As a response to the ubiquity of drawing in contemporary consciousness and a corresponding dearth of critical engagement with the medium, these collected essays provide original interpretations of artists' drawing today. Questions of process, politics, scale, and community raised in the work of the diverse group of artists are situated within the historic discourse on drawing and demonstrate the extent to which contemporary practice challenges previous definitions of the medium. From the room-encompassing drawings of Monika Grzymala and Barbara Bernstein or Sophie Calle's expansive exploration of the Jerusalem eruv to Andrea Bowers's graphite renditions of protest to Ellsworth Kelly's proposal for a memorial to September 11, the essays explore the implications of drawings' departure from the confines of a sheet of paper. Essential reading for both the academic and general audience, this book provides in-depth discussions of artists and projects that have never been treated in a sustained, analytical way; each essay will interest the wider contemporary art audience, as well as students of drawing. Taken as a whole, the volume represents a pertinent and stimulating engagement with issues of paramount importance to our understanding of contemporary art and its place in museums, galleries, and the public sphere.

An essential little book perfect for the pocket or art bag covering all practical aspects of sketching and drawing. Sketching is a skill that every artist needs to master and this handy book shows you how in a very clear and simple way.

Jackie starts by describing all the different media used for sketching, including pencils, charcoal, coloured pencils, pens, pastels, watercolours and gouache, as well as the different types of sketchbooks. She then looks at the basic techniques of sketching, emphasizing the importance of observation and showing how to make marks, use tone, create 3-D form and portray pattern.

She then covers a wide range of subjects, such as plants and flowers, skies, animals, the urban landscape, and figures and portraits, explaining how to compose your sketches and giving useful tips about sketching on the move. There s also a fascinating section on sketching from the Masters, to provide additional inspiration.

The instruction is clear and concise throughout, providing an ideal resource for artists of all levels to dip into when sketching out on location."

Elisabetta Sirani of Bologna (1638-1665) was one of the most innovative and prolific artists of the Bolognese School. Not only a painter, she was also a printmaker and a teacher. Based on extensive archival documentation and primary sources — including inventories, sale catalogues and her work diary — Elisabetta Sirani provides an overview of the life, work, critical fortune and legacy of this successful Baroque artist. Placing her within the context of the post-Tridentine society that both inhibited and supported her, Modesti examines Sirani's influence on many of the artists studying at Bologna's school for professional women artists, as well as her significance in the professionalisation of women’s artistic practice in the seventeenth century. Beautifully illustrated throughout, Elisabetta Sirani focuses on women’s agency. More specifically, it explores Sirani’s identity as both a woman and an artist, including her professional ambition, self-fashioning and literary construction as Bologna’s pre-eminent cultural heroine.

Artists of all skill levels will find much to inspire them in this detailed and practical guide to drawing landscapes. Margaret Eggleton guides you through easy-to-follow drawing stages, and gives advice on using sketchbooks, line and tone, perspective and more. She shows how to draw elements of the landscape such as trees and foliage, hills and mountains, skies, water and buildings, and there are practical, step-by-step exercises throughout to help you practise the techniques. Margaret then guides you carefully through each stage of six stunning projects, each culminating in a beautiful landscape drawing you'll be proud of. Suitable for beginners wanting to build up their confidence as well as more seasoned artists seeking inspiration, this book is a must-have for anyone who wants to draw landscapes in dry media such as graphite pencils, acrylic ink, pen, Conte crayons, pastels or charcoal. This is a new, redesigned edition of Margaret's highly successful Drawing Masterclass: Landscapes.

This new facsimile edition of the Portfolio of the 13th-century Picard artist Villard de Honnecourt is the first ever to be published in color. The thirty-three leaves are reproduced at actual size from high-quality color transparencies to ensure the best possible color reproduction of the drawings. One can now see variations in inks and quill strokes, traces of preliminary drawings, and corrections made by the artist. This study is also the first to give a thorough description of the condition of the leaves, analysis of each drawing in the portfolio individually, and new transcriptions and literal and free translations of the inscriptions. The opening chapter covers the history and physical condition of the portfolio, including reassigning "hands" to text found on the leaves. The author analyses the tools and inks used, Villard's drawing technique and style, and evaluates Villard as an artist-draftsman. Chapter II, the body of the book, is devoted to detailed analyses of the leaves, one by one, and their drawings and inscriptions. These analyses are of interest to those concerned with medieval technology and theology as well as to those interested in medieval art and architecture. Chapter III is a new biography of Villard that challenges the many wild speculations of the last century and a half about Villard, separating obvious fiction from possible fact. Barnes analyzes in detail Villard's drawings of different Gothic buildings and makes a case for Villard having been a lay representative of the cathedral chapter at Cambrai, one of the buildings Villard drew. An extensive bibliography of Villard studies and a glossary of Villard's technical and artistic terms complete this important new study.

