Victor Bockris's much admired biography of Keith Richards has been constantly revised since its original publication, now with an additional 12,000 words for a new edition of the Omnibus Press paperback that brings the story up to the present day. First published in eight countries in 1992, at that time Keith Richrds had stood in the shadow of Mick Jagger for thirty years. Then, as a result of Victor Bockris biography, Richards was put in the spotlight and emerged as the power behind the throne, the creator, the backbone, and the soul of the Rolling Stones.Here are the true facts behind Richards' battles with his demons: the women, the drugs and the love-hate-relationship with Jagger. His struggle with heroin and his status as the rock star most likely to die in the 1970s. His scarcely believable rebirth as a family man in the 1980s. Illuminated with revealing quotes and thoughtful insights into the man behind the band that goes on forever.

One of the most easily recognised figures on the Scottish scene, Ronnie Browne was one half of The Corries until the untimely death of his musical partner, Roy Williamson, in 1990. He is also a gifted artist, a portraitist of distinction, who has received both critical and commercial success from childhood to the present day. He met his wife, Pat, when they both attended Boroughmuir High School in Edinburgh and formed the most important and enduring partnership of his life, together having three children and four grandchildren. In That Guy Fae The Corries, Ronnie Browne writes revealingly of his childhood in pre-War Edinburgh, of The Corrie Folk Trio with Paddy Bell, and The Corries throughout their existence, of the many famous musical personalities he has rubbed shoulders with through the decades, of family, travel and his life as an artist.

Sir James MacMillan first burst into prominence in 1990 with The Confessions of Isobel Gowdie. A steady stream of works has followed, with commissions from many of the world's major orchestras. A prominent part of his work is his religious composition, which includes settings of both the John and Luke passions, Tu Es Petrus (for the 2010 papal visit to Britain) and numerous smaller choral pieces. His works are heard all around the world - Seven Last Words from the Cross has been performed in 24 countries since its premiere in 1994, and his Stabat Mater received a private performance at the Sistine Chapel in 2018. He is a trenchant commentator on a wide range of political, social and theological issues, many of which spring from his commitment to the cultural life of Scotland. He is a passionate advocacy of community involvement in music and set up the burgeoning music festival The Cumnock Tryst in 2013. Much of his music reflects his strong Scottish roots and interest in all aspects of musical tradition.

In 1962 Mick Jagger was a bright, well-scrubbed boy (planning a career in the civil service), while Keith Richards was learning how to smoke and to swivel a six-shooter. Add the mercurial Brian Jones (who'd been effectively run out of Cheltenham for theft, multiple impregnations and playing blues guitar) and the wryly opinionated Bill Wyman and Charlie Watts, and the potential was obvious. During the 1960s and 70s the Rolling Stones were the polarising figures in Britain, admired in some quarters for their flamboyance, creativity and salacious lifestyles, and reviled elsewhere for the same reasons. Confidently expected never to reach 30 they are now approaching their seventies and, in 2012, will have been together for 50 years. In The Rolling Stones, Christopher Sandford tells thehuman drama at the centre of the Rolling Stones story. Sandford has carried out interviews with those close to the Stones, family members (including Mick's parents), the group's fans and contemporaries - even examined their previously unreleased FBI files. Like no other book before The Rolling Stoneswill make sense of the rich brew of clever invention and opportunism, of talent, good fortune, insecurity, self-destructiveness, and of drugs, sex and other excess, that made the Stones who they are.

From the creators of The Sex Pistols Graphic Novel, Godspeed: The Kurt Cobain Graphic and Eminem: In My Skin comes an explosive new graphic novel about the King of Pop.
Featuring stunning drawings of iconic periods from Michael Jackson's life and career from his early success at Motown with the Jackson 5 to the moonwalk and Thriller. Covers his marriage to Lisa Marie Presley, his Neverland ranch and his elaborate costumes.

What was I fighting for? Even now I'm not sure. Something so old and so deep, it has no words, no shape, no logic.

Viv Albertine has always been obsessed with the truth: the truth about family, power, and her identity as a rebel and outsider. But at what cost? In this brutally honest memoir she relentlessly exposes human dysfunctionality: the impossibility of intimacy, and the damage wrought upon us by secrets and revelations, siblings and parents. Written with Albertine's unique vulnerability and intelligence, To Throw Away Unopened is a startling self-portrait and a testament to rebuilding oneself and facing the world again.

