Boston-based urban artist Mike Daikubara gives beginners a crash course in location sketching that you can use in any city in Sketch Now, Think Later. Everyone wishes they could sketch stylish scenes, but busy lives leave almost no room for sitting down with a pad and pen to practicing. Many people give up on their potential hobby (and artistic outlet) because they feel they just don't have the time to lay the groundwork. Here's a secret though: you do! All you is a strategy for incorporate sketching into your daily life. Sketch Now, Think Later covers the tools, techniques and tips that author and Urban Sketching Correspondent of Boston Mike Daikubara has developed in his more than 15 years as a practicing artist, and will show you how to fully dive into any sketching situation with limited time and tools, and still be able to produce memorable, great looking, fun sketches!

Praise for The Addictive Sketcher: "It's impossible not to be carried along by his enthusiasm and the sheer dynamism of his work. Although this is carried out for the most part in the field, it's remarkably polished and a lot more than just quick notes. There's an element of improvisation - a jazz-like tone - and Adebanji certainly has a natural ability. If you share his love of drawing, this is a book to embrace as well as learn from." - The Artist magazine Adebanji Alade is one of the UK’s most renowned artists – and he’s addicted to sketching. Inspired by the sights and sounds of London, he travels around the city filling his sketchbooks with drawings of people, places and scenes of contemporary urban life. Showcasing one of Adebanji’s inspirational sketchbooks in its entirety, and with a fascinating introduction to the way he works, this unique visual record of everyday city life also offers a compelling insight into the creative process of a modern urban sketcher.

Helga Zahn (1936-1985) was one of the leading jewellery artists in Britain during the 1960s and 1970s. The autodidact, who was raised in Schwarzenbach an der Saale, had a preference for silver and natural materials such as pebbles. Her one-off jewellery is made unique by the clarity of simple geometric forms, the lightness and simplicity of the combinations, and a reduced colour palette. With novel systematic thinking, in the mid 1960s she revolutionised the studio jewellery movement that was forming across the globe. With around a hundred jewellery objects, this comprehensive review invites you on a journey of rediscovery and reappraisal of this exceptional artist.

Created by one of Japan's most popular artists, this book provides detailed and complete instruction for illustrating fun and appealing characters and elements that celebrate life. The author's special and distinct style is simple, appealing, happy, and cute and offers artists, crafters, and art enthusiasts--with and without experience--the instruction and inspiration to draw in the Japanese character style. This book is for artists and crafters of all skill levels that want to bring their own illustration to their work. It offers both entertaining and fun drawing instruction and techniques along with inspiring and sweet unique-style characters and elements.

Condensed thoughts transformed to matter with sequence of drawings. With exceptions of the author's other books, no similar published case studies exist. Uniquely relevant in both the education and practice architecture. This book aims to unify knowing and feeling with drawing. Since this process is influenced by the memory of our body, the outcome could be unpredictable, mysterious and timeless. If the drawn investigation questions the fundamentals of knowledge, existence and truth, then the resulting architecture might embody a new branch of philosophy. It will affect simultaneously our cerebral, tactile, and spatial perceptions and appear as a circumstantial singularity.

This publication brings together over 60 works on paper created from 2005 to the present day by London-based artist Neil Gall (born 1967, Aberdeen), whose works balance the profound with the absurd. In works that buzz with art historical reference, Gall has consistently explored matters of perception and mimesis through the visual language of household detritus. He translates the visceral and psychological interactions between materials and their surfaces - corrugated cardboard and pressed tinfoil, ping-pong balls enshrouded in black tape - to an unsettling, surreal and sometimes erotic effect. Essays by art historian Lexi Lee Sullivan and artist Alexander Ross are augmented by thoughtful insights from gallerist George Newall and an introduction from Gall's dealers David Nolan and Aurel Scheibler.

'This is, I think, the best book on drawing animals I've seen. The sheer breadth of the coverage and the amount of detail that Tim goes into is breathtaking.' Henry Malt, Artbookreview.net 'Tim is a genius in every respect and this really could be the only book on animal drawing you'll ever need.' Paint Magazine Artist Tim Pond's lively and engaging book fuses science with art, providing you with the skills, techniques and knowledge you need to create sketches of animals filled with life and movement. Tim shows you how to observe and draw animals in zoos, farms, wildlife parks and aquariums, teaching you some fascinating facts about the animals along the way and ultimately bringing you closer to nature. One of the challenges with sketching wildlife is that animals are constantly moving. However, having some basic understanding of biology can help you capture the form, movement and ultimately the spirit of the animal in question. This combination of scientific knowledge and practical guidance is key to creating lively drawings and Tim's ability to convey this in an accessible and engaging way makes this a unique and inspiring guide.

