The Bay City Rollers were one of the brightest things to happen in the tumultuous 1970s, illuminating a dark decade marred by falling stock markets, a plummeting economy and industrial unrest. Alan Longmuir, an apprentice plumber from Edinburgh, was inspired by The Beatles to form a band in the 1960s. Firstly, he enlisted his brother and then his cousin and via throwing a dart at a map they eventually became the Bay City Rollers. Success was slow in coming but when it did it was beyond Alan's (and almost everyone else's) wildest dreams. A string of million selling records led to Rollermania - a mass-hysterical fan reaction not seen since Beatlemania. Like a wildfire it spread across the world. The Rollers' juggernaut was out-of-control. Alan Longmuir recounts his surreal journey from the Dalry backstreets to the Hollywood hills and back to being a plumber. Along the way he punctures some of the myths and untruths that have swirled around the group. Most of all, though, Alan captures the great adventure that a bunch of young boys from Edinburgh embarked on that for a few years threatened to turn the whole world tartan. Tragically, while finishing his memoirs Alan Longmuir was taken ill while on a holiday in Mexico marking his 70th birthday and died back in Scotland a short while later. It was his great desire that I Ran With The Gang should be released.

'I was spotty, wore an anorak, had biro-engraved flared blue jeans with "purple" and "Sabbath" written on the thighs, and rode an ear-splittingly uncool moped. Oh yes, and I wanted to be a drummer...' Bruce Dickinson - Iron Maiden's legendary front man - is one of the world's most iconic singers and songwriters. But there are many strings to Bruce's bow, of which larger-than-life lead vocalist is just one. He is also an airline captain, aviation entrepreneur, motivational speaker, beer brewer, novelist, radio presenter, film scriptwriter and an international fencer: truly one of the most unique and interesting men in the world. In What Does this Button Do? Bruce contemplates the rollercoaster of life. He recounts - in his uniquely anarchic voice - the explosive exploits of his eccentric British childhood, the meteoric rise of Maiden, summoning the powers of darkness, the philosophy of fencing, brutishly beautiful Boeings and firmly dismissing cancer like an uninvited guest. Bold, honest, intelligent and funny, this long-awaited memoir captures the life, heart and mind of a true rock icon, and is guaranteed to inspire curious souls and hard-core fans alike.

'Michael Jackson: The Man behind the Mask' is the INSIDE STORY of the truth behind the rumors, ugliness and mystery surrounding Michael Jackson. Is Jackson just a confused person who got too much fame too soon or is he a cold and calculating villain who will stop at nothing to have his bizarre appetites satisfied? Now you can read about it for the first time from the man who knows everything! The author, Bob Jones, is not a journalist conducting interviews but somebody who has known and been with Jackson for 34 years as his chief of Public Relations; by his side since Michael was 11 years old. Bob Jones is the one person with this unique inside view of Michael Jackson's world. To a certain degree, Bob Jones CREATED Michael Jackson. He created his image. For example, Bob Jones created Michael Jackson's famous nickname 'The King of Pop'. This book is explosive and will make any other book about Michael Jackson instantly forgotten. You won't find this inside information anywhere else.

In time for the band's twentieth anniversary, the inside story of the Dave Matthews Band-from the early days playing small gigs in Charlottesville to their current sold-out annual summer concert tours...and more than thirty-five million records sold. Dave Matthews Band has one of the largest and most loyal followings of any band today-after twenty years of constant touring and several acclaimed, multiplatinum albums, the members enjoy a connection with their fans that few other acts can match. Ask DMB devotees and they'll happily tell you tales of amazing sold-out summer shows, the stunning venues they've seen the band play all around the world, classic live show recordings...and memories of good times with great friends, old and new. For hundreds of thousands of people, affection for DMB goes far beyond simple fan adulation-it's a way of life. Journalist (and fan) Nikki Van Noy bridges the gap between the band and their followers, looking at the DMB phenomenon from all perspectives-including interviews with the band, Charlottesville insiders who knew them in the early days, and, of course, the DMB fans who witnessed it all. This lively, insider book offers insights into: -The beginnings of the band in Charlottesville, VA-which gave rise to the culture of taping and trading live shows, and the early online networking that laid the groundwork for their later explosive success. -The heady success of their first several albums-when the small "club" of DMB fans suddenly became a lot less exclusive. -Their creative misfires in the early 2000s-including the leaked Lillywhite Sessions. -The crushing sudden loss of saxophonist LeRoi Moore-and how the band emerged stronger than ever. A chronicle of the live Dave Matthews Band experience and what it means to be a part of it, So Much to Say is a comprehensive biography of this incredible group and the fans who helped them achieve such enduring success.

