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Liszt's Transcultural Modernism and the Hungarian-Gypsy Tradition (Hardcover)
Loot Price: R3,480
Discovery Miles 34 800
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Liszt's Transcultural Modernism and the Hungarian-Gypsy Tradition (Hardcover)
Series: Eastman Studies in Music
Expected to ship within 10 - 15 working days
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Total price: R3,490
Discovery Miles: 34 900
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The first thorough study of Liszt's use of the musical style
associated with the Hungarian Roma ["Gypsies"] in his renowned
Hungarian Rhapsodies and less overtly Hungarian works. Some of
Franz Liszt's most renowned pieces -- most famously his Hungarian
Rhapsodies -- are written in a nineteenth-century Hungarian style
known as verbunkos. Closely associated with the virtuosic playing
tradition of theHungarian-Gypsy band, the meaning and uses of this
style in Liszt's music have been widely taken for granted and
presented as straightforward. Taking a novel transcultural approach
to nineteenth-century modernism, Shay Loya presents a series of
critiques and sensitive music analyses that demonstrate how the
verbunkos idiom, rich and artful in itself, interacted in myriad
ways with Liszt's multiple cultural identities, compositional
techniques, and modernist aesthetics. Even supposedly familiar
works such as the Rhapsodies emerge in a new light, and more
startlingly, we find out how the idiom inhabits and shapes works
that bear no outward marks of nationality or ethnicity.
Particularly surprising is its role in the famously enigmatic
compositions of Liszt's old age, such as Nuages gris and Bagatelle
sans tonalite. We are pleased to announce that Liszt's
Transcultural Modernism and the Hungarian-Gypsy Tradition is one of
two winners of the 2014 Alan Walker Book Award, given by the
American Liszt Society. Shay Loya is a Lecturer at City University
London and is a board member of the Societyfor Music Analysis (UK).
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