool, Prince is the Emperor and David Byrne is the Hermit. The 78 cards work as a fully functional tarot deck, and the kit also includes a booklet with more information about the musicians, as well as information on how to interpret the cards and conduct your own readings.

The first in-depth study of David Bowie’s music videos across a sustained period takes on interweaving storyworlds of an iconic career. Remarkable for their capacity to conjure elaborate imagery, Bowie’s videos provide fascinating exemplars of the artistry and remediation of music video. When their construction is examined across several years, they appear as time-travelling vessels, transporting kooky characters and strange story-world components across time and space. By charting Bowie’s creative and collaborative process across five distinct phases, David Bowie and the Art of Music Video shows how he played a vital role in establishing music video as an artform. Filling a gap in the existing literature, this book shines a light on the significant contributions of directors such as Mick Rock, Stanley Dorfman and David Mallet, each of whom taught Bowie much about how to use the form. By examining Bowie's collaborative process, his use of surrealist strategies and his integration of avant-garde art with popular music and media, the book provides a history of music video in relation to the broader fields of audiovisual media, visual music and art.

An updated edition of this bestselling biography that features details of her second album Born This Way and her subsequent tour as well as the release of her long-awaited third album in spring 2013, ARTPOP. Includes her numerous controversies such as that meat dress, her many collaborations with everyone with Elton John to Cher and Tony Bennett, and her movie acting debut in Machete Kills in early 2013. This is the story of her high-speed rise in the fame game, told with a mix of admiration and sharp journalistic insight. Packed with full-colour photographs complete this portrait of one of the biggest names in modern music.

The fascinating letters of conductor-author Nicolas Slonimsky (1894-1995) to his wife, sharing his adventures as he traveled around the world to conduct new American music. In the mid-twentieth century renowned musicologist, conductor, and lexicographer Nicolas Slonimsky traveled to cities throughout the world to play and conduct music of the American avant-garde. From trips to Paris, Berlin, Havana,New York, Los Angeles, Buenos Aires, Rio de Janeiro, and Moscow, Slonimsky wrote letters to his wife, the art critic Dorothy Adlow, vividly and humorously describing his adventures. Dear Dorothy: Letters from NicolasSlonimsky to Dorothy Adlow is a collection of these missives. Though personal, they chronicle Slonimsky's work as an ambassador of modern music who introduced twentieth-century composers, particularly American composers, to audiences worldwide. Full of his admired wit and energy, the letters recount his performances, rehearsals, lectures, day-to-day activities in foreign cities and concert halls, and the anxieties of stretching limited funds to cover an ever-expanding itinerary. They also reveal a side of Slonimsky not seen from his other published writings: a man with deep devotion to his wife and family. Annotated and with an introduction by Slonimsky's daughter, Electra Slonimsky Yourke, this collection documents the meeting of historic musical cultures-Old World Europe, the Soviet Union, and the vibrant countries of Latin America-with the modernist music of the United States. Written in a lively, humorous style, these letters will be of interest to scholars and students of American music and social historians as well as musicians, music lovers, and concertgoers. Electra Slonimsky Yourke is the daughter ofNicolas Slonimsky and Dorothy Adlow, and editor of several collections of her father's work, including The Listener's Companion and the four-volume Writings on Music. Nicolas Slonimsky (1894-1995) was a Renaissance man in the modern-music world of the mid-twentieth century. Composer, conductor, critic, and lexicographer, he authored many books including Lexicon of Musical Invective: Critical Assaults on Composers since Beethoven's Time and a memoir, Perfect Pitch.

Darkthrone's A Blaze in the Northern Sky (1992) is a foundational keystone of the musical and aesthetic vision of the notorious Norwegian black metal scene and one of the most beloved albums of the genre. Its mysterious artwork and raw sound continue to captivate and inspire black metal fans and musicians worldwide. This book explores the album in the context of exoticism and musical geography, examining how black metal music has come to conjure images of untamed Nordic wildernesses for fans worldwide. In doing so, it analyzes aspects of musical style and production that created the distinctly "grim" sound of Darkthrone and Norwegian black metal.

