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Books > Arts & Architecture > Art forms, treatments & subjects > Decorative arts & crafts
As more and more people join the do-it-yourself revolution, they
are breathing new life into many time-honored skills and crafts.
Blacksmithing is among the trades that are enjoying a resurgence
for both practical and artistic uses, yet there is not an abundance
of readily accessible information available to beginning
blacksmiths to help them get started and understand the craft.
Author Ryan Ridgway, a veterinarian and blacksmith with more than
fifteen years of metalworking experience, hopes to fill that void
with this comprehensive volume geared toward answering the many
questions that new blacksmiths often have. By explaining the
physics of moving metal, the different styles of anvils and forges,
and alternative fuel sources, Ridgway sets his book apart from less
detailed volumes. Forty practical, easy-to-follow projects are
presented, showing aspiring blacksmiths how to make tools, such as
hammers and chisels; farm implements, such as gate latches and hoof
picks; and items for home use, including drawer pulls and candle
holders. Inside The Home Blacksmith: The evolution of blacksmithing
around the world and the differences between the tools specific to
each region The behavior of heated metal and the science of
metalworking Setting up a shop safely and economically The heart of
your shop--the anvil and forge--and the other essential tools
Working with different types of steel, including how to salvage
steel for different uses Techniques from beginning to advanced
Step-by-step instructions for forty blacksmithing projects: tools
and other implements as well as decorative pieces for personal use
or sale
With the growth in interest in ethnographic materials, this is an
essential publication for large public libraries serving patrons
with interests in anthropology and art. Choice This indispensable
directory of data on serials that contain information relevant to
the study of ethnoart fills a gap long perceived by scholars of the
indigenous arts of Africa, Oceania, and the Americas, an area of
academic focus in which reference materials have been generally
lacking. Culled from a database developed by compiler Eugene C.
Burt to track potentially useful periodicals in connection with his
publication, Ethnoarts Index, the volume is designed to aid those
with an interest in ethnoart in determining which serial
publications best suit their research needs. In the main directory
users can find information on former titles, publisher, editorial
focus, content features, and a relevancy rating on each of almost
700 individual serial titles that have an editorial focus related
to ethnoart. Nine separate appendices list recommended titles in
various categories as well as serials that include indexing,
bibliographic or abstracting services, ceased titles, and more.
Titles include publications from the fields of art history,
anthropology, history, area studies, librarianship, museum studies,
and general interest magazines. Prefatory material explains the
book's organization and the rationale for its recommendations and
is followed by the major portion of the volume, the database of
serials arranged alphabetically by title. In each entry more than
20 categories of information are provided including an assigned
relevancy rating that rates the level of relevancy of a publication
to ethnoart based on the frequency that ethnoart-oriented articles,
reviews, etc. appear. Several indices make collection development
recommendations based on the relevancy ratings, with approximate
cost information. Additional appendices list titles by country of
publication, relevant ceased titles, and more. Finally, a unique,
rotated-keyword-in-title index that includes subtitles and former
titles provides easy access to the main database. All of this
information will be welcomed by librarians, scholars, collectors,
dealers, curators, and students of ethnoart. Highly recommended for
librarians building ethnoart collections; for university libraries
where courses on any aspect of ethnoart are taught; and for
libraries of museums and research institutions with an interest in
ethnoart.
Since first published in 1991 Pocket Jackson's, as it is most often
called, has enjoyed enormous success and is constantly rated as a
best seller in the Arts & Antiques category. During the last
twenty three years important developments have taken place in the
Hallmarking system. Most notably the introduction within Europe of
a universally accepted system of marking has lead not only to the
addition of new marks, but also, to a change of status of several
historic marks. This edition brings up to the present day all the
date letters and commemorative marks. It also includes the recently
introduced marks for Palladium and a section illustrating the Assay
Office identification marks of those countries that are signatories
to the International Convention marking system. In addition and of
importance are the changes made in the early cycles of Dublin date
letters which result from recent research by silver scholars in
Ireland.
"Understanding Jewellery is a love letter to glorious pieces from
the last hundred years." -M. J. Rose, The Adventurine "An enjoyably
scholarly romp through the past and a feast for the eyes for the
novice and the consummate jewelry fan and collector."-Beth
Bernstein, Forbes "A must-have coffee table book for jewellery
aficionados..." -Elisa Vallata, Departures International "As with
stocks, education is the way to begin. There are many excellent
books on the jewelry market, but start with Understanding
Jewellery, the industry bible by two former Sotheby's jewelry
executives, David Bennett and Daniela Mascetti." -Bloomberg
Understanding Jewellery, by authors David Bennett and Daniela
Mascetti, is often described as the must-have jewellery book of our
time - a 'Bible' in the jewellery trade. First published in 1989,
it has remained in print ever since, amassing a loyal following of
devotees who admire its detailed information and stunning imagery.