Freeland Barbour was brought up in Highland Perthshire and has been a very well-known figure on the Scottish music scene for many years. He is a former member of ground-breaking folk group Silly Wizard, and a founder member of two of the country's most successful ceilidh dance bands, the Wallochmor Ceilidh Band and the Occasionals. His compositions for Scottish dancing are hugely popular and have been recorded and performed all over the world. In this book he recalls his life in music, presenting a tour in words, photographs and musical notation through the lands that have inspired him - covering the whole of Scotland and beyond. His compositions are gathered here with the work of some of Scotland's leading photographers, in a book that is a both an invaluable resource for the working musician and wonderful tribute to Scotland's landscape and traditions.

Originally intended as the first piece in a cycle of four impressions entitled In the New Forest, Burley Heath was written in 1902 but never finished. The manuscript represents a 168-bar fragment, which James Francis Brown, the editor of this edition, has completed by inserting a recapitulation of the initial material. Marking the first publication of this previously little-known early work, this edition also contains an introduction by the editor. Orchestral material is available on hire/rental form the hire library or appropriate agent.

Winner of the 2010 Non-Fiction National Book Award Patti Smith's definitive memoir: an evocative, honest and moving coming-of-age story of her extraordinary relationship with the artist Robert Mapplethorpe 'Sharp, elegiac and finely crafted' Sunday Times 'Terrifically evocative ... The most spellbinding and diverting portrait of funky-but-chic New York in the late '60s and '70s that any alumnus has committed to print' New York Times 'Render, harrowing, often hilarious' Vogue In 1967, a chance meeting between two young people led to a romance and a lifelong friendship that would carry each to international success never dreamed of. The backdrop is Brooklyn, Chelsea Hotel, Max's Kansas City, Scribner's Bookstore, Coney Island, Warhol's Factory and the whole city resplendent. Among their friends, literary lights, musicians and artists such as Harry Smith, Bobby Neuwirth, Allen Ginsberg, Sandy Daley, Sam Shepherd, William Burroughs, etc. It was a heightened time politically and culturally; the art and music worlds exploding and colliding. In the midst of all this two kids made a pact to always care for one another. Scrappy, romantic, committed to making art, they prodded and provided each other with faith and confidence during the hungry years--the days of cous-cous and lettuce soup. Just Kids begins as a love story and ends as an elegy. Beautifully written, this is a profound portrait of two young artists, often hungry, sated only by art and experience. And an unforgettable portrait of New York, her rich and poor, hustlers and hellions, those who made it and those whose memory lingers near.

This beautifully illustrated reference is a guide to the history of music, instruments of the orchestra and the most influential classical composers. All sections of the orchestra are covered: strings, woodwind and brass, percussion, keyboards and the voice, as well as historical, rare and non-Western instruments. An authoritative guide to over 100 of the most famous classic composers then follows. From Bach to Xenakis all styles of compositions from medieval times to the present day are included. The fascinating lives of the great composers are detailed, the places where they lived and worked, scenes from their ballets or operas, and examples of original scripts. This comprehensively updated new edition is illustrated with over 1000 photographs and illustrations.

