Leonard Bernstein: A Research and Information Guide is an annotated bibliography and research guide on this popular American composer and conductor. It includes annotations on Bernstein's writings, performances, educational work, and major secondary sources. Also included are a biographical sketch, lists of compositions and arrangements, as well as lists of recordings and video. The second edition is updated to include research since the 1st edition was published in 2001, as well as online resources.

Frederic Chopin: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer. The second edition includes research published since the publication of the first edition and provides electronic resources.

Isaac Albeniz is one of the most important figures in the history of Spanish music. A legendary child prodigy, he went on to become one of the leading concert pianists of his generation in Europe. However, he aspired to compose music rooted in the folklore of his native Spain, contributing seminal masterpieces that defined the sound of Spanish art music in the 20th century and served as an inspiration to his most eminent successors. This annotated bibliography and research guide provides an up-to-date and thorough presentation of all the sources any aficionado, performer, or scholar would need to deepen his or her understanding of this fascinating pianist and composer.

In her intense, brief life, Amy Winehouse's music spoke directly to millions. And since her death, her fans have only increased.

Amy Winehouse is one of those pop stars that comes along so rarely we're not sure we knew what we had when we had her. Her story speaks to us not because the relentless tabloid coverage of her darker days unfolded in real time, but because she tapped into deeply personal yet universal feelings and displayed them to us in all their painful, raw glory. She turned our demons into something we could dance and sing to, and she skewered those who wronged her in ways we could only dream of.

Gaetano Donizetti: A Research and Information Guide offers an annotated reference guide to the life and works of this important Italian opera composer. The book opens with a complete chronology of Donizetti's life (1797-1848) and career, relating it to contemporary events. The balance of the book details secondary resources and other works, including general sources, catalogs, correspondence, biographical sources, critical works; production/review sources, singers and theaters, and the individual operas.

Richard Wagner: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer.

A revealing biography of Kanye West explores the artist—and the man. Kanye West is a star. His music has jumped from sensation to staple in the rap industry, while his personality, his philosophies, and his willingness to speak out for what he believes in regularly place him at the center of controversy. Kanye West: A Biography traces the star's life from his birth through the present day to paint a detailed picture of the artist and the man. Raised by a single mother who was an English professor in Chicago, West admits he came from "the wrong side of the mall" rather than the wrong side of the tracks. His name, his style, and the way he conducts his business are unique. His thoughtful reflections in interviews reveal a complex man few have taken the time to understand. This biography looks at that multifaceted star, exploring his career as singer and producer, but also looking at the forces that prepared him to chase his dreams—and chase off anyone who stood in his way.

This revised edition of the standard catalogue of the music and writings of Ralph Vaughan Williams includes all known published and unpublished works, with full details of instrumentation, revisions, and first performances. There is much new information on the location of manuscripts and sketches, and there are many corrections to the information and dates given in the existing text. The volume includes a bibliography of the literary works of Vaughan Williams compiled by Peter Starbuck, and an appendix of folk songs collected by the composer. The indexes have been completely updated.

The author is a drummer with experience in a variety of musical genres and contexts, with emphasis on rock and related styles. This auto ethnographic Element presents the author's philosophy of playing drum kit. The text explains how playing drum kit matters to this musician and may resonate with others to whom making music matters in similar ways. The Element contains audio files of music in which the author plays drum kit in the ensemble settings described. There are photos of the author's drums and of him drumming. Based on June Boyce-Tillman's non-religious model of holistic spirituality and Tim Ingold's notion of correspondences, the author describes how playing drum kit enables him to experience transcendence - the magical nexus at which Materials, Construction, Values/Culture and Expression meet. Each of these domains, and the magic derived from their combination, is illustrated through examples of the author's live and recorded musical collaborations.