Learn to draw the natural world with this inspiring and accessible guide by master-artist Giovanni Civardi. Beginning with the key drawing methods and essential materials you'll need to start your artistic journey, along with advice on drawing perspective as well as light and shade, learn to sketch country scenes, fruit, vegetables, animals and more. Throughout you'll find hundreds of helpful and practical illustrations, along with stunning examples of Civardi's work that exemplify his favourite techniques for capturing the natural world. This is the perfect book for both beginner and experienced artists looking for an inspirational, no-nonsense introduction to drawing natural subjects. This comprehensive guide brings together seven books from Search Press's successful Art of Drawing series: Drawing Techniques; Understanding Perspective; Drawing Scenery; Drawing Light & Shade; Flowers, Fruit & Vegetables; Drawing Pets; and Wild Animals.

P> The ideal gift for any artist on your list-or a keepsake item of your own

A revised edition of the classic drawing book that has sold more than 1.7 million copies in the United States alone.

Translated into more than seventeen languages, "Drawing on the Right Side of the Brain" is the world's most widely used drawing instruction book. Whether you are drawing as a professional artist, as an artist in training, or as a hobby, this book will give you greater confidence in your ability and deepen your artistic perception, as well as foster a new appreciation of the world around you. This revised/updated fourth edition includes: a new preface and introduction; crucial updates based on recent research on the brain's plasticity and the enormous value of learning new skills/ utilizing the right hemisphere of the brain; new focus on how the ability to draw on the strengths of the right hemisphere can serve as an antidote to the increasing left-brain emphasis in American life-the worship of all that is linear, analytic, digital, etc.; an informative section that addresses recent research linking early childhood "scribbling" to later language development and the importance of parental encouragement of this activity; and new reproductions of master drawings throughout

A life-changing book, this fully revised and updated edition of "Drawing on the Right Side of the Brain" is destined to inspire generations of readers to come.

Learn to make your characters unique, compelling and lifelike with these 75 exercises for all skill levels, including beginners. Topics include tools and materials; shapes; personalities; facial expressions; body language; character interaction; and costuming. Character types featured include more than just humans; learn how to draw animals, plants, creatures and more. Author Bev Johnson guides you through a variety of questions to explore not only the kinds of characters you want to create, but also the relationships between them, such as who their friends and enemies are, what their personality distinctions are, etc. so you can you can create truly interesting characters.

A Victorian club house in a castle in the West End of London, complete with battlements and turrets. A design for the post-war reconstruction of the capital in 1945. A fantasy landscape featuring Le Corbusier's Capriccio of Notre-Dame du Haut in ruins. This is a treasury of architectural drawing from the 16th century to the present day. Exploring both how and why architects draw, it offers a rich visual history from Palladio, Inigo Jones and Augustus Pugin to Richard Rogers, Norman Foster and Zaha Hadid, via Sir Christopher Wren, George Gilbert Scott and Erno Goldfinger, and everything else in between. From back-of-envelope concept sketches to painstaking pen-and-ink perspectives, exploded axonometrics and born-digital drawings, this book celebrates the full gamut of architectural representation. With over 200 lush, full-colour reproductions, this is a window into the soul of architectural drawing over the past five hundred years. Includes newly digitised, never-seen-before material from the RIBA Collections, one of the largest architectural archives in the world. Explores rare drawings and designs from John Nash, Sir Edwin Lutyens, Frank Lloyd Wright and many more. Insightful commentary alongside each drawing ensures that each image is as accessible and engaging as possible. Wide-ranging in scope, this book will both inspire and inform.

A mentor to Georgia O'Keeffe, Dow literally "wrote the book" on composition. First published in 1899, this manual influenced generations of teachers and students. Relevant to all of the visual arts, it employs a workbook format to impart principles regarding harmonic relations between lines, color, and dark and light patterns.

