'This is botanical illustration at the highest level.' - The Artist Christabel King is the foremost botanical artist at the Royal Botanical Gardens at Kew, world leaders in the study and preservation of plant species. Here she shares her passion for depicting plants, both in scientific illustrations and in looser botanical art. This inspiring guide covers everything you need to know: choose a subject and create a vibrant composition; accurately sketch, shade and colour leaves, flowers, cacti and more; finally, press and preserve your own treasured specimens. A chapter on travel drawing gives a flavour of the author's worldwide experience, and there are many of her beautiful plates from the prestigious Curtis's Botanical Magazine. There is a helpful section on suitable subjects for beginners and a glossary of terms, to get you started in the beautiful art of botanical illustration.

Prints and drawings have been keenly collected in Europe since at least the early sixteenth century. Relatively modest in price, they offered artists, amateurs and collectors of a systematic turn of mind the opportunity to put together holdings with a wide representation of different hands, schools and types of subject. Prints and drawings are traditionally treated separately, but their collecting is shown here to raise many interrelated issues. Employing a wide range of methodologies, the essays in this volume offer a number of innovative investigations into the collecting, perception, classication and display of works on paper.

"Drawing - The Process" is a collection of papers, theories and interviews based on the conference and exhibition of the same name held at Kingston University in 2003.

Much debate and research is currently undertaken in this area and it is the intention of the book to galvanize this, while providing a vehicle for deep enquiry. The publication will firstly comprise a collection of refereed papers representing a breadth of activity and research around the issues of drawing within the broad context of art and design activity. The second dimension of the book will be an examination of the drawing processes of high profile practitioners.
The publication will encompass the best contemporary investigation of a subject pivotal to art and design activity, and should be recognized as a fundamental text for students at both undergraduate and postgraduate levels.

This instructional drawing book is intended to guide the reader through a story-telling based approach to gesture drawing, utilizing different techniques and exercises that encourage and develop creative problem solving as it relates to observational studies. This book clearly outlines a work flow and process with a simple exercise program that encourages the artist to ask questions and create work that engages not only their audience but themselves. Rich illustrations are included throughout that depict this workflow and also different drawing and mark-making techniques, and how to apply the exercises throughout the course of the book. Included are video drawing tutorials and examples. Key Features The approach to drawing as explained in the book is broken down into simple, clearly defined concepts. Each chapter outlines a further step in the drawing process, ending with a technique or exercise the reader can then execute to begin applying each concept to their work. Ample amount of illustrations drawn exclusively for this book or taken directly from the author's physical classes to clearly show the reader individual concepts, exercises, techniques, ideas, etc., so the reader may feel comfortable enough to follow the program. Each chapter includes a chapter objective as well as a summary and ample amount of illustrations which relate to the chapter objective. Key Terms will also be highlighted and defined so that they may be referenced throughout the book without causing unnecessary confusion. Companion video tutorials that show the reader different topics and exercises for reference.

Despite the modern dominance of computer graphics programs and digital cameras, the ability todraw geological structures manually remains a necessity in academic geology and beyond. Drawings serve for quick and simple documentation in the field or at the microscope. They can be applied as a language of their own as well as be adapted to suit specific requirements. Moreover, geological drawing improves observational ability and contributes to the understanding of geological structures and structure-forming processes. Geological drawing is assisted scientific thinking. Drawing Geological Structures provides undergraduate as well as graduate and practicing geologists with a thorough, step-by-step practical guide to the art of geological drawing. Beginning with the basics, the book covers thin sections, sample sections, samples and geological stereograms. The chapters provide examples of how drawings evolve and are complemented by exercises, allowing the reader to practice their drawing prior to going out into the field or working at the microscope. Users of this unique guide will develop their knowledge and technical vocabulary whilst also improving their drawing skills.