The correspondence of the composer-pianists Percy Grainger [1882-1961] and Ronald Stevenson [b. 1928], together with Stevenson's writings on Grainger and two interviews with Stevenson. In 1957 the Australian-American composer Percy Grainger, then 75 and in failing health, received a letter from another pianist-composer, the young Ronald Stevenson, writing from his home in West Linton, below Edinburgh. That firstcontact - requesting Grainger's reminiscences of Ferruccio Busoni, with whom he had studied - led to an exchange of 32 letters over the four years before Grainger's death in February 1961. The two men soon found that, despite their 46-year age-difference, they had many affinities. Both were pianists of staggering abilities and composers who combined a love for folk-music and working-class art with an aesthetic that proposed a `world music' to include the farthest reaches of humanity. Both made an art of piano transcription of a wide variety of works and were champions of little-known music and composers. And both revered the work of Walt Whitman, that great poet of inclusivity,the pioneering spirit and the open road. This book presents both the complete Grainger-Stevenson correspondence and Ronald Stevenson's many articles and lectures on Grainger and his music, edited by Teresa Balough, whosetwo interviews with Stevenson open and close the volume - which includes a CD of a lecture-recital on Grainger that Stevenson presented in Grainger's home in White Plains, New York, in 1976.

No. 1 Sunday Times Bestseller. 'Can't fail to move' The Sunday Times ALL AUTHOR PROCEEDS DONATED TO THE AMY WINEHOUSE FOUNDATION. As an artist, she had few peers. Her lyrical prowess and timeless contralto vocals made her an instant revelation when her debut album Frank was released in 2003. And as her star continued to rise it became evident that this seemingly delicate girl from north London was much more than just a precocious talent. Genius, inspiration, icon; there are many ways to describe Amy Winehouse, but it was her wit, charm and lust for life that cemented her place in the hearts of her fans. Here, using exclusive extracts from his own personal diaries, Amy's father and confidant Mitch celebrates what influenced his daughter. Documenting her early years from Sylvia Young to the Brit School, and the darker side of her life as she struggled to cope with her addictions under the glare of the media spotlight, he gives new insights. With never before seen photos, notes and drawings, this book brings together the many layers of Amy's life - the personal, the private and the public - to create an honest and intensely moving account of the life of the most talented recording artist of her generation.

Ernst Krenek has been described as a "one-man history of twentieth-century music." His vast compositional output encompasses many of its extremes and expresses many of its contradictions. Few have attempted, however, to contextualize Krenek's compositional output because our understanding of classical music in the first half of the twentieth century still largely remains focused on the music of a few canonical figures. Responding to renewed interest from performers in Krenek's work, particularly his operas, Peter Tregear's Ernst Krenek and the Politics of Musical Style addresses this gap in the scholarly literature and makes an important contribution to our comprehension of the ways in which his music reflected and informed broader social and political debates in Austria and Germany at the time. Focusing on Krenek's compositional path from the eclectic musical language of Jonny spielt auf to the austere twelve-tone technique of Karl V, Tregear provides an historical and critical context to this most historically significant period of Krenek's creative life. His study also enriches our understanding of many of Krenek's contemporaries, such as Alban Berg and Arnold Schoenberg. This book should interest students, scholars and practitioners with an interest in modern opera, and contemporary classical music as well as early-20th-century German history more generally.

Stevie Ray Vaughan bluesman guitarist and legend was only 35 at the time of his death but in his brief lifetime he managed to revitalize the blues influence a generation of guitarists and produce a phenomenal body of work. His story is told here in ÊGuitar World Presents Stevie Ray VaughanÊ a newly updated and expanded collection of articles about the great guitarist from the pages of ÊGuitar WorldÊ magazine. This deluxe volume features probing interviews held over the years with Stevie Ray instructional material a complete discography of his recorded works and loving reminiscences by his fellow musicians. ÊGuitar World Presents Stevie Ray VaughanÊ is an essential tribute to the great fallen guitar hero of our generation.

