Misplacing your wallet, forgetting where you parked your car, or getting your friend's birthday wrong: these are just some of the many common memory slips we all experience from time to time. And such cognitive lapses don't just plague the elderly: the most common worry of people over 40 is memory loss. A recent study by Newcastle University, featured on BBC news, showed that art therapy has greater benefits than puzzles and exercises when it comes to improving memory function. Engaging the brain in new and creative ways may be the key to a sharper 'younger' mind. Helping to enhance your brain's cognitive function through art therapy techniques, this book contains 30 intricate line drawings of cats and big cats, with space on the opposite page for you to copy the illustration and some helpful hints to start you off. There is also the opportunity to colour in and to create some of your own illustrations as you progress. Gradually becoming more challenging, every page will help to stimulate parts of the brain that are vital for memory retention. With this book you will draw your way to a younger brain.

Anatomy for Artists is an extensive compendium of high quality, detailed photography and drawings, showing the human figure in a variety of shapes, sizes and poses that can be used as a solid foundation for all character art.This thorough and detailed library of visual resources will consist of stunning photography and comprehensive drawings showing the muscular structure of figures of varying body types. These male and female references will act as an invaluable starting point for artists trying to create art based on the human figure. Whether you're a traditional sculptor, oil painter or 3D digital artist, the resources within this book will prove to be useful and informative and will help you improve the quality and accuracy of your own art.

When did drawing become an integral part of architecture? Among several architects and artists who brought about this change during the Renaissance, Francesco di Giorgio Martini's ideas on drawing recorded in his Trattati di architettura, ingegneria e arte militare (1475-1490) are significant. Francesco suggests that drawing is linked to the architect's imagination and central in conveying images and ideas to others. Starting with the broader edges of Francesco's written work and steadily penetrating into the fantastic world of his drawings, the book examines his singular formulation of the act of drawing and its significance in the context of the Renaissance. The book concludes with speculations on how Francesco's work is relevant to us at the onset of another major shift in architecture caused by the proliferation of digital media.

Classic approach to the dynamics of drawing by brilliant teacher with insights and practical advice on line drawing, mass drawing, visual memory, materials and much more. 84 plates and diagrams reinforce Speed's clear presentation.

P> The ideal gift for any artist on your list-or a keepsake item of your own

A revised edition of the classic drawing book that has sold more than 1.7 million copies in the United States alone.

Translated into more than seventeen languages, "Drawing on the Right Side of the Brain" is the world's most widely used drawing instruction book. Whether you are drawing as a professional artist, as an artist in training, or as a hobby, this book will give you greater confidence in your ability and deepen your artistic perception, as well as foster a new appreciation of the world around you. This revised/updated fourth edition includes: a new preface and introduction; crucial updates based on recent research on the brain's plasticity and the enormous value of learning new skills/ utilizing the right hemisphere of the brain; new focus on how the ability to draw on the strengths of the right hemisphere can serve as an antidote to the increasing left-brain emphasis in American life-the worship of all that is linear, analytic, digital, etc.; an informative section that addresses recent research linking early childhood "scribbling" to later language development and the importance of parental encouragement of this activity; and new reproductions of master drawings throughout

A life-changing book, this fully revised and updated edition of "Drawing on the Right Side of the Brain" is destined to inspire generations of readers to come.

Master the challenges of drawing on location with this collection of insider know-how and expert tips and techniques. Illustrator, architect, and international workshop instructor and Urban Sketcher Stephanie Bower has collected 101 of her best insider drawing tips, hacks, and techniques and shares them in this fully illustrated, portable book. Learn shortcuts to getting your perspective right, determining your composition, and balancing your light and shadow. This book collects many basic drawing techniques into one handy volume: How to draw a great line Using ellipses to draw arches How towers are like wedding cakes The importance of your eye level line in sketching and 97 things more! The book also features beautiful example illustrations from Urban Sketchers around the globe! Whether you are new to sketching or are an experienced artist, this book is chock-full of useful, practical, and clever tips to take your drawing to the next level. The Urban Sketching Handbook series offers location artists expert instruction on creative techniques, on-location tips and advice, and an abundance of visual inspiration. These handy references come in a compact, easy-to-carry format-perfect to toss in your backpack or artist's tote.

