With a great range of flowers--from daffodils, fuchsias, geraniums, and poppies to sunflowers, tulips, and water lilies--beginning artists will discover the delights of creating floral pictures from this invaluable resource. Showing how to break down basic flower shapes and add elegant detail with an easy-to-follow process, this guidebook carefully leads new drawing students through a step-by-step process, resulting in display-worthy creations.

Qu'est-ce qu'un visage ? Qu'une tete ? C'est a ces questions que Marwan (1934-2016) s'est confronte dans sa demarche artistique en commencant par la figure humaine pour explorer inlassablement le visage. Si ce dernier, traite horizontalement, est reconnaissable dans ses traits, la tete, effigie verticale, s'efface. Le present livre s'appuie sur la biographie du peintre dont le langage artistique s'est elabore entre Damas et Berlin, et sur une etude transculturelle qui questionne le theme du visage dans son oeuvre. L'acces a sa problematique picturale a ete rendu possible grace aux sources premieres: dessins preparatoires, ecrits et entretiens entre l'auteure et l'artiste durant les dix dernieres annees de sa vie. Nourri de la double culture orientale et occidentale, Marwan participe au questionnement du visage humain dans ses metamorphoses par rapport a l'absence, a l'inanime, au voilement-devoilement, au meme et a l'autre, au singulier et a l'universel.

"I like the way the author has developed the croquis and the steps. It starts on the basis of anatomy, and how to draw anatomy and mixes it with fashion proportions" - Patrick Brown-Hayes, Washington State University, USA "Beautiful organization, excellent logical structure. Love the exercises inserted into the flow of the book" - Nicolas ChampRoux, Houston Community College, USA Learn the beginner level steps of fashion drawing, The book shows you illustrated step-by-step instructions that you can follow to build your skills until you're able to draw the female, male and children's fashion figures. Learn to develop fast designer concept sketches called croquis. Quick reference sheets, model poses, timed exercises, do's and don'ts, and online practice templates will help you gain confidence as you progress in fashion drawing. You'll also learn how to draw figures of diverse sizes and backgrounds, so you can design clothes for anyone. Features * Visual reference pages in the book are also downloadable as a quick reference guide to reinforce specific topics * Variations of model poses throughout the book will aid you in getting the right proportions for a variety of views * Includes instructions for drawing faces, hands, and feet * Example drawings from students and professionals included to inspire your own personal style * Easy to follow steps for drawing garments on the figure * Separate chapters included for drawing men and children Beginner's Guide to Sketching the Fashion Figure STUDIO Access downloadable files for additional exercises, templates, and croquis Image bank of additional drawings for inspiration and practice

In an era which has seen many forms of artistic creation becoming digitized, the practice of drawing, in the traditional sense, has remained constant. However, many publications about the relationship between drawing and thinking rely on discipline-dependent distinctions to discuss the activity's function. Drawing: The Enactive Evolution of the Practitioner redefines drawing more holistically as an enactive phenomenon, and makes connections between a variety of disciplines in order to find out how drawing helps us understand the world. Instead of the finite event of producing an artefact, drawing is a process and an end in itself, through which the practitioner might gain self-awareness.By synthesizing enactive thinking and the practice of drawing, this volume provides valuable insights into the creative mind, and will appeal to scholars and practitioners alike.

Les lettres de Charles Gounod a la duchesse Colonna, sculptrice de renom sous le pseudonyme de Marcello, sont d'un immense interet. De caractere intime, elles offrent egalement des informations sur les projets du compositeur (dont un opera inacheve d'apres l'histoire de Francesca da Rimini), les details materiels de son activite, son manque d'inspiration, ainsi que sur ses conceptions esthetiques et philosophiques. Entre la creation de Romeo et Juliette en 1867 et la fuite de Gounod en Angleterre en 1870, les deux amis partagent leurs joies et leurs preoccupations tant artistiques que personnelles. Cet echange epistolaire enrichit considerablement la comprehension de la personnalite humaine et creatrice de Gounod, ainsi que de son milieu culturel.