Gearing of Lathes for Screwcutting is aimed specifically at the engineer for use in the workshop. It is intended to take away as much as possible of the mathematics and mystique from calculating gear ratios, so that the more enjoyable work of using your lathe to make things becomes as easy as possible. Topics covered in this latest addition to the Crowood Metalworking Guides includes Myford and other types of lathes; approximations and alternatives; errors and their significance and the non-gearbox mini-lathe.

This title documents a type of folk art in West Bengal, India, that combines traditional narrative scroll painting with singing and storytelling. It depicts the life and work of modern day artists who have reinvigorated their folk art by depicting contemporary social issues.

Ross provides a broad survey of pictures and texts concerning saints, from the Early Christian through the late Gothic period. Both Western and Byzantine material is included. Beginning with the earliest pictures of and stories about saints, the book traces the evolution of hagiographic imagery primarily in manuscript contexts. Because of its cross-disciplinary nature, it will be of interest to audiences interested in Early Christian, Byzantine, and Western medieval culture: religion, society, politics, and art. No other book to date is organized similarly in providing detailed descriptions for the identification of medieval manuscripts with hagiographic texts and illustrations.

Bursting with innovative inspiration, Creative Lettering Masterclass will have you illustrating beautiful letters, words and phrases in no time at all! Created in collaboration with professional hand-letterers, this instructional guide includes hand-lettering alphabets, exercises, and fun projects for beginners and experienced letterers alike.

The 64-page instructional book introduces you to all the hand-lettering essentials, including tools, techniques and terminology. Master a range of medieval, vintage and retro alphabets and discover fun lettering projects with step-by-step instructions and practice grids, as well as handy insider tips and tricks. Then, take your lettering to the next level with advanced design and composition ideas!

What's Included:

• 64-page instructional book
• 32-page sketchpad
• 6 dual-tipped lettering pens
• mechanical pencil
• eraser shield
• eraser

As more and more people join the do-it-yourself revolution, they are breathing new life into many time-honored skills and crafts. Blacksmithing is among the trades that are enjoying a resurgence for both practical and artistic uses, yet there is not an abundance of readily accessible information available to beginning blacksmiths to help them get started and understand the craft. Author Ryan Ridgway, a veterinarian and blacksmith with more than fifteen years of metalworking experience, hopes to fill that void with this comprehensive volume geared toward answering the many questions that new blacksmiths often have. By explaining the physics of moving metal, the different styles of anvils and forges, and alternative fuel sources, Ridgway sets his book apart from less detailed volumes. Forty practical, easy-to-follow projects are presented, showing aspiring blacksmiths how to make tools, such as hammers and chisels; farm implements, such as gate latches and hoof picks; and items for home use, including drawer pulls and candle holders. Inside The Home Blacksmith: The evolution of blacksmithing around the world and the differences between the tools specific to each region The behavior of heated metal and the science of metalworking Setting up a shop safely and economically The heart of your shop--the anvil and forge--and the other essential tools Working with different types of steel, including how to salvage steel for different uses Techniques from beginning to advanced Step-by-step instructions for forty blacksmithing projects: tools and other implements as well as decorative pieces for personal use or sale

Contents Include: WRITING AND ILLUMINATING: The Development of Writing - Acquiring a Formal Hand, Tools, Methods, Models, Practice - Manuscript Books - Versal Letters and Coloured Capitals - Black and Red - Laying and Burnishing Gold - The Use of Gold and Colours in Initial Letters and Simple Illumination - A Theory of Illumination - The Development of Illumination - "Design in Illumination" - LETTERING: Good Lettering - Some Methods of Construction and Arrangement - The Roman Alphabet and its Derivatives - Special Subjects - Inscriptions in Stone - Notes on the Collotype Plates - The Collotype Plates

Lettering is a new trend which, in just few months, has collected a wide number of fans around the globe. It is the art of creating wonderful and elegant handmade writings to personalize cards, placeholders, agendas or notes. This manual will guide enthusiasts in the discovery of the ideal techniques, tools and alphabets for creative lettering, and will teach them, step by step, to create their own creative lettering. After the first volume published by White Star, "The art of hand lettering", a new complete volume to develop a personal alphabet as well as mastering a range of fonts perfect for different occasions. Lot of pages to exercise and useful tips for the perfect tools.

Folk art traditions in Haiti today rise to the level of fine art in the beaded flags shown here. They demonstrate a joyful expression of living with the spirits, as the flagmakers express their individual artistic spark. Over 350 color photographs present hundreds of unique designs by dozens of contemporary artists. But this is not just a pretty book; it also explores the spiritual beliefs at the core of the designs and a folk lore expressed in this most unique format. A little history of Haiti and a little explanation of the Vodou religion helps to explain the people who create these flags. By relating personal stories, the author soon absorbs readers into the rich and devout culture that the flags represent. As the beautiful designs and exquisite craftsmanship flow across these pages, explanations are given to define the saints and relate the stories that are featured in the images. It is a powerful presentation. The glossary and recommended reading invite further study.

In his newest book, silver expert Richard Osterberg guides readers on a colorful, yet practical tour of fine antique silver. The book's first part deals with silver flatware made circa 1875-1885, with a broad representation of patterns and forms. Next, a myriad of serving pieces are displayed, with examples of each type and function. In the third part, place settings are covered in many different patterns, showing the wide variety of pieces that were used, from the common knives, forks, and spoons to more obscure forms like individual bird knives, bird forks, and cherry forks. Finally, individual place settings are shown, together with silver, china, linen, and crystal to suggest dining as a truly stimulating visual expereince. Throughout the text value ranges are given, making it easy to look up individual prices. Using this book can be both inspirational and educational. It is both a must for collectors wishing to identify pieces of old family silver and an essential aid to the modern host or hostess.

One of the minor miracles of art history is the extraordinary flowering of Indian painting that began in the mid-sixteenth century under the early Mughal emperors of Indian, notably Akbar the Great.

Only in recent decades has the consummate artistry of early Mughal painting come to be widely appreciated in the West. Scholars have noted the innovations--departures from both Islamic and native Indian tradition--of the new, highly distinctive school of painting, among them natural history studies, a concern for portraiture, and the documentation of contemporary court events.

Milo Beach traces, with an abundance of captivating illustrations, the evolution of the Mughal style. While acknowledging the influence of Akbar's interests and changing tastes (related in turn to historical and biographical circumstances), he shows that many of the new tendencies were evident during the short reign of Akbar's father, the Emperor Humayun, whose role as patron of the arts is thereby reassessed. Beach also stresses the traditionalism of the individual painters, who only gradually changed their concepts and compositions in response to foreign influences and to imperial taste. Mughal art, he affirms, can no longer be regarded as simply a reflection of its imperial patrons.

The book takes account of recently discovered material and reproduces for the first time important paintings from unpublished manuscripts and albums. It will appeal to the general reader as well as the scholar.