In this new work, Bennett and Mascetti have taken the original
concept of Understanding Jewellery a stage further. Now, with the
benefit of 20 years of hindsight, they have concentrated on the
20th century alone by conducting a detailed survey of each decade,
identifying the key players, trends and movements. The book is an
encyclopedic history of the various forms, techniques and materials
employed by the companies and individuals who defined jewellery in
the 20th century. Most significantly, this book includes a new set
of photographs, which make Understanding Jewellery: The Twentieth
Century one of the most dazzling, absorbing and varied collections
of jewellery images ever assembled in a book. This large format
hardback volume is a perfect gift for all lovers of jewellery and
the definitive guide for those who desire a deeper understanding of
the subject.
This second installment in the Laminated Wood Art series focuses on
using a multi-generational process to create unique, symmetrical
wood art patterns with intricate designs. This straightforward
method involves cutting laminated strips of different wood species
at various angles and gluing them back together to develop new,
repeated configurations. The designs discussed in this book employ
evenly balanced patterns that can be manipulated to form new, more
complicated designs. Artistic concepts naturally evolve with each
generation. Learn how to build a pair of end table tops, then take
these indispensable principles and use your imagination to combine
them into new artistic shapes and displays. Friendly instructions
and images of different phases of completion result in symmetrical
multi-generational patterns using four generations. The author also
covers many woodworking basics, such as safety, tools, materials,
wood movement, and moisture.
One of the most highly recommend instructional books for
broad-edged calligraphy, this handbook is ideal for classes or
self-study to master the basics of calligraphy. All of the
essentials are included in this volume, from the history and
practices of this ancient art to a guide to the tools, materials,
and design basics needed to create elegant, beautiful writing for
all occasions. Also featured is a gallery of examples from today's
best scribes, along with detailed exemplars and diagrams.
Ancient Worlds, Modern Beads brings the themes of ancient Rome,
Greece and Egypt completely up to date for the modern beadweaver,
combining the styles of genuine artefacts and the essence of
ancient art with tiny seed beads. Ten designs from each region
showcase the colours, patterns, and styles easily recognised in the
precious artefacts displayed in the world's museums. Each project
is directly inspired by these classical cultures-from mythology and
daily life, to the materials used by ancient artisans. As one of
the most popular mediums of the arts and crafts movement,
beadweaving has a broad appeal with crafters and designers. Mortira
Natasha vanPelt provides both new and experienced beaders with a
gorgeous palette of techniques for stunning jewellery. Each chapter
includes: Introduction to the themes and styles of the region-along
with examples of modern interpretations of the style Ten projects
ranging in skill level from easy to advanced, with step-by-step
instructions
Ronson's place as a leader and pioneer in the manufacture of fine
decorative metal wares from the 1900s to the mid-1930s is
documented here. In addition to cigarette lighters, for which
Ronson is most readily known, the company, then known as Art Metal
Works, also produced a diverse selection of metal bookends, hood
ornaments, statuary, aquarium and plant stands, clocks, pipe
holders, desk sets and accessories, figurines, novelty items,
lamps, boxes, toys, incense burners, and much more. With
descriptive captions and information from original company catalogs
and advertisements, alongside full-color, detailed photographs,
this book is like no other on the market today. Whether you are a
collector of art metal or a student of art and design, you are
guaranteed insight into the style, beauty, and value of some of the
finest metal wares manufactured.
Step into a world of witchcraft both good and evil, where the
iconic character of myth and legend is once more brought uniquely
to life. From the first alleged witch to be hanged in Salem, and
Goya's depictions of witchcraft, to Shakespeare's Macbeth,
Hogwarts, and beyond, there is no shortage of inspiration, but also
of recycled characterizations and central-casting stereotypes. Now,
30 of the world's most talented fantasy and concept artists
discover their own, personal manifestation of the witch. Starting
with research, readers will witness the alchemy of details
extracted from the seemingly mundane transformed the whole body of
the witch, fantastical yet unnervingly believable at the same time.
