Gateways to the Book investigates the complex image-text relationships between frontispieces and illustrated title pages on the one hand and texts on the other, in European books published between 1500 and 1800. Although interest in this broad field of research has increased in the past decades, many varieties of title pages and a great deal of printers and books remain as yet unstudied. The fifteen essays collected in this volume tackle this field with a great variety of academic approaches, asking how the images can be interpreted, how the texts and contexts shape their interpretation, and how they in turn shape the understanding of the text.

Originally published in 1923. The author was a well known early cartoonist and book illustrator.Contents Include: Originality In Pen Drawing And Design - To My Fellow Students - Various Methods and Various Means - A Few Hints To Special Artists - A Few Hints To Lady Students - A Little Captious Criticism of The Lady Art Student - The Illustrating of Books. The book is well illustrated with examples of the authors work and hints for the student. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Home Farm Books are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Dink mens aan Wes-Afrika, dink jy aan woestyn en kamele, Bedoeiene en swaar tekstielweefstof, silwer juweliersware en stomende speserye. Tog is daar naas die bykans mistieke idille-beeld mediaflitse van honger en armoede, politieke onstabiliteit en diktatorskap, vrees en verskrikking. As vryskutjoernalis in Dakar kry Louw die geleentheid om lande soos Senegal, Togo, Ghana, die Ivoorkus en Burkina Faso nie net as “toubab” (Westerling) en toeris te besoek nie, maar kry sy ook glimpse van die streek se hartklop: onreg, ongelykheid en onmag wat dekades na die val van kolonialisme nog die vinger wys na Europese hebsug ... maar ook die kuns, die kleur en die ritme van ’n leefstyl so diep verweef met die waai van die wind, die skakerings van sandduine en die val van die Afrika-son dat dit byna anderkant Westerse woordeskat le. Anderkant ’n eerste kyk. Anderkant Timboektoe.

Francis Bacon is considered one of the most important painters of the twentieth century. A major exhibition of his paintings at the Royal Academy of Arts, planned for 2020 but postponed because of the pandemic, explores the role of animals in his work – not least the human animal. Having often painted dogs and horses, in 1969 Bacon first depicted bullfights. In this powerful series of works, the interaction between man and beast is dangerous and cruel, but also disturbingly intimate. Both are contorted in their anguished struggle, and the erotic lurks not far away: ‘Bullfighting is like boxing,’ Bacon once said. ‘A marvellous aperitif to sex.’ Twenty-two years later, a lone bull was to be the subject of his final painting. In this fascinating publication – a significant addition to the literature on Bacon – expert authors discuss Bacon’s approach to animals and identify his varied sources of inspiration, which included wildlife photography and the motion studies of Eadweard Muybridge. They contend that, by considering animals in states of vulnerability, anger and unease, Bacon was able to lay bare the role of instinctual behaviour in the human condition. Images below, left to right: Francis Bacon (1909-1992), Fragment of a Crucifixion, 1950. Oil and cotton wool on canvas, 140 x 108.5 cm. Stedelijk van Abbemuseum, Eindhoven. Photo Hugo Maertens Francis Bacon (1909-1992), Study for Portrait (with Two Owls), 1963. Oil on canvas, 198.1 x 144.8 cm. Private collection. Photo Prudence Cuming Associates Ltd Francis Bacon (1909-1992), Man with Dog, 1953. Oil on canvas, 152 x 117 cm. Albright-Knox Art Gallery, Buffalo, New York. Gift of Seymour H. Knox Jr, 1955, inv. K1955:3. Photo Prudence Cuming Associates Ltd All images © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2020.

Whether painted by artist-warriors depicting their feats in battle or by other Native American artists, 19th and 20th century ledger drawings--drawn on blank sheets of ledger books obtained from U.S. soldiers, traders, missionaries, and reservation employees--provide an excellent visual source of information on the Great Plains Native Americans. An art form representing a transition from drawing on buffalo hide to a paper medium, ledger drawings range in style, content, and quality from primitive and artistically poor to bold and sharp with lavish use of color. Although interest in ledger drawings has increased in the last 20 years, there has never been a guide to holdings of these drawings. By bringing together the diverse and scattered institutions that hold them, this book will make finding the drawings quicker and easier. Illustrated with examples of ledger drawings, the guide identifies the libraries, archives, historical societies, and museums that hold ledger drawings. The institutions listed range from those with large collections, such as the Smithsonian, Yale, and Oklahoma museums, to institutions with only a few drawings. The book also includes a bibliography of books and articles about Indian pictographic art. The index will enable researchers to locate art by individual artists and tribes.

Art history has been given a fun feline makeover.

