A book whose sales have not diminished but rather increased dramatically since its publication 45 years ago, this bestselling classic is the ultimate manual of drawing taught by the late Robert Beverly Hale, who's famed lectures and classes at New York City's Art Student League captivated artists and art educators from around the world.
Faithfully producing and methodically analyzing 100 master drawings--including works of Michelangelo, Leonardo da Vinci, Rodin, Goya, and Rembrandt among others--Hale shows how these artists tackled basic problems such as line, light and planes, mass, position and thrust, and anatomy. With detailed analytical captions and diagrams, every lesson is clearly delineated and illustrated. Throughout, also, is commentary that sheds light on the creative process of drawing and offers deep insight into the unsurpassed achievements of the masters.

With a new introduction by author Le Roy Ladurie, this special edition offers a fascinating history of a fourteenth-century village, Montaillou, in the mountainous region of southern France, almost destroyed by internal feuds and religious heterodoxy. Ladurie's portrait is based on a detailed register of Jacques Fournier, Bishop of Pamiers and future Pope Benedict XII, who conducted rigorous inquisition into heresy within his diocese. Fournier was a consummate inquisitor, an acute psychologist who was able to elicit from the accused the innermost secrets of their thoughts and actions. He was pitiless in the pursuit of error, and meticulous in recording that pursuit. LeRoy Ladurie analyzes the behavior, demography, social mentality, and cosmology of the community of peasants and shepherds, and vividly evokes the daily life of the village and mountain pastures. His portrait of Montaillou is dominated by the personal histories of two men: the cure Pierre Clergue, a brutal and powerful man who placed his enemies in the hands of the inquisitor; and the shepherd Pierre Maury, a friend of the Albigensian perfecti and a fatalist who returned from Spain to disappear in the inquisitor's prison in his own country. Montaillou, which has received even more praise than LeRoy Ladurie's earlier work, provides a portrait of a fascinating place with a dark, intriguing history.

Rubens and the Eloquence of Drawing re-examines the early graphic practice of the preeminent northern Baroque painter Peter Paul Rubens (Flemish, 1577-1640) in light of early modern traditions of eloquence, particularly as promoted in the late sixteenth- and early seventeenth-century Flemish, Neostoic circles of philologist, Justus Lipsius (1547-1606). Focusing on the roles that rhetorical and pedagogical considerations played in the artist's approach to disegno during and following his formative Roman period (1600-08), this volume highlights Rubens's high ambitions for the intimate medium of drawing as a primary site for generating meaningful and original ideas for his larger artistic enterprise. As in the Lipsian realm of writing personal letters - the humanist activity then described as a cognate activity to the practice of drawing - a Senecan approach to eclecticism, a commitment to emulation, and an Aristotelian concern for joining form to content all played important roles. Two chapter-long studies of individual drawings serve to demonstrate the relevance of these interdisciplinary rhetorical concerns to Rubens's early practice of drawing. Focusing on Rubens's Medea Fleeing with Her Dead Children (Los Angeles, Getty Museum), and Kneeling Man (Rotterdam, Museum Boijmans Van Beuningen), these close-looking case studies demonstrate Rubens's commitments to creating new models of eloquent drawing and to highlighting his own status as an inimitable maker. Demonstrating the force and quality of Rubens's intellect in the medium then most associated with the closest ideas of the artist, such designs were arguably created as more robust pedagogical and preparatory models that could help strengthen art itself for a new and often troubled age.

Featuring more than 600 sketches depicting a vast array of fantastic beasts and beings, Draw Like an Artist: 100 Fantasy Creatures and Characters is a must-have visual reference for student and aspiring artists, illustrators, and animators for fantasy, gaming, and augmented or virtual reality-anyone who's seeking to improve their realistic drawing skills and create compelling mythological marvels. This contemporary step-by-step guidebook demonstrates fundamental art concepts like proportion, anatomy, and spatial relationships as you learn to draw a full range of amazing life forms-including unicorns, mermaids, dragons, vampires, and zombies-all shown from a variety of perspectives. Each set of illustrations takes you from beginning sketch lines to a finished drawing. Author Brynn Metheney's classic drawing style will make this a go-to sourcebook for years to come. Learn how to: Establish basic shapes and symmetry Articulate lines for body shapes, forms, and shading Add defining details Draw Like an Artist: 100 Fantasy Creatures and Characters is a library essential for any artist who's interested in learning how to draw these richly imagined and visually and culturally influential legendary beings. The books in the Draw Like an Artist series are richly visual references for learning how to draw classic subjects realistically through hundreds of step-by-step images created by expert artists and illustrators.

