"A true collector's item..." - Tim Chan, Rolling Stone "Filled to the brim with everything from Harry's colour palettes to his inspiration, this pick combines high-fashion with all the quirkiness we love about HS and it's just perfect." - Glamour UK "Have the best-dressed coffee table by adorning it with this book filled with photos of THE best-dressed man." - Seventeen Magazine "I'm incredibly lucky to have an environment where I feel comfortable being myself" - Harry Styles. Stepping bravely into the cyclone of 21st-century fashions, Harry Styles is more than weathering the storm. Whether he's breaking the internet with his $7.99 frog-eyed yellow bucket hat or a pair of black fishnets, or fronting cult magazine The Beauty Papers, as he did in March 2021, Hazza's sparkle knows no boundaries. Gucci met Styles in 2014, and there was instant chemistry. According to designer Alessandro Michele, Harry is 'a young Greek God with the attitude of James Dean and a little bit of Mick Jagger' - and that effortless superstardom certainly radiates from the photos in this collection, which document the heart of Harry's wardrobe, both on-stage and off. Part fashion history lesson, pulling references from the rock and roll greats of the past, and part innovation, Harry's style pays homage to Kurt Cobain and Marc Bolan, Prince and Little Richard, while developing into something authentic and entirely his own. This chic book fizzles with facts about Harry's styling choices, presenting the star's most revered looks alongside pictures that trace the roots of each design. With quotes from key designers, this is the perfect gift for any fan.

Alexander Scriabin was one of a few major composers who revolutionized musical style in the first decade of the twentieth century by eliminating key as a structural principle and by establishing a new use of dissonant harmonies. This book by James M. Baker is a study of Scriabin's twentieth-century music, the first thorough analysis of the composer's evolution from conventional tonality to his later atonal structure. Baker demonstrates that in Scriabin's transitional music, tonal and atonal procedures-generally considered mutually exclusive-work together to create unified compositions. Baker places Scriabin's harmony in the perspective of voice leading, applying Schenkerian techniques of analysis to his music for the first time. He explains the great variety of sonorities and their complex relations within the framework of set-complex theory and introduces an original method of statistical analysis to survey Scriabin's harmonic practice from 1903 to 1914. Offering comprehensive analyses of a considerable number of complete compositions, including such important works as the Fifth Piano Sonata and the Poem of Ecstasy, Baker concludes with a penetrating examination of Prometheus, Scriabin's largest and most complex composition. The literature thus far on Scriabin has emphasized aspects of his often eccentric personality and has focused narrowly on his use of certain characteristic harmonies, especially the famous "mystic chord." This thought-provoking theoretical treatise takes an important step toward a deeper understanding of the composer's accomplishments.

This volume in the Greenwood Press series Bio-Bibliographies in Music provides an overview of Phil Ochs' life and career, an annotated guide to the literature by and about Phil Ochs, and an extensive discography of his recordings. Biographical information traces his career up until his untimely suicide in 1976 and highlights the influences on his music and the numerous ways in which his music and political views influenced others. The guide to the literature includes not only articles and books but also album reviews, concert reviews and interviews.

The extensive information compiled in this guide will be of interest to popular music scholars and to Phil Ochs' enthusiasts alike. Of special interest to many will be the unique section that details Ochs' appearances in various films and television programs. An alphabetical song listing, an appendix listing his concerts, and an index complete the volume.

Commentary on Skryabin has struggled to situate an understanding of the composer's music within his idiosyncratic philosophical world views. Early commentators' efforts to do so failed to establish a thorough or systematic approach. And later twentieth-century studies turned away from the composer's ideology, focusing instead on 'the music itself' with an analytic approach that scrutinized Skryabin's harmonic language in isolation from his philosophy. This groundbreaking study revisits the questions surrounding the composer's music within his own philosophy, but draws on new methodological tools, casting Skryabin's music in the light not only of his own philosophy of desire, but of more refined semiotic-psychoanalytical theory and modern techniques of music analysis. An interdisciplinary methodology corrects the narrow focus of Skryabin scholarship of the last century, offering insights from New Musicology and recent music theory that lead to hermeneutical, critically informed readings of selected works.