A fun how-to sketchbook for drawing portraits and selfies! Sketch Your Best Self is a quirky guide to drawing all kinds of faces - starting with your own! The book is split into four sections, covering the basics, how to draw faces, building bodies and selfie style. This comprises how to draw features, how to create different expressions, drawing bodies and limbs and lots of fun stuff including how to create a selfie in pop art style, full colour, monochrome and retro classics style. So pucker up for creating lips, decide if today is a good or bad hair day, practise some photobooth-style expressions, build your friends limb by limb, add some attitude, then try out the fun and whimsical drawing challenges with super fun pages based around Snapchat style filters. Don't be left out - this beautiful book is fully inclusive and can be enjoyed by everyone!

More than 70 works of Hogarth include musical references, and Jeremy Barlow's book is the first full-length work devoted to this aspect of his imagery. The first two chapters examine the evidence for Hogarth's interest in music and the problems of assessing accuracy, realism and symbolic meaning in his musical representations. Subsequent chapters show how musical details in his works may often be interpreted as part of his satirical weaponry; the starting point seems to have been his illustrations of the clamorous 'rough music' protest in Samuel Butler's immensely popular poem Hudibras. Hogarth's use of music for satirical purposes also has connections with a particular type of burlesque music in 18th-century England. It may be seen too in the roles played by his humiliated fiddlers or abject ballad singers. Each of the final two chapters focuses on a particular Hogarth subject: his paintings of a scene from a theatrical satire of music and society, The Beggar's Opera, and the print The Enraged Musician itself. The latter work draws together uses of musical imagery discussed previously and the book concludes with an analysis of its internal relations from a musical perspective. The book is lavishly illustrated with Hogarth's drawings, prints and paintings. Many other images are reproduced to provide contextual background. Several indices and appendices enhance the book's value as a reference tool: these include an annotated index of Hogarth's instruments, with photographs or other representations of the instruments he depicts; a detailed index of Hogarth's works with musical imagery; the texts and music for broadside ballads and single-sheet songs related to Hogarth's titles; 18th-century texts and street cries related to Hogarth's The Enraged Musician, and other musical examples indicated in the text. Also included is a facsimile of Bonnell Thornton's burlesque Ode on St CA|cilia's Day.

Some may think sketching is a disappearing skill, but if you ever enter a design studio, you will find out differently. Studios still make sketches and drawings by hand and in most cases, quite a lot of them. They are an integral part of the decisionmaking process, used in the early stages of design, in brainstorming sessions, in the phase of research and concept exploration, and in presentation. Drawing has proved to be, next to verbal explanation, a powerful tool for communicating not only with fellow designers, engineers or model makers but also with clients, contractors and public offices. This book can be regarded as a standard book on design sketching, useful for students in product design.

This new detailed guide to learning the skills and techniques of drawing modern fashion and figure is also a rich reference source for a broad range of modern garments and accessories. Extensively illustrated, this introduction teaches by example, the power of drawing as a means of communication and expression and strives to show students how to perceive things in order to be able to draw them correctly. The first section is dedicated to drawing the human figure, while the second portion deals with how to draw a wide range of modern garments and accessories and the types of techniques used to render them convincingly and elegantly in different fabric designs and textures. This volume offers a complete presentation of proportions of the croquis, draping the figure, accessories, flats, and features an encyclopedia of details, how to draw textiles and real clothes, the art of illustration, and computers and fashion drawing. For designers, fashion professionals, teachers and students of fashion.

Before photography was invented, we relied on illustrations, paintings and, even more so, real dead bodies to gaze upon decaying flesh. Many visual expressions of death were used to moralize or romanticise death. Vanitas paintings were made to remind us that life is only temporary and all mortal possessions remain in vain. The Japanese Kusozu tradition of watercolour paintings, that depict the nine stages of the decaying body, from the first moment of death unto the final stages, were made to remind us not to give into bodily desires. Romantic war paintings asked the viewer to fight for the cause. In DEATH BOOK, you will find various signs and symbols related to death, such as skulls, violence, accidents, spirits, cadavers, sexual acts and references to religion and Christ. The works included remind us of our living status, in ways that are sometimes funny, arousing or DEAD serious. A true representation of death, and its associated pain is impossible, but the works included attempt to communicate the agony, the anguish, the grave sadness and, sometimes, the humour associated with death. DEATH BOOK is art directed by PZtoday, who has designed the book as a Bible/Address book. With an introduction by Pernilla Ellens and Lauren Raaijmakers and featuring drawings, paintings and illustrations from Alicia Gibson, Christina Quarles, Dallas Seitz, Ellen Cantor, Franko B, Gray Wielebinski, Hermann Nitsch, Ion Birch, Keith Boadwee, Lin Ke, Mike Diana, Namio Harukawa, Oliver Eales, Patrick Wray, PZtoday, Qiu Xiaofei, Richard Hawkins, Sutapa Biswas, Toshio Saeki, Urs Luthi, Vittorio Scarpati, Will Henry, Julien Ceccaldi and many more.

