This annotated bibliography of J.S. Bach studies bring together in one place the most important and useful resources, describes the tools available for Bach research, and provides starting points for reading on many works and topics. Keeping the needs of the beginning Bach scholar firmly in mind, the authors provide concise explanations and summaries of important and potentially confusing topics in Bach research. Topics include bibliographic tools and sources; Bach's world; repertory and editions; vocal and instrumental music; performance; and approaches to Bach's music. The book concludes with detailed indexes of all topics, authors, and titles cited.

The Jam - Paul Weller, Bruce Foxton and Rick Buckler - were the ultimate 'angry young men' of pop. Leading the Mod Revival of the 1970s in thrilling new directions, their tight live shows, razor-sharp style and perfectly crafted songs earned them a devoted following and a string of number one hits. By 1982 The Jam were bigger than ever, but the pressure of success was taking its toll. At the peak of their powers, Paul Weller made the shock decision that was far from welcomed by the rest of the group, let alone the fans: The Jam were to split up and go their separate ways. This richly illustrated and revealing oral history of their final year, led principally by the voice of drummer Rick Buckler, contains a number of previously unseen images and untold stories, taking us from the recording and release of their final studio album, The Gift, to The Jam's last appearances together. In addition to Buckler's memories of the time, The Jam 1982 also brings together testimonies from Gary Crowley, producer Peter Wilson, A&R manager Dennis Munday, photographer Neil ‘Twink’ Tinning, Eddie Piller, Paolo Hewitt, Mat Osman, Belle Stars singer Jennie Matthias (‘The Bitterest Pill’), touring musicians Jamie Telford and Steve Nichol and others, to tell the tale of a single, fateful year: the year The Jam, for better or worse, went out at the very top of their game.

Bela Bartok (1881-1945) was one of the most important composers and musical thinkers of the 20th century. His contributions as a composer, as a performer and as the father of ethnomusicology changed the course of music history and of our contemporary perception of music itself. At the center of Bartok's oeuvre are his string quartets, which are generally acknowledged as some of the most significant pieces of 20th century chamber music. The String Quartets of Bela Bartok brings together innovative new scholarship from 14 internationally recognized music theorists, musicologists, performers, and composers to focus on these remarkable works from a range of theoretical and methodological perspectives. Focusing on a variety of aspects of the string quartets-harmony and tonality, form, rhythm and meter, performance and listening-it considers both the imprint of folk and classical traditions on Bartok's string quartets, and the ways in which they influenced works of the next generation of Hungarian composers. Rich with notated music examples the volume is complemented by an Oxford Web Music companion website offering additional notated as well as recorded examples. The String Quartets of Bela Bartok, reflecting the impact of the composer himself, is an essential resource for scholars and students across a variety of fields from music theory and musicology, to performance practice and ethnomusicology.

In the early spring of 1959, six musicians went into the 30th Street Studio in New York. Nine hours later, they had recorded one of the finest albums of the twentieth century. Kind of Blue traces Miles Davis's development into an artist capable of making such a masterpiece, and explores the careers and struggles of the musicians who shaped him and played alongside him. Using interviews and pictures, studio dialogue and outtakes, the great jazz historian Ashley Kahn follows Miles and his group into the studio, to show precisely how the greatest jazz record of all time was made, how it was introduced to the world, and how it changed music forever.

The first full-length study devoted to Ignaz Moscheles (1794-1870), pianist, conductor and composer. This book, the first full-length study devoted to Ignaz Moscheles (1794-1870), explores how the son of middle-class Jewish parents in Prague became one of the most important musicians of his era, achieving recognition and world-wide admiration as a virtuoso pianist, conductor and composer, a sought-after piano teacher, and a pioneer in the historical performance of early music. Placing Moscheles' career within the context of the social, political and economic milieu in which he lived, the book offers new insights into the business of music and music making; the lives and works of his contemporaries, such as Schumann, Meyerbeer, Chopin, Hummel, Rossini, Liszt, Berlioz and others; the transformation of piano playing from the classical to romantic periods; and the challenges faced by Jewish artists during a dynamic period in European history. A section devoted to Moscheles' engagement as both a performer and editor with the music of J. S. Bach and Handel enhances our understanding of nineteenth-century approaches to early music, and the separate chapters that detail Moscheles' interactions with Beethoven and his extraordinarily close relationship with Mendelssohn adds considerably to the existing literature on these two masters. MARK KROLL has earned worldwide recognition as a harpsichordist, scholar and educator during a career spanning more than forty years. Professor emeritus at Boston University, Kroll has published scholarly editions of the music of Hummel, Geminiani, Charles Avison and Francesco Scarlatti, and is the author of Johann Nepomuk Hummel: A Musician's Lifeand World; Playing the Harpsichord Expressively; and The Beethoven Violin Sonatas.