The design process goes on to cast spells not only on appearance,
but also the environment, practices, and magical belongings of this
one-of-a-kind witch. With the final design depicted as both a line
drawing and in full color, the whole character and their world is
defined. A summary of each witch details their background,
behaviour, strengths, weaknesses and, of course, powers. The result
is 320 pages encased in a beautifully finished hardback cover, the
ultimate field guide to designing witches that transcend time,
place, and even the most vivid imagination.
"...here's eye candy on every page of the book." - Natural Diamonds
This sumptuous book showcases the work of women jewellers in the
20th century. Beginning with Arts & Crafts jewellers in
Britain, Europe and North America, the author then examines the key
figures and movements of the pre-war period including Coco Chanel's
legendary 'Bijoux de Diamants' exhibition of 1932, the designs of
Suzanne Belperron and the roles of Jeanne Toussaint at Cartier and
Renee Puissant at Van Cleef & Arpels. From the 1950s to the
present day, a wide range of international designers are examined
in detail with many examples of their work clearly illustrated. The
author focuses on themes associated with jewellery, including
colour, light, proportion, nature and legends. Among the many names
included are Vivianna Torun Bulow-Hube (designer for Georg Jensen),
Margaret De Patta, Wendy Ramshaw, Angela Cummings, Paloma Picasso,
Marina B, Lydia Courteille and Michelle Ong. Jewellery firms
include: Boivin, Cartier, Van Cleef & Arpels, Bulgari, Jensen,
Tiffany & Co. Designers featured: Alma Pihl, Coco Chanel,
Suzanne Belperron, Juliette Moutard, Olga Tritt, Elisabeth Treskow,
Margaret de Patta, Jeanne Toussaint, Line Vautrin, Margret Craver,
Vivianna Torun Bulow-Hube, Nanna Ditzel, Marianne Ostier, Barbara
Anton, Gerda Floeckinger, Astrid Fog, Cornelia Roethel, Catherine
Noll, Angela Cummings, Elsa Peretti, Wendy Ramshaw, Marina B,
Marie-Caroline de Brosses, Marilyn Cooperman, Paloma Picasso,
Victoire de Castellane, Alexandra Mor, Ornella Iannuzzi, Neha Dani,
Paula Crevoshay, Nathalie Castro, Claire Choisne, Bina Goenka,
Carla Amorim, Monique Pean, Michelle Ong - Carnet, Kara Ross, Lydia
Courteille, Suzanne Syz, Sylvie Corbelin, Kaoru Kay Akihara -
Gimel, Katey Brunini, Luz Camino, Cindy Chao, Aida Bergsen, Anna
Hu, Barbara Heinrich, Jacqueline Cullen, Cynthia Bach.
The Day of the Dead is a festival of culture and youth, a feast of
the senses and celebration of life in death. Originating in Mexico
and the Latin American countries it began as a way of remembering
departed relatives, as a means of embracing rather than fearing
death. The beautiful rituals, the sugar skulls, the costumes and
the festivities have grown into a massive counter culture across
the western world. Art, movies, cartoons and literature have been
consumed by the brilliant power of the Day of the Dead, tendered
here in this lively new book, following Tattoo Art and Street Art,
the latest title in Flame Tree's hugely successful Inspiration and
Technique series.
The knowledge and use of metals has played an important role in
the evolution of many African cultures. This bibliography brings
together, in one volume, publications on the origins, spread,
mining, smelting, smithing, use, functions, aesthetics,
significance, and impact of various metals and their alloys on
African cultures. Covering African metallurgy from the African Iron
Age to the present, this guide is a useful reference tool for
archaeology, anthropology, ethnology, history, art, and
religion.
Arranged geographically by country, the volume is fully
annotated and includes both printed and electronic sources.
As the founding of the Roycroft art community in New York State
reaches its one hundredth anniversary this year, collector interest
in the Arts & Crafts-style items that were made there is
stronger than ever before. Of particular interest are the beautiful
and varied hammered copper ware the "Roycrofters" made. This second
volume provides nearly two hundred color photographs of copper
vases, bookends, trays, and more-including many rarely-seen items.
The history of the group and the evolution of its art metal are
discussed, along with criteria for evaluating the quality of
individual pieces. The different marks and patinas used by the
company are documented. of further interest is a discussion of the
Tookay Shop and Avon Coppersmith, both spin-offs from the Roycroft
community, which continued in a similar tradition. A price guide is
included.
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