Sir Andrzej Panufnik was born in Warsaw and studied in the newly independent Poland in the 1930s, as well as in Vienna and Paris just before the outbreak of the Second World War. During the German occupation he formed a piano duo with his friend and fellow composer Witold LutosA'awski, and they performed in cafes around Warsaw. After the war, Panufnik quickly established himself as a leading Polish composer, and as a conductor he played a significant role in the re-establishment of first the KrakA(3)w and then the Warsaw Philharmonic. Although he was considered Poland's leading composer for some years after the war, Panufnik was subsequently put under intolerable pressure both musically and politically. Frustrated by the continuing rejection of his compositions and the unending political demands inflicted on him by the country's post-war Communist regime, he made a daring escape to England in 1954. He briefly became Principal Conductor of the City of Birmingham Symphony Orchestra, a post he relinquished after two years to devote all his time to composition. His works were in demand by major figures such as Leopold Stokowski who conducted the first performances of Sinfonia Elegiaca, KatyA" Epitaph and Universal Prayer, Yehudi Menuhin who commissioned the Violin Concerto, Seiji Ozawa in Boston and Sir Georg Solti in Chicago who both commissioned symphonies for the centenaries of their famous orchestras; also Mstislav Rostropovich with the London Symphony Orchestra, who together commissioned the Cello Concerto. Beata BolesA'awska has written the first book on the life and artistic output of Panufnik, setting his significance alongside the political and cultural scene of twentieth-century Europe. The account of the composer's life is based on numerous archival documents, as well as the personal accounts contributed by his family and friends. Panufnik's compositional style and techniques are also analysed. This book will be of interest not only to those devoted

'One of the most rewarding pieces of hip-hop criticism ever written' Jeff Chang 'Brilliant' Giles Peterson 'Will Ashon's dazzling study gets to the heart of hip hop, pop culture and the history of contemporary America. Essential' Matt Thorne 'Each of these chambers contains wonders of history, destiny and mythology' Margo Jefferson Will Ashon tells, in 36 interlinked 'chambers', the story of Enter the Wu-Tang (36 Chambers) and how it changed the world. As unexpected and complex as the album itself, Chamber Music ranges from provocative essays to semi-comic skits, from deep scholarly analysis to satirical celebration, seeking to contextualise, reveal and honour this singularly composite work of art. From the FBI's war on drugs to the porn theatres of 42nd street, from the history of jazz to the future of politics, Chamber Music is an explosive and revelatory new way of writing about music and culture.

In Dean Dixon: Negro at Home, Maestro Abroad, conductor and scholar Rufus Jones Jr. brings to light a literal treasure trove of unpublished primary sources to tell the compelling story of this great American conductor. A testament to Dixon's resolve, this first-ever full-length biography of this American musical hero chronicles Dixon's musical upbringing, beginnings as a conductor, painful decision to leave his own country, rise to fame in Europe and his triumphant stand twenty-one years later when he returned to the United States to serve as a model for aspiring Black classical musicians. Dean Dixon: Negro at Home, Maestro Abroad will interest anyone who wants to know more about Black American history, American musical culture, and Black American concert music and musicians. More information is available at: www.maestroabroad.com

Everything you want to know about the fabulousness that is Eurovision! The Eurovision Song Contest is one of the world's longest running TV programmes, and has become a much loved tradition across Europe and now Australia. From the spandex to the glitter, ABBA to Lordi, and the unexpected winners to the "nil points" losers, The Little Book of Eurovision will take you through the best and the "Wurst" moments of the last 65 years. Eurovision has come a long way from its very first competition in 1956, with just seven entrants and a studio audience of 200 people. Now people gather for Eurovision parties, complete with food and drink from the competing countries, and even dress up in finery to match the feathers, sequins, and leather on stage. Whether you are a cynic, a true believer or just a disappointed Brit (again), you'll love reliving the highs and lows of Eurovision through these pages.

Drawing on primary documents as well as interviews and letters, the authors have created a fascinating portrait of one of America's most distinguished and prolific composers whose creative output spans more than half a century. With its well organized, carefully annotated and indexed bibliography, the book is not only a pleasure to read, but a valuable research tool. Read's notable accomplishments include an extensive catalog of 150 opus numbers that run the gamut of instrumental combinations and musical genres, plus nine scholarly books dealing with various aspects of notation, orchestral devices, and instrumental techniques.

The biography describes Read's family background, his early years growing up in Evanston, Illinois, his high school education, his years at the Eastman School of Music, his Cromwell fellowship to Europe, and his marriage to accomplished teacher/pianist, Margaret Vail Payne. Major events are highlighted during his years at St. Louis, Kansas City, Cleveland, and, finally, Boston. Interlochen, Tanglewood, the MacDowell Colony, the Huntington Hartford Foundation, as well as official visits to Mexico, are explored in terms of the role they played in the creative life of the composer. A major portion of the biography is devoted to Read's opera, DEGREESIVillon DEGREESR. Readers will be interested in the completely annotated bibliography, which includes a complete listing of works, performances, reviews, discography, and literary writings. Appendixes include classified lists of instrumentation, commissions, awards, honors, positions, text sources, dedications, and manuscript locations.