As a response to the ubiquity of drawing in contemporary consciousness and a corresponding dearth of critical engagement with the medium, these collected essays provide original interpretations of artists' drawing today. Questions of process, politics, scale, and community raised in the work of the diverse group of artists are situated within the historic discourse on drawing and demonstrate the extent to which contemporary practice challenges previous definitions of the medium. From the room-encompassing drawings of Monika Grzymala and Barbara Bernstein or Sophie Calle's expansive exploration of the Jerusalem eruv to Andrea Bowers's graphite renditions of protest to Ellsworth Kelly's proposal for a memorial to September 11, the essays explore the implications of drawings' departure from the confines of a sheet of paper. Essential reading for both the academic and general audience, this book provides in-depth discussions of artists and projects that have never been treated in a sustained, analytical way; each essay will interest the wider contemporary art audience, as well as students of drawing. Taken as a whole, the volume represents a pertinent and stimulating engagement with issues of paramount importance to our understanding of contemporary art and its place in museums, galleries, and the public sphere.

The must-have guide for all artists who draw the human figure!In Morpho: Fat and Skin Folds, artist and teacher Michel Lauricella presents a unique approach to learning to draw the human body. The typical approach to teaching anatomy and the sketching of the human form most often focuses on the skeleton and musculature. What often goes ignored is the skin itself--how it moves and the expressions it creates as the body moves and changes positions. This book presents a simplified and practical vision of the fat and skin folds of the human body to help you in your drawing studies, encouraging both accuracy and a rich, diverse representation of the human form.Geared toward artists of all levels--from beginners through professionals--this handy, pocket-sized book will help spark your imagination and creativity. Whether your interest is in figure drawing, fine arts, fashion design, game design, or creating comic book or manga art, you will find this helpful book filled with actionable insights.(Publisher's Note: This book features an "exposed" binding style. This is intentional, as it is designed to help the book lay flat as you draw.) TABLE OF CONTENTSForewordIntroductionHead and NeckTorsoUpper LimbsLower LimbsResources

For nearly a century, members of three generations of the Bibiena family were the most highly sought theater designers in Europe. Their elaborate stage designs were used for operas, festivals, and courtly performances across Europe: from their native Italy to cites as far afi eld as Vienna, Prague, Stockholm, St. Petersburg, and Lisbon. Beyond these performances, the distinctive Bibiena style survives through their remarkable drawings. Architecture, Theater, and Fantasy marks the promised gift to the Morgan Library& Museum of a group of Bibiena drawings from the collection of Jules Fisher, the Tony Award-winning lighting designer, and commemorates an exhibition of these works, the first in the United States in over thirty years to celebrate these talented draftsmen. These drawings demonstrate the range of the Bibienas' output, from energetic sketches to highly finished watercolors. With representations of imagined palace interiors and lavish illusionistic architecture, this group of drawings highlights the visual splendor of the Baroque stage. The catalogue opens with Diane Kelder's introductory essay about the Bibiena family. Laurel Peterson then discusses the Bibienas as draftsmen, underscoring the drawings from the Fisher collection. Arnold Aronson, in turn, explores the family's contribution to the theater, setting them within a history of European stage design and explaining the significance of the dynamic angled perspective of their scena per angolo sets. John Marciari's essay considers the Fisher gift among the many Bibiena drawings already at the Morgan, mainly from the Oenslager collection, and looks at the collecting of Bibiena drawings more generally. Finally, Diane Kelder's checklist off ers information regarding the attribution and provenance of the works in the exhibition.