Pierre Rosenberg, the distinguished art historian and director of the Musee du Louvre, has long admired and studied both paintings and drawings. This dual interest may seem commonplace but is in fact highly unusual: specialists in the field of drawing rarely write about painting, and vice versa. From Drawing to Painting offers a unique perspective by interweaving biographical information about five renowned French artists--Nicolas Poussin, Antoine Watteau, Jean-Honore Fragonard, Jacques-Louis David, and Jean-Auguste-Dominique Ingres--with a fascinating look at dozens of their drawings and the links that they have to their paintings. Presenting over 260 illustrations, this book explores drawing as a site of reflection, the space between the idea of a painted image and its realization on canvas.

How, why, and for whom did these artists draw? What value did they place on their drawings? How did their drawings get handed down to us? In what way do they enable us better to understand the artists' intentions, their creative processes, and to penetrate their worlds? Rosenberg determines that each artist approached drawing in a distinctive way, reflecting his individual training, work habits, and personal ambitions. For example, Poussin viewed his drawings simply as working documents, Watteau preferred his drawings to his paintings, and Fragonard made a lucrative business selling his graphic work. For David and Ingres, drawing had a considerable pedagogical function, whether in copying the great works of their predecessors or in sharpening their own techniques.

Originally delivered as a series of Mellon Lectures at the National Gallery of Art, Washington, D.C., "From Drawing to Painting" gives the reader an unprecedented view of the artistic process. This richly illustrated book will make an important and beautiful addition to any art library."

An invaluable resource for fashion students, teachers and designers, this book looks at research sketchbooks and the role they play in the research and design process. Demonstrating how ideas are constructed, for single garments as well as entire collections, the book looks at how pages and whole sketchbooks are put together. New Fashion Designers' Sketchbooks includes work and sketchbook pages from over 30 fashion designers, and examines a range of work from foundation fashion students through to professional designers. Included in the book is information about each designer on what inspires them, how they express this in their work, and how they use research sketchbooks in the design process.

Connect with your deepest emotions through a daily sketching practice and transform negative thinking and anxiety into abundant possibilities, mindfulness and joy. 'Through profound yet simple teachings and practices Sheila Darcey invites our innate human creativity to express and transcend our turbulence. Following her guidance, we move from turmoil to peace by liberating the artist that lives in us all.' Gabor Mate You don't need to be an artist to express yourself. All you need is a pen and paper, and a willingness to look within. Sketch by Sketch shows you how to create a practice that will help you to move away from a negative headspace and spiralling emotions towards the realm of possibility, happiness and clarity. As you embrace the process, you'll begin to experience a shift in perspective and find true fulfilment, one sketch at a time. You'll discover: * over 40 sketching prompts on a variety of insightful topics, from hope to courage * easy-to-follow guidance for beginners and keen sketchers alike, and blank space for you to sketch * a comprehensive, inspiring visual library and example sketches * a detailed Q&A at the back of the book This inspiring book will unlock your basic human need to create, express and feel. Step by step, you'll find peace on the page. 'An exquisite inquiry into the deepest parts of yourself. This book will help you bring to light the things that have been haunting you, so they no longer hold you back. Highly recommended.' Pedram Shojai OMD, New York Times bestselling author

This book is a practical manual intended specifically for anyone interested in delving into the technique of granting colour to fashion figurine illustrations to give them more life and expressiveness. In a clear and educational way, Tiziana Paci, author of the well-known book Figure Drawing for Fashion Design, explains in detail the different themes examined in the work through images and examples along with concise and to-the-point texts ideal for neophytes as well as people who have been working in this field for years. The book is divided into the following chapters: poses, colour and colour combinations, watercolour technique, tools such as professional markers, coloured pencil and water-soluble graphite, digital techniques and mixed techniques. Together, these suggestions allow both beginner and professional illustrators to depict figurines in vivid poses with incredible effects including the imitation of any type of material: leather, jewellery, bright fabrics and transparencies, and many more, following very different styles.

Want to know how to draw the scales on a fire-breathing dragon? Or on a Mermaid's tail? How about the feathers on a giant Roc? Or the clothes of a giant? Drawing fire-breathing beasts and mysterious, magical creatures has never been so much fun-or so easy! In this 64-page how-to-draw book, fantasy artist Kythera of Anevern demonstrates how to draw dragons, fairies, ogres, merfolk, and everything in between! Readers will discover in-depth tips and techniques for drawing textures such as fur, hair, scales, and teeth, as well as features like tails, wings, talons, hooves, and horns. With a wealth of fanciful drawings and in-depth instruction on re-creating extraordinary creatures in graphite, this book is ideal for anyone who is fascinated by the fantastic.

Originally published in 1916, this book contains guidance on drawing with perspective, with specific reference to architectural drawings. Wright and Rudd illustrate their principles with over three hundred drawings of complex architectural features such as ovolo moulding and mastabas. This book will be of value to anyone with an interest in illustration, art or perspective.

