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Books > Arts & Architecture > Art forms, treatments & subjects > Decorative arts & crafts
The materials included in this bibliography focus on the craftsmen
responsible for the creation of fine furniture. Works that give
biographical information about furniture craftsmen and discuss the
stylistic and aesthetic development of their art; works that
examine the sociological, political, economic and environmental
conditions within which furniture craftsmen worked, as well as
furniture factories and furniture retail businesses themselves; and
general works useful in the study of American furniture are cited.
The bibliography consists of four main sections, the first of which
deals with the life and work of individual furniture makers and
designers. The second section focuses on groups of furniture
craftsmen. Works of a general nature that contribute to the study
of American furniture are found in section three. The fourth
section contains furniture trade catalogs published by
manufacturers and wholesalers for salesmen and retail stores. A
two-part appendix lists furniture trade periodicals published
mainly during the years 1880-1930, and manuscript repositories
containing materials relevant to furniture. Three
indexes--craftsman, author-title, and subject complete the volume.
Hierdie boek bied jou meer as 75 stap-vir-stap-projekte en meer as
25 vinnige idees, met pragfoto's om ou, ongebruikte voorwerpe in
begeerlike juweliersware, dekoritems, skryfbehoeftes, meubels en
nog meer te omskep. Leer hoe om met eenvoudige handwerktegnieke,
algemene handwerkbenodigdhede en net 'n bietjie kreatiwiteit unieke
voorwerpe te skep wat jy kan dra, vertoon of gebruik. Benewens die
stap-vir-stap-projekte gee die skrywer nuttige advies oor hoe om
voorwerpe 'n vintage-voorkoms te gee, waar jy vintage-prente kan
kry en idees vir tweedehandse voorwerpe wat jy in jou projekte kan
gebruik. Carla se geheim is om die moontlikhede in alles raak te
sien. Ma se ou blikke, Ouma se stukkende borsspelde en Pa se
versameling sleutels word omtower tot bruikbare, praktiese,
pragtige kleinode. Die boek is pragtig geillustreer met besielende
foto's en bevat onder meer: Wenke, gereedskap en truuks;
Juweliersware; Flesse, bottels en vase; Dekor; Tekstiele; Muurkuns;
Ligte en lanterns; Papier en verpakking; Vir die tuin; Herskepte
meubels; Koel kamerdekor vir kinders. In 'n wereld waar vermorsing
en afval dringend bekamp moet word, kan jy gerus aansluit by die
immer groeiende groep handwerkers wat kies om iets wat oud is vir
iets nuuts te gebruik.
An inspirational workbook for complete beginners to discover and
master the art of the brush. Kirsten Burke's Secrets of Brush
Calligraphy is a uniquely creative and interactive book for anyone
wishing to learn how to create stylish and decorative hand-lettered
works of art using brush calligraphy. This book brings together the
methods and practices taught in Kirsten's workshops, through
easy-to-follow, enjoyable projects that will build your brush
calligraphy confidence. Includes: - Tips, tricks and techniques for
writing with a brush pen or paintbrush. - Calligraphy projects to
build your skills. - Removable art cards, hand-lettered by Kirsten
Burke to pull out, complete and treasure. Kirsten Burke is a
world-renowned calligraphic artist and teacher. Kirsten is the
'Master Calligrapher' for luxury brands including Jo Malone, Tom
Ford and Creme de la Mer and clients like the BBC, Shakespeare's
Globe Theatre and Rolls Royce. Her best-selling greetings cards,
wedding stationery and calligraphy kits can be found in high street
shops, online and overseas, and her sell-out calligraphy workshops
for adults and children are run from her beautiful industrial
studios in West Sussex.
Traditions of folk drama exist throughout the world, ranging from
simple forms that involve few people, rudimentary texts, and crude
performance practices, to complex forms involving entire towns,
highly elaborated texts, and performance practices that have
developed over hundreds of years. Yet folk drama lacks, to this
day, a full-length study from the perspectives of either
folkloristics or drama studies. This work seeks to fill that lack
by undertaking a bi-disciplinary study of the idea of folk drama,
drawing on examples from around the world, including Yangge
(China), Ta'ziyeh (Iran), Bhavai (India), Karagoz (Turkey), Apidan
(Nigeria), and the Mummers' Play (England). It examines the
meanings of "folk" and "drama," the significance of ritual and
performance in folk drama, the frequently encountered problem of
Eurocentric bias, the conventional tripartite division of drama
into elite, popular, and folk categories, the need for a
methodology capable of describing all aspects of folk drama
performance, and the taxonomic place of folk drama in both
folkloristics and drama studies. On the basis of this examination,
Rethinking Folk Drama establishes a new basis for understanding the
ubiquity and variety of folk drama.
Charlotte Perriand was one of great designers of the twentieth
century. A pioneer of modernism, her work was often overshadowed by
her more famous male collaborators, who included Le Corbusier,
Pierre Jeanneret and Jean Prouve. However, in recent years her
reputation as a furniture designer and architect has matched the
stature of her peers - her furniture in particular has become
highly prized by collectors. From the 1920s onwards, Perriand was
instrumental in bringing the modernist aesthetic to interiors. But
she also believed in the synthesis of the arts, and was friends
with visual artists such as Pablo Picasso and Fernand Leger. This
book will explore Perriand's journey from the machine aesthetic to
her adoption of natural forms, and from modular furniture systems
to major architectural projects such as Les Arcs ski resort.
Featuring some of her most famous interiors, as well as her
original furniture, her photography and her personal notebooks,
this book sheds new light on Perriand's creative process and her
place in design history. It will accompany the forthcoming Design
Museum exhibition of the same title, which will coincide with the
twenty-fifth anniversary of Perriand's last significant
presentation in London, held at the Design Museum in 1996.
This reference book studies the script, art, and culture of the
early Arabic Kufic calligraphy. It presents around hundred
historical stone inscriptions, coins, and manuscripts from
early-Islamic Persia. In their book, the primary author, S.M.V.
Mousavi Jazayeri, a well-known Iranian calligrapher and early Kufic
expert, and his fellow co-authors read and analyze with meticulous
detail the calligraphy, script, and art work of thirty-seven Kufic
gravestone inscriptions, mainly from the Yazd providence of Iran.
The carefully-selected inscriptional sample in this book
illustrates the remarkable power and versatility of this early
script, and the extent of the global role played by it in shaping
societies and cultures of a vast area extending from China to Spai
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