This is the first major reference work on this important choral composer. As is usual for volumes in this valuable series, the book is clearly printed and well bound, and it is highly recommended for undergraduate and graduate music collections as well as for public libraries serving communities with active choral societies. Choice When Randall Thompson died in 1984, America lost one of its most distinguished musicians. At the time of his death, it was already apparent that an assessment of his varied contributions to our musical life in the context of his contemporary generation was sorely needed. Randall Thompson: A Bio-Bibliography is the first comprehensive study of Thompson's oeuvre since his death. The volume is organized into five parts, beginning with a substantial biography written by David Francis Urrows, Thompson's final student and amanuensis. Urrows presents new information on Thompson's youth, his study in Italy and the influence of Malipiero on his work, his educational and compositional philosophy, and his role in the emergence of American music from the influence of European models. Benser's most complete catalog of works compiled to date follows. This vital list includes previously unpublished compositions, particularly those newly made available by Thompson's longtime publisher, E. C. Schirmer, and new recordings made by Bay Cities Music. A sampling of prose writings by Thompson offers a eclectic overview. The complete, extensively annotated bibliography, discography, and two appendixes that list Thompson's compositions chronologically and alphabetically complete this study. Music libraries will want to add this volume to their collections. It will also be an invaluable reference for choral directors, program note annotators, and American music enthusiasts.

Today, Metallica are known as consummate musicians, but it wasn t always that way. Their early career is marked by a gradual evolution from garage thrash to sophisticated, progressive heights an evolution driven by their bass player, Cliff Burton, who pushed the band to new heights with his songwriting ability and phenomenal bass skills across the band s first three albums, including their undisputed masterpiece, Master Of Puppets. Cliff s life was short but influential; his death at the age of 24 in a tour bus crash on a Swedish mountain road was sudden and shocking. Following his passing, Metallica went on to huge global success, but by their own admission they never pushed the creative envelope as radically as they had done during the first four years of their career. The cult of Burton grows year on year, and so too the list of bassists acknowledging his influence in metal and beyond. Published to coincide with the 40th anniversary of Metallica s debut album, Kill Em All, this revised and updated edition of To Live Is To Die adds a new chapter on Cliff s enduring legacy as well as a preface from Testament bass master Steve Di Giorgio.

This comprehensive research guide surveys the most significant published materials relating to Giuseppe Verdi. This new edition includes research since the publication of the first edition in 1998.

Sondheim in Our Time and His offers a wide-ranging historical investigation of the landmark works and extraordinary career of Stephen Sondheim, a career which has spanned much of the history of American musical theater. Each author uncovers those aspects of biography, collaborative process, and contemporary context that impacted the creation and reception of Sondheim's musicals. In addition, several authors explore in detail how Sondheim's shows have been dramatically revised and adapted over time. Multiple chapters invite the reader to rethink Sondheim's works from a distinctly contemporary critical perspective and to consider how these musicals are being reenvisioned today. Through chapters focused on individual musicals, and others that explore a specific topic as manifested throughout his entire career, plus an afterword by Kristen Anderson-Lopez; by digging deep into the archives and focusing intently on his scores; from interviews with performers, directors, and bookwriters, and close study of live and recorded productions-volume editor W. Anthony Sheppard brings together Sondheim's past with the present, thriving existence of his musicals.

A dictionary containing 3500 biographical entries, each representing a composer whose work has been used within the worship of the church in Britain and Ireland.

An evaluative biography by an authority on French music.

Wagner's Ring, an important phenomenon of the German drama tradition, is situated and examined alongside other major works of the canon. Wagner defines tragedy as a mythological drama. The theoretical foundation of the Ring is a complex dialectic of history and myth. By contrasting the Ring with the dramas of Schiller, Hebbel, Hofmannsthal, and Brecht different facets of Wagner's work are uniquely highlighted beyond theoretical generalizations or broad overviews. This series of comparisons offers fresh insight into the interrelationships of the Ring with the previous German drama tradition, and also investigates its influence on twentieth-century drama and opera. Scholars of German literature and culture will appreciate this innovative interpretation and study of the Ring. New ideas proposed include the suggestions that Schiller's Wallenstein trilogy might have served as a covert source for the Ring and that Ariadne auf Naxos and Mahagonny represent parodies of the Ring. The theory underlying the Ring will attract musicologists and interdisciplinary literary scholars interested in the interrelationship between words and music and literature and opera.

