Four of Schumann's great masterpieces of the 1830s - Carnaval, Fantasiestucke, Kreisleriana and Nachtstucke - are connected to the fiction of E. T. A. Hoffmann. In this book, John MacAuslan traces Schumann's stylistic shifts during this period to offer insights into the expressive musical patterns that give shape, energy and individuality to each work. MacAuslan also relates the works to Schumann's reception of Bach, Beethoven, Novalis and Jean Paul, and focuses on primary sources in his wide-ranging discussion of the broader intellectual and aesthetic contexts. Uncovering lines of influence from Schumann's reading to his writings, and reflecting on how the aesthetic concepts involved might be used today, this book transforms the way Schumann's music and its literary connections can be understood and will be essential reading for musicologists, performers and listeners with an interest in Schumann, early nineteenth-century music and German Romantic culture.

Since their first performances in 1960, The Beatles' cultural influence grew in unparalleled ways. From Liverpool to Beatlemania, and from dance halls to Abbey Road Studios and the digital age, the band's impact exploded during their heyday, and has endured in the decades following their disbandment. Beatles fashion and celebrity culture, politics, psychedelia and the Summer of Love, all highlight different aspects of the band's complex relationship with the world around them. With a wide range of short, snapshot chapters, The Beatles in Context brings together key themes in which to better explore The Beatles' lives and work and understand their cultural legacy, focusing on the people and places central to The Beatles' careers, the visual media that contributed to their enduring success, and the culture and politics of their time.

'In what is the most comprehensive biography of the group to date, Browne compiles a fun and fast-paced music history.... an authoritative chronicle.' --Publishers Weekly The first and most complete narrative biography of Crosby, Stills, Nash and Young, by acclaimed music journalist and Rolling Stone senior writer David Browne Even in the larger-than-life world of rock and roll, it was hard to imagine four more different men. David Crosby, the opinionated hippie guru. Stephen Stills, the perpetually driven musician. Graham Nash, the tactful pop craftsman. Neil Young, the creatively restless loner. But together, few groups were as in sync with their times as Crosby, Stills, Nash and Young. Starting with the original trio's landmark 1969 debut album, the group embodied much about its era: communal musicmaking, protest songs that took on the establishment and Richard Nixon, and liberal attitudes toward partners and lifestyles. Their group or individual songs--'Wooden Ships,' 'Suite: Judy Blue Eyes,' 'After the Gold Rush,' 'For What It's Worth' (with Stills and Young's Buffalo Springfield), 'Love the One You're With,' 'Long Time Gone,' 'Just a Song Before I Go,' 'Southern Cross'--became the soundtrack of a generation. But their story would rarely be as harmonious as their legendary and influential vocal blend. In the years that followed, these four volatile men would continually break up, reunite, and disband again--all against a backdrop of social and musical change, recurring disagreements and jealousies, and self-destructive tendencies that threatened to cripple them both as a group and as individuals. In Crosby, Stills, Nash and Young: The Wild, Definitive Saga of Rock's Greatest Supergroup, longtime music journalist and Rolling Stone writer David Browne presents the ultimate deep dive into rock and roll's most musical and turbulent brotherhood on the occasion of its 50th anniversary. Featuring exclusive interviews with David Crosby and Graham Nash along with band members, colleagues, fellow superstars, former managers, employees, and lovers-and with access to unreleased music and documents--Browne takes readers backstage and onstage, into the musicians' homes, recording studios, and psyches, to chronicle the creative and psychological ties that have bound these men together--and sometimes torn them apart. This is the sweeping story of rock's longest-running, most dysfunctional, yet pre-eminent musical family, delivered with the epic feel their story rightly deserves.

Peter Gabriel rose to fame as the lead vocalist and flautist of the progressive rock group Genesis. After leaving Genesis, Gabriel went on to a successful solo career. His 1986 album, So, is his most commercially successful, and the album's biggest hit, Sledgehammer, won a record nine MTV Awards. He has also been involved in various humanitarian efforts and won numerous music awards throughout his career, including Brits and Grammies and was inducted into the Rock and Roll Hall of Fame as a member of Genesis in 2010. Includes hours of new interviews with key friends, musicians and aides. This new edition is fully updated.

