Self-Compacting Concrete: Materials, Properties and Applications presents the latest research on various aspects of self-compacting concrete, including test methods, rheology, strength and durability properties, SCC properties at elevated temperature, SC manufacturing with the use of SCMs, recycled aggregates and industrial by-products. Written by an international group of contributors who are closely associated with the development of self-compacting concrete, the book explores the main differences between SCC and normal concrete in terms of raw materials, fresh properties and hardened properties. Other topics discussed include the structure and practical applications of fiber reinforced SCC. Researchers and experienced engineers will find this reference to be a systematic source to SCC with its accounting of the latest breakthroughs in the field and discussions of SCC constructability, structural integrity, improved flows into complex forms, and superior strength and durability.

Microclimate for Cultural Heritage: Measurement, Risk Assessment, Conservation, Restoration, and Maintenance of Indoor and Outdoor Monuments, Third Edition, presents the latest on microclimates, environmental issues and the conservation of cultural heritage. It is a useful treatise on microphysics, acting as a practical handbook for conservators and specialists in physics, chemistry, architecture, engineering, geology and biology who focus on environmental issues and the conservation of works of art. It fills a gap between the application of atmospheric sciences, like the thermodynamic processes of clouds and dynamics of planetary boundary layer, and their application to a monument surface or a room within a museum. Sections covers applied theory, environmental issues and conservation, practical utilization, along with suggestions, examples, common issues and errors.

Advanced Building Envelope Components: Comparative Experiments focuses on the latest research in innovative materials, systems and components, also providing a detailed technical explanation on what this breakthrough means for building exteriors and sustainability. Topics include a discussion of transparent envelope components, including intelligent kinetic skins, such as low-e coatings, high vs. low silver content in glass, solar control coatings, such as silver vs. niobium vs. tin, and more. In addition, opaque envelope components are also presented, including opaque dynamic facades, clay lining vs. plasterboard and nano clayed foams.

Sustainable Construction Materials: Recycled Aggregate focuses on the massive systematic need that is necessary to encourage the uptake of recycled and secondary materials (RSM) in the construction industry. This book is the fifth and the last of the series on sustainable construction materials and like the previous four, it is also different to the norm. Its uniqueness lies in using the newly developed, Analytical Systemisation Method, in building the data-matrix sourced from 1413 publications, contributed by 2213 authors from 965 institutions in 67 countries, from 1977 to 2018, on the subject of recycled aggregate as a construction material, and systematically analysing, evaluating and modelling this information for use of the material as an aggregate concrete and mortar, geotechnics and road pavement applications. Environmental issues, case studies and standards are also discussed. The work establishes what is already known and can be used to further progress the use of sustainable construction materials. It can also help to avoid repetitive research and save valuable resources. The book is structured in an incisive and easy to digest manner and is particularly suited for researchers, academics, design engineers, specifiers, contractors, and government bodies dealing with construction works.

Sustainable Design and Build provides a complete reference for engineers and scientists who want to conduct sustainability research. The book begins with a rudimentary discussion of environmental pollution and energy that is followed by their applications for solving problems in construction processes and practices governing advanced building design, infrastructure and transportation, and water and sewage. Other topics include engineering invisible roads and bridges, smart building technology, building information modeling, energy modeling, resilience in urban and rural development, engineering invisible roads and bridges, zero emission vehicles and flying transportation technology. This book presents a valuable guide to sustainable design and construction processes and methods.

Waste and Supplementary Cementitious Materials in Concrete: Characterisation, Properties and Applications provides a state-of-the-art review of the effective and efficient use of these materials in construction. Chapters focus on a specific type of material, addressing their characterization, strength, durability and structural applications. Sections include discussions of the properties of materials, including their physical, chemical and characterization, their strength and durability, modern engineering applications, case studies, the state of codes and standards of implementation, cost considerations, and the role of materials in green and sustainable construction. The book concludes with a discussion of research needs.

Carbon Dioxide Sequestration in Cementitious Construction Materials provides an updated, state-of-the-art review on the development of cementitious construction materials based on carbon dioxide storage, which will have a major eco-efficient and economic benefit for the construction industry. Key chapters include methods for the assessment of carbon dioxide absorbed by cementitious materials, air and water-based carbon dioxide storage, carbon dioxide storage modeling, carbonation mechanisms, carbon dioxide storage on recycled aggregates, calcium, sodium and magnesium- based binders, properties and the durability of carbon dioxide based concrete.

This guidance is primarily intended for owners, occupiers, non-specialist building professionals, and others who take responsibility for historic buildings. It provides basic information on wall paintings and covers how to assess buildings for the potential survival of historic painted decoration. It also explains the steps that should be taken when are discovered, along with information on who to contact for assistance. Before the 20th century, wall paintings were a common form of decoration and they can survive hidden beneath later covering layers or materials. New discoveries of painted decoration within historic properties occur frequently across the country. Often, the discovery is purely accidental: during building works, or after specific events such as fire or flooding. Lack of awareness of the potential for surviving historic decoration is largely to blame for inadvertent damage and loss. Moreover, when discoveries occur during building works, there are often both financial and scheduling pressures placed on any decision-making, and this can impact on the long-term care of wall paintings. Ideally, the presence of historic decoration will have been established well in advance. This way, the building work can be organised to avoid potential damage. However, when paintings are found by accident it is important to follow some simple guidelines which are explained in more detail here, including who to contact for further advice.

