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Crossing Bar Lines - The Politics and Practices of Black Musical Space (Hardcover)
Loot Price: R3,078
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Crossing Bar Lines - The Politics and Practices of Black Musical Space (Hardcover)
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In Crossing Bar Lines: The Politics and Practices of Black Musical
Space James Gordon Williams reframes the nature and purpose of jazz
improvisation to illuminate the cultural work being done by five
creative musicians between 2005 and 2019. The political thought of
five African American improvisers-trumpeters Terence Blanchard and
Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne
Carrington, and pianist Andrew Hill-is documented through
insightful, multilayered case studies that make explicit how these
musicians articulate their positionality in broader society.
Informed by Black feminist thought, these case studies unite around
the theory of Black musical space that comes from the lived
experiences of African Americans as they improvise through daily
life. The central argument builds upon the idea of space-making and
the geographic imagination in Black Geographies theory. Williams
considers how these musicians interface with contemporary social
movements like Black Lives Matter, build alternative institutional
models that challenge gender imbalance in improvisation culture,
and practice improvisation as joyful affirmation of Black value and
mobility. Both Terence Blanchard and Ambrose Akinmusire innovate
musical strategies to address systemic violence. Billy Higgins's
performance is discussed through the framework of breath to
understand his politics of inclusive space. Terri Lyne Carrington
confronts patriarchy in jazz culture through her Social Science
music project. The work of Andrew Hill is examined through the
context of his street theory, revealing his political stance on
performance and pedagogy. All readers will be elevated by this
innovative and timely book that speaks to issues that continue to
shape the lives of African Americans today.
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