A thrilling and tumultuous, behind-the-scenes account of house music in NYC. The Beat, the Scene, the Sound follows DJ Disciple and his behind-the-scenes account of how DJs, promoters, fans, and others transformed house music from a DIY project into an international sensation-dive into the glitzy clubs, underground parties, and the diverse communities who made up the scene amidst the tumult of 1980s/90s-era NYC-between the fall of disco and the rise of EDM. The book unearths many untold stories of the era. When house first rose to prominence in the 1980s, it brought people together-Palladium, Paradise Garage, Tunnel, Zanzibar, Studio 54, and other clubs were going strong. But as DJ Disciple established himself in the scene, he witnessed it shatter. During the crack-cocaine epidemic, he literally dodged bullets bringing his records to and from clubs at night. HIV/AIDS and homophobia threw up fear-based partitions. Then, mayors worked to close the clubs. House music was pushed underground and then abroad to the UK and Europe. Disciple and many other DJs sought to regain a footing in the United States, but that only became possible with the rise of commercialized EDM. With dozens of interviews and historic photographs, The Beat, the Scene, the Sound shows what is possible when you bring people together and what can unravel when you split them apart.

Alexander Scriabin was one of a few major composers who revolutionized musical style in the first decade of the twentieth century by eliminating key as a structural principle and by establishing a new use of dissonant harmonies. This book by James M. Baker is a study of Scriabin's twentieth-century music, the first thorough analysis of the composer's evolution from conventional tonality to his later atonal structure. Baker demonstrates that in Scriabin's transitional music, tonal and atonal procedures-generally considered mutually exclusive-work together to create unified compositions. Baker places Scriabin's harmony in the perspective of voice leading, applying Schenkerian techniques of analysis to his music for the first time. He explains the great variety of sonorities and their complex relations within the framework of set-complex theory and introduces an original method of statistical analysis to survey Scriabin's harmonic practice from 1903 to 1914. Offering comprehensive analyses of a considerable number of complete compositions, including such important works as the Fifth Piano Sonata and the Poem of Ecstasy, Baker concludes with a penetrating examination of Prometheus, Scriabin's largest and most complex composition. The literature thus far on Scriabin has emphasized aspects of his often eccentric personality and has focused narrowly on his use of certain characteristic harmonies, especially the famous "mystic chord." This thought-provoking theoretical treatise takes an important step toward a deeper understanding of the composer's accomplishments.

In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today.

Black Sabbath is currently on The End Tour," which they have proclaimed as their final concert tour . Iron Man chronicles the story of both pioneering guitarist Tony Iommi and legendary band Black Sabbath, dubbed The Beatles of heavy metal" by Rolling Stone . Iron Man reveals the man behind the icon yet still captures Iommi's humour, intelligence, and warmth. He speaks honestly and unflinchingly about his rough-and-tumble childhood, the accident that almost ended his career, his failed marriages, personal tragedies, battles with addiction, band mates, famous friends, newfound daughter, and the ups and downs of his life as an artist. Everything associated with hard rock happened to Black Sabbath first: the drugs, the debauchery, the drinking, the dungeons, the pressure, the pain, the conquests, the company men, the contracts, the combustible drummer, the critics, the comebacks, the singers, the Stonehenge set, the music, the money, the madness, the metal.

In 1853 Robert Schumann identified fully-formed compositional mastery in the young Brahms, who nevertheless in the years following embarked on a period of intensive further study, producing, among other works, the neo-baroque Sarabande and Gavotte. These dances have not been properly recognized as constituting a distinct Brahms work before now, but manuscript evidence and their performance history indicate that Brahms and his friends thought of them as such in the mid-1850s, when they became the first music of his performed publicly in Gdansk, Vienna, Budapest and London. He later suppressed the dances, using them instead as a thematic quarry for three chamber music masterpieces, from different stages in his life and in distinctly different ways: the Second String Sextet, the First String Quintet and the Clarinet Quintet. This book gives an account of the compositional and performance history, stylistic features and re-uses of the dances, setting these in the wider context of Brahms's developing creative concerns and trajectory. It constitutes therefore a study of a 'lost' work, of how a fully-formed master opens himself to 'the in-flowing from afar' (in Martin Heidegger's terms), and of the transformative reach and concomitant expressive richness of Brahms's creative thought.