As the greatest rock and roll band of all time, the Beatles rocketed to worldwide fame soon after their 1964 arrival in the United States. Much of their achievement can be attributed to the unique Beatle sound, but it was more than just the music that catapulted them to the summit of success, and kept them there even after the band ceased touring and broke apart. How the Beatles both failed and triumphed as businessmen and the lessons today’s entrepreneurs and business leaders can draw from this unique journey is the subject of Come Together: The Business Wisdom of the Beatles. Authors Richard Courtney and George Cassidy recount the band’s many exploits, from its early struggles in Hamburg to the success of Sgt. Peppers Lonely Hearts Club Band and beyond, revealing from a business perspective what worked and what didn’t. More than the music, this book explores what it took to pass the audition.

Frederick Delius is among the most celebrated English composers of the 20th century. Widely studied and performed, his works are considered models of the British impressionist school and continue to fascinate students and scholars centuries later. This research guide serves as a ready reference for students and scholars, but will also be interesting to read and useful for anyone who wants to know where to begin to learn more about this important composer.

A key figure in establishing an identifiable French musical style in the nineteenth century, this annotated biliography catalogs the studies of Saint-Saens' life and works as well as examining the composer's own correspondence and essays. Included are many lesser-known writings on the composer and his music, as well as recent scholarship which re-examines his place in music history.

David Bowie: Critical Perspectives examines in detail the many layers of one of the most intriguing and influential icons in popular culture. This interdisciplinary book brings together established and emerging scholars from a wide variety of backgrounds, including musicology, sociology, art history, literary theory, philosophy, politics, film studies and media studies. Bowie's complexity as a singer, songwriter, producer, performer, actor and artist demands that any critical engagement with his overall work must be interdisciplinary and wide-ranging in its scope. The chapters are organised around the key themes of 'textualities', 'psychologies', 'orientalisms', 'art and agency' and 'performing and influencing' in Bowie's work. This comprehensive book contributes a great deal to the study of popular music, performance, gender, religion, popular media and celebrity.

Punk Rock Warlord explores the relevance of Joe Strummer within the continuing legacies of both punk rock and progressive politics. It is aimed at scholars and general readers interested in The Clash, punk culture, and the intersections between pop music and politics, on both sides of the Atlantic. Contributors to the collection represent a wide range of disciplines, including history, sociology, musicology, and literature; their work examines all phases of Strummer's career, from his early days as 'Woody' the busker to the whirlwind years as front man for The Clash, to the 'wilderness years' and Strummer's final days with the Mescaleros. Punk Rock Warlord offers an engaging survey of its subject, while at the same time challenging some of the historical narratives that have been constructed around Strummer the Punk Icon. The essays in Punk Rock Warlord address issues including John Graham Mellor's self-fashioning as 'Joe Strummer, rock revolutionary'; critical and media constructions of punk; and the singer's complicated and changing relationship to feminism and anti-racist politics. These diverse essays nevertheless cohere around the claim that Strummer's look, style, and musical repertoire are so rooted in both English and American cultures that he cannot finally be extricated from either.

This is the first monograph on the Polish composer Ignacy Jan Paderewski (1860-1941). It aspires to be part of the process of restoring his compositional legacy to European musical culture. Reinterpreting the legend surrounding the great Pole, the study is based on Paderewskis works that are listed in the Paderewski catalogue, but also includes sketches, unfinished pieces and student exercises. Raba's analysis and interpretation of the composer's work is carried out in formal-structural, stylistic-critical and aesthetic contexts, revising the image of the composer, that has been distorted in the historical reception of his oeuvre.

A groundbreaking and irresistible biography of three of America's most important musical artists -- Carole King, Joni Mitchell, and Carly Simon -- charts their lives as women at a magical moment in time.
Carole King, Joni Mitchell, and Carly Simon remain among the most enduring and important women in popular music. Each woman is distinct. Carole King is the product of outer-borough, middle-class New York City; Joni Mitchell is a granddaughter of Canadian farmers; and Carly Simon is a child of the Manhattan intellectual upper crust. They collectively represent, in their lives and their songs, a great swath of American girls who came of age in the late 1960s. Their stories trace the arc of the now mythic sixties generation -- female version -- but in a bracingly specific and deeply recalled way, far from cliche. The history of the women of that generation has never been written -- until now, through their resonant lives and emblematic songs.
Filled with the voices of many dozens of these women's intimates, who are speaking in these pages for the first time, this alternating biography reads like a novel -- except it's all true, and the heroines are famous and beloved. Sheila Weller captures the character of each woman and gives a balanced portrayal enriched by a wealth of new information.
"Girls Like Us" is an epic treatment of midcentury women who dared to break tradition and become what none had been before them -- confessors in song, rock superstars, and adventurers of heart and soul.

