Learn to draw figures and faces with this clear and easy to follow guide, the latest in the bestselling 'Read This' series. Revealing the techniques and ideas behind inspirational works, the book will set you on the path to making your own great drawings. From traditional life drawing to unconventional character studies, works by masters such as Henri Matisse, Auguste Rodin and Vincent van Gogh, as well as contemporary artists including Marlene Dumas, Zin Lim and Catherine Kehoe, all serve to illustrate a range of approaches and encourage readers to try out new ideas. Read This if You Want to Be Great at Drawing People is part of the internationally-bestselling 'Read This' series, which has sold over half-a-million books worldwide and has been translated into over 20 languages. More titles in the 'Read This' series: Read This if You Want to Take Great Photographs by Henry Carroll (9781780673356) Read This if You Want to Take Great Photographs of People by Henry Carroll (9781780676241) Read This if You Want to Take Great Photographs of Places by Henry Carroll (9781780679051) Use This if You Want to Take Great Photographs: A Photo Journal by Henry Carroll (9781780678887) Read This if You Want to Be Great at Drawing by Selwyn Leamy (9781786270542) Use This if You Want to Be Great at Drawing by Selwyn Leamy (9781786274052) Read This if You Want to Be a Great Writer by Ross Raisin (9781786271976) Read This if You Want to Be Instagram Famous edited by Henry Carroll (9781780679679)

"Life, Legend, Landscape" presents a rich selection of Victorian drawings and watercolors from the Courtauld Gallery collection, ranging from finished watercolors intended for public exhibition to informal sketches and preparatory drawings for paintings or sculpture. The selection includes a study by Edwin Landseer for the famous lions used at the base of Nelson's column in Trafalgar Square, London; the Pre-Raphaelite painter Dante Gabriel Rossetti's intimate portrait of his muse, Elizabeth Siddal, seated at her easel; Whistler's delicate study of the young Elinor Leyland, and Fredrick Walker's outstanding The Old Farm Garden.

Figure drawing is the most essential - and the most difficult - of all the skills for the artist to learn. In this manual Burne Hogarth introduces his own system of figure drawing, which should make it possible to visualize and accurately render the forms of the human body from every conceivable point of view. First Hogarth describes the forms of the human figure. Then he demonstrates his "deep space" notion, a systematic sketching order that is the key to drawing the figure with believable interconnection of forms and control of foreshortening. By mastering this remarkable system, artists should be able to draw an amazing variety of poses, actions and gestures without a model, while maintaining the correct relationship between forms.

IN Stars and Wars, Oscar-nominated art director Alan Tomkins reveals his fascinating unpublished film artwork and behind-the-scenes photographs from an acclaimed career that spanned over fifty years in both British and Hollywood cinema. Tomkins' art appeared in such celebrated films as Saving Private Ryan; JFK; Robin Hood: Prince of Thieves; The Empire Strikes Back (which would earn him his Oscar nomination); Lawrence of Arabia; Casino Royale; Battle of Britain; and Batman Begins. He shares his own unique experiences alongside these wonderful illustrations and photographs, charting his early work as a draughtsman through to becoming a celebrated and sought-after art director on some of the biggest blockbusters ever made. Having worked alongside such eminent directors as David Lean, Oliver Stone, Stanley Kubrick, Franco Zeffirelli and Clint Eastwood, Tomkins has produced a book that is a must-have for all lovers of classic cinema.

Drawing the Head for Artists is the definitive modern guide to drawing the human head and portrait, featuring the classic mediums and methods of the Old Masters. Written by celebrated portrait artist and veteran studio instructor Oliver Sin, this richly informative and beautifully illustrated volume leads readers step-by-step through his method, from establishing a point of view to applying the timeless principles for creating an accurate and expressive likeness. Among the topics covered: Essential Materials & Techniques:Learn about necessary supplies and basic drawing techniques, including hatching, various stroke styles, and blending. Applying the Essentials: Explore how the concepts of sight-sizing, value, negative space/shapes, and plane changes factor into a portrait's underlying structure. Techniques for Creating Depth & Dimension:Investigate how contrasting shapes, overlapping forms, and linear and atmospheric perspective are used to enhance depth. Creating the Illusion of Three Dimensions: Examine how edges-contours as well as changes in value-are used to convey three-dimensional form. Brimming with striking images that document all the phases and details of the author's process, Drawing the Head for Artists inspires and informs all artists, from aspiring to accomplished, on how to successfully portray the physical subtleties and emotional eloquence of the human face. The For Artists series expertly guides and instructs artists at all skill levels who want to develop their classical drawing and painting skills and create realistic and representational art.