A mentor to Georgia O'Keeffe, Dow literally "wrote the book" on composition. First published in 1899, this manual influenced generations of teachers and students. Relevant to all of the visual arts, it employs a workbook format to impart principles regarding harmonic relations between lines, color, and dark and light patterns.

This volume covers Chinese art during the reign of the Sui and Tang Dynasties during which the various disciplines of plastic and performing arts all entered a stage of unprecedented prosperity and development. It also traces new explorations in calligraphy, painting, and mural art and highlights architectural achievements during the historic period. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.

The top-selling Sterling Sketchbook series now features the popular new Kraft-cover format! With their quality paper and sturdy binding, this is the sketchbook of choice for both amateur and professional artists.   This beautiful sketchbook contains acid-free, medium-weight drawing paper with a vellum finish that’s perfect for everything from charcoal and pencil to light washes with ink and watercolor. Perforated pages make it easy to tear out “masterpieces� for framing or gift giving. All the copy (title, paper description, size, page count) appears on an attractively designed removable sticker that you can either leave on or remove for a clean, blank front cover.

This first-ever portrait of Linda Berger's work invites you to discover the artist's detailed drawings, especially her latest graphic works and exhibitions. Thematically and visually, the book reveals Berger's artistic concepts and the processes of creating her drawings. In addition to numerous, mostly large-format illustrations - drawings, spatial interventions, and views of the most important exhibitions - the texts by renowned authors and experts on Berger's oeuvre contribute to the understanding and mediation of her art. This book connects artistic work and design in a special way: Its graphic concept vividly renders the intensity of the artist's drawing process and the unusually large dimensions in which she worked comprehensible.

Cajal's Neuronal Forest: Science and Art continues the tradition set forth by its sister volume Cajal's Butterflies of the Soul (OUP, 2009). This new collection contains hundreds of beautiful rarely-seen-before figures produced throughout the nineteenth century and the beginning of the twentieth century by famed father-of-modern-neuroscience Santiago Ramon y Cajal (1852-1934) and his contemporaries. Cajal was captivated by the beautiful shapes of the cells of the nervous system. He and his fellow scientists saw neurons as trees and glial cells as bushes. Given their high density and arrangement, neurons and glial resembled a thick forest, a seemingly impenetrable terrain of interacting cells mediating cognition and behavior. In unraveling the mysteries of the brain, these researchers encountered an almost infinite number of cellular forms with an extraordinary beauty, which they could not help but put pen to paper, allowing them to discover a new artistic world- the neuronal forest- that gave free rein not only to their imagination, but to a new way of viewing the brain as well. This book has been divided into two parts. The first focuses on the scientific atmosphere in Cajal's times, on the history of the neuron, and the anatomical challenge posed in studying neuronal connections. It also delves into the artistic skills of Cajal and other important pioneers in neuroscience and how the neuronal forests have served as an unlimited source of artistic inspiration. The second consists of 275 original drawings by Cajal. All were published over the course of his scientific career and cover virtually all of his research fields of interest, including the spinal cord, the optic lobe and retina, cerebral cortex, and many other regions of the brain. Cajal's Neuronal Forest: Science and Art is a testament to the natural beauty found in science. Despite the common misconception that the drawings of Cajal and other scientists of the time are pieces of art, these drawings are in fact copies of histological preparations and contributed greatly to the discoveries made in the field of neuroscience. This book is a gem in any library, whether serving as a medical history or a gallery of stunning sketches.

In Drawing with a Tablet: Easy Techniques for Mastering Digital Drawing on Location, readers will learn step by step how to create amazing drawings while on the go. In the sixth volume of the Urban Sketching Handbook series, popular artist and workshop instructor Uma Kelkar shows sketchers how to take their digital drawing to the next level. Whether you are new to sketching or wish to try the latest technology, this useful guide shares expert tips and techniques for drawing on a tablet. With a focus on using the ProCreate tool, but with information that is relevant to other digital platforms, you will start with the basics, such as opening your file, choosing your resolution, determining your palette, and how to simplify your tools by creating a preferred set of brushes. The book also covers using layers and groups of layers, and shows you how to create a sketch from start to finish. Whether you are drawing at home, en plein air, on the go, or even at night, learn how to enliven your digital drawings and enhance your skills.

A demonstration of drawing techniques for capturing the movement of clothed figures, and how each action of the body affects the clothing.

Anyone with a little persistence and the desire can learn to draw well--this is the starting point of "The Fundamentals of Drawing," a practical and comprehensive course for students of all abilities. Opportunities for practice and improvement are offered across a wide spectrum of subjects--still life, plants, landscapes, animals, figure drawing, and portraiture--and supported by the demonstration of a broad range of skills and techniques, including perspective and composition.

