John Muir Laws’s guide to drawing birds is itself winged, soaring between a devotion not only to art but also to the lives, forms, and postures of the birds themselves. Here, artistic technique and the exquisite details of natural history intertwine, and drawing becomes the vehicle for seeing. As Laws writes, "To draw feathers, you must understand how feathers grow, overlap, and insert into the body. To create the body, you must have an understanding of the bird’s skeletal structure. To pose this skeleton, you must be able to perceive the energy, intention, and life of the bird." This how-to guide will perfect the technique of serious artists but also, perhaps more importantly, it will provide guidance for those who insist they can’t draw. Leading the mind and hand through a series of detailed exercises, Laws delivers what he promises: that "drawing birds opens you to the beauty of the world." An Audubon Book.

The Ashmolean Museum and the Albertina are collaborating on a two-part exhibition project that will examine anew the role and the significance of drawing in Raphael's career. The Ashmolean holds the greatest collection of Raphael drawings in the world, and the Albertina is the custodian of a major collection including some of the most beautiful and important of the artist's sketches. Taken together, the two collections provide extraordinary resources that, amplified by carefully-selected international loans, will allow us to transform our understanding of the art of Raphael. The Oxford exhibition is based on new research by Dr Catherine Whistler of the Ashmolean Museum and Dr Ben Thomas from the University of Kent, in collaboration with Dr Achim Gnann of the Albertina. It will take Raphael's art of drawing as its focus, with the concept of eloquence as its underlying structure. Oratory runs as a linking thread in Raphael's drawings, which stand out for the importance given to the study of gestures, facial expressions, and drapery.Moreover, Raphael treated the expressive figure of the orator - poet, philosopher, muse, apostle, saint or sibyl - in fascinating and significant ways throughout his life. This selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art.

In 365 Days of Art in Nature, Lorna Scobie, invites the reader to take a closer look at the natural world - whether that's outside on location, or inside their own home - reminding us all that regardless of whether we live in the city or the countryside, wildlife is just on our doorstep.

Observe the slow, constant pace of the nature that surrounds you every day, and use it to inspire you in your art and creativity. Activities may include visiting a particular tree, four times in the year and drawing it. How has it changed? Study the colours you find in autumn leaves. Explore drawing them in different materials.

Featuring nature-inspired quotes, breakaway activities to get you outdoors and plenty of supportive prompts and tips, this book will spark your imagination and help you to open your eyes and appreciate the natural beauty in our world.

There’s no doubt about it: whether you’re a newbie or a dab hand, drawing can often be daunting. That’s why cartoons are the best place to start! From the co-creator of the best-selling Hirameki: Draw What You See comes a stylish yet playful approach to drawing cartoons, designed to excite even the most tentative artists. Over several decades teaching in schools and art colleges, Austrian cartoonist Peng has developed expert knowledge of the building blocks of drawing and sketching. As he shows, creativity can come from anywhere. Entire sketches can spring up from the simplest lines or curves. Even found objects can spark brilliance – who knows, maybe a stone or leaf could provide the next flash of inspiration!

Peng’s easy-to-follow guide inspires confidence and creativity by showing how even complete novices can quickly learn how to draw characters and develop their own individual style. Starting with the basics of figure construction and moving through to expression, movement and animals, the artist conjures up delightful cartoons with wicked humour and a lightness of touch. Simple tips and exercises reveal how anyone and everyone can master the art of drawing, encouraging the reader to experiment with a variety of techniques executed through brush, pencil and pen. Don’t be afraid of drawing, concludes Peng, in this enjoyable and addictive starter book – you make the rules.

This fourth book in the 'Kawaii' series is packed with adorable creatures from a range of cultures and mythologies. In the hands of author-teacher Angela Nguyen, even a three-headed dog is drawn in a style that will have any young artist cooing! This book teaches young readers what kawaii is all about and how to draw any mythical animal in an adorable style. There are clear step-by-step diagrams that are great for visual learners and make it super-easy to follow the instructions. The wonderful beasts are organized by the terrain in which they are found: air, water and land. There is also a section devoted to how young readers can create their own creatures: elephants with tiny wings, bunnies with unfeasibly large ears, and 'mash-ups' like giant bats. Angela has created 'feature spreads' showing imagined landscapes where some of these creatures might safely graze. Taking cuteness to the next level, this wonderful resource makes drawing instantly achievable and great fun!

Artists interested in graphic novels, comic book illustration, or computer game graphics will find a veritable course load of instruction in this mega-fantasy art manual. Combining the best of three of Barron's top fantasy art titles, "The Compendium of Fantasy Art Techniques" presents easy-to follow instructions and step-by-step illustrations that will teach readers the essential techniques for creating the fantasy world of their dreams. Included is content from:

• Drawing & Painting Fantasy Landscapes and Cityscapes--Award-winning science fiction and fantasy artist Rob Alexander instructs readers on creating landscapes that evoke myths and legends, lost empires, futuristic planets, dramatic dreamscapes, underwater worlds, and subterranean cities.
• Drawing & Painting Fantasy Beasts--Kevin Walker covers basic anatomical forms of animals in nature, then teaches the reader how to distort these shapes to create fantastic beasts from literature and legend, double-headed sea monsters and serpents, satyrs, centaurs, dragons, and demons.
• Drawing & Painting Fantasy Figures--Noted fantasy artist Finlay Cowen coaches students in the creation of heroes and heroines, villains and wizards, dragons, and manlike beasts with techniques for drawing characters with special attention to their faces, bodies, action, and costume styles.

Along with a review of essential tools and techniques, tips for developing ideas, and gallery after gallery of more than 650 stunning images, this comprehensive book is an incredible value for fantasy artists of all levels.