When historic buildings are left vacant they are at a greatly increased risk of damage and decay as well as being a potential blight on their locality. The best way to protect a building is to keep it occupied, even if the use is on a temporary or partial basis. It is inevitable that some historic buildings will struggle to find any use, especially in areas where the property market is weak and the opportunities for sale or re-use are limited. However, such buildings may become centrepieces of future regeneration and safeguarding will allow them to fulfil their social, cultural and economic potential. This guidance is intended to help owners and purchasers of vacant historic buildings to reduce the risks by undertaking a range of precautionary measures and adopting an ‘active management’ approach that can prevent unnecessary damage, dereliction and loss of historic fabric. Owners will also benefit by maintaining the value of their assets and increasing the chances of bringing them back into permanent use. The guidance explains how to decommission buildings that are about to be vacated, as well as how to look after buildings that have already been vacant for some time.

The versatility of modern commercial house paints has ensured their use in a broad range of applications, including the protection and decoration of historic buildings, the coating of toys and furniture, and the creation of works of art. Historically, house paints were based on naturally occurring oils, gums, resins, and proteins, but in the early twentieth century, the introduction of synthetic resins revolutionized the industry. Good quality ready-mixed products became available and were used by artists worldwide. While the ubiquity of commercial paints means that conservators are increasingly called upon to preserve them, such paints pose unique challenges including establishing exactly which materials are present. This book traces the history of the household paint industry in the United States and United Kingdom over the first half of the twentieth century. It includes chapters on the artistic use of commercial paints and the development of ready-mixed paints and synthetic resins; oil paints, oleoresinous gloss and enamel paints, water paints, nitrocellulose lacquers, oil-modified alkyds, and emulsion paints; and the conservation implications of these materials. The book will be of interest to conservators and conservation scientists working on a broad range of painted surfaces, as well as curators, art historians, and historians of architectural paint.

Traditional farmsteads and farm buildings make an important contribution to the remarkably varied character of England’s landscape. They are fundamental to its sense of place and are as important to the character of the countryside as the pattern of fields and boundaries associated with them. Together they help to create local identity and local distinctiveness. They also provide tangible evidence of local history and forgotten skills. Retaining such buildings matters because their history tells us of past practices, technology, innovation and achievements. However, changing agricultural practices and economic pressures mean that many traditional farm buildings have lost their original purpose and become vulnerable to neglect and decay. Even those that remain in active agricultural use still need regular maintenance and periodic repairs to keep them in good order. This guidance provides practical advice to farmers, land managers and others involved with the maintenance and repair of traditional farm buildings. It also explains how work of this kind can be considered in a wider context of sustainable management to ensure these buildings have an economic value and a future. The guidance is primarily directed to buildings in active farming or related uses, but it is also relevant for those that have an uncertain future or need urgent works to prevent further deterioration of their structure and fabric. This replaces the previous edition published in September 2011.

Transporting readers from derelict homesteads to imperiled harbors, postindustrial ruins to Cold War test sites, Curated Decay presents an unparalleled provocation to conventional thinking on the conservation of cultural heritage. Caitlin DeSilvey proposes rethinking the care of certain vulnerable sites in terms of ecology and entropy, and explains how we must adopt an ethical stance that allows us to collaborate with-rather than defend against-natural processes. Curated Decay chronicles DeSilvey's travels to places where experiments in curated ruination and creative collapse are under way, or under consideration. It uses case studies from the United States, Europe, and elsewhere to explore how objects and structures produce meaning not only in their preservation and persistence, but also in their decay and disintegration. Through accessible and engaging discussion of specific places and their stories, it traces how cultural memory is generated in encounters with ephemeral artifacts and architectures. An interdisciplinary reframing of the concept of the ruin that combines historical and philosophical depth with attentive storytelling, Curated Decay represents the first attempt to apply new theories of materiality and ecology to the concerns of critical heritage studies.

This is a companion volume to "Seismic Stabilization of Historic Adode Structures: Final Report of the Getty Seismic Adode Project", and it offers guidance for planners, architects and engineers in the retrofitting of historic and culturally significant adode structures. The text consists of two parts: a "planning guide", which outlines the fundamental conservation principles and preparatory steps in the design of a plan, and an "engineering guide", which describes the types of earthquake damage typically encountered in historic adode buildings and presents detailed technical procedures for applying the appropriate retrofit measures. The book also includes a directory of pertinent government agencies, possible funding sources, an abstract of the California seismic safety code, an article describing historic adobe and excerpts from the Secretary of the Interiors Standards for the Treatment of Historic Properties.

The text adopts an interdisciplinary approach to address the huge challenges in creating a sustainable built environment. In a broad survey of critical issues it assesses procurement, cost modelling and management, sustainable buildings, low and zero carbon technologies, sustainability in utilities, and the law.

Built by Spanish Franciscan missionaries in the seventeenth century, the magnificent mission church at Acoma Pueblo in west-central New Mexico is the oldest and largest intact adobe structure in North America. But in the 1920s, in danger of becoming a ruin, the building was restored in a cooperative effort among Acoma Pueblo, which owned the structure, and other interested parties. Kate Wingert-Playdon's narrative of the restoration and the process behind it is the only detailed account of this milestone example of historic preservation, in which New Mexico's most famous architect, John Gaw Meem, played a major role.