In this reissue of his popular book, Vic Bearcroft shares his love of drawing and painting wild animals, showing how to capture the personality and distinctive features of a variety of creatures. Using simple steps and plenty of detail, this guide shows you how to create beautiful artworks, from drawing the basic shapes through to realising your favourite animals in your preferred medium.

"Did Rudolf Steiner dream these things? Did he dream them as they once occurred, at the beginning of all time? They are, for sure, far more astonishing than the demiurges and serpents and bulls found in other cosmogonies.' -- Jorge Luis BorgesRudolf Steiner recorded his view of the world in numerous books. He also gave more than 5,000 lectures, in which he explained his ideas, using only minimal notes. When describing especially difficult subjects, Steiner frequently resorted to illustrating what he was saying with colored chalk on a large blackboard. After his earlier lectures, the drawings were erased and irretrievably lost. After the autumn of 1919, however, thick black paper was used to cover the blackboards so that the drawings could be rolled up and saved.The Trustees of Rudolf Steiner's Estate in Dornach, Switzerland, possess more than a thousand such drawings. A selection of these drawings was first shown to the general public in 1992, and since then, exhibitions in Europe, America, and Japan have generated much interest in Steiner's works.

This elegant & accessible primer from master contemporary artist Juliette Aristides distils the drawing process into its essential elements. In "Lessons in Classical Drawing", award-winning author, artist and teacher, Juliette Aristides breaks down the drawing process and shows what all great drawing has in common. The book conveys a start-to-finish overview of the drawing experience and shows what to tackle when first starting a drawing and then how to lay the groundwork for each subsequent step in creating a well-crafted drawing. Packaged with a companion DVD, which aims to eliminate any gaps in the learning process, the reader becomes a virtual participant in a drawing workshop filmed at the Santa Repararta School in Florence, Italy.

Written by a long-time expert on drawing and painting human anatomy, Classic Human Anatomy in Motion offers artists everything they need to realistically draw the human figure as it is affected by movement. Written in a friendly style, the book is illustrated with hundreds of life drawing studies (both quick poses and long studies), along with charts and diagrams showing the various anatomical and structural components. This comprehensive manual features five distinct sections, each focusing on a different aspect of the human figure: bones and joint movement, muscle groups, surface form and soft tissue characteristics, structure, and movement. Each chapter builds an artistic understanding of how motion transforms the human figure and can create a sense of expressive vibrancy in one's art.

The Ultimate Beginner's Guide to Drawing Figures! To draw an anatomical figure, you don't need a stack of weighty anatomy books. Just take it step by step! In How to Draw People, author Jeff Mellem teaches beginning artists how to draw the human figure, from stick figure to anatomically accurate person, in clear, easy-to-follow lessons. More than just a reference, this book provides the step-by-step instruction to teach you to draw the human figure and the anatomical knowledge to draw it realistically. In each chapter, called "levels," you'll learn core concepts for drawing the human figure. Each new chapter builds on the previous one to give you the skills you need to add complexity to your drawing. By the end of each chapter, you will be able to draw the figure with greater detail. By the end of Level 5, you will be able to draw an expressive figure with defined muscle groups in a variety of poses both real and imagined. Clear goals to progress from stick figure to anatomically correct Exercises and assignments to practice new skills Level-Up Checklists in each chapter to assess your skills before moving on With clear step-by-step demonstrations and check-ins along the way, How to Draw People is the beginner's guide to drawing realistic figures.

Choose your new best friend from this cuddly collection of 28 playful puppies. Best-selling artist Susie Hodge teaches you to transform simple shapes into 28 cute and characterful puppies in a range of much-loved breeds, including beagles, goldendoodles, Frenchies, huskies and labradors. There are 28 different doggies to draw, in a variety of playful poses. Each project starts with a few basic outlines and progresses into a finished tonal drawing, and a final coloured version shows you how to develop your drawing even further. Perfect for beginners, as well as budding artists, you'll be amazed how easily you too can bring these playful pooches to life with this inspiring guide.

How to Draw is for artists, architects and designers. It is useful to the novice, the student and the professional. You will learn how to draw any object or environment from your imagination, starting with the most basic perspective drawing skills.

Early chapters explain how to draw accurate perspective grids and ellipses that in later chapters provide the foundation for more complex forms. The research and design processes used to generate visual concepts are demonstrated, making it much easier for you to draw things never-before-seen
Best of all, more than 25 pages can be scanned via a smartphone or tablet using the new Design Studio Press app, which link to video tutorials for that section of the book
With a combined 26 years of teaching experience, Scott Robertson and Thomas Bertling bring you the lessons and techniques they have used to help thousands of their students become professional artists and designers.
This book is indispensable for anyone who wants to learn, or teaches others, how to draw.