Chinese brush painting is a traditional style of painting that has evolved over many centuries. Artists use ink and colour pigments to paint onto rice paper or silk. An important characteristic of this kind of painting is holding and directing the brush in the right way to produce strokes that are delicate and refined. The four co-authors of this book - Sun Chenggang, Ning Xiangying, Ning Jialu and Miao Hongbo - are particularly gifted proponents of this style, which has connections with traditional calligraphy. Chinese brush painting typically includes themes such as birds, plants and flowers, landscapes, fruit and vegetables and fish. This book explores these themes through the four seasons, with the peony depicted in spring, the lotus flower in summer, the vegetable harvest in autumn and the bamboo bud in winter. Many of the subjects are symbolic and have connotations of good fortune, auspiciousness, good health, a long life, a good harvest, a flourishing family, wealth - even immortality! Explained in the introduction to each project, the symbolism is followed by clear, step-by-step instructions and illustrations. There is a short section at the beginning of the book describing tools, materials and techniques to help readers achieve the almost ethereal beauty and delicacy of this style of painting.

The act of field sketching allows us to experience the landscape first-hand - rather than reliance upon plans, maps and photographs at a distance, back in the studio. Aimed primarily at landscape architects, Janet Swailes takes the reader on a journey through the art of field sketching, providing guidance and tips to develop skills from those starting out on a design course, to those looking to improve their sketching. Combining techniques from landscape architecture and the craft and sensibilities of arts practice, she invites us to experience sensations directly out in the field to enrich our work: to look closely at the effects of light and weather; understand the lie and shapes of the land through travel and walking; and to consider lines of sight from the inside out as well as outside in. Full colour throughout with examples, checklists and case studies of other sketchers' methods, this is an inspirational book to encourage landscape architects to spend more time in the field and reconnect with the basics of design through drawing practice.

Learn to draw the natural world with this inspiring and accessible guide by master-artist Giovanni Civardi. Beginning with the key drawing methods and essential materials you'll need to start your artistic journey, along with advice on drawing perspective as well as light and shade, learn to sketch country scenes, fruit, vegetables, animals and more. Throughout you'll find hundreds of helpful and practical illustrations, along with stunning examples of Civardi's work that exemplify his favourite techniques for capturing the natural world. This is the perfect book for both beginner and experienced artists looking for an inspirational, no-nonsense introduction to drawing natural subjects. This comprehensive guide brings together seven books from Search Press's successful Art of Drawing series: Drawing Techniques; Understanding Perspective; Drawing Scenery; Drawing Light & Shade; Flowers, Fruit & Vegetables; Drawing Pets; and Wild Animals.

Draw realistic animal portraits in coloured pencils with award-winning teacher and animal artist, Lisa Ann Watkins. Animals are an eternally popular subject for artists but how do you capture the character of a much-loved pet or bring a favourite animal to life on the page? Lisa Ann Watkins has made a career of teaching her coloured pencil techniques, and in this magnificent book she will show you how. A section on materials covers coloured pencils and watercolour pencils, along with supporting tools including PanPastels. This is followed by a chapter about composition and preparation: how to capture the best reference photographs from which to work, along with notes on digital tools that can be used to help with colour choice and tonal values. Lisa's clear, simple techniques are presented through ten studies that demonstrate how to breathe life into your portraits by focusing on the subject's fur texture, bright eyes, and glossy noses. They answer, in simple terms, common technical questions from students/followers that cover unique aspects of the medium such as the amount of pressure to use - and make beautiful artworks in their own right. A series of five step-by-step full animal portrait projects then follows, ranging from cats and dogs to cows and horses. Project outlines and reference photos are available to download for free from Bookmarkedhub.com