From soft pencils to graphite powder, ballpoint to fibre-tip pens, conte sticks to watercolour pencils, this unique guide covers everything you need to know to begin mastering and combining different media in your drawing. This visual directory of drawing techniques beyond the pencil provides you with the skills to explore and experiment with all the different techniques and mediums. Use it as a handy reference for when you want to know how to use a particular tool, or as a catalogue of inspiration when seeking new ideas to try. A wealth of media and equipment is demonstrated, and each page features invaluable information for beginners and accomplished artists alike. As the techniques progress, you'll explore the creative possibilities beyond one medium, and be encouraged to look at your work and style in a new light. Use the examples shown to aid expression and skill development and to look at the myriad possibilities of mixed media, which have all been selected because of their compatibility. Start with basic graphite pencils, sticks and powder to explore line and tone, shading, creating textures and erasing. Then move on to coloured pencils to cover techniques such as burnishing, lifting and sgraffito. There are various interesting methods to try with water-soluble coloured pencils too, including different ways of applying water, blending and overlaying colours. Explore the effects that you can create with charcoal or conte sticks on different coloured and textured papers, and discover how to use pastel pencils and chalks for expressive drawing. Then master blending, shading and scumbling with hard and soft pastels, and perfect your techniques with crayons, oil pastels and oil paint sticks. There are some really interesting ways to use ink pens for painting effects and instructions are included for cutting your own quill pen. Ballpoint pens, fibre-tips, marker pens and brush pens are also great tools for creating modern, graphic drawings - pick up some handy tips for mark making and blending. Finally, experiment with mixed media and combining various pencils, pastels, crayons, powder, sticks and pens for some stunning results. Be inspired by the huge range of drawings in this book to expand and develop your own skills.

Many people would love to learn to draw for pleasure, but don't know where to start. Being faced with a blank page can be daunting - even for a professional artist. In Sketchbook Challenge, illustrator Molly Egan shares prompts and ideas to get you started, encouraging risk-taking and experimentation. The book is split into three sections: Warm Up, for 5- to 10-minute exercises designed to stretch your muscles; Weekday, for guided creative drawing prompts for limited time; and Weekend, for open-ended, in-depth creative explorations. In addition to the exercises, Molly provides details on how to build an art kit and encourages artistic exploration beyond the pages of the book. Sketching is fun and therapeutic, and Sketchbook Challenge will be the springboard to unleash your creativity and discover your own style.

Based on Shannon Bream's #1 New York Times bestselling phenomenon The Women of the Bible Speak, a contemplative companion coloring book filled with meaningful and beautifully designed quotes from scripture to color in and accompanied by contextual references and passages from Bream's book which illuminate the stories from the women of the Bible. In The Women of the Bible Speak, Shannon Bream reminds you that women have long been essential in God's unfolding plan. Bream explains how their experiences can help you better understand what it means to be a woman of faith. From Sarah, to Miriam, to Mary of Nazareth, you can see your own struggles from the wisdom and lessons of the lives of the Biblical women. As you color, you'll find the motivation to better navigate your personal faith journeys. These unique women provide inspiration and guidance, and their stories show you that no matter how fearful, weak, or inadequate you may feel, God always has a plan for you. Bream drives home the message of her inspiring bestseller through the bible quotes in the coloring book that can be personalized, colored, and framed. Containing 36 verses from scripture to be colored in and context from Bream's bestseller, The Women of the Bible Speak Coloring Book will allow you to connect to your faith and contemplate your prayerful relationship with God. Filling in the biblical verses in this coloring book and thinking about the messages accompanying each one can help us discover more about the Bible, solidify our faith, and immerse ourselves in the undeniable power of love and God. Here are examples of verses that you will be contemplating and coloring in this book: "God listened to her" Genesis 30:22 "We will not fear" Psalm 26:2 "Woman, you are set free" Luke 13:12 "She can laugh at the days to come" Proverbs 31:25

When did drawing become an integral part of architecture? Among several architects and artists who brought about this change during the Renaissance, Francesco di Giorgio Martini's ideas on drawing recorded in his Trattati di architettura, ingegneria e arte militare (1475-1490) are significant. Francesco suggests that drawing is linked to the architect's imagination and central in conveying images and ideas to others. Starting with the broader edges of Francesco's written work and steadily penetrating into the fantastic world of his drawings, the book examines his singular formulation of the act of drawing and its significance in the context of the Renaissance. The book concludes with speculations on how Francesco's work is relevant to us at the onset of another major shift in architecture caused by the proliferation of digital media.

