Rubens and the Eloquence of Drawing re-examines the early graphic practice of the preeminent northern Baroque painter Peter Paul Rubens (Flemish, 1577-1640) in light of early modern traditions of eloquence, particularly as promoted in the late sixteenth- and early seventeenth-century Flemish, Neostoic circles of philologist, Justus Lipsius (1547-1606). Focusing on the roles that rhetorical and pedagogical considerations played in the artist's approach to disegno during and following his formative Roman period (1600-08), this volume highlights Rubens's high ambitions for the intimate medium of drawing as a primary site for generating meaningful and original ideas for his larger artistic enterprise. As in the Lipsian realm of writing personal letters - the humanist activity then described as a cognate activity to the practice of drawing - a Senecan approach to eclecticism, a commitment to emulation, and an Aristotelian concern for joining form to content all played important roles. Two chapter-long studies of individual drawings serve to demonstrate the relevance of these interdisciplinary rhetorical concerns to Rubens's early practice of drawing. Focusing on Rubens's Medea Fleeing with Her Dead Children (Los Angeles, Getty Museum), and Kneeling Man (Rotterdam, Museum Boijmans Van Beuningen), these close-looking case studies demonstrate Rubens's commitments to creating new models of eloquent drawing and to highlighting his own status as an inimitable maker. Demonstrating the force and quality of Rubens's intellect in the medium then most associated with the closest ideas of the artist, such designs were arguably created as more robust pedagogical and preparatory models that could help strengthen art itself for a new and often troubled age.

Birds & Words is a true reflection of Charley Harper, that rare species of a man with twinkling eyes and smile, with wit as infectiously keen and light-hearted as his paintings. Harper the humorist is as captivating in the self composed stories that accompany his serigraphs as Harper the artist. This boxed reissue of the highly collectible 1974 classic is perfect for every bird lover, art collector and Charley Harper fan alike. Specially made cloth wrapped boxes open to reveal a numbered cloth bound book and one of four beautiful silk-screen prints, each estate stamped and hand numbered. A perfect gift for any occasion.

"...by far the best primer [on perspective] I've ever seen. If you have other books, throw them away and buy this. You won't regret it." - Artbookreview.net Learn how to master perspective and create convincing drawings of the three-dimensional world with the help of artist and teacher, Tim Fisher. Every aspect of perspective, from zero- to multi-point, is explored and explained in simple terms that everyone can understand. In addition to landscapes and buildings, you will learn how to apply perspective to people, animals, boats, reflections and more. There is also expert advice on drawing curved objects and inclined planes, a run-down of common mistakes, and an inspirational chapter on moving beyond a rigid application of the rules to draw freely and instinctively. Clear diagrams and finished drawings are included throughout, along with numerous exercises so that you can put your new skills into practice. This is a revitalized edition of Drawing Masterclass: Perspective (ISBN: 9781782211112).

'The beginnings of a bitter-sweet commission: a mistle thrust's egg, heralding a brief but very welcome return to spring... This year has been in such a hurry, at times almost tripping over itself in its keenness to reach autumn, and now she's here.' Highly respected illustrator Anna Koska is best known for her drawings of fish and fruit and is widely celebrated by food journalists and restaurateurs. In this mindful, artistic journal, Anna celebrates the natural world; the changing of the seasons, the blossoming of flowers and the ripening of fruit. Working in watercolour, pen and ink, oils and luscious egg tempera, Anna's illustrations are reproduced in beautiful detail and they are accompanied by her musings and observations of objects, engaging us in the everyday realities of her artistic practice. Anna sources inspiration from the flora and fauna in the fields and forests surrounding her home in East Sussex. Her illustrations root us in nature, allowing us to pause to admire and appreciate the beauty and significance of everyday occurrences - whether she is drawing wasps feasting on apples fallen in the orchard, or trying to capture the cerulean blue of a winter sky. In this book, image and narrative text are wedded to create a beautiful journey through the seasons, taking time to appreciate our surroundings. 'It started with my favourite fish, a red mullet, all bronze, copper, gills and scales. Then mackerel, coloured like a Scandi sky. Soon enough, I was seduced by a sketch of figs and Anna's alluring tones.' Allan Jenkins, Observer Food Magazine.