By upbringing, family connections, and education, Felix Mendelssohn was ideally positioned to contribute to the historical legacies of the German people, who in the aftermath of the Napoleonic Wars discovered that they were a nation with a distinct culture. The number of cultural icons of German nationalism that Mendelssohn "discovered," promoted, or was asked to promote (by way of commissions) in his compositions is striking: Gutenberg and the invention of the printing press, Durer and Nuremberg, Luther and the Augsburg Confession as the manifesto of Protestantism, Bach and the St. Matthew Passion, Beethoven and his claims to universal brotherhood. The essays in this volume investigate from a variety of perspectives Mendelssohn's relationship to the music of the past, including the significance of Bach's music for the Mendelssohn family, the homages to Bach in Mendelssohn's organ compositions, the influence of Beethoven in the Reformation Symphony, and Mendelssohn's reception and use of Handel's oratorios. Together, the essays shed light on the construction of legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer's death in 1847. Contributors: Celia Applegate, John Michael Cooper, Hans Davidsson, Wm. A. Little, Peter Mercer-Taylor, Siegwart Reichwald, Glenn Stanley, Russell Stinson, Benedict Taylor, Nicholas Thistlethwaite, Jurgen Thym, R. Larry Todd, Christoph Wolff Jurgen Thym is professor emeritus of musicology at the Eastman School of Music and editor of Of Poetry and Song: Approaches to the Nineteenth-Century Lied (University of Rochester Press, 2010).

It's no exaggeration that without Sonic Youth vast sectors of the independent rock community would not exist. Before Sonic Youth signed to Geffen in 1990, 'alternative rock', Riot Grrrl, and MTV grunge didn't exist. Rock journalist, Stevie Chick draws upon his wealth of source material and exclusive interviews with both band-members and the people closest to Sonic Youth to give a fascinating insight into this most complex and fascinating of rock bands.

A pioneer of Chicano rock, Ruben Funkahuatl Guevara performed with Frank Zappa, Johnny Otis, Bo Diddley, Tina Turner, and Celia Cruz, though he is best known as the front man of the 1970s experimental rock band Ruben And The Jets. Here he recounts how his youthful experiences in the barrio La Veinte of Santa Monica in the 1940s prepared him for early success in music and how his triumphs and seductive brushes with stardom were met with tragedy and crushing disappointments. Brutally honest and open, Confessions of a Radical Chicano Doo-Wop Singer is an often hilarious and self-critical look inside the struggle of becoming an artist and a man. Recognizing racial identity as composite, contested, and complex, Guevara-an American artist of Mexican descent-embraces a Chicano identity of his own design, calling himself a Chicano "culture sculptor" who has worked to transform the aspirations, alienations, and indignities of the Mexican American people into an aesthetic experience that could point the way to liberation.

Sunday Times Classical Music Book of the Year A landmark biography of the Polish composer by one of the world's leading authorities on Chopin and his time Based on ten years of research and a vast cache of primary sources located in archives in Warsaw, Paris, London, New York, Washington, D.C., Alan Walker's monumental Fryderyk Chopin: A Life and Times is the most comprehensive biography of the great Polish composer to appear in English. Walker sets out to dispel the many myths and legends that continue to surround Chopin. Fryderyk Chopin is an intimate look into a dramatic life; of particular focus are Chopin's childhood and youth in Poland, which are brought into line with Walker's latest scholarly findings, and Chopin's romantic life with George Sand, with whom he lived for nine years. Comprehensive and engaging, and written in highly readable prose, the biography wears its scholarship lightly: this is a book suited as much for the professional pianist as it is for the casual music lover. Just as he did in his definitive biography of Liszt, Walker illuminates Chopin and his music with unprecedented clarity in this magisterial biography, bringing to life one of the nineteenth century's most confounding, beloved, and legendary artists.