The fifth volume of the annotated selected letters of Benjamin Britten - edited by Philip Reed and Mervyn Cooke - covers the years 1958-65, during which he wrote two major operatic works, A Midsummer Night's Dream and the ground-breaking Curlew River, and his pacifist choral masterpiece, War Requiem. Other significant compositions from the period include the orchestral song-cycle Nocturne, the first of the cello pieces for Rostropovich, and settings of poems by Blake and Pushkin. Correspondents include friends, fellow artists and collaborators such as William Plomer (librettist of Curlew River), Edith Sitwell, E. M. Forster, Christopher Isherwood, Robert Graves, the Earl of Harewood, Yehudi Menuhin, Mstislav Rostropovich, Galina Vishnevskaya, Dmitri Shostakovich, Dietrich Fischer-Dieskau, Barbara Hepworth and Duncan Grant, as well as Britten's partner and principal interpreter, Peter Pears. The volume charts the peak of Britten's position as one of the leading figures of the international musical establishment as composer, conductor and pianist, and his continuing involvement with the Aldeburgh Festival and the English Opera Group. The deterioration in Britten's relationship with Boosey & Hawkes, his publishers since the mid-1930s, is closely documented, as is the founding, at the composer's instigation, of the new publishing house of Faber Music in 1964. Central to the period is the composer's warm friendship with musicians from the Soviet Union, and Britten and Pears's visits to Moscow, Leningrad and Armenia are charted in detail. Published in association with The Britten-Pears Foundation.

Rory Gallagher is revered as one of the world's greatest guitarists. He bounded across the stage with the swagger of a rock star, but offstage he was a shy, unassuming man. There were no wild parties, no marriages and divorces. His short life shifted between the bright lights of his success and the darkness of personal struggle. Gallagher was a multi-instrumentalist, songwriter, singer and champion of blues music. His career began in an Irish showband, followed by four years as the central talent of Taste, one of the great Irish bands. He went on to even greater fame as a solo artist in the 1970s. Gallagher was dedicated to a steadfast musical vision, one that continues to burn brilliantly in rock history. Drawing on extensive interviews, Julian Vignoles casts new light on the familial, musical and other influences that inspired Gallagher, and on the complex personality that drove his career. He reassesses Gallagher's songwriting, often overlooked because of his dexterity as a guitarist. Crucially, Vignoles shows how many songs speak eloquently - and poignantly - about the person who penned them. Meticulously researched, this portrait is the insightful biography that Rory Gallagher deserves, as revelatory for his legions of loyal fans as for curious rock and blues enthusiasts.

Nostalgia for the Future is the first collection in English of the writings and interviews of Luigi Nono (1924-1990). One of the most prominent figures in the development of new music after World War II, he is renowned for both his compositions and his utopian views. His many essays and lectures reveal an artist at the center of the analytical, theoretical, critical, and political debates of the time. This selection of Nono's most significant essays, articles, and interviews covers his entire career (1948-1989), faithfully mirroring the interests, orientations, continuities, and fractures of a complex and unique personality. His writings illuminate his intensive involvements with theatre, painting, literature, politics, science, and even mysticism. Nono's words make vividly evident his restless quest for the transformative possibilities of a radical musical experience, one that is at the same time profoundly engaged with its performers and spaces, its audiences, and its human and social motivations and ramifications.

This is a new edition of Eric Fenby's famous book which has not been available in authorised form for some years. It is a memoir of the last six years of the composer's life when Fenby, then a young organist from Scarborough, volunteered to live in Grez-sur-Loing to help the blind and partly paralysed Delius to continue to compose. The vivid account of the painful and exasperating process whereby Fenby was able to help Delius commit to paper such great works as Songs of Farewell and A Song of Summer is unforgettable. Equally gripping is the description of life in the strange household in which Frederick and Jelka Delius received visitors such as Balfour Gardiner, Roger Quilter, Philip Heseltine, Percy Grainger, Thomas Beecham and Elgar. Delius died in 1934 and Eric Fenby heeded Ernest Newman's advice not to wait but to write down his impressions at once. This he did and Delius As I Knew Him was published in 1936. In 1968 the book inspired Ken Russell's masterly film about the composer Song of Summer. In 1980, Delius and Fenby made an appearance in the song Delius by Kate Bush and subsequently their extraordinary story has influenced other artists too. Today Delius As I Knew Him remains one of the most remarkable books about a composer ever written.

