Using the graphic novel format, Perspective in Action features 33 easy-to-follow demonstrations to teach the major discoveries in perspective. Author and artist David Chelsea takes readers through the major perspective- related developments in history, teaching them how to re-create these same experiments by leading artists in all fields (including drawing, painting and sculpture). Covering a wide-range of mediums (pen and ink, paint, chalk, digital art, woodwork and more), Perspective in Action gives readers a more hands-on approach to perspective, as opposed to the usual theoretical presentations found in other books.

Based on Shannon Bream's #1 New York Times bestselling phenomenon The Women of the Bible Speak, a contemplative companion coloring book filled with meaningful and beautifully designed quotes from scripture to color in and accompanied by contextual references and passages from Bream's book which illuminate the stories from the women of the Bible. In The Women of the Bible Speak, Shannon Bream reminds you that women have long been essential in God's unfolding plan. Bream explains how their experiences can help you better understand what it means to be a woman of faith. From Sarah, to Miriam, to Mary of Nazareth, you can see your own struggles from the wisdom and lessons of the lives of the Biblical women. As you color, you'll find the motivation to better navigate your personal faith journeys. These unique women provide inspiration and guidance, and their stories show you that no matter how fearful, weak, or inadequate you may feel, God always has a plan for you. Bream drives home the message of her inspiring bestseller through the bible quotes in the coloring book that can be personalized, colored, and framed. Containing 36 verses from scripture to be colored in and context from Bream's bestseller, The Women of the Bible Speak Coloring Book will allow you to connect to your faith and contemplate your prayerful relationship with God. Filling in the biblical verses in this coloring book and thinking about the messages accompanying each one can help us discover more about the Bible, solidify our faith, and immerse ourselves in the undeniable power of love and God. Here are examples of verses that you will be contemplating and coloring in this book: "God listened to her" Genesis 30:22 "We will not fear" Psalm 26:2 "Woman, you are set free" Luke 13:12 "She can laugh at the days to come" Proverbs 31:25

A reference work for artists providing a system for visualizing the hand in an infinite number of positions from a multitude of angles. Drawings show anatomical structures, actions, functions, movement and foreshortening.

This book features over 1000 easy and cute doodle-inspired illustrations to master with ball-point pens. Learn how to draw people, animals, flowers, food, everyday objects, holiday motifs and more! Each illustration is broken down into simple steps using basic shapes and lines. There's no reason to be intimidated, anyone can draw following these easy techniques!

The first comprehensive account of how and why architects learned to communicate through color Architectural drawings of the Italian Renaissance were largely devoid of color, but from the seventeenth century through the nineteenth, polychromy in architectural representation grew and flourished. Basile Baudez argues that colors appeared on paper when architects adapted the pictorial tools of imitation, cartographers' natural signs, military engineers' conventions, and, finally, painters' affective goals in an attempt to communicate with a broad public. Inessential Colors traces the use of color in European architectural drawings and prints, revealing how this phenomenon reflected the professional anxieties of an emerging professional practice that was simultaneously art and science. Traversing national borders, the book addresses color as a key player in the long history of rivalry and exchange between European traditions in architectural representation and practice. Featuring a wealth of previously unpublished drawings, Inessential Colors challenges the long-standing misreading of architectural drawings as illustrations rather than representations, pointing instead to their inherent qualities as independent objects whose beauty paved the way for the visual system architects use today.

The top-selling Sterling Sketchbook series now features the popular new Kraft-cover format! With their quality paper and sturdy binding, this is the sketchbook of choice for both amateur and professional artists.   This beautiful sketchbook contains acid-free, medium-weight drawing paper with a vellum finish that’s perfect for everything from charcoal and pencil to light washes with ink and watercolor. Perforated pages make it easy to tear out “masterpieces� for framing or gift giving. All the copy (title, paper description, size, page count) appears on an attractively designed removable sticker that you can either leave on or remove for a clean, blank front cover.

Brand-new, updated edition of the bestselling book, Drawing Masterclass: Animals by popular artist, Lucy Swinburne. Whether you want to capture a beloved pet cat or a magnificent wolf on paper, this book provides a complete course in how to draw them. All the essential drawing techniques and materials you need are explained clearly and simply by Lucy, and two brand new sections show you how to sketch the key features of a wide variety of animals such as eyes, ears and fur, and how to capture movement. The 20 step-by-step exercises inside draw on a diverse range of subjects from various continents, including meerkats, lizards and horses. This inspiring book is a must-have for any artist seeking to capture the spirit and character of animals in their drawings.