On the morning of Thursday, September 12, 1963, noted fashion photographer Norman Parkinson was to photograph a young pop group from Liverpool. Earlier that year, the band had exploded onto the scene - releasing the first of eleven (out of twelve) studio albums that would reach number one on the charts. That band was The Beatles. The album had been 'Please Please Me', it was still number one and it would stay at number one for thirty weeks. Parkinson, already established as Britain's most famous photographer, had a date with its new greatest band. Revealing, insightful and funny this collection of photos captures The Beatles near the start of their spectacular career. Their creativity is plain to see in these photos which have become some of the most important in the extensive Beatles catalogue. Now, ACC Editions, in collaboration with The Norman Parkinson Archive and Iconic Images, presents this historic meeting between a new music group and one of the greatest photographers of the 20th century. Covering nearly 30 rolls of film, these images of The Beatles at the President Hotel in Bloomsbury and famed Abbey Road Studios, offer a rare insight of the making of an iconic band.

In the Spring of 2008 and following the model from the previously realized cycle dedicated to John Cage, the Casa Encendida presents The Limits of Composition?, a cycle dedicated to what is known as North American Minimalism in which reunites some of the most innovative contemporary compositors: Ferry Riley, Alvin Lucier, Alvin Curran, Gordon Mumma y Christian Wolf, together with the work of Cornelius Cardew. During one week, from the hands of these illustrious followers of the "Cagian" exposition, one was able to enjoy his compositions and interpretations, as well as share his reflections on the future of music and a look at what is presently projected over his respective trajectories.

Franz Liszt: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer. The second edition includes research published since the publication of the first edition and provide electronic resources.

Over 7 million viewers watched as Jodie Prenger was crowned the people's winner of "I'd Do Anything" and achieved her dream of starring in a West End musical. Now you can read Jodie's inspirational life story, as she describes her childhood as a plump little girl, who hid behind her wide smile even as she piled on the pounds, and her early career as a singer touring working men's clubs, appearing in regional theatre and as support for comedians including Ken Dodd, Ricky Tomlinson and Frank Carson.Yet it was Jodie's appearance on "The Biggest Loser" which changed her life forever, as she lost over 8 stone and shrank to a size ten. Feeling like she had a new lease of life and determined to pursue her dream, less than two years later she entered "I'd Do Anything" - and the rest is history. As Jodie stands ready to embark on her sellout West End debut, she tells her story with her trademark down-to-earth charm, and heart-rending honesty, featuring her personal and professional highs and lows alongside delicious back stage gossip. Jodie's life is the stuff of dreams and an inspiration to aspiring singers and dieters alike.

Louis Vierne (1870-1937), a student of Cesar Franck and Charles-Marie Widor, was organist of the Notre-Dame Cathedral in Paris for 37 years, until his death at the console during a recital. Widor's successor as the organ's great French symphonist - an assessment the passage of time has proved correct - Vierne's music has remained in the repertoire of organists throughout the world, never undergoing the periodic eclipses experienced by his contemporaries. Vierne's autobiography, Mes Souvenirs, originally published serially in the 1930s, is here available in a profusely illustrated, extensively annotated English translation. Rollin Smith's Louis Vierne: Organist of Notre Dame Cathedral is the first major study of the great organist of Notre-Dame and includes chapters on his American tour, recordings, contemporary reminiscences, definitive textual corrections, the organ symphonies, his death and succession, and a thematic catalogue of his organ works.

The story of how Las Vegas saved Elvis and Elvis saved Las Vegas in the greatest musical comeback of all time. The conventional wisdom is that Las Vegas is what destroyed Elvis Presley, launching him on a downward spiral of drugs, boredom, erratic stage behavior, and eventually his fatal overdose. But in Elvis in Vegas, Richard Zoglin takes an alternate view, arguing that Vegas is where the King of Rock and Roll resurrected his career, reinvented himself as a performer, and created the most exciting show in Vegas history. Elvis's 1969 opening night in Vegas was his first time back on a live stage in more than eight years. His career had gone sour-bad movies, and mediocre pop songs that no longer made the charts. He'd been dismissed by most critics as over the hill. But in Vegas he played the biggest showroom in the biggest hotel in the city, drawing more people for his four-week engagement than any other show in Vegas history. His performance got rave reviews, "Suspicious Minds" gave him his first number-one hit in seven years, and Elvis became Vegas's biggest star. Over the next seven years, he performed more than 600 shows there, and sold out every one. Las Vegas was changed too. The intimate night-club-style shows of the Rat Pack, who made Vegas the nation's premier live-entertainment center in the 1950s and '60s, catered largely to well-heeled older gamblers. Elvis brought a new kind of experience: an over-the-top, rock-concert-like extravaganza. He set a new bar for Vegas performers, with the biggest salary, the biggest musical production, and the biggest promotion campaign the city had ever seen. In doing so, he opened the door to a new generation of pop/rock performers, and brought a new audience to Vegas-a mass audience from Middle America that Vegas depends on for its success to this day. A classic comeback tale set against the backdrop of Las Vegas's golden age, Richard Zoglin's Elvis in Vegas is a feel-good story for the ages.