Do something amazing and learn a new skill thanks to the Little Ways to Live a Big Life books! As children, when we learn to write, we gain an important life skill: a practical means of communicating that we end up using almost every day of our lives, if only to jot down a shopping list or dash out an email. As children, we also know instinctively that drawing is a great way to communicate, but later in life it isn't universally valued and nurtured in the way that writing is. It's not seen as a necessity, it's seen as a specialism. As a result, most of us stop drawing completely, apart from the odd doodling. More than that, we lose all confidence in our ability to draw. Yet drawing is an incredibly prac tical way of turning what's inside your head into something tangible and useful. It can equip you with new means of solving problems, sharing ideas and telling stories. How to Draw Anything sets out to repair our broken relationship with drawing. It will inspire you to pick up that pencil from where you left it all those years ago and start making pictures again. It will give you back the confidence and joy in drawing you never should have lost. And it will take drawing out of the art world and put it into your world, introducing you to drawing as a practical tool for everyday life that will change the way you work, think and communicate.

This hands-on practical guide provides dyslexic young people with techniques to improve their observational drawing skills, showing them how they can work around the issues commonly reported by students with SLDs. Many creative and talented individuals with neurological differences report difficulties with short-term memory, co-ordination and planning ahead within a project, and a lack of specialised teaching may even dissuade them from pursuing art at school. This book addresses those challenges. The authors, who have many years' experience of teaching art to dyslexic and dyspraxic students, also include examples not just of the techniques described, but also of the creative ideas other neurodiverse students have come up with. Fully illustrated, with clear explanations, and space to draw and sketch, this much needed book will provide dyslexic art students with the tools and confidence to achieve their goals and become the creative professionals of the future.

The first volume to appear in the Natural History series catalogues a group of spectacular drawings of citrus fruit in watercolour and gouache, most of which were commissioned to illustrate Giovanni Battista Ferrari's Hesperides, an ambitious attempt at a complete taxonomy and classification of the entire citrological world, which was published in Rome in 1646. Cassiano dal Pozzo played a fundamental role in this project: it was he who commissioned and supplied most of the drawings and then arranged for them to be engraved for Ferrari's projected work. The citrus drawings - grouped in the Catalogue under the headings of citrons, lemons, oranges, pummelos, hybrids, monstrosities and unidentified citrus fruit - are reproduced in full colour and are accompanied by a wealth of comparative material which includes the Hesperides engravings, additional drawings and photographs of actual specimens, mainly of the monstrous kind. In addition to detailed scientific descriptions of the specimens themselves, the catalogue also gives art historical information on watermarks, annotations, types of mount, provenance and literature. The introductory essays explain Cassiano's method of gathering information from a network of correspondents around Europe and consider the relationship between these drawings and other natural history subjects commissioned by Cassiano. The authors discuss the work of the artists involved in the project and assess the major contribution made the classification of citrus fruit by the collaborative efforts of Cassiano of Ferrari.

This is a complete and innovative practical guide that offers artists simple solutions to common drawing problems in a unique question and answer format. Answers are presented through clearly annotated pictures and easy-to-follow technique demonstrations. It provides detailed solutions for all the most common drawing problems including rendering trees accurately, drawing figures from life and how to recreate animal fur and feathers. It focuses solely on graphite to provide clear and comprehensive answers for all the key drawing questions.

With a rare combination of great economy of means and unfailing panache, Antony Cleminson's drawings of palatial buildings and urban settings are endlessly delightful and fascinating. Collected from more than 60 years of traveling with his wife Jan, a concert violinist, they take in England, France, Italy, Spain, Germany, Croatia, Russia, Jordan, Syria, and Yemen. They bring not only extreme sensitivity to place, but also an engineer's understanding of structure, and an historian's understanding of style. Pencil, chalk, charcoal, red and black ink, and india ink are some of the media used, and the book is printed on genuine Ingres paper to reproduce these beautiful drawings as closely as possible. Will appeal to those with a love of architectural heritage in Europe and the Middle East.

Vivian Wong shares her love of colored pencils and explains that one way "baby artists" improve their work is by copying what they see. Love Colored Pencils is designed to enable exactly this. *Named One of the 54 Best Colored Pencil Drawing Books of All Time by BookAuthority* Look over Vivian's shoulder as she demonstrates all the techniques you need to make luscious drawings in the wonderful, soft, blendable medium of colored pencil. On one side of each spread, Vivian demonstrates a technique or she colors in a subject, and on the opposite page or the next spread, you are encouraged to try it yourself, drawing directly in the book. Exercises throughout offer fun ways to explore drawing while being inspired by Vivian's popular and colorful drawing style. Vivian will teach you about: Holding your pencil Pencil pressure Hatching and crosshatching Stippling Scribbling Blending Color mixing Creating tones with color How to color facial features And more! Practice your skills as you follow Vivian's simple instructions for drawing facial features, many different hairstyles and hair colors, an owl, a leopard, and a variety of flower types. This is a book for all levels of artists who want to explore this versatile and fun medium with a colorful and talented artist, baby step by baby step. With Vivian by your side, you can't go wrong!