Express your own creativity and develop a life-changing mindfulness practice in this guide to mindful sketching for all levels by bestselling author and artist Peggy Dean. * Combine the mental health benefits of mindfulness with the joy of sketching with this how-to guidebook by beloved art teacher Peggy Dean that walks you through the basics of staying present while you draw-and teaches you how to enjoy your work without self-criticism. * Peggy leads readers through the basics of why and how to begin mindful sketching with instruction on materials, techniques, and working with different subject matter and locations; plus offers step-by-step exercises to guide you through the learning process, and fun sketching prompts. * Learn how to stay in the moment while you're working, draw what you see around you, and embrace the results. Enjoy the mental state of calmness, flow, and non-judgmental self-expression that is mindfulness. * Great for fans of Samantha Dion Baker, James Richards, Jen Russell-Smith, Mark Kistler, Flora Waycott, Danny Gregory, and Marc Taro Holmes. Grab your sketchbook and get started-yes, you can draw!

Learn how to draw your favorite furry friend! With Christopher Hart's simple templates, any pet owner can do it. Whatever your pet, you can capture it in a beautiful drawing! Chris Hart, the world's bestselling art instruction author, has created templates that work for pups and kitties of just about any shape and size--from poodles, dachshunds, and Bernese Mountain Dogs to tabbies, Persians, and Siamese cats. Every template is easy to follow so you'll get adorable results worthy of framing . . . no matter what your skill level.

Capture the wonders of nature in watercolour with this quick guide to wildlife painting, packed with techniques and inspiration. Bestselling author Hazel Soan demonstrates how to paint a variety of wildlife, from garden favourites to exotic wild beasts. With easy-to-follow instructions and step-by-step exercises, it has never been easier to capture the likeness of an animal, in your chosen medium, in a few quick strokes. The book covers all the key skills you need, including techniques for speed, capturing pose and proportion, advice on painting fur, feathers, hair, hides and markings, working with colour and light, and adding background and setting, as well as further work that can be completed in the studio. From cats, big and small, birds and foxes to magnificent elephants, lions and zebras, Hazel's simple tips, practical demonstrations and beautiful paintings can be applied to any moving subject and will help you master the art of capturing animals - in watercolour, oils, pencils or pastels - in no time at all.

Maud Humphrey was one of the most popular illustrators in America at the turn of the century. Unfortunately, through the years, Maud's impact on American illustration was lost, until it seemed her only claim to fame was as the mother of Hollywood legend Humphrey Bogart. However, Maud's role on the American art scene was as remarkable as any role her son ever played on stage or screen. Today there is a resurgence of interest in Maud Humphrey's work, and that interest has prompted this book. It is a look at a young woman growing up in her. Maud went beyond the limitations to become an early suffragette; she maintained her art career even after marriage and a family. Many of her images grace the pages of this biography and bring her art to life.

This book deals with the critical nature and crucial role of architectural drawings. A manual which is essentially not a manual; it is an elucidation of an elegant manner for practising architecture.

Organized around eleven exercises, the book does not emphasize speed, nor incorporate many timesaving tricks typical of drawing books, but rather proposes a slow, meditative process for construing drawings and for drawing constructing thoughts.

This is an indispensable reference text and an effective textbook for students seeking to advance their appreciation of the nature and exercise of architectural drawings.

Figure Drawing for Artists: Making Every Mark Count is not a typical drawing instruction book; it explains the two-step process behind juggernauts like DreamWorks, WB and Disney. Though there are many books on drawing the human figure, none teach how to draw a figure from the first few marks of the quick sketch to the last virtuosic stroke of the finished masterpiece, let alone through a convincing, easy-to-understand method. That changes now! In Figure Drawing for Artists: Making Every Mark Count, award-winning fine artist Steve Huston shows beginners and pros alike the two foundational concepts behind the greatest masterpieces in art and how to use them as the basis for their own success. Embark on a drawing journey and discover how these twin pillars of support are behind everything from the Venus De Milo, to Michelangelo's Sibyl, to George Bellow's Stag at Sharkey's, and how they're the fundamental tools for animation studios around the world. Not to mention how the best comic book artists since the beginnings of the art form use them whether they know it or not. Figure Drawing for Artists: Making Every Mark Count sketches out the same two-step method taught to the artists of DreamWorks, Warner Brothers, and Disney Animation, so pick up a pencil and get drawing. The For Artists series expertly guides and instructs artists at all skill levels who want to develop their classical drawing and painting skills and create realistic and representational art.

