Watson-Guptill's all-time best-selling drawing book. A best-seller for 35 years! This is a timeless classic that has taught generations of artists - and will teach generations more. When it was originally published in 1970, "How to Draw What You See" zoomed to the top of Watson-Guptill's best-seller list - and it has remained there ever since. "I believe that you must be able to draw things as you see them - realistically," wrote Rudy de Reyna in his introduction. Today, generations of artists have learned to draw what they see, to truly capture the world around them, using de Reyna's methods. "How to Draw What You See" shows artists how to recognize the basic shape of an object - cube, cylinder, cone, or sphere - and use that shape to draw the object, no matter how much detail it contains.

Whether your character is jumping for joy or grappling with an opponent, this book provides all the essential techniques to draw more lifelike action figures in the classic Japanese manga style. The comprehensive introduction first shows the reader the physical anatomy of male vs. female figures and gives important tips on proportions, perspective and small but often-overlooked details such as the relative differences between male and female hands, fingers and feet. Five subsequent chapters cover over 40 action poses in the following categories: Chapter 1: Action (e.g. running and jumping) Chapter 2: Martial Arts (e.g. punching and kicking) Chapter 3: Interacting (e.g. judo holds and high fives) Chapter 4: Weapons (e.g. swords and knives) Chapter 5: Reacting (e.g. dodging a punch or taking a punch) Each pose and movement is illustrated with a rough sketch outline followed by a highlighted manga drawing containing detailed annotations by the author. After studying the sketches, you practice the drawing techniques in a tracing section at the end of each chapter. Each chapter also provides professional tips on the use of color and shading for greater realism. Special sections contain information and tips on particular topics of interest, such as how to draw clothes, hair and facial expressions or how to create special effects. At the end of the book, an actual 6-page comic strip gives readers the opportunity to practice what they have learned by filling in the missing elements.

This original work introduces readers to the hyperrealist movement, a style applied to painting whose techniques aspire to photographic exactitude in drawing. From the first action before viewing the piece - the search for information and reference images - to different drawing and sculpture techniques, the book offers a step-by-step explanation of the creative process and shows readers how to illustrate in black and white and with colored pencils, how to work with watercolors and oil, how to create a trompe l'oeil and how to create a realistic looking 3D model. Readers will find all the techniques and suggestions they need to make their own hyperrealist creations, all explained in a pleasant and fun way. It is an original and creative way to introduce different drawing techniques that will awaken the artist inside of us all and whose results will strike most readers as surprising given the degree of realism achieved, as if they were photographs. The book includes references to contemporary artists who have used each of the techniques described, curiosities in the world of art and other tricks of the trade.

The best way to learn to draw is to DRAW! And this exciting little sketchbook is going to help you do just that. From cover to cover, this book is filled with 900 inspiring, modern drawings of little black dresses, summery hats, stylish shoes, faux fur coats and much, much more-plus plenty of room for sketching your own versions of all these delightful fashions. 20 Ways to Draw is an exciting new illustration series from Quarry Books, designed to offer artists, designers, and doodlers fun and sophisticated exercise books that help foster a creative spirit and provide learning tools and inspiration. This latest addition to the series focuses specifically on drawing and sketching fashion. Each spread features 20 inspiring illustrations of a single fashion item, for example: dresses, shoes, hats, bikinis, scarves-with blank space for you to draw your take on 20 Ways to Draw a Dress. The stylized items are simplified, modernized, and reduced to the most basic elements, showing how simple abstract shapes and forms meld to create the building blocks of any item that you want to draw. Each of the 20 interpretations gives you a different interesting approach to drawing a single item. Get out your favorite drawing tool, and remember, there are not just 20 Ways to Draw a Dress!

Features access to video tutorials Designed to help architects, planners, and landscape architects use freehand sketching to quickly and creatively generate design concepts, "Freehand Drawing and Discovery" uses an array of cross-disciplinary examples to help readers develop their drawing skills. Taking a "both/and" approach, this book provides step-by-step guidance on drawing tools and techniques and offers practical suggestions on how to use these skills in conjunction with digital tools on real-world projects. Illustrated with nearly 300 full color drawings, the book includes a series of video demonstrations that reinforces the sketching techniques.

