The primary emphasis of this book is on the application of various types of finishes to wood furniture. It also contains chapters on furniture repair and the preparation of wood surfaces. New to this edition are a glossary of terms; rewritten and updated information on antiquing, stencilling, and other craft-type finishes; references to specific brand names and products and the companies that produce them; emphasis on safety precautions when using finishes; and extensive rewritten and updated information on all types of stains.

Containing an introductory essay on ancient gems, J. H. Middleton's work of 1892 catalogues the extensive and fascinating collection of engraved gems at Corpus Christi College, Cambridge. Middleton, who was a Professor of Fine Art and Director of the Fitzwilliam Museum, describes how the collection was acquired by the Reverend S. S. Lewis on his frequent visits to Italy, Greece and more distant Oriental countries. The catalogue demonstrates that the gems are more remarkable for their interesting subjects than for any exceptional beauty as works of art. The reader is shown how the gems represent important works of Greek sculpture, present examples of the work of Italian Renaissance artists, and illustrate myths and rituals of ancient times. The book will be of interest to students of glyptic art, and anyone interested in classical learning, the development of Christianity and the Renaissance of classical art.

Originally developed for parachute suspension lines during World War II, durable lightweight paracord has even been used by Space Shuttle astronauts to repair the Hubble Space Telescope. You can weave and braid this versatile cord in an array of fashion colours to create attractive and useful accessories. Parachute Cord Craft ties everything together, with 22 clever projects and step-by-step instructions for making fashionable bracelets and necklaces, belts, lanyards, dog collars, key fobs and more. Discover the knots you need to know, get practical advice on tools and materials, learn the right way to melt and fuse the cut ends of your cord, and experiment with jewellery findings.

This monograph on classical engraved gems, which also contains a catalogue of the collection then held by the Fitzwilliam Museum, was published in 1891. J. Henry Middleton (1846 1896) was at the time the Director of the Museum and Slade Professor of Fine Art in Cambridge. His intention was to provide an introductory volume for students of archaeology which both traced the history of the use of engraved gemstones as seals and signets from Babylonian to classical times, described the techniques used to create these miniature works of art, and gave catalogue definitions, enhanced by photographic plates, of the Fitzwilliam collection, which had for the most part been donated by Colonel W. M. Leake (1777 1860), whose antiquarian interests had been aroused when he was sent to the eastern Mediterranean to assist the Turkish army against the French in the early nineteenth century.

Islamic geometric designs are admired worldwide for their beauty and marvellous intricacy, yet in truth they are seldom understood. Indeed, their complexity and artistry can seem almost beyond the powers of human ingenuity. In this handsomely illustrated volume, artist and teacher Eric Broug analyses and explains these complex designs in their historical and physical context. His own original drawings accompany magnificent photographs of mosques, madrasas, palaces and tombs from the Islamic world, ranging from North Africa to Iran and Uzbekistan, and from the 8th to the 19th centuries. Chapters are devoted to each of the main 'families' of geometric design - fourfold, fivefold and sixfold - and to the complex 'combined' patterns. Every design is carefully explained, and illustrated with a wealth of stunning photographs and clear, meticulously detailed drawings. Readers can follow the design processes by which these patterns were created and even learn to reproduce and invent geometric patterns for themselves, using exactly the same tools as the Islamic craftsmen of old: a ruler and a pair of compasses.

The Rosalinde and Arthur Gilbert Collection celebrates some of the most beautiful objects ever made, many in precious materials, and often on a small scale. Focussing on 50 exquisite works from the collection, this beautiful little book showcases the decorative art of creating small-scale carvings, snuffboxes, inlay pictorial illusions, and more, in cut-and-polished natural stones, often incorporating the widely known technique of pietre dure. Demonstrating remarkable skill and ingenuity, many of the works were commissioned by the powerful Medici family and royal families across Europe as symbols of their power and prestige. With detailed photography and extended captions the books explores the fascinating interplay of craftsmanship with the natural beauty of stones such as amethyst, lapis lazuli and jasper.

The name Faberge has long been a byword for luxury. Combining an entrepreneurial vision for craftsmanship with innovative material sourcing and technical ability, Carl Faberge created an astonishing array of bespoke jewelled and enamelled objects at the end of the 19th and beginning of the 20th century. This beautifully illustrated book explores the history and legacy of the House of Faberge, from its origins in Russia - and its role in the glamorous world of the Romanovs - to global recognition. Much of the story is familiar, but less well known is the important part played by the London branch. Opened in 1903, and the only one outside Russia, it became a choice destination for Edwardian high society and an international clientele. Featuring over 120 pieces, from delicate flowers to Imperial Easter eggs, and with contributions from leading experts Faberge: Romance to Revolution celebrates the enduring fascination with this master craftsman's works.

