This volume draws together a collection of Robin A. Leaver's essays on Bach's sacred music, exploring the religious aspects of this repertoire through consideration of three core themes: liturgy, hymnology, and theology. Rooted in a rich understanding of the historical sources, the book illuminates the varied ways in which Bach's sacred music was informed and shaped by the religious, ritual, and intellectual contexts of his time, placing these works in the wider history of Protestant church music during the Baroque era. Including research from across a span of forty years, the chapters in this volume have been significantly revised and expanded for this publication, with several pieces appearing in English for the first time. Together, they offer an essential compendium of the work of a leading scholar of theological Bach studies.

This is the first truly interdisciplinary collection devoted to the legacy of Richard Wagner to merge insights from Musicology and Music Theory with explorations of the composer's vast socio-cultural impact from such fields as History, German, and Disability Studies. The wide ranging topics include Glenn Gould's piano transcriptions, the value of naming musical themes in the music dramas, the status of Wagner in Israel, and the assignment of "Jewish" characteristics in both Wagner's music and polemics and, in recent years, to his descendant, musicologist Gottfried Wagner. Contributors include Robert Gauldin, Warren Darcy, Marc Weiner, and Paul Rose.

Although Beyonce Knowles is not yet 30, the sensual superstar has already succeeded on many levels: as a dancer, singer, composer, model, music producer, video director and actress. Like rap star/entrepreneur Jay-Z, with whom Beyonce recently married, she has evolved into a businesswoman, who with her designer-mother, Tina Knowles, markets Beyonce's personal fashion line, House of Dereon. The multi-talented, global entertainer lends her name and image to many commercial and philanthropic ventures. She is the spokeswoman for L'Oreal and appears in ads for Pepsi and Ford.

This biography tells the story of a young, talented woman's meteoric rise in the entertainment industry. From a shy, demure Catholic schoolgirl growing up in Houston, Texas, Beyonce Knowles eventually morphed into the first African-American woman to win the Songwriter of the Year Award from the American Society of Composers, Authors and Publishers Pop Music Awards. The once-shy suburban schoolgirl has gone far beyond her original dream of becoming a first-rate musician and vocalist. With the assistance of her manager-father--former Xerox executive Mathew Knowles--and as lead singer of the R&B girl group Destiny's Child (the world's all-time bestselling female group), Beyonce has won 10 Grammy Awards and two Golden Globe nominations. Her albums have reached more than 20 million people worldwide, and she has become a cultural icon to music lovers everywhere as well as a role model for young women. Author Janice Arenofsky gives students and general readers alike an insightful look at a music and fashion icon who has a unique niche in popular culture today. Complete with photos, a timeline, and a thorough bibliography.

A facsimile of a previously unpublished musical manuscript. Among the major composers of the Portuguese "Golden Age," Pedro de Cristo (c.1550-1618) is at present the least familiar to scholars and performers. This situation is largely due to the fact that his music was not published during his lifetime, but is preserved rather in manuscripts originating (for the most part) at the Monastery of Santa Cruz in Coimbra, where he spent most of his life. The present work is an edition of the contents on one of these manuscripts -- MM 33 in Coimbra University Library -- which was copied by Pedro de Cristo himself towards the end of the sixteenth-century. It is an invaluable source of authoritative readings of his music: principally Latin motets for four or five voices. Also 198 includes musical examples.

This first book-length study to focus on Peggy Glanville-Hicks, the important twentieth-century composer and critic who was born in Australia in 1912 and who established her reputation in the U.S. in the late 1940s and 1950s, documents the composer's music, performances, and critical writings, as well as the work of previous biographers, bibliographers, and interviewers. This volume, the most recent in Greenwood's respected series of research tools in the field of music, contains a comprehensive biography of the composer that draws on the writings and recollections of many of the composer's close friends and colleagues. Deborah Hayes' compilation of the great amount of material about Glanville-Hicks and her music found in journals, books, newspapers, dictionaries, and encyclopedias of music also contains alphabetical, chronological, and by-genre lists of works with details of first performances and other significant performances, a discography, and an annotated bibliography that includes abstracts and quotations from performance reviews. Bibliographic entries are keyed to lists of works, recordings, and performances. The work is indexed as well. The work is divided into six cross-referenced chapters beginning with a biography that gives a chronological account of the composer's life and examines recurring themes in her work. The second chapter lists 70 compositions in chronological order by year of composition, from 1931 to 1989, and includes information on publisher, duration, instrumentation, and commission. Premieres and other selected performances are indicated and references are given to recordings and to bibliographical items. A publishers directory, an alphabetical list of works, and a classified list complete the chapter which is followed by a discography of Glanville-Hicks' commercial recordings, both in and out of print. Chapter four's annotated listing of the composer's writings in chronological order from 1945 to 1989 documents the scope of her interests and provides a record of this period in American musical history in the words of a perceptive, articulate listener and active participant. Alphabetized by author and title, music reviews, performance reviews, feature articles, publicity items, and press announcements are listed with annotations in Chapter five. Items from all previous Glanville-Hicks bibliographies and from library clipping files and indexes are included no matter how brief the reference. A final chapter devoted to archival resources lists materials by library in alphabetical order by country and name. This informative and easy-to-use volume will be a necessary addition to the reference collections of college and university music libraries and would be useful for courses in Twentieth-Century Music, Opera, Art Song, Music of the U.S., American Studies, and Women's Studies.