The book celebrates Arnold Whittall's 80th birthday with a collection of his key writings on Richard Wagner. The first ten chapters deal with the three Romantic operas, the four parts of The Ring and the three remaining music dramas. Their aim is to illuminate those aspects of Wagner's style that are both personal and important for his successors. Whittall sets close readings of key passages in the context of a critical debate that has itself raged for over a century, and his comprehensive range of reference makes this volume essential reading for all those who want to enter the debate. The final chapter deals with Jonathan Harvey's Wagner Dream (2007), a modern operatic treatment of Wagner the man and his unrealised Buddhist project, Die Sieger. Whittall's style is focussed and discriminating, yet also relaxed and accessible, and his text is rich in music examples. ARNOLD WHITTALL is Professor Emeritus at King's College London. His previous books include Exploring Twentieth-Century Music and Serialism.

The music theory of composer Paul Hindemith (1895-1963), originally entitled Unterweisung im Tonsatz, is well known, yet poorly understood. This book provides a critical engagement with Hindemith's Unterweisung, particularly concerning its relationship to existing acoustic music theories. By examining different Unterweisung-versions, it charts the evolution of Hindemith's use of language and mode of communication, including his reference to polytonality, atonality, Fuxian species counterpoint, and avoidance of existing music for his examples. It also elaborates the source material on which the theory is based, using a reconstruction of Hindemith's personal library. Central to the book is the relationship of Hindemith's Unterweisung to his compositional practice. Hindemith's fascination with the challenges of music theory falls into a middle period in his oeuvre, enabling profitable comparisons with his compositional practice both before and after his theory-making. The book also comprises a detailed discussion of Hindemith's theoretical and compositional legacy. Beginning with an overview of existing polemics, it draws together unpublished materials from the Yale Hindemith Institute with reminiscences from former students to construct an Unterweisung reception history. The book shows that, while many areas of Hindemith's theory have been overtaken by recent interests in music theory that relate to cognition and geometry, his influence has been deeply felt. SIMON DESBRUSLAIS is Lecturer in Music and Director of Performance at the University of Hull and an internationally acclaimed trumpet soloist.

Ludwig van Beethoven (1770-1827) is recognized the world over as a composer of musical masterpieces exhibiting heroic strength, particularly in the face of his increasing deafness from ca. 1798. By 1818, the Viennese composer had begun carrying blank booklets with him, for his acquaintances to jot their sides of conversations, while he answered aloud. Often, he himself used the pocket-sized booklets to make shopping lists and other reminders, including occasional early sketches for his compositions. Today, 139 of these booklets survive, covering the years 1818 up to the composer's death in 1827 and including such topics as music, history, politics, art, literature, theatre, religion, and education as perceived on a day-to-day basis in post-Napoleonic Europe. An East German edition, begun in the 1960s and essentially complete by 2001, represents a diplomatic transcription of these documents. It is a masterpiece of pure scholarship but is difficult to use for anyone who is not a specialist. Moreover, Beethoven scholarship has moved on significantly since the long-ranging genesis of the German edition. These important booklets are here translated into English in their entirety for the first time. The volumes in this series include an updated editorial apparatus, with revised and expanded notes and many new footnotes exclusive to this edition, and brand new introductions, which together place many of the quickly changing conversational topics into context. Due to the editor's many years of research in Vienna, his acquaintance with its history and topography, as well as his familiarity with obscure documentary resources, this edition represents an entirely new venture in source studies - vitally informative for scholars not only in music but also in a wide variety of disciplines. At the same time, these often lively and compelling conversations are now finally accessible for the English-speaking music lover or history buff who might want to dip into them and hear what Beethoven and his friends were discussing at the next table. THEODORE ALBRECHT is Professor of Musicology at Kent State University, Ohio.