*** Take your urban sketching skills to the next level with watercolour. Bestselling author and artist Phil Dean (@shoreditchsketcher) provides a step-by-step guide to creating beautiful urban artworks. Get started with the very basics of depicting cityscapes with a pencil or pen, including tips on perspective, measuring, and mark-making. Then move straight on to the core watercolour techniques you will need to introduce stunning colour and tone to your sketches. With 20 easy-to-follow exercises on everything from negative space to line & wash, Sketch Club: Urban Watercolour is your go-to guide to elevating your urban art. Chapters include: - Loosening Up - Urban Drawing 101 - Getting Started with Watercolour - Taking Your Watercolour Further - Finishing Touches

Marc Brandenburg (* 1965) strolls through cities, photographing his impressions and then drawing them “like a human photocopier.” In this almost meditative process, he finds beauty in social conditions. His pencil drawings, reversed into negatives, capture everyday, ephemeral motifs. Brandenburg is interested in moments when inner and outer states unite, when human beings merge with their costumes, their clothing, or their dwellings. Formal and conceptual aspects of drawing, as well as a fundamental examination of representation, are more important to him than the motifs themselves. The publication Hirnsturm II accompanies the exhibition of the same name, a visual essay that combines drawings from a period of over 25 years with more recent works. Text in English and German.

Draw the cutest unicorn pictures for a whole year and never be bored again! This fun book for the young, and young at heart, covers the widest range of unicorn designs ever - 365 of them no less! In the magical universe all animals can have wings, unicorn horns and rainbow colours. And where unicorns live there are kawaii objects, pretty landscapes and sweet treats to make life joyful. To communicate, unicorns write with cute letters, decorate their messages with pretty motifs and even have their own emoticons! Learn the secrets of kawaii drawing, from sketching the outlines to adding personality and choosing colours. Then follow 365 step-by-step sequences showing you exactly how to build up a huge range of unicorn-themed designs, starting with simple shapes and progressing to add details and colours. Each sequence is entirely visual, with no complicated instructions to read, so it really is easy to create your own unicorn-themed drawings straight away. All you need is paper and some pens! Inside you'll find every type of unicorn you could possibly imagine... and many more! They all have their own unique characters - will you choose to draw the flamboyant, thoughtful, romantic or angry unicorn first? Some are even carrying out fun activities, such as horse-riding, meditating, skipping, roller-skating, ice-dancing, boxing, reading, cheerleading, guitar-playing and diving. The unicorn's magical world is full of kawaii objects, buildings, vehicles, clothing, food and scenery too. You can recreate sweet houses, fairytale castles, trees, flowers, fruits, musical instruments, magic potions, and even some everyday items like a toothbrush, candle, headphones and backpack. There's also a range of other wonderful animals to draw, including a uni-bear, uni-rabbit, uni-cat, uni-pig, uni-fox, uni-puppy, uni-llama, uni-monkey, uni-bat, uni-otter, uni-penguin, uni-whale, uni-dinosaur, squirrel, raccoon, hedgehog, reindeer, sheep, toucan, lion, rainbow fish, duck and zebra. Discover your animal mascot according to Chinese astrology and draw a fun version of its character. Finally, learn how to communicate with the unicorns by creating a range of letters, numbers, symbols and emoticons, all with a cute kawaii twist. This adorable value-packed book will entertain endlessly and open the door to a rainbow-filled unicorn world every day of the year.

The self-portrait of Baccio Bandinelli in the Isabella Stewart Gardner Museum, Boston, shows the scupltor pointing not to a work of marble or bronze, but to a drawing. Bandinelli was particularly proud of his skills as a draughtsman, and he was prolific in his production of works on paper. This set him apart from contemporaries in his profession; many Renaissance sculptors left us no drawings at all. Accompanying an exhibition at the Gardner Museum, this publication will put Bandinelli's portrait in context by looking at the practice of drawing by scupltors from the Renaissance to the Baroque in Central Italy. A focus of the book will be Bandinelli's own drawings and the development of his practice across his career and his experimentation with different media. Bandinelli's drawings will be compared with those of Michelangelo and Cellini. The broader question considered, however, is when, how, and why scupltors drew. EVery Renaissance sculptor who set out to make a work in metal or stone would first have made a series of preparatory models in wax, clay, and/or stucco. Drawing was not an essential practice for sculptors in teh way it was for painters, and indeed, most surviving sculptors' drawings are not preparatory studies for works they subsequently executed in three dimensions. By comparing bot rough sketches and more finished drawings with related three-dimensional works by the same artists, the importance of drawing for various individual sculptors will be examined. When sculptors did draw, it often indicated something about the artist's training or about his ambitions. Among the most accomplished draftsmen were artists like Pollaiuolo, Verrocchio, and Cellini, who had come to sculpture by way of goldsmithery, a profession that required profieciency in ornamental design. Artists who soought to become architects, meanwhile - the likes of Michelangelo, Giambologna, and Ammanati - similarly needed to learn to draw, since architects had to provide plans, elevations, and other drawings to assistants and clients and had to imagine the place of individual figures within a larger multi-media ensemble. Certain kinds of projects, moreover - fountains and tombs, for example - required drawings to a degree that others did not. Sections on the Renaissance goldsmith-sculptor and sculptor-architect will allow comparison of the place drawing had in various artists' careers. Beginning with a chapter dedicated to the importance of draftsmanship in the education of sculptors, showing works by Finiguerra, Cellini Bandinelli, and Giambologna, the book will be split up into chapters dealing with the various challenges scupltors faced while drawing objects in the round, reliefs, and architectural structures. A central section will focus on Bandinelli, demonstrating the importance drawing held for him while he was preparing sculptures and as an independent token of his artistry.