The Beethoven symphonies form the core of the classical concert repertoire and remain among the defining works of the Western musical experience. As the heir to Haydn and Mozart, Beethoven possessed an artistic vision that found its most powerful expression in the symphonic form, which he revolutionised and bequeathed to posterity. Beethoven's Symphonies introduces each symphony and traces the background, set against the contemporary political upheavals, the growth of concert life and his other works. Lewis Lockwood uncovers a creative process of remarkable scope and originality, including reference to ideas sketched out but not realised. From the first symphonies to the monumental Ninth, his passion to compose works of transcendent value is brought to life.

When the classic Deep Purple MKII line-up reformed in 1984 after an eleven year absence, it proved once again that this was the definitive Deep Purple and their reunion tour was a box office bonanza. Sadly by 1989 the friction between Blackmore and Gillan that had led to the spilt first time around did so again and Gillan was fired. With all eyes on the 25th anniversary of the band's 1968 inception, there was huge pressure, both from within and outside the band for Gillan to return to the fold so that the occasion could be celebrated in style. The critics said it wouldn't work - it did. And they said it wouldn't last... well they were certainly right about that! Upon Gillan's return in late 1992 they produced The Battle Rages On... album and then planned to embark on a world tour. However, the American shows were all cancelled, which left just Europe and Japan. Whilst the tensions within the band were greater than ever, Jon Lord went on to say, "the shows were done at an energy level and ability level I've rarely seen attained before. I think we played as well as we've ever played." Indeed, for those fortunate to witness the tour most fans shared Lord's opinion. Yet, the divisions between Blackmore and Gillan grew as the tour progressed with Blackmore calling a halt to proceedings before the Japanese leg could begin. In all there would be just thirty-seven shows - the last hurrah of the ultimate Deep Purple line-up. Author Jerry Bloom caught ten of the shows and was privy to some of the shenanigans that went on, making him the ideal person to document the last MKII tour in detail. Along with the comprehensive narrative, this beautifully designed book is crammed full of never before seen photos from the tour. It includes many shots of the band both on stage as well as back stage, in hotels, on aeroplanes and relaxing as the tour wound its way across Europe culminating in Blackmore's last show with the band in Finland on 17th November 1993.

In the thirty years since his Centenary in 1982 it has become even clearer that Percy Grainger [1882-1961] - composer, pianist and revolutionary - was a man born out of his time. Many of his ideas, both musical and social, sit far more easily in our contemporary world. Those thirty years have also seen a notable expansion of interest in Grainger's music. Innumerable recordings have been made, including the first complete Grainger recording survey by Chandos in its monumental Grainger Edition. The growth of the internet has made it possible, as never before, for Grainger's music to be heard widely. The central theme of The New Percy Grainger Companion is to give information and help from established musicians for performing and listening to this life-celebrating repertoire. The Companion's fully detailed, up-to-date Catalogue of Works - the most complete of any existing catalogue - gives invaluable assistance. Authoritative contextual chapters in the Companion offer some surprising new background information, together with thoughtful evaluations which signal a new twenty-first century perspective in Grainger scholarship. PENELOPE THWAITES is recognised internationally as a leading Grainger exponent. Her research, performances and extensive Grainger discography over four decades reflect a unique understanding of the man and his music. Contributors: BRIAN ALLISON, TERESA BALOUGH, ROGER COVELL, KAY DREYFUS, LEWIS FOREMAN, PAUL JACKSON, JAMES JUDD, JAMES KOEHNE, ASTRID BRITT KRAUTSCHNEIDER, BARRY PETER OULD, STEWART MANVILLE, MURRAY MCLACHLAN, TIMOTHY REYNISH, BRUCE CLUNIES ROSS, DESMOND SCOTT, PETER SCULTHORPE, GEOFFREY SIMON, RONALD STEVENSON, STEPHEN VARCOE, DAVID WALKER

In Brian May's Red Special you will discover everything about Brian May's unique, home-made guitar. Brian reveals all, from the guitar's origins to playing on the roof of Buckingham Palace, from Live Aid to the closing ceremony of the London 2012 Olympics, from the set of Bohemian Rhapsody to opening the Academy Awards in 2019 where the film scooped four Oscars. All of this is accompanied by original diagrams, sketches and notes from the building of the guitar, as well as a selection of classic photographs including Brian on stage with his guitar, close-ups and even an X-ray. Rare images are included throughout, as the entire guitar was dismantled and photographed for the book.