The true stories of producers behind jazz's unforgettable sounds In histories of music, producers tend to fall by the wayside-generallyunknown and seldom acknowledged. But without them and their contributionsto the art form, we'd have little on record of some of the most importantmusic ever created. Discover the stories behind some of jazz's best-sellingand most influential albums in this collection of oral histories gathered bymusic scholar and writer Michael Jarrett. Drawing together interviews withover fifty producers, musicians, engineers, and label executives, Jarrett shinesa light on the world of making jazz records by letting his subjects tell theirown stories and share their experiences in creating the American jazz canon. Packed with fascinating stories and fresh perspectives on over 200albums and artists, including legends such as Louis Armstrong, JohnColtrane, and Miles Davis, as well as contemporary artists such as DianaKrall and Norah Jones, Pressed for All Time tells the unknown stories of the men and women who helped to shape the quintessential American sound.

It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.

Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence and enthusiasm, they traversed the city from Coney Island to Forty-second Street, and eventually to the celebrated round table of Max's Kansas City, where the Andy Warhol contingent held court. In 1969, the pair set up camp at the Hotel Chelsea and soon entered a community of the famous and infamous--the influential artists of the day and the colorful fringe. It was a time of heightened awareness, when the worlds of poetry, rock and roll, art, and sexual politics were colliding and exploding. In this milieu, two kids made a pact to take care of each other. Scrappy, romantic, committed to create, and fueled by their mutual dreams and drives, they would prod and provide for one another during the hungry years.

Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late sixties and seventies and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists' ascent, a prelude to fame.

The extraordinary story of Malcolm Williamson is one of rare musical talent combined with outrageous behaviour. An Australian, Williamson was the first non-Briton to hold the post of Master of the Queen's Music. He was appointed in 1975 and looked set to embellish his already illustrious career as a composer. By the time of his death in 2003 he was unproductive and largely forgotten. Authors Anthony Meredith and Paul Harris tell his bizarre story unflinchingly, sifting fact from fiction and offering a strong case for re-evaluating this flawed man and multi-talented musician. An investigation of the myths, rumours and half truths surrounding this controversial and misunderstood figure. The authors reveal the rift between Williamson and the Royal family. He was pointedly not invited to contribute to several high profile occasions including the wedding of Charles and Diana. They discuss if his failed marriage and open bisexuality was deemed beyond the pale at the Palace.

Johann Sebastian Bach's legacy is undeniably one of the richest in the history of music, with a vast influence on posterity that has only grown since his rediscovery in the early nineteenth century. In this latest addition to his long list of Bach studies, renowned Bach scholar Russell Stinson examines how four of the greatest composers of the nineteenth and twentieth centuries - Felix Mendelssohn, Robert Schumann, Richard Wagner, and Edward Elgar - engaged with Bach's legacy, not only as composers per se, but also as performers, conductors, scholars, critics, and all-around musical ambassadors. Detailed analyses of both musical and epistolary sources shed light on how these later masters heard and received Bach's music within their musical circles, while colorful anecdotes about their Bach reception help humanize them, reconstructing the intimate social circumstances in which they performed and discussed Bach's music. Stinson focuses on Mendelssohn's and Schumann's reception of Bach's organ works, Schumann's encounter with the St. Matthew and St. John Passions, Wagner's musings on the Well-Tempered Clavier, and Elgar's (resoundingly negative) thoughts on Bach as a vocal composer. Engagingly written, copiously annotated, and thoroughly up to date, Bach's Legacy traces the historical afterlife of Bach's music and offers fascinating insights into how these later masters defined it for their audiences and beyond.