An exquisitely illustrated volume that emphasizes the importance of drawing in Fragonard's creative process One of the most forward-looking artists in 18th-century France, Jean-Honore Fragonard (1732-1806) is considered the preeminent draftsman of his time. This fresh assessment of the artist focuses on the role of drawing in his creative process and showcases Fragonard's mastery and experimentation with drawing in a range of media, from vivid red chalk to luminous brown wash, as well as etching, watercolor, and gouache. Unlike many old master painters, Fragonard explored the potential of drawings as works of art in their own right, ones that permitted him to work with great freedom and allowed his genius to shine. The drawings featured here come from public and private collections in New York, balancing a mix of well-loved masterpieces, new discoveries, and works that have long been out of the public eye. Published by The Metropolitan Museum of Art / Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art (10/06/16-01/08/17)

Portraying people is undoubtedly one of the most difficult aspects of drawing. Expressions, movements, emotions and gazes add a series of challenges not present when drawing still lifes or landscapes. In addition, the scant number of books specifically about drawing children leave many of the particularities related to the portrayal of childhood unresolved. This book, now in paperback, fills this void. Using live models, either posing or simply naturally, photographs, videos, drawings of faces, it contains a step-by-step, detailed explanation on how to draw children. Through an introduction to proportions, and by training in observing the changes children experience over the years, the reader learns how to capture both children's physical and psychological transformations. Portraying Children is intended for illustrators and those who love to draw, and anyone else who wants to capture the memorable and fleeting moments associated with childhood.

A wonderful introduction to drawing moving people, shown in very simple step-by-step stages. Susie Hodge includes a wide selection of ages and activities, from adult dancers to young footballers. Both beginners and experienced artists will learn and be inspired by these illustrations inside.

This book provides a thorough and expert guide to the subject of botanical drawing, through detailed text, examples of the author's own studies, short exercises and larger projects. Penny Brown produces traditional botanical drawings primarily rendered in pencil. The book touches on the history of botanical drawing, the rules and practicalities, and includes an accessible, basic study of botany for the absolute beginner. From creating an initial line drawing to adding tone and then creating more complex compositions, Botanical Drawing is a detailed study of the practice for anyone wishing to explore the subject in great depth, led by an expert artist.

Both serious artists and casual doodlers can use the handsome sketchbooks, now offered in seven colors, four sizes, and with the options of lizard finish or Kivar covers and a sewn or spiral wire-o binding. Many choose the popular large format for sketching outdoors or for toting to art class. Others like to toss the smaller sizes into a purse or backpack. The archival-quality, vellum-finish paper is especially appealing to artists. It will not yellow with time, ensuring the preservation of their drawings, and its smooth surface readily accepts any drawing medium. The spiral-bound version opens flat. All the covers have a leatherlike finish but are actually tough and waterproof.

Sketchbooks are an essential part of the creative process for artists of all disciplines, ranging from textiles and jewellery to interior design, printmaking and ceramics. The sketchbook is a complete record of the creative process which, it can even be argued, is more important that the finished object at the end of this process. This book is a vital resource for artists of all levels including students, makers and collectors, as it not only gives practical advice about building your own sketchbooks but also provides examples of different artists' working methods. Extraordinary Sketchbooks takes the reader through different themes and functions for sketchbooks, including drawing to collect visual research, course work, developing concepts and suggestions for making simple and quick visuals into exciting images. An inspiring gallery of examples from a range of artists including recent graduates, practising artists and lecturers and working professionals form a variety of art and design industries. A fantastic resource for artists everywhere.