An icon of 1980s New York, Jean-Michel Basquiat (1960-1988) first made his name under the graffiti tag "SAMO," before establishing his studio practice and catapulting to fast fame at the age of 20. Although his career lasted barely a decade, he remains a cult figure of artistic social commentary, and a trailblazer in the mediation of graffiti and gallery art. Basquiat's work drew upon diverse sources and media to create an original and urgent artistic vocabulary, biting with critique against structures of power and racism. His practice merged abstraction and figuration, poetry and painting, while his influences spanned Greek, Roman, and African art, French poetry, jazz,and the work of artistic contemporaries such as Andy Warhol and Cy Twombly. The results are vivid, visceral mixtures of words, African emblems, cartoonish figures, daubs of bold color, and beyond. This book presents Basquiat's short but prolific career, his unique style, and his profound engagement with ever-relevant issues of integration and segregation, poverty and wealth. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

Found in our archives, the Black's Sketchbooks are a series of books produced in the early 20th century by a group of well-known artists. Each book contains pen sketches of iconic English and Scottish cities and counties. There are also some books on Continental cities such as Paris and Venice. The result is a charming series of books that present a fascinating look at British and European locations as they were almost a century ago. This title is a delightful look at Cambridge as it was in 1913.

In February 1972 Henry Moore's sculpture studios in the English countryside at Much Hadham were filled with the preparations for his retrospective exhibition at Florence. In search of peace and quiet, he went into a smaller room overlooking the fields where a local farmer grazed his sheep. The sheep came very close to the window, attracting his attention, and he began to draw them. Initially he saw them as nothing more than four-legged balls of wool, but his vision changed as he explored what they were really like - the way they moved, the shape of their bodies under the fleece. They also developed strong human and biblical associations, and the sight of a ewe with her lamb evoked the mother-and-child theme - a large form sheltering a small one - which has been important to Henry Moore in all his work. He drew the sheep again that summer after they were shorn, when he could see the shapes of the bodies which had been covered by wool. Solid in form, sudden and vigorous in movement, Henry Moore's sheep are created through a network of swirling and zigzagging lines in the rapid and (in Moore's hands) sensitive medium of ballpoint pen. The effect is both familiar and monumental; as Lor

Turner as Draughtsman looks at the artist's practice of drawing in various media (pen, pencil and chalk as well as watercolour and oil paint), an aspect of Turner's work which has hitherto received very little attention. Andrew Wilton shows that, while Turner's art has always been celebrated for its atmospheric breadth and freedom of handling, he based his working procedures throughout his career on the discipline of drawing in outline, which was an essential element in the grand strategy by which he achieved his formidable results. An important section of the book is devoted to the vexed question of Turner's drawing of the human figure, and the crucial role played by the figure both in his conception of landscape and in his ambitious attempts to master all the genres of fashionable contemporary art.

Be inspired by this fun compilation sketchbook of four favorite volumes from Quarry Books' 20 Ways series! Designed to offer artists, designers, and doodlers a fun and sophisticated collection of illustration fun, each spread features 20 inspiring illustrated examples of 135 themes, over 3600 drawings total! From trees and flowers to animals and sea creatures and everything in between. Don't worry, there's tons of room for you to draw your own versions of these amazing doodles right on the pages. This is not a step-by-step technique book - within the pages you'll find drawings simplified, modernized, and reduced to the most basic elements, showing you how simple abstract shapes and forms create the building blocks of any item that you want to draw. Each of the 20 interpretations provides a different, interesting approach to drawing a single item, providing loads of inspiration for your own drawing. These four artists each have a uniquely creative style, resulting in an engaging and motivational practice book that provides a new take on the world of sketching, doodling, and designing.

Fashion drawing is the most important way to visualize ideas and concepts in costume and fashion design. This new and expanded two-volume edition of the already classic title Figure Drawing for Fashion Design--revised, updated and expanded--is a precise, topic-by-topic manual that will help readers acquire and perfect their skills drawing fashion designs on the female form. Mastering the rules of figure drawing as well as stylistic techniques that add individuality and flair to the design is an essential skill for all designers and illustrators to master in order to bring one's vision to the page, and eventually mannequin. In its approach, this book is ideal both for those designers and students who want to apply themselves professionally to fashion design, and for all enthusiasts of drawing the female body in a fashion context.