This volume in the Greenwood Press series Bio-Bibliographies in Music provides an overview of Phil Ochs' life and career, an annotated guide to the literature by and about Phil Ochs, and an extensive discography of his recordings. Biographical information traces his career up until his untimely suicide in 1976 and highlights the influences on his music and the numerous ways in which his music and political views influenced others. The guide to the literature includes not only articles and books but also album reviews, concert reviews and interviews.

The extensive information compiled in this guide will be of interest to popular music scholars and to Phil Ochs' enthusiasts alike. Of special interest to many will be the unique section that details Ochs' appearances in various films and television programs. An alphabetical song listing, an appendix listing his concerts, and an index complete the volume.

A discography with brief biographical sketch.

Interest in Pink Floyd remains as intense as ever even 40 years after the release of Dark Side of the Moon, with lavish box-sets collecting demos and out-takes, and Roger Waters' world tours of The Wall playing to packed stadiums. Now, Mark Blake's superbly comprehensive and engrossing history of the group, rightly acclaimed as the definitive book on the band, has been fully revised and extended with new interviews to bring the story up to date with the recent appearances of David Gilmour and Nick Mason with Roger Waters at a London date on his The Wall tour.

Commentary on Skryabin has struggled to situate an understanding of the composer's music within his idiosyncratic philosophical world views. Early commentators' efforts to do so failed to establish a thorough or systematic approach. And later twentieth-century studies turned away from the composer's ideology, focusing instead on 'the music itself' with an analytic approach that scrutinized Skryabin's harmonic language in isolation from his philosophy. This groundbreaking study revisits the questions surrounding the composer's music within his own philosophy, but draws on new methodological tools, casting Skryabin's music in the light not only of his own philosophy of desire, but of more refined semiotic-psychoanalytical theory and modern techniques of music analysis. An interdisciplinary methodology corrects the narrow focus of Skryabin scholarship of the last century, offering insights from New Musicology and recent music theory that lead to hermeneutical, critically informed readings of selected works.

A TAROT DECK FOR MUSIC LOVERS with the biggest stars representing the cards' meanings AN ACCESSIBLE ENTRY TO TAROT or an exciting new addition to a card collection CULT FAVOURITES AND BIG STARS: there's something for fans of every genre STUNNING ILLUSTRATIONS with more to find on every reading INCLUDES A BOOKLET that unpacks the meanings of the cards and explains how to conduct your own readings Tune into your inner wisdom with this unique tarot deck inspired by cult music icons. Inside you'll find musicians who perfectly encapsulate the tarot card meanings: Lorde is the Fool, Prince is the Emperor and David Byrne is the Hermit. The 78 cards work as a fully functional tarot deck, and the kit also includes a booklet with more information about the musicians, as well as information on how to interpret the cards and conduct your own readings.

This in-depth biography details Harry's life so far. From his childhood and his journey to fame on the X-Factor to releasing incredibly successful solo music and becoming a fashion icon, this book gets you closer to Harry than ever before. From the start of his career we follow the roller coaster of emotions as One Direction broke up, and we learn how Harry reinvented himself. Free from the shackles of being in a boyband he was able to be the rock star he had always dreamed of being and conquer the US by himself. Not content with being one of the world's biggest popstars, Harry has also cultivated a career as a film star, kicking off with a starring role in box-office hits like Dunkirk before going on to become a member of the iconic Marvel universe and, in 2022, taking the lead in My Policeman and Don’t Worry Darling. Now, as universally acknowledged fashion royalty, he has hosted the Met Gala with Serena Williams and Lady Gaga and regularly models for Gucci. In 2021 he released his beauty brand, Pleasing, and he has even partnered with the meditation app Calm to record a story designed to help listeners drift off. His new album Harry’s House soared to the top of the charts in both the UK and the US, and his 2022 tour 'Love on Tour' has sold out globally. In short, his phenomenal success shows no signs of slowing down. Get to know the iconic singer in greater depth with this book that gets you to the heart of a very modern pop star – a must read for all of Harry's fans. Also available: Ariana: The Biography (9781782439745) Adele: To 30 and Beyond: The Unauthorized Biography (9781789294361) Britney: The Unauthorized Biography (9781789294590)