Since its origins in 1967, the Smithsonian Folklife Festival has gained worldwide recognition as a model for the research and public presentation of living cultural heritage and the advocacy of cultural democracy. Festival curators play a major role in interpreting the Festival's principles and shaping its practices. Curatorial Conversations brings together for the first time in one volume the combined expertise of the Festival's curatorial staff - past and present - in examining the Center for Folklife and Cultural Heritage's representation practices and their critical implications for issues of intangible cultural heritage policy, competing globalisms, cultural tourism, sustainable development and environment, and cultural pluralism and identity. In the volume, edited by the staff curators Olivia Cadaval, Sojin Kim, and Diana Baird N'Diaye, contributors examine how Festival principles, philosophical underpinnings, and claims have evolved, and address broader debates on cultural representation from their own experience. This book represents the first concerted project by Smithsonian staff curators to examine systematically the Festival's institutional values as they have evolved over time and to address broader debates on cultural representation based on their own experiences at the Festival.

Temples have been places of worship, a focus for spirituality and a place for communities to gather since the earliest days of human civilisation. The first temples date back to ancient Mesopotamia and Egypt, deriving from the cult of deities and residing places for gods and immortals. Today, temple buildings remain lively focal points for the Jewish, Buddhist, Hindu, Jain and Sikh religions. Organised by continent, Amazing Temples of the World offers the reader an intimate portrait of some spectacular and unusual places of worship dating from the fourth millennium BCE to the present. Ornate or spartan, immense or intimate, from the Middle East to California, this book features such impressive places of worship as the Mahabodi Temple, India, built in the location where Buddha is thought to have achieved enlightenment; the fifth century BCE Temple of Confucius in Qufu, China, the largest Confucian temple in the world; Abu Simbel, in southern Egypt, the great carved monument to the Pharaoh Ramses II; the Golden Temple in Amritsar, Punjab, the spiritual home of the world's 25 million Sikhs; and the Shri Swaminarayan Temple in Neasden, London, the biggest Hindu temple outside India. Illustrated with more than 180 photographs, Amazing Temples of the World includes more than 150 places of worship, from Ancient Greece and Rome, through traditional synagogues to modern Buddhist, Taoist and Sikh temples.

From the Preface When I first went to Africa in the 1960s, I was bowled over by African art. What really got under my skin were the bangles, principally the bronze bangles from West and Central Africa. They were tactile, weighty and full of design and form. Later, when I lived in Ghana and Togo, I built up my own collection of bangles. In recent years this collection was seen by past and present curators of the British Museum and I was encouraged to work up the expertise to comment on and possibly help classify the Museum's collection of African bangles. They recognised that they have thousands of these bangles lying mostly untouched and unloved because they could not be given a story, a context, a meaning. They were so enthusiastic and helpful that I secured introductions to many major museums around the world, to study their substantial and interesting collections. Museums in Europe and on the East and West Coasts of the United States gave me access to the rich material they had accumulated. I had the rare privilege of spending days in their storerooms in the course of which I could see and compare many thousands of bangles. The curators who accompanied me in the inspection of their bangles were aware that these beautiful artefacts had lain undisturbed because they could not be explained or set in a wider context. The bangles were attractive but seldom came with a meaningful provenance. To their great credit, these highly-qualified specialists would listen enthusiastically as my wife and I noted bangles which we had encountered elsewhere. Seeing all these bangles and thus, over time, gradually building up a picture of their types, uses and probable areas of origin, I began to realise that I was looking at a decorative culture which was self-generated, wholly unlike the decorative cultures of the rest of the world. It was unique. Astonishingly, it was to be found in almost every inhabited part of the vast semi-continental area of sub-Saharan Africa. Gold and silver were of little consequence. Copper was their "precious metal". The style - instantly recognisable - was chunky, solid, weighty. Rarity was not a concern; the Eurasians' "precious stones" were unknown. Rings had no great meaning. It was bangles that were the standard means of conveying status, attraction and readiness for marriage. Most importantly, as I read the stories of explorers and the later accounts of African life in the 19th and 20th centuries while I worked through the museums' storerooms, it became clear to me, that for centuries, the bangle had been the one and only defining material culture shared by all Africans south of the Sahara. At last, an overall picture was emerging and there was now a chance of describing it before it was too late. The bangle culture that had unified Africans, through which and in which they had lived much of their lives, was fading fast. In their heartland of West and Central Africa the tactile bronze bangles that everyone wore in the 19th century - and which I saw occasionally in northern Ghana in the 1980s - were now encountered more in museums than on the bodies of inhabitants of those regions. This book will follow the art-historical practice of using "bronze" to describe all forms of copper alloys, including brass, when the composition is not directly relevant and retain "copper" for occasions when the pure metal is being discussed. "Bangle" will be used as the generic term for all forms of jewellery applied to the human body. This bangle culture is still an unselfconscious part of daily life in a few isolated African tribes and used quite naturally to send messages. But, in a few decades, this bangle culture will survive only in less traditional forms and only in limited areas in East and Southern Africa. At its height, it was an admirable system of great importance to social intercourse, replete with significance, great beauty and craftsmanship. It deserves to be recorded and I will try to do this in this book. I will set out why this bangle culture was so different from anything else in the world; the skill with which the bangles were made; and how the bangle culture spread throughout all Africa south of the Sahara; I will have to admit that the industrial world and its products have led to the Eurasian hierarchy of gold and silver overtaking bronze in Africa and, indeed, eliminating it as a "precious metal". But I will end on a note of hope, that there are indications that the sense of solidity of form and the respect for copper that was evident in classical African bangles may still live on among African Americans.