Lionel Bart was a writer and composer of British pop music and musicals, best known for creating the book, music and lyrics for Oliver! He also wrote the famous songs Living Doll (Cliff Richard) and From Russia With Love (Matt Munroe).He was a millionaire aged thirty in the Sixties, bankrupt in the Seventies and died in 1999.In this first revealing biography, the authors gained exclusive access to Bart's personal archives - his unfinished autobiography, his letters and scrapbooks. They detail how he signed away the rights to Oliver! to finance his new musical Twang - based on Robin Hood - which flopped badly in the theatre. Reveal how his heavy drinking led to diabetes and how he died in 1999 aged 69 from liver cancer. They have interviewed his personal secretaries, friends, family, counsellors and many of the performers, musicians and producers who worked with him. Interviewees include Rocky Horror's Richard O'Brien and actors Dudley Sutton and Nigel Planer.

In its open improvisations, lapidary lyrics, errant melodies, and relentless pursuit of spontaneity, the British experimental band Henry Cow pushed rock music to its limits. Its rotating personnel, sprung from rock, free jazz, and orchestral worlds, synthesized a distinct sound that troubled genre lines, and with this musical diversity came a mixed politics, including Maoism, communism, feminism, and Italian Marxism. In Henry Cow: The World Is a Problem Benjamin Piekut tells the band's story-from its founding in Cambridge in 1968 and later affiliation with Virgin Records to its demise ten years later-and analyzes its varied efforts to link aesthetics with politics. Drawing on ninety interviews with Henry Cow musicians and crew, letters, notebooks, scores, journals, and meeting notes, Piekut traces the group's pursuit of a political and musical collectivism, offering up its history as but one example of the vernacular avant-garde that emerged in the decades after World War II. Henry Cow's story resonates far beyond its inimitable music; it speaks to the avant-garde's unpredictable potential to transform the world.

Discover the London landmarks associated with some of the biggest names in musical history. The culmination of detailed research into where the greats stayed, rehearsed, recorded and died. Forms part of a wider series that explores the UK capital. London teemed with top-rated singers and musicians during the '60s and '70s, whether they were squatting, playing gigs or investing in multi-million pound mansions. Follow McCartney and co. to the quiet flat on Green Street that was their refuge before the Beatlemaniacs sought them out. Wind back time to when Loog Oldham locked Mick and Keith in their flat and demanded they compose a song. From the zany to the tragic - it was in St Mary Abbot's Hospital, Kensington where Jimi Hendrix was pronounced dead - this is a guidebook like no other, a pilgrimage dedicated to the rock 'n' roll greats.

"May you live to be 100, and may the last voice you hear be mine." Frank Sinatra"His camera was a constant companion from his early teens. My daughter, his granddaughter unearthed these gems and they are seen here for the first time." Nancy Sinatra2015 marks 100 years since the birth of Frank Sinatra. The year will be full of events to commemorate the life and music of one of the Twentieth Century's biggest stars. There will be exhibitions, concerts and special album releases. A very special event will be the publication of this luxurious book compiled by Frank Sinatra's granddaughter, Amanda Erlinger. Amanda has sought out rare and unseen images from the family archives for inclusion in the book and has brought together an incredible group of star names to contribute words and imagery. Undoubtedly this book will form a wonderful, personal memory of Frank Sinatra.This spectacular 400-page book comes in luxury clam-shell case, signed by Nancy Sinatra, and Frank Sinatra Jnr., and Tina Sinatra. It includes a rare and unpublished signed print of a photograph of Frank Sinatra taken by Nancy Sinatra Snr., and signed by her.Each book includes a signed and numbered certificate of authenticity. With contributions from an incredible all-star cast including - Nancy Sinatra, Martin Scorcese, George Clooney, Billy Joel, Neil Sedaka, Quincy Jones and Elvis Costello and featuring the work of photographers - Herbert Gehr, Milton H. Greene, Bob Willoughby, Dezo Hoffmann, Ken Veeder, Ted Allan, John Dominis, Ed Thrasher, John Bryson, Paul McCartney, Tony Bennett and Terry O'Neill. Includes the unpublished family photos of the Sinatra family and most excitingly many photos taken by Frank Sinatra himself, including several self-portraits.This edition is limited to 1000 copies. Published in association with Iconic Images and Frank Sinatra Enterprises."It is fitting that the voice that defined a century should have a centenary. Francis Albert Sinatra, my father, was born December 15, 1915, in Hoboken New Jersey. He came from humble beginnings and set off from there to live a life that few can imagine. He is the embodiment of the American Dream." Nancy Sinatra"Just the mention of his name. You can say it like an incantation, and a whole world is right there before you. Sinatra..." Martin Scorcese"He was the epitome of what singing is all about.Beautiful sounds, smooth as silk, effortless, impeccable phrasing, stylish, intelligent, and full of heart. " Barbra Streisand