Oxford has a special place in the history of Pre-Raphaelitism. Thomas Combe (superintendent of the Clarendon Press) encouraged John Everett Millais and William Holman Hunt at a crucial early stage of their careers, and his collection became the nucleus of the Ashmolean collection of works by the Brotherhood and their associates. Two young undergraduates, William Morris and Edward Burne-Jones, saw the Combe collection and became enthusiastic converts to the movement. With Dante Gabriel Rossetti, in 1857 they undertook the decoration of the debating chamber (now the Old Library) of the Oxford Union. The group's champion John Ruskin also studied in Oxford, where he oversaw the design of the University Museum of Natural History and established the Ruskin School of Drawing. Jane Burden, future wife of Morris and muse (probably also lover) of Rossetti, was a local girl, first spotted at the theatre in Oxford. Oxford's key role in the movement has made it a magnet for important bequests and acquisitions, most recently of Burne-Jones's illustrated letters and paintbrushes. The collection of watercolours and drawings includes a wide variety of appealing works, from Hunt's first drawing on the back of a tiny envelope for The Light of the World (Keble College), to large, elaborate chalk drawings of Jane Morris by Rossetti. It is especially rich in portraits, which throw an intimate light on the friendships and love affairs of the artists, and in landscapes which reflect Ruskin's advice to 'go to nature'. More than just an exhibition catalogue, this book is a showcase of the Ashmolean's incredible collection, and demonstrates the enormous range of Pre-Raphaelite drawing techniques and media, including pencil, pen and ink, chalk, watercolour, bodycolour and metallic paints. It will include designs for stained glass and furniture, as well as preparatory drawings for some of the well-known paintings in the collection.

P> The ideal gift for any artist on your list-or a keepsake item of your own

A revised edition of the classic drawing book that has sold more than 1.7 million copies in the United States alone.

Translated into more than seventeen languages, "Drawing on the Right Side of the Brain" is the world's most widely used drawing instruction book. Whether you are drawing as a professional artist, as an artist in training, or as a hobby, this book will give you greater confidence in your ability and deepen your artistic perception, as well as foster a new appreciation of the world around you. This revised/updated fourth edition includes: a new preface and introduction; crucial updates based on recent research on the brain's plasticity and the enormous value of learning new skills/ utilizing the right hemisphere of the brain; new focus on how the ability to draw on the strengths of the right hemisphere can serve as an antidote to the increasing left-brain emphasis in American life-the worship of all that is linear, analytic, digital, etc.; an informative section that addresses recent research linking early childhood "scribbling" to later language development and the importance of parental encouragement of this activity; and new reproductions of master drawings throughout

A life-changing book, this fully revised and updated edition of "Drawing on the Right Side of the Brain" is destined to inspire generations of readers to come.

The illustrator Andrew Loomis (1892-1959) is revered among artists - including comics superstar Alex Ross - for his mastery of figure drawing and clean, Realist style.
His hugely influential series of art instruction books have never been bettered, and "Figure Drawing "is the first in Titan's programme of facsimile editions, returning these classic titles to print for the first time in decades.

In Sketching Women, three professional studio artists (Kozo Ueda, PhD, Takahiro Okada, PhD and Minoru Hirota, PhD) join forces to show you how to sketch the female figure through 55 step-by-step drawing lessons. Each instructor walks you through their philosophy for croquis sketching. Croquis sketches are quickly-rendered drawings that capture the essentials of a subject's form and pose with relatively few expressive lines. There are four levels of sketching described in the book: 1-minute croquis: very rapid gesture drawings that capture only the artist's impressions of the form, and where the pencil stays in contact with the paper for practically the entire session 2-minute croquis: another quick sketch, but with more attention paid to the character and rhythm of the lines and how they help to express the essence of the form 5-minute croquis: a more finished drawing where added tonal variations suggest volume and anatomical details 10-minute croquis: more of a finished drawing than true croquis, the longer session allows the luxury of adding fine details such as the facial expression, the character of the hands and clothing texture Learn to sketch the following: Individual body parts (including faces) and their bone structure and muscles Standing and sitting poses Nudes and clothed figures Light and dark tonal variations Dynamic poses Color drawings You'll quickly hone your sketching skills with this life-drawing classroom-in-a-book. The expert advice and observations, dozens of poses to study, as well as easy-to-understand notes and tips make it easy to understand how the skeleton, muscles and posture all come together to express the uniquely female form.