In this book you will find over 75 step-by-step projects and more than 25 illustrated quick ideas to transform old, discarded items into desirable pieces of jewellery, decor, stationery, furniture and more. Learn how to use simple craft techniques, general craft supplies and just a bit of creativity to create one-of-a-kind items to wear, display or use. Apart from the step-by-step projects, the author shares other valuable advice such as how to give items that vintage look, where to find vintage images and ideas for second-hand items to use in your projects. Carla's secret is to see the possibility in everything. Mom's old tins, Grandma's broken brooches and Dad's collection of keys are magically transformed into usable, practical and beautiful things to cherish. The book is beautifully illustrated with inspiring photographs and the contents include: Tips, tools and tricks; Jewellery; Jars, bottles and vases; Decor; Fabric; Wall art; Lights and lanterns; Paper and packaging; For the garden; Upcycled furniture; Old school cool for kids. In a world where waste needs to be desperately reduced, join the ever-increasing group of crafters who choose to make something new from something old.

Analysis of a group of images of kingship and queenship from Anglo-Saxon England explores the implications of their focus on books, authorship and learning. Between the reign of Alfred in the late ninth century and the arrival of the Normans in 1066, a unique set of images of kingship and queenship was developed in Anglo-Saxon England, images of leadership that centred on books, authorship and learning rather than thrones, sword and sceptres. Focusing on the cultural and historical contexts in which these images were produced, this book explores the reasons for their development, and their meaning and functionwithin both England and early medieval Europe. It explains how and why they differ from their Byzantine and Continental counterparts, and what they reveal about Anglo-Saxon attitudes towards history and gender, as well as the qualities that were thought to constitute a good ruler. It is argued that this series of portraits, never before studied as a corpus, creates a visual genealogy equivalent to the textual genealogies and regnal lists that are so mucha feature of late Anglo-Saxon culture. As such they are an important part of the way in which the kings and queens of early medieval England created both their history and their kingdom. CATHERINE E. KARKOV is Professorof Art History at the University of Leeds.

This is an account of the unique assemblage of silver and silver-mounted artefacts belonging to Corpus Christi College, Cambridge, some of them dating back to the College’s foundation 650 years ago. They include extraordinary objects such as a thirteenth-century drinking vessel made of the horn of an extinct animal, as well as the everyday tools and utensils of past centuries. Although some of them are well known to art historians, they have never been published in detail. The objects are especially significant for being documented in the College’s archives from the fourteenth century onwards. The book investigates the objects’ construction, how the College came by them, their original meaning and context, how they came to survive the depredations of the Civil War, what happened to those that do not survive, evidence of wear and repair, and what they were (and still are) used for.

'Loving Lebus' encapsulates the changing styles of furniture over time. With comprehensive notes placing Lebus furniture in context the author has selected the best of the firm's advertisements, catalogue images, photographs and Lebus furniture pieces today. Antique and vintage - Lebus furniture is enjoying a resurgence. We are once again, 'Loving Lebus'. Paul has nurtured a passion for all things Lebus. His first book 'Harris Lebus: A Romance with the Furniture Trade' went behind the scenes to look into how Lebus furniture was made. Now the Lebus story is complete - 'Loving Lebus: Looking into Harris Lebus Furniture' is another labour of love.