Master the art of drawing chibis! First, learn the key principles, then draw a wide variety of characters following step-by-step tutorials. In Draw Chibi Style, chibi artist Piuuvy is your guide to:   Chibi Essentials. The first 18 lessons teach solid drawing fundamentals that demonstrate how to draw chibi characters from the ground up and will help you build the skills you need to create your very own supercute characters. Chibi Characters, Step by Step. Through step-by-step drawings, from rough sketch to finish, discover the drawing process for 44 adorable characters in a range of genres and themes, including a witch, a butterfly fairy, a shark, a shadow knight, and an action hero, each presented in a different pose.  Whether you’re just beginning to draw, trying your hand at chibi for the first time, or looking for ideas and guidance for bringing your own chibi characters to life, Draw Chibi Style is your go-to guide and visual reference.

Capture the bustle and beauty of life in your town. Experience life as only an artist can! Join the rapidly growing, international movement of artists united by a passion for drawing on location in the cities, towns and villages where they live and travel. Packed with art and advice from Marc Taro Holmes, artist and co-founder of Urbansketchers.org, this self-directed workshop shows you how to draw inspiration from real life and bring that same excitement into your sketchbook. Inside you'll fi nd everything you need to tackle subjects ranging from still lifes and architecture to people and busy street scenes. * 15 step-by-step demonstrations cover techniques for creating expressive drawings using pencil, pen and ink, and watercolor. * Expert tips for achieving a balance of accuracy, spontaneity and speed. * Practical advice for working in the field, choosing subjects, coping with onlookers, capturing people in motion and more. * Daily exercises and creative prompts for everything from improving essential skills to diverse approaches, such as montages, storytelling portraits and one-page graphic novels. Whether you are a habitual doodler or a seasoned artist, The Urban Sketcher will have you out in the world sketching from the very first page. By completing drawings on the spot, in one session, you achieve a fresh impression of not just what you see, but also what it feels like to be there . . . visual life stories as only you can experience them.

Though computer rendering has been a huge boon to designers, drawing by hand is still indispensable when it comes to developing ideas and presenting concept art. Creative Sketching in Product Design offers readers a square-one guide to all the skills required to create professional, realistic product drawings: perspective, including one-, two-, three-point and cavalier perspective; light & shadow, including shadow boundaries and projections; and coloring techniques, which includes material effects for wood, plastic and metal. Step-by-step diagrams and exercises make this an ideal resource for the classroom, while also being fully accessible to the self-directed learner. A broad selection of existing products, with photographs alongside the original concept development sketches, offer a look into the ways in which sketching can be the bridge between an idea and a usable product.

Jacopo Tintoretto (1518/19-1594) was among the most distinctive artists of the Italian Renaissance. Yet, although his bold paintings are immediately recognizable, his drawings remain unfamiliar even to many scholars. Drawing in Tintoretto's Venice offers a complete overview of Tintoretto as a draftsman. It begins with a look at drawings by Tintoretto's precedents and contemporaries, a discussion intended to illuminate Tintoretto's sources as well as his originality, and also to explore the historiographical and critical questions that have framed all previous discussion of Tintoretto's graphic work. Subsequent chapters explore Tintoretto's evolution as a draftsman and the role that drawings played in his artistic practice-both preparatory drawings for his paintings and the many studies after sculptures by Michelangelo and others-thus examining the use of drawings within the studio as well as teaching practices in the workshop. Later chapters focus on the changes to Tintoretto's style as he undertook ever larger commissions and accordingly began to manage a growing number of assistants, with special attention paid to Domenico Tintoretto, Palma Giovane, and other artists whose drawing style was infl uenced by their time working with the master. The book is published in conjunction with the exhibition Drawing in Tintoretto's Venice, opening at the Morgan Library& Museum, New York, in 2018 and travelling to the National Gallery of Art, Washington, in early 2019. All of the drawings in the exhibition are discussed and illustrated, and a checklist of the exhibition is also included in the volume, but the book is a far more widely ranging account of Tintoretto's drawings and a comprehensive account of his work as a draftsman.