In 1950 a couple of rhythm and blues-loving teenagers named Jerry Leiber and Mike Stoller met for the first time. Leiber was looking for someone to help compose music for lyrics he'd written, and a friend recommended a piano player named Mike Stoller. They discovered their mutual affection for R&B, and, as Jerry and Mike put it in this fascinating autobiography, it was the beginning of an argument that has been going on for more than fifty years with no resolution in sight. Leiber and Stoller had their first success with a song called "Hard Times" that became an R&B hit in 1952. They followed it with the classic song "Kansas City," and then another bluesy composition, "Hound Dog," for the inimitable Big Mama Thornton. They were still in their teens and working with some of the pioneers of rock and roll. A few years later "Hound Dog" would become a #1 record for Elvis Presley, and Jerry and Mike became the King's favorite songwriters. They wrote such early Elvis hits as "Jailhouse Rock," "Treat Me Nice," and "You're So Square (Baby I Don't Care)." Their affection for Elvis was mutual, but Elvis's manager, "Colonel" Tom Parker, didn't appreciate Jerry and Mike's independent ways and ended the relationship. Leiber and Stoller had a string of hits with the Coasters, including "Yakety Yak," "Poison Ivy," and "Charlie Brown." They infused their songs with wit and playfulness. They had founded their own music label, which led them to an arrangement with Atlantic Records, where they wrote hits for the Drifters and Ben E. King, including "On Broadway" (with Barry Mann and Cynthia Weil) and "Stand by Me" (with King). Their productions for the Drifters brought new instrumentation and musical sophistication to rock music. Not yet in their thirties, Leiber and Stoller became part of the Brill Building scene in the early 1960s. Their Red Bird label produced and recorded some of the most successful girl groups of the era. Along the way they mentored an ambitious young writer-producer named Phil Spector and influenced musician Burt Bacharach. In a completely different genre, Leiber and Stoller wrote and produced "Is That All There Is?" for Peggy Lee. They also created the smash musical Smokey Joe's Cafe, which premiered in 1995 and became the longest-running musical revue in Broadway history. With the assistance of David Ritz, they describe what it was like when Elvis was a fresh new face and when two young guys with tons of talent and an insatiable love of good old American R&B could create the soundtrack for a generation -- and have a great time doing it.

This superb new collection of photographs shows a fascinating variety of blues, folk and rock performers as they appeared at events across North America during the second half of the 20th century. The pictures were all taken by Herb Wise, a man who learned his craft from his friend David Gahr, the revered photographer of American folk music performers. Gradually Herb Wise too became a fixture at many of the leading music festivals and, over the years, his easy, unobtrusive style resulted in a wealth of revealing and affectionate photographs. Bob Dylan, Frank Zappa, David Bowie, Jackson Browne, James Taylor, Sonny Terry & Brownie McGhee, Joan Baez, Taj Mahal, John Lee Hooker, Ray Charles, Steve Winwood, Blondie and many more are all featured, performing or relaxing, onstage and off.

Seven years after their unprecedented arrival in the UK, The Kings of Leon are finally making a name for themselves overseas, thanks to a series of hit albums and singles (peaking with 2008's anthemic "Sex on Fire") and a headline slot at Glastonbury in 2008 then Reading in '09 topped off with a Grammy Award for "Use Somebody". No longer indulging in the drugs which were threatening to come between them, the band are older, wiser and in a better position to reflect in their rise to glory. Their's is a unique tale, from their youth as touring musicians in their preacher father's church to their discovery by the American music industry and beyond. Joel McIver's new book, the first ever Kings of Leon biography, digs deep into their history to reveal a band like no other.