This volume, part of Greenwood's continuing series of Bio-Bibliographies in Music, provides a concise bibliographic guide to the life and career of Otto Luening. While the music of this American composer, educator, conductor, and flutist has been performed throughout the northeastern United States, his work has received little attention outside of this region. With its extensive treatment of his life and career, this book will help to bring Luening's important compositions and his contributions to American music to the attention of a much wider audience. Ralph Hartsock divides Luening's work into four main sections, each covering a specific aspect of Luening's career. The volume begins with a brief biography of the subject and is followed by a complete listing of Luening's works and performances through 1989. Prepared with the assistance of Luening himself, this section arranges its information in chronological order, and includes basic bibliographical data as well as information on the premiere of each piece and selected performances. A comprehensive discography, arranged alphabetically by title, cites both commercially produced and selected privately released recordings. Also included is a pair of annotated bibliographies, covering the years from 1921 to 1989. One contains citations of material written by Luening, while the other details the hundreds of articles written about him. The work concludes with a pair of appendixes that catalog Luening's compositions alphabetically by title and according to genre. This work will be a valuable reference source for courses in contemporary music and American music, and a worthwhile addition to the collections of public, college, and university libraries.

This is the first book to focus exclusively on Vincent Persichetti, whose widespread influence as composer, conductor, and educator has had a significant impact on twentieth-century American music. A gifted pianist, Persichetti often performed the works of others as well as his own, and many of his compositions have become classics of the twentieth-century repertoire. Because of his long teaching career and guest appearances at universities throughout the United States, Persichetti became an important figure in American musical education as well, and is the author of the definitive textbook on twentieth-century harmony. The present volume contains the most extensive selection of biographical material ever published on Persichetti, and provides a listing of his compositions by chronology and opus number. It details the premiere of each work and describes other major performances, which are cross-referenced to citations in the bibliography and discography. Following the annotated bibliography of more than 507 entries on all aspects of Persichetti's style and music is an annotated bibliographical section on Persichetti's writings. There is an extensive discography of commercially produced recordings which includes, for each selection, information on performers date of issue and recording company. In addition, the appendixes provide alphabetical, chronological, and opus-number-order listing of all his works. This volume, Number 16 in The Music Reference Collection: Bio-Bibliographies in Music, is intended as an introduction to Persichetti's life and work, and it provides a source of useful research materials for scholars, educators performers, historians, and professionals in the field of music.

Dr. Hilary Koprowski is the pioneer of live polio vaccine, the first researcher to advance the diagnostic and therapeutic use of monoclonal antibodies, and the developer of the "gold standard" rabies vaccine. A world-reknowned maverick in biomedical research, Koprowski's research methods were often considered controversial and even radical. Nonetheless, he acquired key positions in many research organizations, such as the Rockefeller Foundation, Lederle Labs, and Wistar Institute, initiating landmark studies from cancer research to multiple sclerosis. One of his crowning achievements, the successful crusade for monoclonal antibodies, resulted in his founding of Centocor, a forerunner in the corporate world of biomedicine. This account of Koprowski's life history is a mixture of personal interviews, anecdotes, and legends of the art and science behind the man.

DISCOVER THE TRUTH ABOUT THE WORLD'S MOST-LOVED COMPOSER; Musical history is full of tormented geniuses, tortured despite - or because of - their enormous talent. Yet perhaps the greatest musical virtuoso the world has ever known cannot be counted among them. Though he faced great hardships, Mozart was surely the happiest composer who ever lived.; In Mozart: The Man Revealed, John Suchet breathes new life into the story of the 'boy genius', revealing a complex character, yet one who always remained comfortable with himself and at ease with his gift. His musical legacy may be immortal, but the man behind the music was gloriously human.

First published in 2011, this text provides citations to the core Holst literature. The volume is intended for students and researchers, as well as those seeking an introduction to Holst. The inclusion of materials for the non- specialist seems entirely appropriate as Holst devoted much of his career to teaching amateur musicians. The contents of this book presents a selective, annotated list of essential materials published through the end of 2009, although a very few exceptions were made for a limited number of post-2009 print and web resources.

This is the incredible illustrated story of the Bee Gees, the band that Barry, Maurice and Robin, the brothers Gibb, formed in 1958. The trio were especially successful as a popular music act in the late 1960s and early 1970s, and later as prominent performers of the disco music era in the mid-to-late1970s with the soundtrack album Saturday Night Fever. The group sang recognizable three-part tight harmonies; Robin's clear vibrato lead vocals was the hallmark of their earlier hits, while Barry's R&B falsetto became their signature sound during the mid-to-late 1970s and 1980s. The Bee Gees have sold over 120 million records worldwide making them one of the world's best-selling artists of all time. The boys also wrote all of their own hits, as well as writing and producing several major hits for other artists. They were inducted into the Rock and Roll Hall of Fame in 1997. The Bee Gees' Hall of Fame citation says, "Only Elvis Presley, the Beatles, Michael Jackson, Garth Brooks and Paul McCartney have out sold the Bee Gees." Following Maurice's death in January 2003 at the age of 53, Barry and Robin retired the group's name after 45 years of activity.