Turn the Louvre pyramid into a greenhouse! Design your own folly or maze! Green up a car park or experiment with topiary! Whether you have a garden or not, you can let your horticultural imagination run wild. Sam Piyasena's charming illustrations and Kendra Wilson's witty activity suggestions provide the inspiration. This fun book will delight lovers of gardens and green spaces of all ages.

Having trouble drawing a nose that looks like a nose? In this step-by-step guide, Lee Hammond will teach you how to draw realistic-looking portraits of your favorite people-more easily than you ever thought possible. Really! The secret is in the blending: With pencil and paper, Lee shows you how to create gradual, smooth shadings of light and dark to replicate the subtle contours of skin...and how to use these simple shading techniques to make any shape look three-dimensional. After you've got the basics down, you'll see how to draw every part of the face. It's made easy by looking at each feature as simple, interlocking shapes, then adding the right highlights and shadows. In no time, you'll be drawing realistic noses, mouths, eyes, ears...even facial expressions. Then you'll see how to put all those features together to create an expressive portrait that actually looks like your subject! Step-by-step demonstrations guide you all the way.

If you can write your name, you have enough touch to learn to draw. Let Mark Linley inspire you to pick up your pencil and create a magical masterpiece. His positive approach secures quick, accurate results and ever-growing confidence. Learn to look properly and get the basic outlines correct; include the key features but simplify what you see; understand how shading (such as dot stipple or cross-hatching) can transform a sketch; get the eye level right and see how a grid helps with the composition. Whatever you want to draw - a beautiful holiday scene, a lifelike portrait of your family or favourite pet, or even a funny cartoon to illustrate a birthday card - Mark Linley shows, in this new edition of his bestselling book, everything you need to succeed.

Create beautifully textured details in colored pencil-it's easier than you think! New in paperback! In Texture in Colored Pencil (formerly known as Capturing Soft Realism in Colored Pencil), learn to render lovely background and foreground elements in your colored pencil artwork with skill and confidence! Ann Kullberg's invaluable, fail-proof techniques will help you transform a "good" portrait into an extraordinary work of art. Inside you'll find easy-to-follow, step-by-step instruction that shows you how with over thirty-five different subjects. Learn to create a wide variety of details-from flowers, sand and waterfalls to lakes, leaves, stones and more. Kullberg also includes a special Q&A section that explores, illuminates and answers your most common colored pencil questions. You'll learn how to choose the colors and pencil strokes that ensure wonderful results every time. This classic guide is all you need to learn to add gorgeous details and more to every piece of art you create! *Note to readers: This book is a paperback reprint of Capturing Soft Realism in Colored Pencil by Ann Kullberg (now out-of-print). This is a paperback version of the hardcover title with a new cover and title; the interior content is the same.

The Ultimate Beginner's Guide to Drawing Figures! To draw an anatomical figure, you don't need a stack of weighty anatomy books. Just take it step by step! In How to Draw People, author Jeff Mellem teaches beginning artists how to draw the human figure, from stick figure to anatomically accurate person, in clear, easy-to-follow lessons. More than just a reference, this book provides the step-by-step instruction to teach you to draw the human figure and the anatomical knowledge to draw it realistically. In each chapter, called "levels," you'll learn core concepts for drawing the human figure. Each new chapter builds on the previous one to give you the skills you need to add complexity to your drawing. By the end of each chapter, you will be able to draw the figure with greater detail. By the end of Level 5, you will be able to draw an expressive figure with defined muscle groups in a variety of poses both real and imagined. Clear goals to progress from stick figure to anatomically correct Exercises and assignments to practice new skills Level-Up Checklists in each chapter to assess your skills before moving on With clear step-by-step demonstrations and check-ins along the way, How to Draw People is the beginner's guide to drawing realistic figures.

In this innovative guide, master art instructor William Maughan demonstrates how to create a realistic human likeness by using the classic and highly accurate modelling technique of chiaroscuro developed by Leonardo daVinci during the High Renaissance. Maughan first introduces readers to the basics of this centuries-old technique, showing how to analyse form, light and shadow; use dark pencil, white pencil and toned paper to create full range of values; use the elements of design to enhance likeness; and capture a sitter's gestures and proportions. He then demonstrates, step by step, how to draw each facial feature, develop visual awareness and render the head in colour with soft pastels.