With Draw 62 Animals and Make Them Happy, illustrator Terry Runyan shows you how to draw 62 amusing animals-and animals in silly situations-by following her easy step-by-step instructions. On the left-hand page, follow the steps for drawing each subject, from simple shapes to identifying marks. On the right-hand page, you'll find several other cleveroptions for varying animals by changing the view, the posture, accessories, or expression. Grab your pen and use the open spaces throughout the book to create your own versions and variations. Whether you're drawing a sidesplitting pooch, a comical cat, or a facetious fox, with Draw 62 Animals and Make Them Happy you're sure to enjoy learning how to bring them to life! Fresh, modern, and with a dash of clever humor, the Draw 62 series from Quarry Books is the most entertaining way to practice your illustration and expand your imagination.

Pack up your materials, leave your painting inhibitions behind and step outside with Barry Herniman, ready to sketch. Fun, friendly and practical, this handbook is jam-packed with tips and brimming with answers to questions such as: What should I take? Where should I go? What medium should I use? Where can I find inspiration? This is a handy book you will keep close by for reference time and again. It is full of inspiring artwork as well as five demos: a coastal scene in pen and ink; a countryside panorama in watercolour; a quintessential English village in gouache; a townscape in line and watercolour wash; and trees in watercolour pencils. What comes across in every detail is the joy Barry experiences when he's sketching outside: it's contagious! He encourages you to absorb your surroundings, be aware of the input from your senses and have a go at capturing the moment in sketch. He addresses the challenges and opportunities you will face as an artist and teaches you to understand the importance of a sketchbook. Enjoyment is key - shake off peer pressure and your own expectations and enter the exhilarating world of sketching outdoors.

The first comprehensive collection of Annette Messager's drawings, including 150 works made over the last ten years, which constitute an invaluable lexicon to the mind and work of a trailblazing iconoclast. Messager redefined the role of women making art and the very nature of sculpture - accomplishments which won her the coveted Golden Lion for best national pavilion at the 51st Venice Biennale in 2005 and the Praemium Imperiale for sculpture in 2016. Messager's subjects range from animal to human, feminist activists to devotional figures, skeletons to ghosts. She broaches the grand themes of love, life, death and the fairy tales, mythologies, superstitions and vanities that lie beneath.

How to Draw Almost Everything Volume 2-a follow-up to the popular book How to Draw Almost Everything, part of the Almost Everything series from Quarry Books-shows how easy it is to draw even more cute illustrations. Learn to draw each illustration in easy-to-follow steps. Just follow the arrows to complete each step. You'll also find helpful tips and ideas for drawing variations. Start with basic shapes, such as circles, triangles, and squares, then add special details to personalize your illustrations. Draw animals, people, everyday objects, patterns and borders, and holiday and seasonal themes, along with warm-ups and special lessons. An inspiration gallery offers fun ideas for adding illustrations to everyday objects or creating one-of-a-kind notes, cards, and gifts. Each book in the Almost Everything series offers readers a fun, comprehensive, and charmingly illustrated visual directory of ideas to inspire skill building in their creative endeavors.

Using the graphic novel format, Perspective in Action features 33 easy-to-follow demonstrations to teach the major discoveries in perspective. Author and artist David Chelsea takes readers through the major perspective- related developments in history, teaching them how to re-create these same experiments by leading artists in all fields (including drawing, painting and sculpture). Covering a wide-range of mediums (pen and ink, paint, chalk, digital art, woodwork and more), Perspective in Action gives readers a more hands-on approach to perspective, as opposed to the usual theoretical presentations found in other books.