An expansive and insightful exploration of one of the most iconic and electrifying artists ever, this book reveals the stunning, multi-generational influence and appeal of Prince and his revered music-from celebrated journalist, author, and host of the popular podcast The Toure Show. Infused with Toure's unique pop-culture fluency, I Would Die 4 U is as passionate and radical as its subject matter. Building on his lifelong admiration for Prince's oeuvre and interviews with those closest to the late artist, including band members, his tour manager, and music and Bible scholars, Toure deconstructs the life and work of the enigmatic icon who has been both a reflective mirror of and inspirational force for America. By defying traditional categories of race, gender, and sexuality, but also presenting a very conventional conception of religion and God, Prince was a man of profound contradictions. He spoke in the language of 60s pop and soul to a generation fearing Cold War apocalypse and the crack and AIDS epidemic, while simultaneously being both an MTV megastar and a religious evangelist. He creatively blended his songs with images of sex and profanity to invite us into a musical conversation about the healing power of God and religion. By demystifying Prince as a man, an artist, and a cultural force, I Would Die 4 U shows us how he impacted and defined a generation.

Mayhem are the most influential Black Metal band in the world, and obviously no strangers to controversy. Death Archives offer never before seen photographs and unique insight into one of music's most extreme subcultures. The Death Archives is a ravishingly illustrated first-person account of the birth of black metal in the Norwegian scene by Jorn "Necrobutcher" Stubberud, the founding member and ongoing bass player in Mayhem. During the band's ongoing career, now spanning thirty years, bass player and only surviving band member from the original line-up, Jorn "Necrobutcher" Stubberud, has collected enormous amounts of photographs, video diaries and memorabilia. In this unique documentary book, Stubberud shares the first groundbreaking years of Mayhem's existence including their first photo-sessions in full corpse regalia; recording sessions, and exclusive stills from live video footage of their earliest gigs. In Necrobutcher's Death Archives he shares rarely seen photos of the band before death of singer Pelle "Dead" Ohlin and murder of guitarist Oystein "Euronymous" Aarseth.

Forty years, twenty-eight ODs, three botched suicides, two heart attacks, a couple of jail stints, a debilitating stroke . . .

Now, Steven Adler, the most self-destructive rock star ever, is ready to share the shattering, untold truth.

Once upon a time, Steven Adler--along with four uniquely talented but very complicated and demanding musicians--helped form Guns N' Roses. They emerged from the streets, primal artists who obliterated glam rock and its big hair to resurrect rock's truer blues roots . . . and took "sex, drugs, and rock 'n' roll" to obscene levels of reckless abandon. By the late 1980s, GN'R was the biggest rock band in the world, grabbing headlines and awards while selling out huge arenas. But there was a price to pay. For Adler, it was his health and sanity, culminating in his brutal public banishment by his once-beloved musical brothers--a humiliating act of betrayal that caused him to plunge into the dark side and spend most of the next twenty years in a drug-fueled hell.

In "My Appetite for Destruction," Adler digs deep, revealing the last secrets--not just his own but GN'R's as well.

Throughout a long and sometimes turbulent career let us not forget that from the release of the debut album in early 1970 through to Never Say Die! in 1978, the classic line-up of Ozzy Osbourne, Tony Iommi, Geezer Butler and Bill Ward virtually created the blueprint for heavy rock. With eight albums plus hundreds of concerts across the globe, this was the defining decade for Sabbath that saw them rightly earn their place as one of the most iconic bands off all time. With photos spanning the decade, this beautifully presented book is a celebration of Black Sabbath in all its glory. Containing many previously unpublished shots of the band in the USA and Europe.