In 1986, when Bon Jovi's third studio album, Slippery When Wet, was released, America had found its next superband. In Bon Jovi: America's Ultimate Band, Margaret Olson chronicles the history and music of the band from its inception to present day. She closely examines Bon Jovi's musical and social relevance to listeners past and present, exploring the remarkable ways the band has emerged as the expression and product of deep cultural needs and how, within a few years of commercial success, it has made a lasting impact on Generation X, the music business, and American culture. Through opportunities offered by cable television (particularly MTV), Hollywood, and corporate brands, Bon Jovi has been able to influence not only the music, film, and television industries but also the worlds of fashion, musical theater, art, philanthropy, and politics. Like any megaband, its members have struggled with addiction, the demands of fame, and a lack of critical respect. They have persevered, however, to become one of the United States' world's best-selling touring bands. Bon Jovi is a testament to the way modern culture and entertainment can become intertwined, and its success underscores the length of the band's career, the professionalism of its management, the recognition of what audiences want, and the unique way the music-more than anything else-both reflects and shapes the social and musical American landscape it inhabits. Titles in the Tempo series are ideal introductions to major pop and rock artists, the music they produce, and their cultural and musical impact on society. Bon Jovi: America's Ultimate Band should interest fans, students, and scholars alike.

Until now, Kathleen Ferrier has been a glorious voice, but through the pages of these fascinating letters and diaries, never previously published, we get to the real person. Fifty years ago, Kathleen Ferrier, the greatest lyric contralto Britain has ever produced, lost her courageous battle with breast cancer. Her name endures to this day, for she struck a chord with a wide-ranging public - in concerts, on records and on the radio - despite a career which lasted barely ten years. Within a decade this former telephone exchange operator was singing on stage at Covent Garden or before royalty at private parties. She was surely fun to know: this collection of 300+ letters and twelve years of her personal diaries give a sunny picture of her life in the muted post-war years. Her indefinable personality was a mix of extreme modesty and self-determined ambition, and a mischievously blunt sense of earthy Lancastrian humour. Until now, Kathleen Ferrier has been a glorious voice, but through the pages of these fascinating letters and diaries, never previously published, we getto the real person. CHRISTOPHER FIFIELD is foremost a conductor, but also a writer on music history (Grove, DNB, Viking Opera Guide, Oxford Companion to Music), and the author of two biographies, of Max Bruch (recently reissued by the Boydell Press) and Hans Richter.

The definitive biography of guitar icon and Grammy Award-winning artist Bill Frisell. FEATURING EXCLUSIVE LISTENING SESSIONS WITH: Paul Simon; Justin Vernon of Bon Iver; Gus Van Sant; Rhiannon Giddens; The Bad Plus; Gavin Bryars; Van Dyke Parks; Sam Amidon; Hal Willner; Jim Woodring; Martin Hayes & Dennis Cahill 'A beautiful and long overdue portrait of one of America's true living cultural treasures.' JOHN ZORN 'The perfect companion-piece to the music of its subject.' MOJO 'Outlines the subject's life in a series of scrupulous strokes and intimate interviews that are rare in such undertakings . . . a cool, casual victory.' IRISH TIMES Over a period of forty-five years, Bill Frisell has established himself as one of the most innovative and influential musicians at work today. Growing up playing clarinet in orchestras and marching bands, Frisell has progressed through a remarkable range of musical personas - from devotee of jazz master Jim Hall to 'house guitarist' of estimable German label ECM, from edgy New York downtown experimentalist to plaintive country and bluegrass picker. He has been a pioneering bandleader and collaborator, a prolific composer and arranger and a celebrated Grammy Award winner. A quietly revolutionary guitar hero who has synthesised many disparate musical elements into one compellingly singular sound, Frisell connects to a diverse range of artists and admirers, including Paul Simon, Elvis Costello, Lucinda Williams, Gus Van Sant, Marianne Faithfull and Justin Vernon, many of whom feature in this book. Through unprecedented access to the guitarist and interviews with his close family, friends and associates, Philip Watson tells Frisell's story for the first time. 'Stuffed with musical encounters, so many that every couple of pages there's an unheard Frisell recording for the reader to chase down.' NEW YORKER 'Bill Frisell, Beautiful Dreamer is the definitive biography.' BILL MILKOWSKI, DOWNBEAT 'Superb . . . the book races along like Sonny Rollins in full sail. Like subject, like writer: this is super-articulate, adventurous prose.' PERSPECTIVE '[Watson's] writing balances unbridled passion and dispassionate research nearly as deftly as Mr. Frisell's playing does sound and silence . . . compelling.' WALL STREET JOURNAL