Acclaimed Royal Academy artist Jeanette Barnes and Paul Brandford breathe new life into sketching for town and city dwellers everywhere.Mercurial, inspirational, practical and charming, this guide covers everything from architecture to accidental paintings, cocktails to clouds, smudges to skyscrapers.With easily digested bite-size entries, it introduces many types of art materials, their uses and a number of insights and exercises to build confidence in a range of approaches to drawing. For the more experienced sketcher, the artists discuss the processes behind drawing and strategies to inject more creativity and open-mindedness about how to take a drawing forward.With great charm, the book gives a window onto the experiences of Jeanette, who has travelled to many cities worldwide in search of inspiring city subjects and a half-decent cocktail. Full of tips and ideas about working on location and back in the studio, this book is filled with the scribbles, sketches and preparatory drawings that feed into the larger works for which she is known.As a whole, the book is a multipurpose tool which can be used to unlock the potential of drawing both technically and philosophically so that the reader can be the architect of their own drawing experience rather than the recipient of someone else's. After thirty years of drawing, many of them teaching, the authors still feel an excitement when picking up a pencil or some charcoal. This book gives every reader the chance to share that excitement and bring urban living to life.

Using scientific methods in his investigations of the human body -- the first ever by an artist -- da Vinci was able to produce remarkably accurate depictions of the "ideal" human figure. This exceptional collection reprints 59 of his sketches of the skeleton, skull, upper and lower extremities, human embryos, and other subjects.

Illustrate your own storybooks with cute and playful characters, animals, and more, using the enjoyable techniques in Illustration School: Let's Draw a Story. Sachiko Umoto, one of Japan's most popular artists, teaches you how to create a fantasy world filled with animals, characters, castles, rainbows, and much more, all in the popular Japanese character style. No drawing experience is necessary to sketch playful elements and designs that make up these whimsical stories. Start with basic tools and supplies, then get tips for how to start and build a drawing. Learn how to create your own heartfelt stories featuring children and adults, animals, buildings, objects, and landscapes, all infused with your style. Be inspired by Sachiko's stories of a journey into the desert, a king and queen in a castle, and a monster island filled with cute creates. Trace or copy the drawings to invent your own tales and infuse them with color and details to make them unique. What better way to creatively express yourself? Make connections with friends and family by showing them your creations. As Sachiko says, "It's bound to make everyone happy." With this book you'll discover fun ways to: Add weather elements such as rain, wind, and dramatic skies Draw villages and towns with detailed doors, windows, balconies, and roofs Sketch facial expressions that give characters depth Become an imaginative storyteller Use your imagination to create vibrant fantasy worlds with no limits Illustration School: Let's Draw a Story will help you bring to life the stories you want to tell! Discover how the Illustration School series of books makes drawing enjoyable and stress-free. Using Sachiko Umoto's fun, easy techniques for sketching quirky animals, plants, landscapes, and people in the Japanese character style, you'll fill pages with charming illustrations that are uniquely you.

Let's be honest, staying in is SHITE, but we need to keep that bloody curve down. We're guessing there are a lot of not-very-PC thoughts running through your head right now, such as: Why is my PISS WIZARD boss emailing me during my home workout?; Do my kids always behave like total GOBSHITES or just while being home-schooled?; And why oh why won't this virus just go FUCKETY BYE? Don't internalise your stress until you're social distancing from the people you live with. Now you can colour yourself calm with COLOUR MY BOLLOCKS, the adult colouring book that says exactly what you think.

"As long as humans have been alive, we have drawn." Justin Maas Drawing is the most essential of all visual arts. Everyone, from sculptors to painters, draws in one form or another. It is also the simplest and most affordable form of artistic expression. All you need is a pencil and paper to make something magical. But to create a successful portrait, one must understand how to capture a person's likeness--their spirit--and portray it in graphite. In Drawing Realistic Pencil Portraits, artist and teacher Justin Maas provides a step-by-step guide for both novice and experience portraitists looking to enhance their skillsets. His tried-and-true techniques for mastering the basics and accurately rendering proportion, placement and nuance when drawing the head and face will help you add energy and life to your drawings and create recognizable and moving portraits. In this book: Lessons in drawing basics, including value, line, shadow, light and anatomy How to work from both reference photographs and live models, plus tips for selecting your subjects Step-by-step demos to create crucial features, such as eyes, ears, and hair Methods for building successful portraits, including the grid method, the tracing method and the author's own Maas method 15 detailed step-by-step portrait-drawing demos with subjects of different ages, genders and ethnicities A gallery of additional portrait examples in both black-and-white and full color