The essential guide to drawing manga figures. Ideal for seasoned comic artists or complete beginners, this fantastic book is packed with clear instructions and inspiration for drawing manga figures. It begins with the basics and contains galleries of body parts, expressions and hair styles to inspire and encourage the reader, along with step-by-step guides to mastering fundamentals such as anatomy and hands and feet. A range of profiles, characters, genders and ages is included. Build up skill through drawing and inking and then experiment using different colouring media - including markers, watercolour acrylics and pencils - to achieve outstanding results. This title was previously published as Manga - The Mega Guide (9781782210764)

With their broken lines and hasty brushwork, sketches acquired enormous ideological and aesthetic power during the Romantic period in England. Whether publicly displayed or serving as the basis of a written genre, these rough drawings played a central role in the cultural ferment of the age by persuading audiences that less is more. The Visual and Verbal Sketch in British Romanticism investigates the varied implications of sketching in late-eighteenth- and early-nineteenth-century culture. Calling on a wide range of literary and visual genres, Richard C. Sha examines the shifting economic and aesthetic value of the sketch in sources ranging from auction catalogs and sketching manuals to novels that employed scenes of sketching and courtship. He especially shows how sketching became a double-edged accomplishment for women when used to define "proper" femininity. Sha's work offers fresh readings of Austen, Gilpin, Wordsworth, and Byron, as well as less familiar writers, and provides sophisticated interpretations of visual sketches. As the first full-length work about sketching during the Romantic era, this volume is a rich interdisciplinary study of both representation and gender.

Calligraphy and lettering, in chalk! Chalk art and lettering are all around: on menu boards at a favorite local coffee shop, brightening sidewalk easels at street fairs, and in lively artwork found in the home. Chalk art and lettering pros Amanda Arneill and Shannon Roberts have teamed up to provide friendly, step-by-step instruction in chalk lettering and art, teaching you all you need to know to create your own chalk masterpieces: - Getting started: the basics of making and seasoning your own chalkboards - Lettering: various alphabets and lettering styles - Illustration: steps and processes in chalk art, including banners, flowers and more - Design: brings lettering and art techniques together with guided chalk projects ideas

Both serious artists and casual doodlers can use the handsome sketchbooks, now offered in seven colors, four sizes, and with the options of lizard finish or Kivar covers and a sewn or spiral wire-o binding. Many choose the popular large format for sketching outdoors or for toting to art class. Others like to toss the smaller sizes into a purse or backpack. The archival-quality, vellum-finish paper is especially appealing to artists. It will not yellow with time, ensuring the preservation of their drawings, and its smooth surface readily accepts any drawing medium. The spiral-bound version opens flat. All the covers have a leatherlike finish but are actually tough and waterproof.

Mixing colors accurately may be an art unto itself. In fact, many artists are discouraged by the time and expense it takes to mix and match colors, and achieve the right results. Even more frustrating is the vast range of colors available. Now there's a ready-to-use visual directory that takes all the guesswork out of mixing and matching colors . . . making every artist an expert Color Mixing Bible provides a basic color palette for each art medium, demonstrating an array of two-, three-, and four-color mixes, as well as offering full explanations of various paints and pigments.
This invaluable guide features scores of tips and techniques for color mixing with oils, acrylics, watercolors, inks, pastels, and virtually every other art medium. It also includes in-depth information on how to determine the opacity and strength of a color, choose a color palette, mix whites, arrange and organize colors prior to mixing, use optical and physical mixing techniques, and much more Plus, hundreds of color illustrations make everything simple. Whether one is an aspiring artist or working professional, Color Mixing Bible is an essential addition to every bookshelf.