Discover the basics of important art movements through a host of beautifully illustrated cats, each one inspired by a specific period in art history. From Surrealism to Cubism, Abstract Expressionism to Ancient Egyptian art, these creative cats will introduce you to key themes and provide you with all of the inspiration you need if you want to create your own version.

Each illustrated cat comes with an overview of the art movement that it represents, plus a breakdown of the cats features, explaining the relevance of each. Accompanied by fun, informative captions, each element - from faces and fur to patterns, shapes and colours - provides a quirky, accessible insight into the history of art.

More than just a reference book, A History of Art in 21 Cats is perfect for art enthusiasts and cat lovers alike.

OVER 3 MILLION COPIES SOLD WORLDWIDE 'You will quickly amaze and delight yourself. Hands down the best and most life-enhancing thing I've done in lockdown' India Knight, Sunday Times Drawing on the Right Side of the Brain is the world's most widely used drawing instruction book. Whether you are a professional, a student, or enjoy art as a hobby, Betty Edwards' practical step-by-step guide will give you greater confidence in your ability, deepen your artistic perception and provide a new way to appreciate the way you perceive the world around you. This groundbreaking guide includes: - Expert advice on materials to use and how to record your progress - Specific focus on perceiving edges, spaces and relationships within your drawings - Problem-solving techniques and guidance on continued development of your skills Blending artistic teaching with psychology, Betty Edwards offers a practical grounding in drawing technique with exercises designed to help you utilise the intuitive and creative right side of your brain, dramatically improving your ability to draw.

Sketching and carving both visualize and memorize a given image, but within Nowau culture the manner in which this is achieved in a canoe prowboard is entirely different than in a conventional drawing. When studying the impressive ceremonial canoes of Kitawa, in the Milne Bay Province of Papua New Guinea, G.M.G. Scoditti became struck by the absolute predominance of the artist's mind in the process of creating images: all its stages, its uncertainties and experimentation, must unfold within its silent, rarefied space. Only once fully formed can the image be revealed to the village in material form. Reflecting on the absence of orthographic writing within Nowau culture, and finding parallels with poetic and musical composition, Scoditti gained further insight into the Nowau processes of creation through the critiques the Kitawan carvers made of his own fieldwork sketchbooks. Spurred on by their curiosity, the anthropologist handed over his art materials to the master carvers to make their own drawings on paper or cardboard. Traditional pigments used on the polychrome canoe prowboards were added to the unfamiliar media of watercolour, acrylic, coloured pencils and ballpoint pen. Three-dimensional ornamentation became two-dimensional as images of self-decoration and huts were added to those of prowboards. This exercise was all the more fascinating given the prohibition of drawing on the surface of the wood before carving. On return to Italy, further graphic dialogues unfolded when an architect and an artist from the tradition of Italian Abstraction responded with their own intriguingly different interpretations of the canoe prowboard and its relationship to the Nautilus shell. All these drawings are brought together in this book, along with Scoditti's own sketches from fieldwork and ethnographic collections in Newcastle upon Tyne and Rome. 'The fieldworker's or museum ethnographer's sketches are never going to be quite the same. Through the double filter of Kitawan philosophy and Scoditti's ruminations, the apparently simple triad of sketch - drawing - carving opens out into a discourse on the creative mind. The Kitawan creator - here primarily the male carver - does not have to demonstrate how he creates, and what springs from these pages have a fascination of their own. Several distinctive hands, Kitawan and Italian, reflect from different interpretive and professional vantage points on the very process of drawing through doing exactly that, drawing. The result are images that delight and challenge, sensitively assembled, beautifully reproduced. An extraordinary record of creativity, and a rare corpus of visual memorials.' - Professor Dame Marilyn Strathern, University of Cambridge

Keep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring the White Rabbit, from Alice's Adventures in Wonderland. Lewis Carroll's Alice's Adventures in Wonderland remains one of the best-loved fantasy tales, with the White Rabbit, the Mad Hatter, the Caterpillar, the Queen of Hearts and the Cheshire Cat enjoying an enduring legacy in popular imagination.

Although written in 1913, this brilliant and authoritative guideto drawing is still highly relevant today. Speed, a highly regardedpainter in his time, takes the student comprehensively throughapproaches, techniques and materials and illustrates them allwith diagrams and paintings from both his contemporaries andthe Masters. He also discusses various aspects of the science andphilosophy of art, such as the use of proportion, the nature of talentand the definition of beauty.This handsome new edition from Benediction Classics containsall the original plates and diagrams and would be a great addition tothe resources of any budding artist.

Nei Jing states, "Without entering and leaving, there is no development; without ascending and descending, no transformation, absorption, and storing."