This beginner's guide to drawing in graphite pencil uses step-by-step exercises to teach fundamental methods for rendering all aspects of the natural landscape, with additional lessons on using charcoal, colored pencil, pastel, and other media. Following in the footsteps of author, artist, and art instructor Suzanne Brooker's previous title The Elements of Landscape Oil Painting, this book pairs the most universally-pursued topic for artists (drawing) with the popular subject matter of the natural landscape. Brooker breaks down landscapes into their various elements--including the earth, water, air, and trees--to convey how the fundamentals of drawing are applied to capture each aspect. Using the graphite pencil as her baseline instrument, Brooker provides you with step-by-step lessons that help you improve your rendering skills and re-create the beauty of the world outdoors. Examples from art history and contemporary masters supplement these lessons. The end result is a drawing instruction book that provides artists with everything they need to render landscapes no matter their skill level.

It is in the wilderness of cities rather than in nature that the imagination of these landscape drawings comes to life. Without any heroic emphasis, these drawings result from the observation of traces, evident or discreet, in the urban landscape, and the process to collect and memorise traces is the way to consider memory as a primary medium for creativity. The selected collection of over 150 drawings, thought and imagined over many years, delineates a personal city experience, without any intention of building a new city theory. No single drawing in this book is a representation of cities in-situ; all of them are interpretations, translations, and combinations of traces collected and selected while teaching, working, meeting cultures, and eating food in many different cities around the world. These drawings are a different form of communication than the beautiful renderings produced in endless numbers.

Jan Hendrix is a Dutch-born, Mexico-based contemporary artist. His work is all about observation and analysis; nature and its diff erent ways of representing and telling extended stories, often in a non- linear narrative. Based on an exhibition at Kew Gardens, this book is a visual report of Hendrix's multiple visits to the Kamay Botany Bay Area of New South Wales, Australia, made over a 20-year period. Beautiful and thought-provoking works convey his response to the fragile, changing landscape, under constant threat of fi re and destruction. His work also draws on first collections of plants at Kamay Botany Bay documented by botanists Joseph Banks, Daniel Solander and Sydney Parkinson as part of the HMS Endeavour expedition in 1770. Supporting texts by Art Historian Dawn Ades, CEO of the Bundanon Trust Deborah Ely, and filmmaker Michael Leggett contextualise the work of the artist. With a foreword by Kew Director Richard Deverell.