|
|
Books > Arts & Architecture > Art forms, treatments & subjects > Drawing & drawings
Kawaii is a Japanese word meaning 'super-cute', and it's a trend
that's sweeping the globe. Anything can be drawn in the kawaii
style, from animals, people, vegetables and flowers to food,
vehicles and household items. Expert comic book and manga artist
Yishan Li shows you how to achieve amazingly cute characters in a
few simple steps. Do you want to draw a singing cactus, a cheeky
camera, a crying onion, or a playful panda? The choice is yours!
How to Draw: Cute Kawaii uses material from the best-selling How to
Draw series, plus 32 brand new projects! There are over 100
projects to choose from, each full of character and charm. Each one
is developed in eight easy stages from a rough sketch of the basic
shapes through to the finished, coloured drawing, making this book
appealing to adults and children of all ages and abilities.
Develop your drawing skills and rediscover the world around you
with this innovative and beautifully illustrated book. In Drawing
for the Artist, acclaimed artist and teacher Sarah Simblet teaches
you how to draw by combining practical lessons with examples of
both her own work and some of the world's greatest drawings. She
introduces all the key drawing materials, then shows you how to
master the basic elements of drawing in a series of step-by-step
drawing classes, covering topics ranging from simple mark-making to
establishing form, creating tone, and conveying perspective. You
will learn how to explore a wide variety of subjects, from still
life, plants, and animals to portraits, the human body, landscapes,
and buildings, all introduced with outstanding drawings by famous
artists. The bestselling author of Anatomy for the Artist and
Botany for the Artist, Sarah demonstrates how she works - from
quick pencil sketches to pen and ink studies - with expertise and
plenty of encouraging tips, and complements them with plentiful
examples from her own sketchbooks. Drawing for the Artist is for
anyone who wants to draw, whether you are a complete beginner or
would like to refresh your existing skills. Whatever your ability,
it will inspire you to reach for a pencil and paper and start
drawing.
The list of subjects that Giorgio Agamben has tackled in his career
is dizzying--from the dangers of our current political moment to
the traces of the distant past that inflect the culture around us
today. With Pulcinella, Agamben is back with yet another
surprising--and surprisingly relevant--subject: the commedia
dell'arte character. At the heart of Pulcinella is Agamben's
exploration of an album of 104 drawings, created by Giovanni
Domenico Tiepolo (1727-1804) near the end of his life, that cover
the life, adventures, death, and resurrection of the title
character. Who is Pulcinella under his black mask? Is he a man, a
demon, or a god? Mixing stories of the enigmatic Pulcinella with
his own character in a sort of imaginary philosophical biography,
Agamben attempts to locate the line connection between philosophy
and comedy. Perhaps, contrary to what we've been told, comedy is
not only more ancient and profound than tragedy, but also closer to
philosophy--close enough, in fact, that, as happens in this book,
at times the line between the two can blur.
Accompanying a major exhibition, this book brings together around
120 of the most significant examples of Victor Hugo's works on
paper. It features previously unpublished drawings and insightful
texts that reveal Hugo's extraordinary talents as a draftsman.
Remarkably spontaneous and receptive to the myriad possibilities of
medium and materials, Hugo produced experimental and enigmatic
compositions, from haunting renditions of castles and ruins to
ethereal and abstract forms and stains. This volume includes essays
which place Hugo's drawings within the context of artistic
movements in 19th-century France, closely examine his cosmic
landscapes and visions of the night, delve into Hugo's processing
of ideas and imagination, and analyze a central pair of opposing
forces in his work-stones and stains. This lavishly illustrated
book presents the full breadth of Hugo's talent. Hugo's drawings
afford a greater insight into the creative brilliance that brought
forth some of the most indelible stories of all time.
Take your creativity to the next level with the ultimate artist's
bible! Covering everything from how to draw and paint to ceramics,
sculptures and printmaking, you'll get the most out of your passion
for art with this beautifully illustrated artist's handbook. It
also includes newer areas such as digital art and animation -
perfect for modern artists! Discover everything you need to help
you release the artist within! This essential art book includes: -
All areas of visual art; including drawing, painting, 3D art,
printmaking, textiles, and digital arts including photography -
Each section is written by an acknowledged expert in that field -
both practising professionals and university-level teachers -
Comprehensive coverage of equipment and tools, including
step-by-step sequences, where appropriate on how to use -
Techniques are illustrated in step-by-step sequences by
professional artists, with basic skills leading on to more advanced
techniques Whether you're dipping in to find a specific painting
technique or browsing for artistic inspiration, this artist's
reference book covers all the elements of painting and drawing.