Create beautifully textured details in colored pencil-it's easier than you think! New in paperback! In Texture in Colored Pencil (formerly known as Capturing Soft Realism in Colored Pencil), learn to render lovely background and foreground elements in your colored pencil artwork with skill and confidence! Ann Kullberg's invaluable, fail-proof techniques will help you transform a "good" portrait into an extraordinary work of art. Inside you'll find easy-to-follow, step-by-step instruction that shows you how with over thirty-five different subjects. Learn to create a wide variety of details-from flowers, sand and waterfalls to lakes, leaves, stones and more. Kullberg also includes a special Q&A section that explores, illuminates and answers your most common colored pencil questions. You'll learn how to choose the colors and pencil strokes that ensure wonderful results every time. This classic guide is all you need to learn to add gorgeous details and more to every piece of art you create! *Note to readers: This book is a paperback reprint of Capturing Soft Realism in Colored Pencil by Ann Kullberg (now out-of-print). This is a paperback version of the hardcover title with a new cover and title; the interior content is the same.

True beauty is found in nature, making this the perfect sketch book for your art inspiration! As if being responsible for dazzling sunsets and the aurora borealis were not enough, nature is also guardian to the universal principals of design. With mathematical perfection, its recurring structures seem to magically adapt as they show up in hundreds of ways: the radial star at the center of snowflakes, fruits and flowers, and the arms of starfish; spirals at the heart of nautilus shells, unfurling plants, and swirling storm systems. Borrowing the beauty of nature's forms can help you create beautiful artwork. Observing the structure of nature's forms can help you to be a better designer. The inspiration is limitless. Nature's design magic is a balancing act found in its perfect ratios. The sections of this sketchbook--Star, Branch, Spiral, and Fan--focus on four of those disceptively simple design principles and why they work. Author/artist Yellena James uses her own nature-based drawings to guide readers toward looking closely at each design form and the places where it occurs. Readers will discover ways to use each form in their own artwork, realistically, abstractly, or as motifs in repeat borders and patterns. In a non-academic fashion, the text explains nature's beautiful balances, and the art of using them when you draw and design.

Learn to draw authentic anime and manga faces and expressions from a manga master. In this follow-up to Manga Drawing Deluxe, renowned Japanese manga artist and international instructor Nao Yazawa guides you step by step through all phases of drawing and painting anime and manga faces, from the basics of creating essential anime and manga characters to creating dynamic and authentic expressions to coloring and adding special touches. Manga Faces 101. Learn about must-have supplies, basic drawing techniques, and a summary of the process from rough sketches to finished drawings. Essential Guide to Expressive Characters. Explore how to draw key anime and manga characters as well as how to depict a range of emotions for each, from delight to sadness to terror. Inking, Coloring, and Special Effects. Take your drawings to the next level by adding striking definition, stunning color, and special finishing touches that will give your characters just the right note of authenticity. Drawing and Painting Anime and Manga Faces gives you the tools you need to create expressive characters that will make your anime and manga stories come alive.

Around 1500, Lucas Cranach the Elder steps onto the world stage - in Vienna. The publication explores this, the artist's earliest period of work and presents all the paintings he produced during this time, their expressiveness radically different from the courtly-elegant compositions he subsequently produced as court painter in Wittenberg. Lucas Cranach the Elder (1472-1553) produced his earliest works around 1500 in Vienna, shortly before moving to Wittenberg to become court painter to the Elector of Saxony. These brilliant paintings, drawings, and woodcuts document both the thirty-year-old's close contacts with the humanist circles of Konrad Celtis and Johannes Cuspinian, and identify him as a precursor of the so-called Danube School.

