During states of emergency, normal rules and rights are suspended, and force can often prevail. In these precarious intervals, when the human potential for violence can be released and rehearsed, images may also emerge. This book asks: what happens to art during a state of emergency? Investigating the uneasy relationship between aesthetics and political history, Emilia Terracciano traces a genealogy of modernism in colonial and postcolonial India; she explores catastrophic turning points in the history of twentieth-century India, via the art works which emerged from them. Art and Emergency reveals how the suspended, diagonal, fugitive lines of Nasreen Mohamedi's abstract compositions echo Partition's traumatic legacy; how the theatrical choreographies of Sunil Janah's photographs document desperate famine; and how Gaganendranath Tagore's lithographs respond to the wake of massacre. Making an innovative, important intervention into current debates on visual culture in South Asia, this book also furthers our understanding of the history of modernism.

Danish Modern explores the development of mid-century modernist design in Denmark from historical, analytical and theoretical perspectives. Mark Mussari explores the relationship between Danish design aesthetics and the theoretical and cultural impact of Modernism, particularly between 1930 and 1960. He considers how Danish designers responded to early Modernist currents: the Stockholm Exhibition of 1930, their rejection of Bauhaus aesthetic demands, their early fealty to wood and materials, and the tension between cabinetmaker craft and industrial production as it challenged and altered their aesthetic approach. Tracing the theoretical foundations for these developments, Mussari discusses the writings and works of such figures as Poul Henningsen, Arne Jacobsen, Hans Wegner, Nanna Ditzel, and Finn Juhl.

The Brazilian architect Oscar Niemeyer (1907-2012) is a twentieth century classic. He became world renowned for planning and buildingBrasilia, which was declared a World Heritage Site in 1987. In 1988 he was awarded the Pritzker Prize. His buildings are deeply respectful of the site and are characterized by an unmistakable, almost Baroque design impulse. This second and revised edition of "Oscar Niemeyer: A Legend of Modernity" has a new preface and an updated biography and list of works. It contains essays that analyze the important and current aspects of Niemeyer's work, as well as texts by Niemeyer himself. Topics include the place of Niemeyer's work in modern Brazilian architecture, his work as urban planner, the aspect of landscape in his practice, and his influence on architecture in Germany. Niemeyer, who was highly prolific up until his death, is one of the most productive architects in history with over 600 buildings to his name. He was considered the "last giant of modern architecture." (Suddeutsche Zeitung)

Charles Rennie Mackintosh's finest work dates from about a dozen intensely creative years around 1900. His buildings in Glasgow, and especially his craggy masterpiece the Glasgow School of Art, are more complex and playful than anything in Britain at that time. His interiors, many of them designed in collaboration with his wife, Margaret Macdonald, are both spare and sensuous, creating a world of heightened aesthetic sensibility. Finally, during the 1920s, he painted a series of watercolours which are as original as anything he had done before. Since his death, Mackintosh has been lauded as a pioneer of the Modern Movement and as a master of Art Nouveau. This book, with illustrations that include specially prepared plans and sections, takes a clear-eyed view of Mackintosh and his achievement, stripping away the myths to reveal a designer of extraordinary sophistication and inventiveness.

The Zacherlhaus is located in the heart of Vienna, just 180 meters from St. Stephen's Cathedral, and is one of the most important buildings created by the Otto Wagner School. It was built in the years from 1900 to 1913 and designed for its owner Johann Zacherl by Joesef Plecnik, who later taught at the Academy of Fine Arts in Prague and from 1925 worked on the urban renewal of Ljubljana. It was the first combined residential and commercial building of modern style in the historic inner city and is one of the best known buildings in Vienna. This generously illustrated, authentic publication documents the building and its thorough renovation, which will be completed in 2015; it includes contributions by experts on European architecture of the 20th century.

The Palais de Tokyo, built for the 1937 International Exhibition of Arts and Technology, is an icon of French Art Deco architecture. Located prominently on the northern bank of the Seine near the Eiffel Tower, the vast complex today is a hotspot of modern and contemporary art in the French capital. Opened as part of the 1937 International Exhibition, the Musee d'Art moderne de la Ville de Paris (MAM) has always had its home in the eastern wing of Palais de Tokyo. After a major refurbishment directed by Paris-based h2o architectes, it was re-inaugurated in October 2019. This book documents the creation of the new MAM. Alongside brief essays and a conversation with h2o architectes founding partners Jean-Jacques Hubert and Antoine Santiard, it features plans and visualisations as well as historic photographs. The construction process is illustrated through a photo essay by artist Laetitia Badaut Haussmann and reportages by photographer Myr Muratet and architect-photographer Stephane Chalmeau. Text in English and French.

Arthur Drexler (1921-1987) served as the curator and director of the Architecture and Design Department at the Museum of Modern Art (MOMA) from 1951 until 1986-the longest curatorship in the museum's history. Over four decades he conceived and oversaw trailblazing exhibitions that not only reflected but also anticipated major stylistic developments. Although several books cover the roles of MoMA's founding director, Alfred Barr, and the department's first curator, Philip Johnson, this is the only in-depth study of Drexler, who gave the department its overall shape and direction. During Drexler's tenure, MoMA played a pivotal role in examining the work and confirming the reputations of twentieth-century architects, among them Frank Lloyd Wright, Le Corbusier, Richard Neutra, Marcel Breuer, and Ludwig Mies van der Rohe. Exploring unexpected subjects-from the design of automobiles and industrial objects to a reconstruction of a Japanese house and garden-Drexler's boundary-pushing shows promoted new ideas about architecture and design as modern arts in contemporary society. The department's public and educational programs projected a culture of popular accessibility, offsetting MoMA's reputation as an elitist institution. Drawing on rigorous archival research as well as author Thomas S. Hines's firsthand experience working with Drexler, Architecture and Design at the Museum of Modern Art analyses how MoMA became a touchstone for the practice and study of midcentury architecture.

