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Books > Arts & Architecture > Art forms, treatments & subjects > Drawing & drawings
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Sketchbook
(Hardcover)
Daniel Arsham; Edited by Larry Warsh
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R864
Discovery Miles 8 640
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Ships in 9 - 17 working days
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Featuring never-before-seen drawings by the renowned contemporary
artist, a beautiful facsimile edition that reveals the working
process of an extraordinary creative mind Sketchbook reproduces
original working drawings and sketches by the contemporary American
artist and designer Daniel Arsham, whose work freely crosses the
boundaries of art, architecture, film, and design, and also speaks
to fans of pop culture, including sneakerheads, car enthusiasts,
and anime devotees. Spanning a decade and featuring previously
unpublished drawings by this highly skilled draftsman, this
beautifully produced facsimile edition provides an unprecedented,
intimate look at Arsham's working process, revealing a new side of
an extraordinary creative mind. Published in association with No
More Rulers
English art critic John Ruskin was one of the great visionaries of
his time, and his influential books and letters on the power of art
challenged the foundations of Victorian life. He loved looking.
Sometimes it informed the things he wrote, but often it provided
access to the many topographical and cultural topics he
explored--rocks, plants, birds, Turner, Venice, the Alps. In The
Art of Ruskin and the Spirit of Place, John Dixon Hunt focuses for
the first time on what Ruskin drew, rather than wrote, offering a
new perspective on Ruskin's visual imagination. Through analysis of
more than 150 drawings and sketches, many reproduced here, he shows
how Ruskin's art shaped his writings, his thoughts, and his sense
of place.
The world is becoming a busy noisy place and it is good to find a
pastime that creates a different space, another dimension. Our
paintings mean a lot to us because they remind us of lovely places
we have visited and enable us to remember them in detail. It takes
time to study the colours and contours of a scene. It may be that
the drawing is an inadequate representation of the three
dimensional scene spread out before us, how can it be anything
else, but the process of trying to represent it on the two
dimensions of the blank page is intellectually rewarding. The
emerging picture is not just about the scene before you but also
about your response to it at the time.
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