A classic of simplicity! "Portrait Drawing" has guided and inspired a generation of artists to create beautiful, realistic portraits. In just eighty pages, author Wendon Blake covers all the basics, from papers and pencils to drawing eyes, nose, mouth, ears, and head from every angle. Drawings by artist John Lawn illustrate each point clearly, making it easy to master the basics and move on to conveying expression and emotion. Ten "demonstrations" show exactly how to put everything together for portraits that are more than the sum of their parts. Easy to understand, easy to use, this 25th Anniversary edition of "Portrait Drawing," newly updated for today's artists, shows the quick, rewarding way to master the fundamentals of a favorite genre.

In Sketching Men, veteran art instructor Koichi Hagawa, PhD explains how to quickly capture the dynamic male form through two distinct styles of sketching: Very rapid (1-3 minute) line drawings that capture the essence of the subject's posture and movement--perfect for recording athletic action poses in the moment More finished tonal drawings, which take a bit longer to render (7-10 minutes), but fill in lots of interesting texture and wonderfully realistic details and nuances, including the play of light and shadow, three-dimensional form and a sense of mass and balance Learn to sketch the following: Individual body parts and their bones and muscles Objects held in the hands and with both arms Standing and sitting poses Transitions from prone and sitting poses to a standing pose Bending, reaching and leaning poses Pushing, throwing and dancing poses Folds, gathers and drape of clothing This book contains hundreds of detailed studies and helpful examples. Your sketches will improve rapidly as you learn all about how human anatomy--the skeleton, muscles and posture--all come together to express the uniquely male form. When you hone your line and tonal drawing skills with this book, all of your artwork will improve as a result, no matter the application: storyboarding, cartooning and graphic novels, illustration, formal drawings, painting and more!

Both serious artists and casual doodlers can use the handsome sketchbooks, now offered in seven colors, four sizes, and with the options of lizard finish or Kivar covers and a sewn or spiral wire-o binding. Many choose the popular large format for sketching outdoors or for toting to art class. Others like to toss the smaller sizes into a purse or backpack. The archival-quality, vellum-finish paper is especially appealing to artists. It will not yellow with time, ensuring the preservation of their drawings, and its smooth surface readily accepts any drawing medium. The spiral-bound version opens flat. All the covers have a leatherlike finish but are actually tough and waterproof.

Featuring more than 600 sketches depicting a vast array of fantastic beasts and beings, Draw Like an Artist: 100 Fantasy Creatures and Characters is a must-have visual reference for student and aspiring artists, illustrators, and animators for fantasy, gaming, and augmented or virtual reality-anyone who's seeking to improve their realistic drawing skills and create compelling mythological marvels. This contemporary step-by-step guidebook demonstrates fundamental art concepts like proportion, anatomy, and spatial relationships as you learn to draw a full range of amazing life forms-including unicorns, mermaids, dragons, vampires, and zombies-all shown from a variety of perspectives. Each set of illustrations takes you from beginning sketch lines to a finished drawing. Author Brynn Metheney's classic drawing style will make this a go-to sourcebook for years to come. Learn how to: Establish basic shapes and symmetry Articulate lines for body shapes, forms, and shading Add defining details Draw Like an Artist: 100 Fantasy Creatures and Characters is a library essential for any artist who's interested in learning how to draw these richly imagined and visually and culturally influential legendary beings. The books in the Draw Like an Artist series are richly visual references for learning how to draw classic subjects realistically through hundreds of step-by-step images created by expert artists and illustrators.

Painting and Drawing the Head combines technical instruction, art history references and thoughts on the day-to-day practice of painting the head from life. The rich text, supported by over 100 paintings, gives a thoughtful account of the process of capturing a likeness. After introducing materials, principles and ideas, it follows the course of painting a head in five sittings, providing unique insight and practical comment throughout: from the choice of ground for the picture, through the set-up, the structure of the sessions, guidance on how to compose and what palette to use, all the way to the later stages of developing a portrait over time.