George Michael is the single most played artist on UK radio for the last two decades. He has sold 100 million albums world-wide and had seven UK number one singles and albums. This updated biography tells his story from the formation of Wham! in the early 1980s with friend Andrew Ridgley. Their success with hits including Young Guns (Go For It), and Club Tropicana and their split in 1986. His success as a solo artist with albums including Faith and Listen Without Prejudice. His legal battle with Sony which cost him millions of his own money. His personal life including his secret boyfriend Anselmo Feleppo who died in 1993, his former muse Kathy Jeung and art dealer Kenny Goss. Careless Whisper is the final word on a true original.

(Book). In 2011, the world celebrated the 40th anniversary of Queen one of the most innovative, glamorous, and influential bands in history. Over the course of the band's career, they have grossed 170 million album sales worldwide, have written 18 number one hits, and performed 700 concerts. While some acts enjoy a forte of incredible showmanship, a virtuoso instrumentalist, a strong, charismatic leader, or a prolific sole songwriter, Queen beholds all of these strengths. Although Freddie Mercury and Brian May are recognized as the prime songwriters, each of the members have penned number one hits, including classics such as "Bohemian Rhapsody" (Freddie Mercury), "Another One Bites the Dust" (John Deacon), "A Kind of Magic" (Roger Taylor), and "We Will Rock You" (Brian May). The fates brought the four creative and cerebral youths together in London in 1971 (Mercury was by then an established fine and graphic artist, May was enveloped in the study of astrophysics, Roger Taylor enrolled in dental school, and John studying electronics). Since then, they have made history with their sophisticated fusion of operatic expression, theatrical performance, symphonic melody, and raw rock-and-roll. Beginning with their debut Queen in 1973 (EMI/Electra Records), the band took the UK by storm, then conquered the United States along with rest of the world, serving as pioneers of stadium rock and enjoying commercial success and momentum well into the 1980s (marked by the famous Live Aid appearance in 1985) through the early 1990s. The whirlwind took a startling pause when singer Freddie Mercury passed away from AIDS on November 24, 1991. The living members have forged ahead and remain great music makers. The Complete Illustrated Lyrics is the first book of its kind. Never before has there been a complete Queen lyric book. The hundreds of images that accompany the songs range from handwritten lyrics to rare photographs from the stage to the studio. Also included is a complete discography, pairing each song to the album on which it was originally released. Designed by the band's longtime creative director, Richard Gray, the book is as true to the band as can be, carrying with it the flamboyance, expression, and depth that Queen embodies as writers and performers. If there is one book for a fan of the band to possess, this is the one.

The Beatles' North American tours turned the entertainment business on its ear and forever changed the landscape of the concert touring industry. In February 1964 after finally achieving a number-one hit in America the Fab Four came to the country with high hopes performing on the wildly popular EEd Sullivan ShowE in both New York City and Miami and playing concerts at Carnegie Hall and the Washington Coliseum. In just fifteen short days the Beatles conquered America. The Beatles made music-entertainment history with their North American tours from 1964 to 1966.THESome Fun Tonight! The Backstage Story of How the Beatles Rocked America: The Historic Tours of 1964-1966E is a comprehensive two-volume set which gives you a city-by-city synopsis of the group's activities as they traveled the United States and Canada for their groundbreaking series of concerts. From San Francisco's Cow Palace show on August 19 1964 through their last-ever live performances at that city's famed Candlestick Park on August 29 1966 these books cover the music and the madness that characterized the Beatles' three North American tours. With hundreds of photographs and images of rare memorabilia it is truly the definitive reference for what is arguably the most important period in the Beatles' long and winding career. You'll read about the behind-the-scenes negotiations the mayhem at the airports and hotels and the cheeky quotes delivered at the press conferences. You'll also read about the opening acts the concerts and the stories behind the shows through the eyes of the Beatles their entourage the promoters the emcees and the fans. Never before have the Beatles' North American concerts been covered in such depth.THIf you witnessed the mania firsthand you'll relive the excitement in the pages of these books. If you were born too late to be a part of those halcyon days you'll learn what it was like to be swept up and carried away by the phenomenon of the greatest musical act of all time. When all is said and done ESome Fun TonightE is a tribute to the fans a the first generation and beyond. Look carefully at the faces of the fans in this book; they may be your friends parents grandparents a or even you! a but together they made Beatlemania happen. Fasten your seat belt and enjoy this comprehensive history!

Series Information:
Studies in Contemporary Music and Culture