Ancient Worlds, Modern Beads brings the themes of ancient Rome, Greece and Egypt completely up to date for the modern beadweaver, combining the styles of genuine artefacts and the essence of ancient art with tiny seed beads. Ten designs from each region showcase the colours, patterns, and styles easily recognised in the precious artefacts displayed in the world's museums. Each project is directly inspired by these classical cultures-from mythology and daily life, to the materials used by ancient artisans. As one of the most popular mediums of the arts and crafts movement, beadweaving has a broad appeal with crafters and designers. Mortira Natasha vanPelt provides both new and experienced beaders with a gorgeous palette of techniques for stunning jewellery. Each chapter includes: Introduction to the themes and styles of the region-along with examples of modern interpretations of the style Ten projects ranging in skill level from easy to advanced, with step-by-step instructions

Designed to be a companion to our classic title 1000 Chairs, this edition contains an awesome selection of over 1000 lights. Presented chronologically by decade are the 20th century's most interesting electric lights, from Tiffany's beautiful leaded-glass shades to completely outrageous designs from the late 1960s and 1970s to the latest high-tech LED lamps. All major styles are represented here-Arts & Crafts, Art Nouveau, Art Deco, Modern Movement, De Stijl, Postwar, Pop, Radical, Postmodern, and Contemporary-in 640 pages of truly illuminated works. This definitive reference work is a must-have for collectors and design fans. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

The elegant pen-strokes and visual harmony of Chinese writing, known as hanzi, have long been admired in the west. Classical Chinese calligraphy is a popular and valuable art form, and with the increasing economic and cultural power of China, its writing is becoming more widely appreciated and understood. In particular, the deep layers of history and symbolism which exist behind even the most everyday character have a strong appeal to those seeking understanding from an alternative philosophy. Chinese Characters: The Art of Hanzi features the most interesting of the three to four thousand characters are needed to write modern Chinese. Characters expressing concepts such as love, peace, respect and happiness are reproduced in a large format, enabling the reader to trace, scan or photocopy them for transfer to any other medium. Alongside the character is an accessible and inspiring explanation of how the character developed, what the particular strokes symbolize, and its various different meanings.

In The Wood Burn Book, Rachel Strauss (@woodburncorner) teaches you everything you'll need to know to master pyrography, whether you're brand new to the hobby or you've been "writing with fire" for years. This essential guide opens with a brief background to the art of wood burning, a list of tools and how to use them, basic techniques that can be used over and over again, and even what to burn and how to be safe doing it. You will also find a detailed explanation of the process from start to finish, with patterns, techniques for lettering and adding color, as well as dozens of projects ready for gifting, including picture frames, cutting boards, coasters, cards, wooden spoons, and jewelry. Above all, Strauss has created the book she wished she had when she first discovered pyrography: a simple guide that quickly gets the reader successfully burning. With the right tools and a little time, you'll be able to create meaningful handmade gifts without breaking the bank. Whether it's to create a family name sign as a housewarming gift for newlyweds, or customize baby blocks for a new little one, wood burning is the versatile hobby that can be used time and time again to create memorable gifts for all of life's occasions. In addition, wood burning is a practice in mindfulness, requiring patience and focus to awaken the senses and calm the mind. Mastering the art of writing with fire begins with the ability to follow a line. If you can trace, you can burn.

As more and more people join the do-it-yourself revolution, they are breathing new life into many time-honored skills and crafts. Blacksmithing is among the trades that are enjoying a resurgence for both practical and artistic uses, yet there is not an abundance of readily accessible information available to beginning blacksmiths to help them get started and understand the craft. Author Ryan Ridgway, a veterinarian and blacksmith with more than fifteen years of metalworking experience, hopes to fill that void with this comprehensive volume geared toward answering the many questions that new blacksmiths often have. By explaining the physics of moving metal, the different styles of anvils and forges, and alternative fuel sources, Ridgway sets his book apart from less detailed volumes. Forty practical, easy-to-follow projects are presented, showing aspiring blacksmiths how to make tools, such as hammers and chisels; farm implements, such as gate latches and hoof picks; and items for home use, including drawer pulls and candle holders. Inside The Home Blacksmith: The evolution of blacksmithing around the world and the differences between the tools specific to each region The behavior of heated metal and the science of metalworking Setting up a shop safely and economically The heart of your shop--the anvil and forge--and the other essential tools Working with different types of steel, including how to salvage steel for different uses Techniques from beginning to advanced Step-by-step instructions for forty blacksmithing projects: tools and other implements as well as decorative pieces for personal use or sale

Providing oodles of inspiration and hours of fun, this is the go-to book for fans of hand-lettering and calligraphy. Beginners can start right from the basics and follow step-by-step tutorials on letter formation, spacing, design, and embellishments before moving on to recreate 40 alphabets in a range of styles, from elegant scripts to modern geometric forms and charming, quirky letters. Use your skills to add a personal touch to everything from invitations to scrapbooks, doodles to wedding stationery and journals to posters. Accompanied by over 75 full colour illustrations, this book offers hours of fun and oodles of inspiration for hand-lettering beginners and experts alike.