One of Hollywood's first openly Latin stars, Jennifer Lopez has held fast to her New York Bronx roots, while rising above them to become the highest paid Latina actress in history. Her expansive body of work-ranging from film, music, and dance to television production and fashion-has broken down long-standing racial barriers and earned her a place in "Forbes"' 2007 list of the Top 20 Richest Women in Entertainment. In spite of several box office and a dramatic personal life that has made her the frequent target of tabloid gossip, this determined artist has managed to retain her place at the top of her field and stands poised to make more significant contributions to the entertainment industry.

Since bursting into the spotlight with her portrayal of deceased Latin superstar Selena in 1997, Jennifer Lopez has captivated the public eye and carved a niche for herself among Hollywood's elite. One of Hollywood's first openly Latin stars, Jennifer Lopez has held fast to her New York Bronx roots, while rising above them to become the highest paid Latina actress in history. Her expansive body of work-ranging from film, music, and dance to television production and fashion-has broken down long-standing racial barriers and earned her a place in "Forbes"' 2007 list of the Top 20 Richest Women in Entertainment. Her dramatic personal life-highlighted by a relationship with bad-boy Sean Puffy Combs, two divorces, a highly-publicized broken engagement to Ben Affleck, and marriage to Latin singer Marc Anthony-has earned her as much attention as her career and made her a frequent subject of tabloid gossip. Negative press and several box office flops, however, have done little to diminish J.Lo's popularity. This determined artist has managed hold her place at the top of her field and stand poised to make more important contributions to the entertainment industry.

Hollywood journalist Kathleen Tracy explores Jennifer Lopez as both an individual and an entertainer, chronicling the triumphs and pitfalls of her groundbreaking career and intriguing personal life. Complete with a chronology of significant events, illustrations, and a bibliography of print and electronic resources, this detailed biography is ideal for general readers looking to learn more about their favorite star or for students researching the role of race in America's entertainment business.

This pathbreaking study reveals Purcell's extensive use of symmetry and reversal in his much-loved trio sonatas, and shows how these hidden structural processes make his music multilayered and appealing. Purcell's trio sonatas are among the cornerstones of Baroque chamber music. The composer himself unassumingly described them as "a just imitation of the most famed Italian masters." However, analysis of their underlying structuresreveals that Purcell's modesty hides a highly original blend of Italian models, complex English traditional compositional devices, and his own near obsession with compositional and contrapuntal technique. Alon Schab'spathbreaking Sonatas of Henry Purcell: Rhetoric and Reversal begins with an overview of the two sets of sonatas and their sources, their movement types, and some of the basic compositional and rhetorical procedures they demonstrate. The book's main part highlights several covert structures that are not necessarily heard but are consistent and played an important part in the compositional process. Symmetry, both temporal and spatial, governs much ofthese underlying structures. Beneath the surface of his studies in Italian style, Purcell created intricate correspondences between the micro and macro levels of the works, as well as unities of proportions and, above all, impressive mirrorlike structures. Schab's book opens an important window to seventeenth-century compositional technique and offers further evidence of Purcell's use of advanced compositional techniques in works that aimed to be pleasurable for the amateur and excitingly thought-provoking for the professional. Alon Schab is a lecturer at the University of Haifa.

Exploring the personal and cultural experiences that have shaped the creative output of one of Australia's foremost composers, this fascinating study begins in a Russian enclave in northern China, progresses through student days in Sydney and San Francisco, and culminates with Sitsky's present position as Professor of Composition at The Australian National University in Canberra. The many influences on his work, including important professional and personal relationships with such eminent persons as the poet Gwen Harwood and the violinist Jan Sedivka, are discussed in detail as are the sources of much of the inspiration for Sitsky's compositions, now numbering close to 200. Of interest to scholars, students, and anyone interested in 20th-century music. In addition to presenting Sitsky's fascinating life story and expounding on the central position he has occupied for the past 40 years in Australia's musical culture, this important work provides for the first time comprehensive bibliographic references to all of Sitsky's compositions, his writing, his recordings, and his appearances as a pianist and lecturer on music. The book is a most valuable addition to any collection, for it is both a work of reference and a compelling story of the development of one of the most eclectic, visionary, and confronting artists of his generation.