More than 70 works of Hogarth include musical references, and Jeremy Barlow's book is the first full-length work devoted to this aspect of his imagery. The first two chapters examine the evidence for Hogarth's interest in music and the problems of assessing accuracy, realism and symbolic meaning in his musical representations. Subsequent chapters show how musical details in his works may often be interpreted as part of his satirical weaponry; the starting point seems to have been his illustrations of the clamorous 'rough music' protest in Samuel Butler's immensely popular poem Hudibras. Hogarth's use of music for satirical purposes also has connections with a particular type of burlesque music in 18th-century England. It may be seen too in the roles played by his humiliated fiddlers or abject ballad singers. Each of the final two chapters focuses on a particular Hogarth subject: his paintings of a scene from a theatrical satire of music and society, The Beggar's Opera, and the print The Enraged Musician itself. The latter work draws together uses of musical imagery discussed previously and the book concludes with an analysis of its internal relations from a musical perspective. The book is lavishly illustrated with Hogarth's drawings, prints and paintings. Many other images are reproduced to provide contextual background. Several indices and appendices enhance the book's value as a reference tool: these include an annotated index of Hogarth's instruments, with photographs or other representations of the instruments he depicts; a detailed index of Hogarth's works with musical imagery; the texts and music for broadside ballads and single-sheet songs related to Hogarth's titles; 18th-century texts and street cries related to Hogarth's The Enraged Musician, and other musical examples indicated in the text. Also included is a facsimile of Bonnell Thornton's burlesque Ode on St CA|cilia's Day.

The first authoritative collection of drawings by legendary modern architect Lina Bo Bardi Lina Bo Bardi (1914-1992) was one of the most prolific and visionary architects of the twentieth century. Raised in Italy under Mussolini's Fascist regime and emigrating to Brazil after World War II, she championed the power of architecture and design to embrace everyday life. Her boldly modernist designs range from concrete-and-glass structures like the Sao Paulo Museum of Art and the culture and leisure center SESC Pompeia to furniture and jewelry. This is the first book to examine one of the most intimate and expressive features of her life and work, but one she rarely shared with the public-drawing. Bo Bardi produced thousands of drawings in her lifetime, from picturesque landscapes drawn when she was a child, to sketches made as part of her daily routine as an architect, to fanciful drawings that show different aspects of her private life. In this beautifully illustrated book, Zeuler Lima, the world's leading authority on Bo Bardi, brings together a careful selection of these and other drawings, many of them never published until now. Bo Bardi drew on card stock, tracing paper, regular paper, and newsprint. She used pencils, watercolor, gouache, ballpoint pens, and felt-tips, producing drawings that combined surrealist elements with an eye for color and joyful forms. Lina Bo Bardi, Drawings sheds critical light on the creative sensibility behind some of the twentieth century's most striking modernist designs, and provides a rare window into the design practice of an architect like no other. Published in association with the Fundacio Joan Miro

First full-length investigation of Elizabethan and Jacobean genealogy, showing how it could be manipulated to legitimise - and oppose. Shakespeare lived in an age when royal genealogy mattered. Queen Elizabeth succeeded her father despite accusations of illegitimacy after Anne Boleyn's beheading. As she defied suitors and potential spouses, and refused not only to produce but even to nominate an heir, factions arose siding with the numerous candidates, particularly Mary Queen of Scots. When, upon Elizabeth's death, James VI, the king of Scotland, prepared to ascend for the first time in history to the English throne, it became paramount that he should fashion himself as an English monarch as well. In this game of thrones, royal genealogy was the instrument that could best represent, distort, create, favour orundermine the ancestral right of the current ruler and their potential successors. In the form of scrolls, charts, books, paper rags and even maps, the genealogies of Elizabeth I, James I, and the main pretenders were circulatedin Britain and Europe in manuscript and print, officially or surreptitiously. This book - the first systematic study of this subject - explores the most fascinating examples of royal genealogy in this era, from the rooms of Whitehall to the pockets of Jesuits in London prisons. Most of these texts are here reproduced in print for the first time, with lavish illustrations; they reveal the political divisions, concerns, treasons and celebrations that lurked behind their splendour.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

The first comprehensive account of how and why architects learned to communicate through color Architectural drawings of the Italian Renaissance were largely devoid of color, but from the seventeenth century through the nineteenth, polychromy in architectural representation grew and flourished. Basile Baudez argues that colors appeared on paper when architects adapted the pictorial tools of imitation, cartographers' natural signs, military engineers' conventions, and, finally, painters' affective goals in an attempt to communicate with a broad public. Inessential Colors traces the use of color in European architectural drawings and prints, revealing how this phenomenon reflected the professional anxieties of an emerging professional practice that was simultaneously art and science. Traversing national borders, the book addresses color as a key player in the long history of rivalry and exchange between European traditions in architectural representation and practice. Featuring a wealth of previously unpublished drawings, Inessential Colors challenges the long-standing misreading of architectural drawings as illustrations rather than representations, pointing instead to their inherent qualities as independent objects whose beauty paved the way for the visual system architects use today.