The Mandala Sketchbook is a new and exciting sketchbook, which will appeal to both adults and children, for the creation of beautiful Mandalas in 8 easy steps. A Mandala is a Sanskrit word meaning circle or discoid object and creating a Mandala involves using a variety of own unique shapes and patterns. Designing, drawing and colouring a Mandala can be a highly enriching and calming personal experience. With 48 pages to complete or share with others, the Mandala Sketchbook guides you through the design process before setting you free to enjoy creating your own unique designs, which can be coloured in or painted once completed. The perforated pages allow the illustrations to easily be removed for framing or card-making

Capture the splendour of the African savannah by drawing this collection of stunning animals and birds. Watch them come to life in six easy steps. Award-winning artist Jonathan Newey teaches you to transform simple shapes into the iconic Big Five (lion, leopard, rhinoceros, elephant and buffalo), as well as towering giraffes, distinctive zebras and striking flamingos. There are 26 different animals to create, in a variety of poses and styles. Each project starts with a few basic outlines and progresses into a finished tonal drawing, and a final coloured version shows you how to develop your drawing even further. Perfect for beginners, as well as budding artists, you'll be amazed how easily you too can draw African animals with this inspiring guide.

Best-selling artist and art instructor Mark Crilley, whose YouTube manga instruction videos have received more than 10 million views and counting, presents the most complete look yet at the variety of creative options available in the world of manga. Crilley fills each chapter with gorgeous, original artwork created with a variety of tools and in a variety of manga-inspired styles. He pairs each piece with information on the materials used and the inspiration that led to its creation. Manga Art provides readers the chance to hear from one of the leading artists in the field of manga instruction, as he reveals the creative secrets behind over 100 pieces of original, never-before-seen artwork.

Some may think sketching is a disappearing skill, but if you ever enter a design studio, you will find out differently. Studios still make sketches and drawings by hand and in most cases, quite a lot of them. They are an integral part of the decisionmaking process, used in the early stages of design, in brainstorming sessions, in the phase of research and concept exploration, and in presentation. Drawing has proved to be, next to verbal explanation, a powerful tool for communicating not only with fellow designers, engineers or model makers but also with clients, contractors and public offices. This book can be regarded as a standard book on design sketching, useful for students in product design.

Sarah Raphael (1960-2001) died young: preparing a show for New York, she contracted pneumonia and never recovered. Her work, large- and small-scale, is now represented in all the leading British collections. A major retrospective at Marlborough Fine Arts, London, in 2003, bringing together work from her last seven years, was as amazing as her earlier exhibitions in its brilliance, its formal variety and inventiveness. One breathtaking area of her work which has so far been inadequately displayed is her drawing. There are few modern artists who equal her in assurance and firmness of line. Michael Ayrton said to her when she was fourteen, 'Draw your own hands. If you can draw your own hands you can do anything.' She did, and she could. Her informal portraits of friends, some well-known, some unknown, never flatter except in telling the truth. She did justice to every model, and her sense of setting, the economy of her perspectives, her ability to create presence, continue to amaze the viewer. Even the most seemingly casual sketch, closely observed, reconstitutes an original, sculptural space about it. The lessons Michael Ayrton taught ensured that she is always at least a three-dimensional artist. Most of the drawings are from her notebooks and sketchbooks, and Frederic Raphael draws from over twenty-five years of work, primarily pencil sketches. As William Boyd has written, 'you can tell how good they are, yourself'. She has her own, unarguable authority.

Computers can calculate perspective angles and create a drawing for us, but the spontaneity of mark making, the tactile quality of a writing surface, the weight of a drawing instrument, and the immediacy of the human touch are sensations that keep traditional drawing skills perpetually relevant. The sensuality and convenience of the hand persists and will survive as a valuable communication tool, as will the need to accurately express your ideas on paper. As a professional, understanding the foundations of drawing, how we process images, and how we interpret what we see are principal skills. Understanding linear perspective enables artists to accurately communicate their ideas on paper. The Complete Guide to Perspective Drawing offers a step-by-step guide for the beginner as well as the advanced student on how to draw in one-point through six-point perspective and how to make scientifically accurate conceptual illustrations from simple to complex situations.