Widely acclaimed since its first publication, this completely revised and updated fourteenth edition has been compiled under the consultant editorship of two of the world's most eminent musical lexicographers. The International Biographical Centre has once again been fortunate in acquiring the services of David Cummings of London, England and Dennis McIntire of Indianapolis, Indiana, who have spent almost two years in producing the most detailed and accurate reference work of its kind.

With an addition of 1,000 names since the last edition, and with all existing entries updated, this valuable reference contains biographical details of over 8,000 entrants. Entrants include contemporary composers, singers, arrangers, writers, soloists, orchestral players and managers, plus all others connected with the fields of classical and light classical music. In addition, exclusive information is provided on up-and-coming musicians currently emerging onto the music scene. An Appendices Section lists opera companies and also includes music awards, orchestras and conservatories worldwide.

Released in 1986, Hunters and Collectors' album Human Frailty is one of the most important Australian albums of the last two decades of the twentieth century. It was pivotal in the group's career and marked the group's move into pub rock. It is unashamedly concerned with love and desire. The album challenged traditional understandings of Australian masculinity while playing music to predominantly male audiences. No other Australian group would have dared, or indeed been able, to get their audience to roar 'You don't make me feel like a woman anymore,' the culminating line off Hunan Frailty's first track, and the first single taken from the album, "Say Goodbye". The second track on the album, "Throw Your Arms Around Me" has become an Australian standard, an anthem sung drunkenly more by women than men, in pubs, at weddings and similar occasions. Human Frailty is an album that transcended the critical categories of its time.

Known for his orchestral, operatic and choral works, James MacMillan (b. 1959) appeals across the spectrum of contemporary music making. James MacMillan appeals across the spectrum of contemporary music making and is particularly celebrated for his orchestral, operatic and choral pieces. This book, published in time to mark the composer's sixtieth birthday, is thefirst in-depth look at his life, work and aesthetic. From his beginnings in rural Ayrshire and his early work with Sir Peter Maxwell Davies, through the international breakthrough success of The Confession of Isobel Gowdie,the continuing success of works such as the percussion concerto Veni, Veni, Emmaneul and his choral pieces, to his current position as one of the most prominent British composers of his generation, the book explores MacMillan's compositional influences over time. It looks closely at his most significant works and sets them in a wider context defined by contemporary composition, culture and the arts in general. The book also considers MacMillan's strong Catholic faith and how this has influenced his work, along with his politics and his on-going relationship with Scottish nationalism. With the support of the composer and his publisher and unprecedented access to interviews and previously unpublished materials, the book not only provides an appraisal of MacMillan's work but also insights into what it means to be a prominent composer and artist in the twenty-first century. PHILLIP A. COOKE is a Composer and Senior Lecturer and Head of Music at the University of Aberdeen. He has previously co-edited The Music of Herbert Howells for Boydell.

A ROUGH TRADE, THE TIMES, CLASH BOOK OF THE YEAR The dramatic story of Solange: a musician and artist whose unconventional journey to international success was far more important than her family name. 'Why Solange Matters is a significant and sober treatise on popular music . . . This book is more than necessary.' THURSTON MOORE 'The author's prose sparkles . . . This is a book about what freedom could look like for Black women.' CALEB AZUMAH NELSON, OBSERVER 'Invigorating . . . much more than a dry thesis and at times something nearer to personal reverie.' IAN PENMAN, LONDON REVIEW OF BOOKS 'A love letter to quirkly black creatives . . . [Phillips'] vibrant writing reminds us how Solange lit "the flame of creativity" within many Black women.' gal-dem Growing up in the shadow of her superstar sister, Beyonce, and defying an industry that attempted to bend her to its rigid image of a Black woman, Solange Knowles has become a pivotal musician and artist in her own right. In Why Solange Matters, Stephanie Phillips chronicles the creative journey of Solange, a beloved voice of the Black Lives Matter generation. A Black feminist punk musician herself, Phillips addresses not only the unpredictable trajectory of Solange's career but also how she and other Black women see themselves through the musician's repertoire. First, she traces Solange's progress through an inflexible industry, charting the artist's development up to 2016, when the release of her third album, A Seat at the Table, redefined her career. With this record and, then, When I Get Home (2019), Phillips describes how Solange has embraced activism, anger, Black womanhood and intergenerational trauma to inform her remarkable art. Why Solange Matters not only cements the subject in the pantheon of world-changing twenty-first-century musicians, it introduces its writer as an important new voice. MUSIC MATTERS: SHORT BOOKS ABOUT THE ARTISTS WE LOVE - Why Solange Matters by Stephanie Phillips - Why Marianne Faithfull Matters by Tanya Pearson - Why Karen Carpenter Matters by Karen Tongson