Cajal's Neuronal Forest: Science and Art continues the tradition set forth by its sister volume Cajal's Butterflies of the Soul (OUP, 2009). This new collection contains hundreds of beautiful rarely-seen-before figures produced throughout the nineteenth century and the beginning of the twentieth century by famed father-of-modern-neuroscience Santiago Ramon y Cajal (1852-1934) and his contemporaries. Cajal was captivated by the beautiful shapes of the cells of the nervous system. He and his fellow scientists saw neurons as trees and glial cells as bushes. Given their high density and arrangement, neurons and glial resembled a thick forest, a seemingly impenetrable terrain of interacting cells mediating cognition and behavior. In unraveling the mysteries of the brain, these researchers encountered an almost infinite number of cellular forms with an extraordinary beauty, which they could not help but put pen to paper, allowing them to discover a new artistic world- the neuronal forest- that gave free rein not only to their imagination, but to a new way of viewing the brain as well. This book has been divided into two parts. The first focuses on the scientific atmosphere in Cajal's times, on the history of the neuron, and the anatomical challenge posed in studying neuronal connections. It also delves into the artistic skills of Cajal and other important pioneers in neuroscience and how the neuronal forests have served as an unlimited source of artistic inspiration. The second consists of 275 original drawings by Cajal. All were published over the course of his scientific career and cover virtually all of his research fields of interest, including the spinal cord, the optic lobe and retina, cerebral cortex, and many other regions of the brain. Cajal's Neuronal Forest: Science and Art is a testament to the natural beauty found in science. Despite the common misconception that the drawings of Cajal and other scientists of the time are pieces of art, these drawings are in fact copies of histological preparations and contributed greatly to the discoveries made in the field of neuroscience. This book is a gem in any library, whether serving as a medical history or a gallery of stunning sketches.

This is an essential book for anyone learning to draw, or wishing to improve their drawing. Starting with the basics of drawing techniques, Civardi gives expert advice on drawing portraits, the clothed figure, hands and feet and scenery, finishing with a section on the importance of light and shade. Civardi's technical advice and practical tips, accompanied by his own outstanding drawings, make this an invaluable resource for any artist. Previously published as Giovanni Civardi's Complete Guide to Drawing (9781844482061) and now includes The Nude (9781844482443).

Painting and Drawing the Head combines technical instruction, art history references and thoughts on the day-to-day practice of painting the head from life. The rich text, supported by over 100 paintings, gives a thoughtful account of the process of capturing a likeness. After introducing materials, principles and ideas, it follows the course of painting a head in five sittings, providing unique insight and practical comment throughout: from the choice of ground for the picture, through the set-up, the structure of the sessions, guidance on how to compose and what palette to use, all the way to the later stages of developing a portrait over time.

This collection of drawings and watercolours of the mosaics and wallpaintings of early medieval churches in Rome forms an important part of the paper Museum, since it sheds much light on the nature and scope of antiquarianism in Italy at the time of the Counter-Reformation. The drawings and watercolours catalogued and illustrated here are all in the Royal Collection, Windsor Castle, and are mostly by the artist Antonio Eclissi. The reproductions are generally in full colour, and frequently accompanied by illustrations showing the actual decoration in situ. The introductory essays outline the important phases of Cassiano dal Pozzo's career, discuss the history and significance of the 'Paper Museum', and explore the Christian tradition in seventeeth-century Rome. The Catalogue Raisonnee analyses each drawing in the greatest detail. This volume, the first to appear in the series, will be of special interest to archaeologists and medievalists engaged in the study of Rome's Early Christian churches, since many of the buildings, mosaics and paintings are now no longer extant. This collection of drawings and watercolours of the mosaics and wallpaintings of early medieval churches in Rome forms an important part of the Paper Museum, since it sheds much light on the nature and scope of antiquarianism in Italy at the time of the Counter-Reformation.