An illustrated exploration of the largely unpublished collection of eighteenth-century French drawings, albums, and sketchbooks at the Bibliotheque nationale de France Promenades on Paper explores the largely unmined collection of eighteenth-century drawings held in the Department of Prints and Photography of the Bibliotheque nationale de France. Among the 50 featured artists are some of France's most celebrated eighteenth-century practitioners, including Madeleine Basseporte (1701-1780), Francois Boucher (1703-1770), Gabriel de Saint Aubin (1724-1780), and Jean-Honore Fragonard (1732-1806), alongside architects, designers, and printmakers. Scattered across the institution's vast reserves, these drawings have until now served primarily documentary purposes. In this book, leading international scholars introduce more than 80 drawings, albums, and sketchbooks-many published here for the first time-and reveal how artists used drawing to record, critique, and try to improve the world around them. Distributed for the Clark Art Institute Exhibition Schedule: Clark Art Institute, Williamstown, MA (December 17, 2022-March 12, 2023) Musee des Beaux-Arts de Tours (May 12-August 28, 2023)

Inkworks is a delightful collection of mech sketches from key video game designer Darren Quach. Created to resemble an artist sketchbook, flipping through the pages will elicit the feeling of looking at private, treasured drawings. A visual journal of mech development, this book will provide insight into the techniques of a talented video game concept designer.

Explore exciting new ways of using graphite, charcoal and mixed media to create dramatic landscape drawings, under the expert tutelage of Robert Dutton. The Innovative Artist series provides a unique insight into the methods and materials used by leading contemporary artists who are pushing the boundaries of their art. Through numerous examples of the author's work alongside practical demonstrations, each book provides a fascinating exploration of the artist's creative process that will inspire the reader to move forward on their own artistic journey. This book is aimed at artists who wish to explore new ways of using a variety of drawing media to create striking, dramatic landscapes. Author-artist Robert Dutton uses his expressive, loose style of drawing and painting to capture, with great emotion, the power and drama of the landscape. Robert combines media such as liquid graphite, inks, metallic inks, charcoal and water-soluble painting and drawing pastels, and also experiments with collage work. Predominantly focusing on working in black and white, Drawing Dramatic Landscapes explores basic drawing techniques using a limited range of media, then introduces new techniques and products as the reader progresses. This is a highly-instructive guide to the techniques Robert himself uses, with numerous exercises and larger step-by-step projects throughout the book showing how he works. Alongside these are numerous examples of the author's finished artworks accompanied by informative captions explaining the methods used to create them, thereby providing both instruction and inspiration. Robert works outdoors from life much of the time, later finishing his artworks in the studio. His work is both achievable and aspirational, making this a highly-attractive book for established artists who wish to gain insight into the work of their contemporaries who are experimenting with new and innovative techniques.

The Stripy Bird. The Scroobius Bird. The Obsequious Ornamental Ostrich who wore boots to keep his feet quite dry. Of all the animals that sprang from the idiosyncratic imagination of Edward Lear, few feature as frequently as birds, which appear throughout his work, from the flamboyant flock in the Nonsense Alphabet to the quirky avian characters of his limericks, stories, and songs. Lear drew himself as a bird on numerous occasions. In a popular self-portrait-later reproduced on a postage stamp-Lear even represented himself as a portly, bespectacled bird. Edward Lear's Nonsense Birds collects more than sixty of Lear's bird illustrations from across his entire body of work. Often, the birds have hilariously human characteristics. There is, for instance, a Good-Natured Grey Gull, a Hasty Hen, and a Querulous Quail. The Judicious Jay is chiefly concerned with good grooming. The Vicious Vulture, meanwhile, turns out to be a wordsmith whose verses on vellum celebrate veal. Each bird is endowed with a unique personality, while collectively they form a wonderfully amusing flock. Also included are a series of twenty-four hand-colored illustrations. Bright and beautifully illustrated, this book will make a perfect gift for children of all ages and will also be welcomed by all who love Lear's work or are interested in learning more about his fascination with birds.