Claudio Monteverdi: A Research and Information Guide is an annotated bibliography that navigates the vast scholarly resources on the composer with the most updated compilation since 1989. Claudio Monteverdi transformed and mastered the principal genres of his day and his works influenced generations of musicians and other artists. He initiated one of the most important aesthetic debates of the era by proposing a new relationship between poetry and harmony. In addition to scholarship by musicologists and music theorists, Monteverdi's music has attracted attention from literary scholars, cultural historians, and critical theorists. Research into Monteverdi and Renaissance and early baroque studies has expanded greatly, with the field becoming more complex as scholars address such issues as gender theory, feminist criticism, cultural theory, new criticism, new historicism, and artistic and popular cultures. The guide serves both as a foundational starting point and as a gateway for future inquiry in such fields as court culture, opera, patronage, and Italian poetry.

An updated edition of the bestselling biography to include details of her sixth studio album The Truth About Love which was a worldwide number one hit and the birth of her first child in 2011. Paul Lester traces the extraordinary career of Alicia Beth Moore from Pennsylvania through her stint in the girl group Choice to her present incarnation as global superstar Pink. Split Personality reveals the two sides of this complex artist: the feisty fun-filled performer who at thirty continues to conquer in a teen-dominated industry and the conflicted woman whose dark urges have fuelled her deceptively upbeat glossy brand of hi-tech pop. This is a pop biography that makes for a truly exciting read that's worthy of it's electrifying subject!

Many students of renowned composer, conductor, and teacher Ferruccio Busoni had illustrious careers of their own, yet the extent to which their mentor's influence helped shape their success was largely unexplored until now. Through rich archival research including correspondence, essays, and scores, Erinn E. Knyt presents an evocative account of Busoni's idiosyncratic pedagogy-focused on aesthetic ideals rather than methodologies or techniques-and how this teaching style and philosophy can be seen and heard in the Nordic-inspired musical works of Sibelius, the unusual soundscapes of Varese, the polystylistic meldings of music and technology in Louis Gruenberg's radio operas and film scores, the electronic music of Otto Luening, and the experimentalism of Philip Jarnach. Equal parts critical biography and interpretive analysis, Knyt's work compels a reconsideration of Busoni's legacy and puts forth the notion of a "Busoni School" as one that shaped the trajectory of twentieth-century music.

The German-Jewish emigre composer Stefan Wolpe was a vital figure in the history of modernism, with affiliations ranging from the Bauhaus, Berlin agitprop and the kibbutz movement to bebop, Abstract Expressionism and Black Mountain College. This is the first full-length study of this often overlooked composer, launched from the standpoint of the mass migrations that have defined recent times. Drawing on over 2000 pages of unpublished documents, Cohen explores how avant-garde communities across three continents adapted to situations of extreme cultural and physical dislocation. A conjurer of unexpected cultural connections, Wolpe serves as an entry-point to the utopian art worlds of Weimar-era Germany, pacifist movements in 1930s Palestine and vibrant art and music scenes in early Cold War America. The book takes advantage of Wolpe's role as a mediator, bringing together perspectives from music scholarship, art history, comparative literature, postcolonial studies and recent theories of cosmopolitanism and diaspora.

Daniel Coston's career in photography began accidentally. A magazine writer, he began taking photographs for his stories when the regular photographer was unavailable, and his contacts as a writer led him to invitations to take pictures of local musicians. Over the past sixteen years, his life-long fascination with the sounds of North Carolina music drew him to begin documenting the musicians in his adopted state. This book is a collection of the best photographs, as well as the stories behind them. From Doc Watson to Ben Folds, musicians of all genres are represented here in the studio, in concert, at festivals, and at home. The author also interviewed members of the Avett Brothers, Carolina Chocolate Drops, Squirrel Nut Zippers and many more.