Sir Richard Rodney Bennett, in the enormous diversity of his activities, is arguably the most complete musician of all time. Not only does he have a remarkable 300 commissioned concert works to his credit, which have established him among the leading British twentieth-century composers, yet at the same time, with supreme success, he has also contrived to lead several completely different musical lives. For some, he is the ultimate exponent of 'crossover', as epitomised in his remarkable Concerto for Stan Getz and concert works for Cleo Laine. Others remember him as a concert pianist with a special enthusiasm for pioneering contemporary music, his partnerships with Susan Bradshaw, Jane Manning and Barry Tuckwell being particularly notable. Meanwhile, he also has over 70 film and television scores to his credit, the many classic titles ranging from "Murder on the Orient Express" and "Far From the Madding Crowd" to "Equus" and "Four Weddings and a Funeral". For cabaret and jazz club devotees, he is, again, something completely different: one of the finest and most knowledgeable of all exponents of the Great American Songbook, a much-in-demand singer and accompanist over the past thirty-five years, and, as such, the stage partner of some of the most glamorous performers in the business. This, then, is a book about a uniquely gifted musician. It is also a study of a most engaging personality and a fascinatingly complex human being.

'How refreshing, to read a book about music written for a music lover and not a musicologist. In clear, lucid, entertaining prose, Jane Glover makes those of us who lack musical literacy better understand and appreciate Handel’s divinity.' - Donna Leon, author of Handel's Bestiary and the Inspector Brunetti mysteries.

Handel in London tells the story of a young German composer who in 1712, followed his princely master to London and would remain there for the rest of his life. That master would become King George II and the composer was George Frideric Handel.

Handel, then still only twenty-seven and largely self-taught, would be at the heart of musical activity in London for the next four decades, composing masterpiece after masterpiece, whether the glorious coronation anthem, Zadok the Priest, operas such as Giulio Cesare, Rinaldo and Alcina or the great oratorios, culminating, of course, in Messiah.

Here, Jane Glover, who has conducted Handel’s work in opera houses and concert halls throughout the world, draws on her profound understanding of music and musicians to tell Handel’s story. It is a story of music-making and musicianship, of practices and practicalities, but also of courts and cabals, of theatrical rivalries and of eighteenth-century society. It is also, of course, the story of some of the most remarkable music ever written, music that has been played and sung, and loved, in this country – and throughout the world – for three hundred years.

I have no time for lies and fantasy, and neither should you. Enjoy or die.--John Lydon
Punk has been romanticized and embalmed in various media. It has been portrayed as an English class revolt and a reckless diversion that became a marketing dream. But there is no disputing its starting point. Every story of punk starts with its idols, the Sex Pistols, and its sneering hero was Johnny Rotten.
In Rotten, Lydon looks back at himself, the Sex Pistols, and the no future disaffection of the time. Much more than just a music book, Rotten is an oral history of punk: angry, witty, honest, poignant, and crackling with energy.

Once-in-a-generation memoir of a rock legend - the No. 1 SUNDAY TIMES bestseller. 'Electrifying' New York Times 'A masterpiece' The Word 'Funny, poignant, brutally honest' Sunday Telegraph With the Rolling Stones, Keith Richards created the riffs, the lyrics and the songs that roused the world, and over four decades he lived the original rock and roll life: taking the chances he wanted, speaking his mind, and making it all work in a way that no one before him had ever done. Now, at last, the man himself tells us the story of life in the crossfire hurricane. And what a life. Listening obsessively to Chuck Berry and Muddy Waters records as a child in post-war Kent. Learning guitar and forming a band with Mick Jagger and Brian Jones. The Rolling Stones' first fame and success as a bad-boy band. The notorious Redlands drug bust and subsequent series of confrontations with a nervous establishment that led to his enduring image as outlaw and folk hero. Creating immortal riffs such as the ones in 'Jumping Jack Flash' and 'Street Fighting Man' and 'Honky Tonk Women'. Falling in love with Anita Pallenberg and the death of Brian Jones. Tax exile in France, wildfire tours of the US, 'Exile on Main Street' and 'Some Girls'. Ever increasing fame, isolation and addiction. Falling in love with Patti Hansen. Estrangement from Mick Jagger and subsequent reconciliation. Solo albums and performances with his band the Xpensive Winos. Marriage, family and the road that goes on for ever. In a voice that is uniquely and intimately his own, with the disarming honesty that has always been his trademark, Keith Richards brings us the essential life story of our times.