Born in 1953 to Anglo-Jewish/Nigerian parents, Pauline Black was subsequently adopted by a white, working class family in Romford. Never quite at home there, she escaped her small town background and discovered a different way of life - making music. Lead singer for platinum-selling band The Selecter, Pauline Black was the Queen of British Ska. The only woman in a movement dominated by men, she toured with The Specials, Madness, Dexy's Midnight Runners when they were at the top of the charts - and, sometimes, on their worst behaviour. From childhood to fame, from singing to acting and broadcasting, from adoption to her recent search for her birth parents, Black By Design is a funny and enlightening story of music, race, family and roots.

Singing Jazz looks at the ups and downs of this tough profession through the eyes of legendary jazz singers, well-established performers, and some newcomers. Drawing on accounts from vocalists of yesterday and today in all major jazz styles, the book explores the musical influences of jazz singing; the learning process, whether on the road or in training; the challenges of building a repertoire, getting gigs, traveling, and performing under sometimes difficult circumstances; and the ongoing struggle for artistic recognition and financial security in the competitive world of popular music. To reveal the roots and evolution of this unique art form, authors Crother and Pinfold revisit the lives, words, and stylistic innovations of great singers in jazz history, including Carmen McRae, Dinah Washington, Mel Torme, Shirley Horn, Ethel Waters, Anita O'Day, and many more. Plus - interviewed especially for Singing Jazz - some of today's best performers illustrate the contemporary view of jazz singing. Kitty Margolis, Mark Murphy, Helen Merrill, Mark Porter, Christine Tyrrell, and many others discuss the influences and experiences that have shaped their singing careers, and share insights on how their art is still evolving today.

This is the first major reference work on this important choral composer. As is usual for volumes in this valuable series, the book is clearly printed and well bound, and it is highly recommended for undergraduate and graduate music collections as well as for public libraries serving communities with active choral societies. Choice When Randall Thompson died in 1984, America lost one of its most distinguished musicians. At the time of his death, it was already apparent that an assessment of his varied contributions to our musical life in the context of his contemporary generation was sorely needed. Randall Thompson: A Bio-Bibliography is the first comprehensive study of Thompson's oeuvre since his death. The volume is organized into five parts, beginning with a substantial biography written by David Francis Urrows, Thompson's final student and amanuensis. Urrows presents new information on Thompson's youth, his study in Italy and the influence of Malipiero on his work, his educational and compositional philosophy, and his role in the emergence of American music from the influence of European models. Benser's most complete catalog of works compiled to date follows. This vital list includes previously unpublished compositions, particularly those newly made available by Thompson's longtime publisher, E. C. Schirmer, and new recordings made by Bay Cities Music. A sampling of prose writings by Thompson offers a eclectic overview. The complete, extensively annotated bibliography, discography, and two appendixes that list Thompson's compositions chronologically and alphabetically complete this study. Music libraries will want to add this volume to their collections. It will also be an invaluable reference for choral directors, program note annotators, and American music enthusiasts.

A SUNDAY TIMES BESTSELLER Stranger Than Kindness is a journey in images and words into the creative world of musician, storyteller and cultural icon Nick Cave. This highly collectable book invites the reader into the innermost core of the creative process and paves the way for an entirely new and intimate meeting with the artist, presenting Cave's life, work and inspiration and exploring his many real and imagined universes. It features full colour reproductions of original artwork, handwritten lyrics, photographs and collected personal artefacts along with commentary and meditations from Nick Cave, Janine Barrand and Darcey Steinke. Stranger Than Kindness asks what shapes our lives and makes us who we are, and celebrates the curiosity and power of the creative spirit. The book has been developed and curated by Nick Cave in collaboration with Christina Back. The images were selected from 'Stranger Than Kindness: The Nick Cave Exhibition', opening at the Royal Danish Library in Copenhagen in June 2020.