When Olivier Messiaen (1908-1992) completed the vast opera Saint FranAois d'Assise in 1983, he was mentally and physically exhausted, and believed that this monumental work would be his final compositional statement. In fact, he completed seven further works, and these form the focus of the present study. Christopher Dingle suggests that, following the crisis provoked by the opera, Messiaen's music underwent a discernible change in style. He examines these seven works to identify characteristics of the composer's music, in particular an often overlooked aspect of his technique: harmony. Part I of the book begins with a brief historical survey before discussing Saint FranAois d'Assise as the work which defines everything that follows. Part II examines the series of miniatures that came after the opera and their links with A0/00clairs sur l'Au-DelA ..., his final masterpiece. A0/00clairs forms the subject of Part III of the book. Each movement is analysed in turn, before the work is considered as a whole and its hidden structure and motivic cohesion is revealed. Finally, Part IV considers the incomplete Concert A 4 and key stylistic features of the works of Messiaen's final years.

Known for his work as a performer and songwriter with the Birthday Party, the Bad Seeds and Grinderman, Australian artist Nick Cave has also pursued a variety of other projects, including writing and acting. Covering the full range of Cave's creative endeavors, this collection of critical essays provides a comprehensive overview of his multifaceted career. The contributors, who hail from an array of disciplines, consider Cave's work from many different angles, drawing on historical, psychological, pedagogical, and generic perspectives. Illuminating the remarkable scope of Cave's achievements, they explore his career as a composer of film scores, scriptwriter, and performer, most strikingly in "Ghosts of the Civil Dead"; his work in theater; and his literary output, which includes the novels "And the Ass Saw the Angel "and "The Death of Bunny Munro," as well as two collections of prose. Together, the resulting essays provide a lucid overview of Nick Cave's work that will orient students and fans while offering fresh insights sure to deepen even expert perspectives.

An evaluative biography by an authority on French music.

A dictionary containing 3500 biographical entries, each representing a composer whose work has been used within the worship of the church in Britain and Ireland.

A guide to the music of Britain's most prominent living composer, this volume contains the most complete listing available of Davies's works (unpublished as well as published) plus a comprehensive discography and a bibliography of nearly 1,000 items. Each entry is keyed to the discography and the annotated bibliography. There is also a brief biography. Maxwell Davies is extremely prolific, with nearly 300 compositions to his credit so far. He is also a conductor of distinction. This work will be of interest to scholars and students as well as anyone interested in 20th-century composers. Davies currently holds the posts of Associate Conductor/Composer with the Royal Philharmonic Orchestra and the BBC Philharmonic, among other positions. Moreover, he has been a strong voice in support of music education in Britain and has composed many works for children and young performers. When he taught music to children, he encouraged them to compose, believing that most have a natural musical ability.

From the turn of the century to the 1960s, the songwriters of Tin Pan Alley were synonymous with American popular music. Irving Berlin, Cole Porter, George and Ira Gershwin, Rodgers and Hart-even today these giants remain household names, their musicals regularly revived, their methods and styles analyzed and imitated, and their songs the bedrock of jazz and cabaret. In this new edition of The Poets of Tin Pan Alley, authors Philip Furia and Laurie Patterson offer a unique perspective on these great songwriters, showing how their poetic lyrics were as important as their brilliant music in shaping a golden age of American popular song. Furia and Patterson continue the tradition of great perception and understanding established in the first edition as they explore the deft rhymes, inventive imagery, and witty solutions these songwriters used to breathe new life into rigidly established genres. They devote full chapters to such greats as Irving Berlin, Lorenz Hart, Ira Gershwin, Cole Porter, Oscar Hammerstain II, Howard Dietz, E.Y. Harburg, Dorothy Fields, Leo Robin, and Johnny Mercer. They also offer a comprehensive survey of other lyricists who wrote for the sheet-music industry, Broadway, Hollywood, and Harlem nightclub revues. This was the era that produced The New Yorker, Don Marquis, Dorothy Parker, and E.B. White-and the book places Tin Pan Alley lyrics firmly in this fascinating historical context. In these pages, the lyrics emerge as an important element of American modernism, as the lyricists, like the great modernist poets, took the American vernacular and made it sing.