With his Aspen award lecture (1964), Benjamin Britten expressed a unique commitment to community and place. This book revisits this seminal lecture, but then uses it as a starting point of reflection, inviting leading composers, producers and writers to consider the role of the composer in the community in Britain in the last fifty years. Colin Matthews, Jonathan Reekie and John Barber reflect on Britten's aspirations as a composer and the impact of his legacy, and Gillian Moore surveys the ideals of composers since the 1960s. Eugene Skeef and Tommy Pearson discuss the influence of the London Sinfonietta, while Katie Tearle reviews the tradition of community opera at Glyndebourne. Nigel Osborne and Judith Webster explore the role of music as therapy, and James Redwood, Amoret Abis, Sean Gregory and Douglas Mitchell look at music in the classroom and creative workshops. John Sloboda, Detta Danford and Natasha Zielazinski discuss collaboration in music-making and ways of facilitating exchanges between the composer and the audience, while Christopher Fox and Howard Skempton examine the role of modernism and the use of 'other', radical techniques to stimulate new dialogues between composer and community. Peter Wiegold and Amoret Abis interview Sir Harrison Birtwistle, John Woolrich and Phillip Cashian, and Wiegold discusses his formative experiences in encountering music-making in other cultures. All of these approaches to the role and identity of the composer throw a different light on how we address 'the composer and the community': the varied, sometimes contradictory, motivations of composers; the role of music in 'enhancing lives'; the concept of 'outreach' and the different ways this is pursued; and, finally, the meaning of 'community'. Underpinning each are genuine questions about the relationship of arts to society. This book will appeal not only to composers, performers and practitioners of contemporary music but to anyone interested in the changes in twentieth-century music practice, music in education, and the role of music and the arts in the wider community and society. PETER WIEGOLD is a composer, conductor and the director of Club Inegales and the Institute of Composing. He is a Research Professor of Music at Brunel University, and also director of the 'Brunel Institute for Contemporary Middle-Eastern Music' (BICMEM). GHISLAINE KENYON is an author, freelance arts education consultant and curator.

The remarkable autobiography of the last great wartime icon. Born Vera Welch on 20 March, 1917 in the East End of London, Dame Vera Lynn's career was set from an early age - along with her father, who also did a 'turn', she sang in Working Men's Clubs from just seven years old. She had a successful radio career with Joe Loss and Charlie Kunz in the 1920s and '30s, but it was with World War II that she became the iconic figure that captured the imagination of the national public. Her spirit and verve, along with her ability to connect with the men fighting for their country and those left behind praying for their loved ones, made her the 'Forces' sweetheart'. Performing the songs that she will always be associated with, such as 'We'll Meet Again' and 'Yours', Vera toured Egypt, India and Burma to entertain the troops and bring them a sense of 'back home'. Her career after the war flourished, with hits in the US and the UK, but Vera was never able to leave behind her wartime role and was deeply affected by what she had seen. Still heavily involved with veteran and other charities, this is Dame Vera's vivid story of her life and her war - from bombs and rations to dance halls and the searing heat of her appearances abroad. Epitomising British fortitude and hope, Dame Vera gives a vivid portrait of Britain at war, and a unique story of one woman who came to symbolize a nation.

Do you know a capella from zarzuela, or your major from your minor? Can you distinguish between a serenade and a symphony? If you only have 30 seconds, there is time - using this book - to understand the creative journey taken by classical music from the Middle Ages to the modern era. Our early ancestors understood pitch and rhythm, the basic tools that have been worked and ordered by composers and performers over the past 400 years into an extraordinary body of music written for soloists, chamber musicians and entire orchestras. Today, everyone has access to a prodigy of classical music which, far from being traditional or elitist, is alive and magical. From plainsong to programme music, appreciate the magnitude and majesty, the passion and the pathos of sounds that have the power to stir our emotions to great joy or infinite sadness. Here's music to your ears.