This new facsimile edition of the Portfolio of the 13th-century Picard artist Villard de Honnecourt is the first ever to be published in color. The thirty-three leaves are reproduced at actual size from high-quality color transparencies to ensure the best possible color reproduction of the drawings. One can now see variations in inks and quill strokes, traces of preliminary drawings, and corrections made by the artist. This study is also the first to give a thorough description of the condition of the leaves, analysis of each drawing in the portfolio individually, and new transcriptions and literal and free translations of the inscriptions. The opening chapter covers the history and physical condition of the portfolio, including reassigning "hands" to text found on the leaves. The author analyses the tools and inks used, Villard's drawing technique and style, and evaluates Villard as an artist-draftsman. Chapter II, the body of the book, is devoted to detailed analyses of the leaves, one by one, and their drawings and inscriptions. These analyses are of interest to those concerned with medieval technology and theology as well as to those interested in medieval art and architecture. Chapter III is a new biography of Villard that challenges the many wild speculations of the last century and a half about Villard, separating obvious fiction from possible fact. Barnes analyzes in detail Villard's drawings of different Gothic buildings and makes a case for Villard having been a lay representative of the cathedral chapter at Cambrai, one of the buildings Villard drew. An extensive bibliography of Villard studies and a glossary of Villard's technical and artistic terms complete this important new study.

There is something distinctly visceral about graphite art, where every stroke of the artist or illustrator seems to convey emotion in its purest form. At a time when almost everything can be digitally done up to perfection, the smudges and smears by graphite can be refreshing to the eye and unapologetically human - touching viewers to the core. As a creative tool, it can also be the simplest and most affordable medium with which to express oneself and find joy. GRAPHITE is a stunning collection of pencil artwork by creatives around the world who have skilfully mastered the art of drawing by hand to make their mark. Featuring various subject matters and styles, it makes for a beautiful addition to the bookshelf and invites you to step away from your screen every now and then to, perhaps, pick up a pencil yourself and appreciate the simple things in life.

Learn simple step-by-step techniques for drawing and embellishing the exciting, inspiring, and beautiful motifs of sacred geometry. In Creative Drawing: Symbols and Sacred Geometry, artist, instructor, and author Ana Victoria Calderon takes you on an inner voyage of creative discovery. Learn how sacred geometry has been practiced and celebrated by cultures all over the world and influenced artists throughout history, including Leonardo da Vinci Start with the essentials-compass drawing with graphite pencils on paper-then explore the featured mediums for embellishing, including colored pencils, watercolor, inks, and other easy-to-use mediums Take a step-by-step look at fundamental drawing techniques for a variety of universal motifs, starting with the simple circle and building to more complex motifs, including the Yin Yang symbol, the Tree of Life, the Torus, and the Vortex Learn to paint a variety of stunning effects and find great project ideas for creating amazing images The study and creation of sacred geometry inspires the imagination and provokes reflection. So grab your pencils and take a beautiful creative journey with drawing! Perfect for creative beginners, the books in the Art for Modern Makers series take a fun, practical approach to learning about and working with paints and other art mediums to create beautiful DIY projects and crafts.

This guidance describes a method of recording historic buildings for the purpose of historical understanding using analytical site drawing and measuring by hand. The techniques described here have a long tradition of being used to aid understanding by observation and close contact with building fabric. They can be used by all involved in making records of buildings of all types and ages, but are particularly useful for vernacular buildings and architectural details which are crucial to the history of a building or site. . Record drawings are best used alongside other recording techniques such as written reports and photography or to supplement digital survey data. They can also be used as a basis for illustrations that disseminate understanding to wider audiences.

The Ashmolean Museum and the Albertina are collaborating on a two-part exhibition project that will examine anew the role and the significance of drawing in Raphael's career. The Ashmolean holds the greatest collection of Raphael drawings in the world, and the Albertina is the custodian of a major collection including some of the most beautiful and important of the artist's sketches. Taken together, the two collections provide extraordinary resources that, amplified by carefully-selected international loans, will allow us to transform our understanding of the art of Raphael. The Oxford exhibition is based on new research by Dr Catherine Whistler of the Ashmolean Museum and Dr Ben Thomas from the University of Kent, in collaboration with Dr Achim Gnann of the Albertina. It will take Raphael's art of drawing as its focus, with the concept of eloquence as its underlying structure. Oratory runs as a linking thread in Raphael's drawings, which stand out for the importance given to the study of gestures, facial expressions, and drapery.Moreover, Raphael treated the expressive figure of the orator - poet, philosopher, muse, apostle, saint or sibyl - in fascinating and significant ways throughout his life. This selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art.