A groundbreaking examination of Mel Bochner's inventive drawing practice produced collaboratively with the artist Encompassing both works on paper and oversized wall drawings made from the 1960s to the present, this handsomely designed volume documents the first-ever museum retrospective of drawings by Mel Bochner (b. 1940). Drawing has long been critical to the work of this pioneering conceptual artist, and essayists explore the theoretical framework and playful experimentation of his decades-long practice. The book, conceived and designed in close collaboration with the artist, features his own writings about his philosophy of wall drawings and reflections on significant exhibitions of his work. Bochner was a key figure of the Minimalist and Conceptual Art movements whose first exhibition in 1966 is now recognized as seminal. Today the artist is known for works in a range of media that explore the conventions of language and visual art as well as the relationships between them; his experimental works on paper, canvas, and wall-all of which are celebrated here-are a foundational facet of his practice and a critical influence on contemporary art. Distributed for the Art Institute of Chicago Exhibition Schedule: Art Institute of Chicago (April 23-August 22, 2022)

A fully revised and updated edition of the essential companion to "Drawing on the Right Side of the Brain"--over half of the exercises are new

It is in the wilderness of cities rather than in nature that the imagination of these landscape drawings comes to life. Without any heroic emphasis, these drawings result from the observation of traces, evident or discreet, in the urban landscape, and the process to collect and memorise traces is the way to consider memory as a primary medium for creativity. The selected collection of over 150 drawings, thought and imagined over many years, delineates a personal city experience, without any intention of building a new city theory. No single drawing in this book is a representation of cities in-situ; all of them are interpretations, translations, and combinations of traces collected and selected while teaching, working, meeting cultures, and eating food in many different cities around the world. These drawings are a different form of communication than the beautiful renderings produced in endless numbers.

The act of field sketching allows us to experience the landscape first-hand - rather than reliance upon plans, maps and photographs at a distance, back in the studio. Aimed primarily at landscape architects, Janet Swailes takes the reader on a journey through the art of field sketching, providing guidance and tips to develop skills from those starting out on a design course, to those looking to improve their sketching. Combining techniques from landscape architecture and the craft and sensibilities of arts practice, she invites us to experience sensations directly out in the field to enrich our work: to look closely at the effects of light and weather; understand the lie and shapes of the land through travel and walking; and to consider lines of sight from the inside out as well as outside in. Full colour throughout with examples, checklists and case studies of other sketchers' methods, this is an inspirational book to encourage landscape architects to spend more time in the field and reconnect with the basics of design through drawing practice.

A wonderful introduction to drawing moving people, shown in very simple step-by-step stages. Susie Hodge includes a wide selection of ages and activities, from adult dancers to young footballers. Both beginners and experienced artists will learn and be inspired by these illustrations inside.

The first comprehensive collection of Annette Messager's drawings, including 150 works made over the last ten years, which constitute an invaluable lexicon to the mind and work of a trailblazing iconoclast. Messager redefined the role of women making art and the very nature of sculpture - accomplishments which won her the coveted Golden Lion for best national pavilion at the 51st Venice Biennale in 2005 and the Praemium Imperiale for sculpture in 2016. Messager's subjects range from animal to human, feminist activists to devotional figures, skeletons to ghosts. She broaches the grand themes of love, life, death and the fairy tales, mythologies, superstitions and vanities that lie beneath.

Stimulating exercises to help beginner to advanced students push the boundaries of traditional drawing. As with most art forms, it's best to comprehend traditional drawing techniques before you break the rules. But once you've mastered the basics, you may find that you gravitate to more abstract ways of rendering everything from still lifes to figures. However, this book is not only about avant-garde style; it is experimental in that it forces the artist out of his or her comfort zone, whatever that might be. In this book, renowned New York University professor, Robert Kaupelis, shares the tutorials that he used with his students, offering illustrations of drawings and paintings from old masters to contemporary artists (and even some outstanding works from his students) to explain techniques. Covering everything from creating form through contour drawings to drawing with new technology, Experimental Drawing helps you zero in on concepts and form ideas that may take your work to a new and more intriguing level. Some of the innovative exercises you'll find here include: * Drawing models while blindfolded * Engaging in group drawing sessions popularized during the Dada era * Utilizing different drawing materials like glass, plastic, feathers, string, sponges, metal dust, and more * Reducing a post's brushstroke from six to one * Using cross-contour lines for a more abstract still life * Integrating a grid system on a carefully rendered scene to create an illusion of distorted space and movement * And much more... This classic volume's inventive and stimulating projects will help serious artists develop their own vision and their own way to draw. Includes more than 200 spectacular drawings by old and modern masters from Michelangelo to Jasper Johns.