Popular artist Leonardo Pereznieto--whose instructional YouTube videos have earned him millions of views and a devoted fan base--teaches beginners the fundamentals of traditional drawing. In his first book "You Can Draw!" Leonardo Pereznieto helped artists recreate the realistic surfaces and textures that make his own work so popular. Now he's going back to the very beginning to teach them the basics of drawing, covering first exercises, fundamental techniques, light and shading, composition, and perspective, and more. Loaded with information on materials, a glossary of essential terminology, and hundreds of illustrations, this illuminating guide includes such projects as a fall still life of fruit in a basket, with instructions on shape, shadow, and detail, as well as a cityscape, a landscape with depth of field, animals, train tracks, jewelry, and drawing with a message. Once you've mastered these basics, you can unleash your imagination on whatever subject you like!

Learn how to draw your favorite furry friend! With Christopher Hart's simple templates, any pet owner can do it. Whatever your pet, you can capture it in a beautiful drawing! Chris Hart, the world's bestselling art instruction author, has created templates that work for pups and kitties of just about any shape and size--from poodles, dachshunds, and Bernese Mountain Dogs to tabbies, Persians, and Siamese cats. Every template is easy to follow so you'll get adorable results worthy of framing . . . no matter what your skill level.

Over the last twenty years, William Kentridge has built a world-wide reputation as a contemporary artist, best known for his series of ten animated films created from charcoal drawings. The films introduced a significant character in contemporary fiction: Soho Eckstein, a Highveld mining magnate and Kentridge's alter ego. In The Soho Chronicles, Kentridge's brother, Matthew, shares a never-before-seen perspective on both William and Soho that sheds new light on the creator and his alter ego. Richly illustrated, the book includes a special feature that connects with smartphones and tablets. In Accounts and Drawings from Underground, William Kentridge and Rosalind C. Morris bring us an unprecedented collaboration using the pages of the 1906 Cash Book of the East Rand Proprietary Mines Corporation. Kentridge contributes forty landscape drawings in response to the transient terrain mining, while Morris plumbs the text of the cash book to generate a unique narrative account, drawing together the stories of migrant laborers and charting the flows of capital and desire.

Bringing together a broad range of contributors including art, architecture, and design academic theorists and historians, in addition to practicing artists, architects, and designers, this volume explores the place of the sketchbook in contemporary art and architecture. Drawing upon a diverse range of theories, practices, and reflections common to the contemporary conceptualisation of the sketchbook and its associated environments, it offers a dialogue in which the sketchbook can be understood as a pivotal working tool that contributes to the creative process and the formulation and production of visual ideas. Along with exploring the theoretical, philosophical, psychological, and curatorial implications of the sketchbook, the book addresses emergent digital practices by way of examining contemporary developments in sketchbook productions and pedagogical applications. Consequently, these more recent developments question the validity of the sketchbook as both an instrument of practice and creativity, and as an educational device. International in scope, it not only explores European intellectual and artistic traditions, but also intercultural and cross-cultural perspectives, including reviews of practices in Chinese artworks or Islamic calligraphy, and situational contexts that deal with historical examples, such as Roman art, or modern practices in geographical-cultural regions like Pakistan.

English art critic John Ruskin was one of the great visionaries of his time, and his influential books and letters on the power of art challenged the foundations of Victorian life. He loved looking. Sometimes it informed the things he wrote, but often it provided access to the many topographical and cultural topics he explored--rocks, plants, birds, Turner, Venice, the Alps. In The Art of Ruskin and the Spirit of Place, John Dixon Hunt focuses for the first time on what Ruskin drew, rather than wrote, offering a new perspective on Ruskin's visual imagination. Through analysis of more than 150 drawings and sketches, many reproduced here, he shows how Ruskin's art shaped his writings, his thoughts, and his sense of place.