The production of this book stems from two of the editors' longstanding research interests: the representation of architecture in print media, and the complex identity of the second phase of modernism in architecture given the role it played in postwar reconstruction in Europe. While the history of postwar reconstruction has been increasingly well covered for most European countries, research investigating postwar architectural magazines and journals across Europe - their role in the discourse and production of the built environment and particularly their inter-relationship and differing conceptions of postwar architecture - is relatively undeveloped. Modernism and the Professional Architecture Journal sounds out this territory in a new collection of essays concerning the second phase of the reception and assimilation of modernism in architecture, as it was represented in professional architecture journals during the period of postwar reconstruction (1945-1968). Professional architecture journals are often seen as conduits of established facts and knowledge. The role mainstream publications play, however, in establishing 'movements', 'trends' or 'debates' tends to be undervalued. In the context of the complex undertaking of postwar reconstruction, the shortage of resources, political uncertainty and the biographical complexities of individual architects, the chapters on key European architecture journals collected here reveal how modernist architecture, and its discourse, was perceived and disseminated in different European countries.

The first publication to focus on the Art Institute's outstanding collection of American modernism, this volume includes over 175 important paintings, sculptures, decorative-art objects, and works on paper made in North America between World War II and 1955. Together they fully reflect the history of American art in these decades, including examples of early modernism, Social Realism, Surrealism, and Abstract Expressionism. Among the paintings are such iconic works as Hopper's Nighthawks and Wood's American Gothic, along with notable pieces by Davis, De Kooning, Hartley, Lawrence, Marin, O'Keeffe, Pollock, and Sheeler. Among the sculptors represented are Calder, Cornell, and Noguchi. Spectacular decorative artwork by the Eameses, Grotell, Neutra, Saarinen, F. L. Wright, and Zeisel are also featured. Reproduced in full color, each work is accompanied by an accessible and up-to-date text, complete with comparative illustrations. The introduction traces the formation of this important collection by a number of noted curators, collectors, and patrons. Distributed for the Art Institute of Chicago

The Frauen- und Carolinenbad bathing facility was opened in Baden near Vienna in 1821. Two hundred years after this event, which was significant from the perspective of both culture and economic and architectural history, this book documents the history of the planning and construction of the building, which has been dedicated to the painter Arnulf Rainer since 2009. The Frauenbad is one of the most important Classical buildings in Austria. Its designer, the Frenchman Charles de Moreau (1758-1840), was one of the leading architects of this epoch in Austria. The book communicates the results of new research on the architecture of this key European period between the Enlightenment, revolution, and reaction.

The book investigates the theme of Modernism (1920-1960 and its epigones) as an integral part of tangible and intangible cultural heritage which contains the result of a whole range of disciplines whose aim is to identify, document and preserve the memory of the past and the value of the future. Including several chapters, it contains research results relating to cultural heritage, more specifically Modernism, and current digital technologies. This makes it possible to record and evaluate the changes that both undergo: the first one, from a material point of view, the second one from the research point of view, which integrates the traditional approach with an innovative one. The purpose of the publication is to show the most recent studies on the modernist lexicon 100 years after its birth, moving through different fields of cultural heritage: from different forms of art to architecture, from design to engineering, from literature to history, representation and restoration. The book appeals to scholars and professionals who are involved in the process of understanding, reading and comprehension the transformation that the places have undergone within the period under examination. It will certainly foster the international exchange of knowledge that characterized Modernism

OMA - Office for Metropolitan Architecture - gehoert zu den weltweit einflussreichsten Think Tanks im Bereich Architektur und Stadtplanung. Rem Koolhaas, Grundungsvater und Pritzker-Preistrager, steht mit seiner intellektuellen Herangehensweise an Architektur fur weitaus mehr als den globalen Star-Architekten: Die Architektur bei OMA entsteht in enger Zusammenarbeit mit AMO, dem dazugehoerigen und doch eigenstandige Design- und Forschungsstudio. Hier wie dort heisst es: Architektur weiterdenken, sich von Konventionen loesen, neue Moeglichkeiten entdecken. Der Weg ist das Ziel, die Architektur ein nie endender Prozess dauernd wechselnder Bedingungen und Perspektiven. Diese Monografie uber OMA zeigt beeindruckende Projekte aus vielen Jahren des Architekturschaffens, sie beschreibt Ideen, Techniken und Prozesse und zeigt vor allem eines: viele Baudetails.

This pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. Art historian Iftikhar Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond. He looks at the stunningly diverse artistic production of key artists associated with Pakistan, including Abdur Rahman Chughtai, Zainul Abedin, Shakir Ali, Zubeida Agha, Sadequain, Rasheed Araeen, and Naiza Khan. Dadi shows how, beginning in the 1920s, these artists addressed the challenges of modernity by translating historical and contemporary intellectual conceptions into their work, reworking traditional approaches to the classical Islamic arts, and engaging the modernist approach towards subjective individuality in artistic expression. In the process, they dramatically reconfigured the visual arts of the region. By the 1930s, these artists had embarked on a sustained engagement with international modernism in a context of dizzying social and political change that included decolonization, the rise of mass media, and developments following the national independence of India and Pakistan in 1947. Bringing new insights to such concepts as nationalism, modernism, cosmopolitanism, and tradition, Dadi underscores the powerful impact of transnationalism during this period and highlights the artists' growing embrace of modernist and contemporary artistic practice in order to address the challenges of the present era.