One of the few American composers to earn an international reputation in both classical and popular music, Alec Wilder (1907-1980) was a true innovator in every phase of composition he chose to pursue. In addition, his life and associations in the world of music, theatre, literature, and the arts make for fascinating reading, and his own writings in these areas are witty and insightful. His many hundreds of musical compositions, ranging from chamber and orchestral music, to opera and ballet, theatre and film, and art songs and popular songs, are documented and annotated here in an exhaustive catalog of works. Included are detailed performance information and cross references to recordings in a discography section and reviews and commentary in a fully annotated bibliography of writings by and about the composer. The book also includes a lively biographical sketch capturing the sense and style of the composer and his times, a summary of archival materials held at the Eastman School of Music, an appendix of awards, a directory of music publishers, a chronological list of compositions, and an index. It is hoped that this thorough compendium to aid in the growing scholarly and musical interest in Wilder will serve to expose his work to wider audiences, while also helping to ferret out missing or unknown manuscripts given away to friends and performers by the composer.

First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.

Examines the impact of Harry Partch's hobo years from a variety of perspectives, exploring how the composer both engaged and frustrated popular conceptions of the hobo. Harry Partch (1901-74) was one of the most distinctive and influential American composers of the mid-twentieth century. During the Great Depression, Partch rode the railways, following the fruit harvest across the country. Although he is renowned for his immense stage works, such as Delusion of the Fury, and his use of highly sophisticated instruments of his own creation, Partch is still regularly called a "hobo composer." Yet few have questioned this label's impact on his musical output, compositional life, and reception. Focusing on Partch the person alongside the cultural icon he represented, this study examines Partch from historical, cultural, political, and musical perspectives. It outlines the cultural history of the hobo from the mid-1800s through the 1960s, as well as those figures associated with the hobo's image. It explores how Partch's music, which chronicled a disappearing subculture, was received, and how the composer ultimately engaged and frustrated popular conceptions of the hobo. And it follows Partch's later years to question his response to the hobo label and the ways in which others used it to define and contain him for over thirty years S. Andrew Granade is Associate Professor of Musicology in the Conservatory of Music and Dance, University of Missouri-Kansas City.

'I was spotty, wore an anorak, had biro-engraved flared blue jeans with "purple" and "Sabbath" written on the thighs, and rode an ear-splittingly uncool moped. Oh yes, and I wanted to be a drummer...' Bruce Dickinson - Iron Maiden's legendary front man - is one of the world's most iconic singers and songwriters. But there are many strings to Bruce's bow, of which larger-than-life lead vocalist is just one. He is also an airline captain, aviation entrepreneur, motivational speaker, beer brewer, novelist, radio presenter, film scriptwriter and an international fencer: truly one of the most unique and interesting men in the world. In What Does this Button Do? Bruce contemplates the rollercoaster of life. He recounts - in his uniquely anarchic voice - the explosive exploits of his eccentric British childhood, the meteoric rise of Maiden, summoning the powers of darkness, the philosophy of fencing, brutishly beautiful Boeings and firmly dismissing cancer like an uninvited guest. Bold, honest, intelligent and funny, this long-awaited memoir captures the life, heart and mind of a true rock icon, and is guaranteed to inspire curious souls and hard-core fans alike.

Roger Steffens toured with Bob Marley for two weeks of his final tour of California in 1979 and the music icon was the first guest of Steffens' award-winning radio show. In So Much Things To Say, Steffens draws on a lifetime of scholarship to tell the story of Marley's childhood abandonment, his formative years in Trench Town, his seemingly meteoric rise to international fame and his tragic death at 36. Weaving together the voices of Rita Marley, Peter Tosh and Bunny Wailer-as well as band members, family and friends-Steffens reveals extraordinary new details, dispels myths and highlights the most dramatic elements of Marley's life; his psychic abilities and his overriding commitment to the peace and love message of Rastafari. This landmark work will reshape our understanding of this legendary performer.

'Success is a state of mind... Success isn't about conquering something; it's being happy with who you are.' - Stylist Magazine, 2011. Multi-platinum, Grammy Award-winning pop icon Britney Spears is one of the most successful and celebrated entertainers in pop history selling nearly 150 million records worldwide. Born in Mississippi and raised in Louisiana, Britney started out as a dancer and gymnast, before landing a role at twelve years old in 'The All New Mickey Mouse Club'. She became a household name as a teenager when she released her first single '...Baby One More Time'. This collection of Britney's relatable, inspiring and hugely optimistic quotes reveals a caring, generous personality who champions following your dreams. Despite a very public and at times troubling life, this is a book which sparkles with positivity and happiness; the 'Princess of Pop' offers you the best advice and lifts you up when you're down. Sample Quotes: 'Performing is my therapy, to become different people onstage.' USA Today, 2013 'I have my relationship with God and myself, and that's what matters to me. I really don't care what most people think.' - V Magazine, 2016