Manet, Pissarro, Morisot, Cezanne, Seurat, Gauguin, Van Gogh and their colleagues made some of the most beautiful drawings in the history of art. This book sets drawings by the Impressionists and Post-Impressionists in the context of late nineteenth-century France and explains why these particular works are as important as their paintings in the representation of modernity. A new approach to materials and a wholly inclusive attitude to exhibitions gave drawings a more elevated status in this period than ever before, which avant-garde artists welcomed in their preference for scenes from contemporary life. For the first time also, painting and drawing shared the same stylistic principles of spontaneity, freer handling and lack of finish. Pastels by Degas, watercolors by Cezanne, pen-and-ink drawings by Van Gogh and mixed media works by Toulouse-Lautrec have an autonomy of their own, which proved instrumental in the development of modern art. The distinguished art historian Christopher Lloyd examines the drawings of twenty of the leading Impressionist and Post-Impressionist artists, highlighting an aspect of French avant-garde art that remains relatively unexplored and was of immense importance for the art movements that followed

Following the success of Beginner's Guide to Sketching: Characters, Creatures & Concepts, 3dtotal Publishing presents readers with another fun, inspiring book on traditional sketching, with a focus on sci-fi themes. From robots and spaceships to buildings and aliens, Beginner's Guide to Sketching: Robots, Vehicles & Sci-fi Concepts is an informative starting point for any sci-fi-loving beginner artist who needs an introduction to traditional drawing and rendering techniques. Richly illustrated tutorials by industry professionals will guide the reader through learning a wide range of drawing tools, the basics of lighting and perspective, creating different rendering effects, and how to create sci-fi concepts that are both convincing and excitingly futuristic.

This book provides a thorough and expert guide to the subject of botanical drawing, through detailed text, examples of the author's own studies, short exercises and larger projects. Penny Brown produces traditional botanical drawings primarily rendered in pencil. The book touches on the history of botanical drawing, the rules and practicalities, and includes an accessible, basic study of botany for the absolute beginner. From creating an initial line drawing to adding tone and then creating more complex compositions, Botanical Drawing is a detailed study of the practice for anyone wishing to explore the subject in great depth, led by an expert artist.

This easy-to-use easel format book is ideal for both complete beginners and more experienced artists who want to expand their skills. It contains clear instructions, reliable advice and friendly encouragement to unleash your creativity. It features over 600 illustrations and photographs lead you step by step through each project. It features carefully planned lessons that teach you how to draw the detailed features of people and pets. It offers easy-to-follow guidance on composition, perspective, medium, and the best sitting position for drawing. In this title, projects include household objects, winter tree, Victorian house, portrait of a girl, and ducks on the pond. From flowers and still lifes to landscape and family portraits - you can learn how to draw in just 15 simple, fun lessons. All you need to get started is some basic equipment and a sketchbook. Then just follow the step-by-step directions to learn time-tested techniques for using pencils, pens, pastels and charcoal, and watch your artwork form before your eyes. A useful introduction contains guidance on types of easel, sitting positions, basic equipment and choosing a sketchbook, as well as simple instructions for basic shapes. The chapters that follow cover Still Life, Flowers and Trees, Landscape, People and Portraits, and Animals. Each project is illustrated with detailed stage-by-stage pictures, including close-ups of difficult sections. The practical easel format makes this book easy to use by any aspiring artist.

It is in the wilderness of cities rather than in nature that the imagination of these landscape drawings comes to life. Without any heroic emphasis, these drawings result from the observation of traces, evident or discreet, in the urban landscape, and the process to collect and memorise traces is the way to consider memory as a primary medium for creativity. The selected collection of over 150 drawings, thought and imagined over many years, delineates a personal city experience, without any intention of building a new city theory. No single drawing in this book is a representation of cities in-situ; all of them are interpretations, translations, and combinations of traces collected and selected while teaching, working, meeting cultures, and eating food in many different cities around the world. These drawings are a different form of communication than the beautiful renderings produced in endless numbers.

Create your own floral and plant illustrations, with no previous artistic experience necessary! Each project in this beautiful book is broken into easy-to-follow, step-by-step instructions, making how to draw leaves and flowers (including poppies, pansies, and cherry blossoms!) as easy as 1-2-3. You'll also learn the process of creating patterns and digitising your illustrations!