Nikolay Andreevich Rimsky-Korsakov: A Research and Information Guide, Second Edition is an annotated bibliography of all substantial, relevant published resources relating to the Russian composer. First published in 1988, this revised and expanded volume incorporates new information about the composer appearing over the last two decades, including literary publications, articles and reviews. Other sections provide a brief biographical sketch, selective discography, chronology and list of Rimsky-Korsakov's works.

In a distinguished 43-year recording career that began with the recording of two duets by Blangini and Leguerney in 1944, this remarkably versatile artist recorded more than 750 titles in at least 15 languages. These recordings, appearing on nearly 50 labels (more than 535 different catalog numbers) on 78s, 45s, LPs, prerecorded open reel tapes, 8-track cartridges, cassettes, and CDs, earned Souzay numerous awards. Souzay won the prestigious French Grand Prix du Disque on three separate occasions for performances of a Handel aria, Ravel songs, and classical arias with orchestra. Except for operas and cantatas, Souzay rarely recorded joint programs: his only recorded duets were with his sister, soprano Genevieve Touraine, Germaine Lubin, and Elly Ameling. This three-section discography has been meticulously researched and organized by Manuel Morris and includes cross-referenced indices to facilitate easy access to needed information. Separate sections present a chronological list of all Souzay's recordings; an alphabetical list by composer and title of work; and a list of all the recordings that have been assigned catalog numbers. Recordings of an archival nature such as radio broadcasts and privately recorded concert performances that were not released for sale are not included in the discography but virtually all information relating in any way to a listed recording has been included. Following the work's introduction, the discography is organized into principal sections: Chronology, Composers and Titles, Recordings, and Indices. The Chronology lists all of Souzay's recordings, including, when known, recording dates and matrix and take numbers. When located, data on rejected takes has been included here. The Composers and Titles section provides an alphabetical list by composer of the title of the recorded work. All recordings that have been assigned catalog numbers, including those not published, are listed in the main entries of the Recordings section; this is divided into four subsections based on recording companies. Within groups, recordings are listed alphabetically by label. Data on the availability of the recording, its release, and deletion are usually provided with each listing. Two indices consist of an alphanumeric listing of all known labels and catalog numbers (cross-referenced to the recording section) and a listing of all artists who appear in recordings with Souzay. Morris's systematic and comprehensive discography will make this an indispensable resource in the musical reference section of libraries at universities and conservatories. It should also prove useful for professional singers, vocal teachers and their students, collectors, and musicologists.

Mozart's Clarinet Concerto is of supreme importance as his last instrumental work. Yet there are a number of special problems surrounding the piece, since the autograph is lost and the unique instrument for which it was written has not survived. This book presents a wealth of background information, an analysis of the Concerto, discussion of performance practice and details of surviving relevant instruments.

Unaccountably, Percy Grainger has remained on the margins of both American music history and twentieth-century modernism. This volume reveals the well-known composer of popular gems to be a self-described 'hyper-modernist' who composed works of uncompromising dissonance, challenged the conventions of folk song collection and adaptation, re-visioned the modern orchestra, experimented with 'ego-less' composition and designed electronic machines intended to supersede human application. Grainger was far from being a self-sufficient maverick working in isolation. Through contact with innovators such as Ferrucio Busoni, Leon Theremin and Henry Cowell; promotion of the music of modern French and Spanish schools; appreciation of vernacular, jazz and folk musics; as well as with the study and transcription of non-Western music; he contested received ideas and proposed many radical new approaches. By reappraising Grainger's social and historical connectedness and exploring the variety of aspects of modernity seen in his activities in the British, American and Australian contexts, the authors create a profile of a composer, propagandist and visionary whose modernist aesthetic paralleled that of the most advanced composers of his day, and, in some cases, anticipated their practical experiments.