With a new introduction by author Le Roy Ladurie, this special edition offers a fascinating history of a fourteenth-century village, Montaillou, in the mountainous region of southern France, almost destroyed by internal feuds and religious heterodoxy. Ladurie's portrait is based on a detailed register of Jacques Fournier, Bishop of Pamiers and future Pope Benedict XII, who conducted rigorous inquisition into heresy within his diocese. Fournier was a consummate inquisitor, an acute psychologist who was able to elicit from the accused the innermost secrets of their thoughts and actions. He was pitiless in the pursuit of error, and meticulous in recording that pursuit. LeRoy Ladurie analyzes the behavior, demography, social mentality, and cosmology of the community of peasants and shepherds, and vividly evokes the daily life of the village and mountain pastures. His portrait of Montaillou is dominated by the personal histories of two men: the cure Pierre Clergue, a brutal and powerful man who placed his enemies in the hands of the inquisitor; and the shepherd Pierre Maury, a friend of the Albigensian perfecti and a fatalist who returned from Spain to disappear in the inquisitor's prison in his own country. Montaillou, which has received even more praise than LeRoy Ladurie's earlier work, provides a portrait of a fascinating place with a dark, intriguing history.

This concise book contains all you'll ever need to know about perspective drawing. In twenty masterfully organized chapters, from simple to complex, the author explains the basics and not-so-basics of perspective drawing. He includes suggestions on how to make your drawings a lot simpler, drawing methods for observation and space division, a "Remember" section at the end of each chapter in which he summarizes the most important information and principles presented in that chapter, and a "Problems" section with exercises that will help you apply what you just learned.

This great book, devoted entirely to clarifying the laws of perspective, has over 250 simple line drawings, includes 256 illustrations, and leads the reader through every important concept.

Green (True Colour) is a short course in unlocking your creative self - perfect for budding artists of all ages who are keen to try out different techniques and materials and begin their artistic journey.

Many people crave a creative outlet, but more often than not, don't know where to start. In Green (True Colour), Valentina Zucchi and Angela Leon invite you to nurture your creativity and build your confidence by taking inspiration from works of art that celebrate green - the colour of fertility, abundance and life.

Green (True Colour) imparts energy, relaxes, refreshes, cleanses and heals. It is ultimately a colour that belongs to nature and has always been loved by artists. Throughout the book, Valentina and Angela provide creative and fun prompts - many based on famous works of art - which will encourage you to draw or paint on the pages using various techniques. Packed with inspiration from the world's most celebrated artists, including Claude Monet, Paul Cezanne, Georges Seurat and more, you will discover the many meanings of green and just some of the ways it can be used to express your creative passion.

As the focal point of numerous high-profile exhibitions, the sculpture of Richard Serra (b. 1939) has drawn international acclaim. Yet even those who have marveled at Serra's intellectually rigorous and large works of sculpture may not be familiar with his equally intriguing drawings. This handsome book brings together for the first time Serra's drawn work, considering the artist's investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings underwent significant shifts in concept, materials, and scale and became fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper. Distributed for The Menil Collection Exhibition Schedule: The Metropolitan Museum of Art(04/11/11-08/28/11) San Francisco Museum of Modern Art (10/15/11-01/16/12) The Menil Collection (03/02/12-06/10/12)

Draw Fabulous Furries

Furries are so much fun to draw, people have been doing so for thousands of years. By crossing animal traits with human, you can create some fantastic characters with distinct personalities.

The authors of "Draw Furries" bring you more of the best step-by-step lessons for creating anthropomorphic characters. You'll learn everything from furry anatomy, facial expressions and poses to costumes, coloring and settings You'll also learn how to create characters that convey the various personalities and spirits of the animals they resemble. "Draw More Furries" is packed with 20 new furries, "scalies," and mythological creatures with lessons covering everything from drawing mouths and muzzles to paws, feathers and fur. The anthropomorphic creatures you can create with these easy-to-learn lessons are limitless

But you won't just stop there. Lindsay and Jared take you to the next level by showing you how to build a scene from start to finish. From dinosaur warriors to snow leopard pirates, you'll be drawing all kinds of fun, furry friends in no time

• Loaded with more than 50 step-by-step demonstrations for a variety of characters from furries to mythological creatures.
• Extended demonstration shows how to build a scene from initial concept drawings and character development to a final colored scene.
• See a variety of different styles of art from guest artists who share their processes for creating lively characters.