This is the first overview of cartoon art in this important cultural nexus of Asia. The eight chapters provide historical and present-day overviews of cartoons and comics in Indonesia, the Philippines, Thailand, Cambodia, and Vietnam, and sociocultural and political analyses of cartooning in Singapore, Myanmar, and Malaysia. The volume benefits from firsthand accounts gleaned from hundreds of interviews with Southeast Asia's major cartoonists, conducted by the four authors, as well as textual analyses of specific cartoons, on-the-spot observations, and close scrutiny of historical documents. All genres of printed cartoon art are studied, including political and humour cartoons, newspaper comic strips, comic books, and humour/cartoon periodicals. A sense of trends and problems offers topics for further discussion and comparison with cartoon art of other parts of the globe. Among such topics are national identity, transnational public sphere, globalization, alternative media forms, freedom of expression, consumerism, and corporatism. Southeast Asian cartoon art has a number of features unique to the region, such as having as pioneering cartoonists three countries' founding fathers, comics that gave their name to a national trait, some of the earliest graphic novels worldwide, and a king who hired a cartoonist to illustrate his books.

The Ashmolean Museum and the Albertina are collaborating on a two-part exhibition project that will examine anew the role and the significance of drawing in Raphael's career. The Ashmolean holds the greatest collection of Raphael drawings in the world, and the Albertina is the custodian of a major collection including some of the most beautiful and important of the artist's sketches. Taken together, the two collections provide extraordinary resources that, amplified by carefully-selected international loans, will allow us to transform our understanding of the art of Raphael. The Oxford exhibition is based on new research by Dr Catherine Whistler of the Ashmolean Museum and Dr Ben Thomas from the University of Kent, in collaboration with Dr Achim Gnann of the Albertina. It will take Raphael's art of drawing as its focus, with the concept of eloquence as its underlying structure. Oratory runs as a linking thread in Raphael's drawings, which stand out for the importance given to the study of gestures, facial expressions, and drapery.Moreover, Raphael treated the expressive figure of the orator - poet, philosopher, muse, apostle, saint or sibyl - in fascinating and significant ways throughout his life. This selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art.

Phaidon's 'Vitamin' series has long proved an extraordinarily accurate predictor of tomorrow's stars. This paperback edition of the latest volume is a cutting-edge and indispensable survey of the very best of contemporary drawing, as chosen by a panel of the world's leading art experts Over the past 50 years, drawing has been elevated from a supporting role to a primary medium, ranking alongside painting as a central art form. Since Phaidon's publication of the first such surveys (Vitamin D in 2005 and D2 in 2013), contemporary artists have continued to explore drawing's possibilities - from intimate to large-scale works, in a diversity of mark-making processes and materials. Vitamin D3 showcases more than 100 such artists, as nominated by a global panel of more than 70 international art experts. The more than 70 nominators include such iconic figures as: Iwona Blazwick, Louisa Buck, Mark Coetzee, Thelma Golden, Laura Hoptman, Geeta Kapur, Pablo Leon de la Barra, Christine Macel, Kate Macfarlane, Hans Ulrich Obrist, and Zoe Whitley. The more than 100 selected artists include: Miriam Cahn, Robert Crumb, Tom Friedman, Tania Kovats, Claudette Johnson, Rashid Johnson, Otobong Nkanga, Toyin Ojih Odutola, Deanna Petherbridge, Christina Quarles, Qiu Zhijie, Nathaniel Mary Quinn, Wael Shawky, Emma Talbot, and Johanna Unzueta.

Learn everything you need to become a manga artist, with step-by-step instructions, exercises to develop your skills, and tips and tricks. With the interest in manga-style art now stronger than ever - its influence can be seen in films such as Spirited Away and My Neighbour Totoro by Studio Ghibli, amongst other movies - this is the perfect book to slipstream into manga drawing. Packed full of step-by-step sequences for face, body, and poses, you too can draw in the manga-art style. Learn how to draw figures in the characteristic style of your favourite characters by building a portfolio of drawings. At the end of each chapter is a series of practice exercises where you're encouraged to trace or freehand draw subjects from earlier on. You'll end up with a portfolio of sketches charting your artistic development. There is also an inspirational artists-in-residence section, where various artists share their manga-art secrets and showcase their own art.