Anthony Milner, who is recognized as Britain's leading Catholic composer, has been widely praised for his ability to combine freshness and originality with a thorough grounding in the historic traditions of music. Although his choral works on religious themes have attracted a wide audience, his instrumental works also have a prominent place in the modern repertoire. This new bio-bibliography is the first book devoted to Milner's music and career. It provides fully annotated catalogues of his compositions, performances and reviews of his works, and his achievements as a teacher, writer, and lecturer. The volume begins with a biographical survey of the life and works of Anthony Milner. A works and performances section presents a catalogue arranged alphabetically by genre and supplying descriptive notes and information on commissions, texts, scoring, and publication. A bibliography of some 400 references by or about Milner lists books, articles, magazine and newspaper reviews, published or broadcast talks, lectures and interviews, record album essays, and other publications. Quotations or summaries of the contents are provided. The volume includes a complete discography as well as several supplemental lists that will help the reader locate specific information. A research tool for performers, conductors, music critics, and specialists in musicology or church music, this work will be a useful addition to collections in contemporary, choral or liturgical music.

Following a run of New Year's concerts at San Francisco's legendary Fillmore, Patti Smith finds herself tramping the coast of Santa Cruz, about to embark on a year of solitary wandering. Unfettered by logic or time, she draws us into her private wonderland, with no design yet heeding signs, including a talking sign that looms above her, prodding and sparring like the Cheshire Cat. In February, a surreal lunar year begins, bringing with it unexpected turns, heightened mischief, and inescapable sorrow. In a stranger's words, "Anything is possible: after all, it's the year of the monkey." For Patti Smith - inveterately curious, always exploring, tracking thoughts, writing the year evolves as one of reckoning with the changes in life's gyre: with loss, aging, and a dramatic shift in the political landscape of America.

Smith melds the Western landscape with her own dreamscape. Taking us from Southern California to the Arizona desert; to a Kentucky farm as the amanuensis of a friend in crisis; to the hospital room of a valued mentor; and by turns to remembered and imagined places - this haunting memoir blends fact and fiction with poetic mastery. The unexpected happens; grief and disillusionment. But as Patti Smith heads toward a new decade in her own life, she offers this balm to the reader: her wisdom, wit, gimlet eye, and above all, a rugged hope of a better world.

Riveting, elegant, often humorous, illustrated by Smith's signature Polaroids, Year of the Monkey is a moving and original work, a touchstone for our turbulent times.

This biography offers students and general readers an insightful look into Jerry Garcia's creative genius as a founding member of The Grateful Dead and the various influences on his work as he contributed to the countercultural movement in the United States.

As a founding member of The Grateful Dead, Jerry Garcia became famous for his work as a key creative force in this band. Known for free flowing jam sessions, psychedelic drug use, and a loyal fan base, The Grateful Dead combined a variety of genres, including blues, folk and country rock to create new and different sounds than those used by other popular bands at the time, including The Rolling Stones and The Beatles. Garcia contributed significantly to an era in American music that was influenced by social changes, war, and political strife. Yet Garcia's creative genius expanded beyond the fame that came as lead guitarist and vocalist for the Dead. From the time he was a young boy learning to play the piano in the Excelsior district of San Francisco, Garcia explored various genres and forms of music and visual art. This biography offers students and general readers an insightful look into Garcia's creative genius and the various influences on his work as he contributed to the counter-cultural movement in the United States.

Presenting information heretofore difficult or impossible to find in English, this work opens a window on the colorful panorama of Finnish music. The 500-plus entries present historical and modern composers, the accomplishments of hundreds of internationally acclaimed performing artists, as well as more general articles on folk music, early manuscripts and publications, cantors and hymnals, early Roman Catholic, Eastern Orthodox, and Lutheran music, leading orchestras and choral groups, festivals, and much more. No other such extensive and comprehensive work on Finnish music exists in any language other than Finnish and Swedish. This English-language dictionary makes the subject available to readers throughout the world. In addition to the entries, chronologies of Finnish history and Finnish music, as well as a map of Finland, correlate history and locations with the entries. A general bibliography and entry-specific bibliographies offer further resources. The Dictionary interprets a sometimes limited amount of available information, describing forms and styles of compositions, operatic roles performed, the content of scholarly work, and significant and unusual events in the lives of the musicians.