Brush up on the art basics like choosing the right tool, mixing
watercolours, and preparing a canvas. Take your skills further and
learn how to glaze a pot, try out 3D printing and mosaic, or create
a digital collage. The Artist's Manual will help you become a more
confident, creative artist. Equipment, materials, and methods are
fully explained and beautifully illustrated. Perfect for artists of
every skill level, you'll be creating your own masterpieces in no
time with this guide to art. It's a must-have for every artist's
studio!
Qu'est-ce qu'un visage ? Qu'une tete ? C'est a ces questions que
Marwan (1934-2016) s'est confronte dans sa demarche artistique en
commencant par la figure humaine pour explorer inlassablement le
visage. Si ce dernier, traite horizontalement, est reconnaissable
dans ses traits, la tete, effigie verticale, s'efface. Le present
livre s'appuie sur la biographie du peintre dont le langage
artistique s'est elabore entre Damas et Berlin, et sur une etude
transculturelle qui questionne le theme du visage dans son oeuvre.
L'acces a sa problematique picturale a ete rendu possible grace aux
sources premieres: dessins preparatoires, ecrits et entretiens
entre l'auteure et l'artiste durant les dix dernieres annees de sa
vie. Nourri de la double culture orientale et occidentale, Marwan
participe au questionnement du visage humain dans ses metamorphoses
par rapport a l'absence, a l'inanime, au voilement-devoilement, au
meme et a l'autre, au singulier et a l'universel.
This yearlong workshop guides you through 52 weekly lessons that
not only improve your technical skills but refine your personal
style, preferences, and expression. The first half of the year
focuses on learning and polishing the building blocks-such as line,
perspective, and shading-while the second empowers you to make
choices and question "methods." Each week includes an introductory
quote from art history, what (and how) to practice for the specific
lesson, and further "if you have time" suggestions to build on.
Going beyond simple step by step, each lesson also includes works
by artists in other mediums to look up, rooting the theme in its
broader artistic context. By the final assessment lesson of week
52, you'll be more skillful and knowledgeable about drawing, and
about yourself as an artist.
Les lettres de Charles Gounod a la duchesse Colonna, sculptrice de
renom sous le pseudonyme de Marcello, sont d'un immense interet. De
caractere intime, elles offrent egalement des informations sur les
projets du compositeur (dont un opera inacheve d'apres l'histoire
de Francesca da Rimini), les details materiels de son activite, son
manque d'inspiration, ainsi que sur ses conceptions esthetiques et
philosophiques. Entre la creation de Romeo et Juliette en 1867 et
la fuite de Gounod en Angleterre en 1870, les deux amis partagent
leurs joies et leurs preoccupations tant artistiques que
personnelles. Cet echange epistolaire enrichit considerablement la
comprehension de la personnalite humaine et creatrice de Gounod,
ainsi que de son milieu culturel.
This is a full-colour compendium of paintings by renowned and
anonymous artists of every era and from all over the world. The
paintings are organised into subject categories, including human
life from birth to death, man's emotions and beliefs, and work and
leisure.
Capture the splendour of the African savannah by drawing this
collection of stunning animals and birds. Watch them come to life
in six easy steps. Award-winning artist Jonathan Newey teaches you
to transform simple shapes into the iconic Big Five (lion, leopard,
rhinoceros, elephant and buffalo), as well as towering giraffes,
distinctive zebras and striking flamingos. There are 26 different
animals to create, in a variety of poses and styles. Each project
starts with a few basic outlines and progresses into a finished
tonal drawing, and a final coloured version shows you how to
develop your drawing even further. Perfect for beginners, as well
as budding artists, you'll be amazed how easily you too can draw
African animals with this inspiring guide.
"Did Rudolf Steiner dream these things? Did he dream them as they
once occurred, at the beginning of all time? They are, for sure,
far more astonishing than the demiurges and serpents and bulls
found in other cosmogonies.' -- Jorge Luis BorgesRudolf Steiner
recorded his view of the world in numerous books. He also gave more
than 5,000 lectures, in which he explained his ideas, using only
minimal notes. When describing especially difficult subjects,
Steiner frequently resorted to illustrating what he was saying with
colored chalk on a large blackboard. After his earlier lectures,
the drawings were erased and irretrievably lost. After the autumn
of 1919, however, thick black paper was used to cover the
blackboards so that the drawings could be rolled up and saved.The
Trustees of Rudolf Steiner's Estate in Dornach, Switzerland,
possess more than a thousand such drawings. A selection of these
drawings was first shown to the general public in 1992, and since
then, exhibitions in Europe, America, and Japan have generated much
interest in Steiner's works.
Im Rahmen der aktuellen Diskussion zur asthetischen und kulturellen
Bildung gehen Autorinnen und Autoren unterschiedlicher
kulturwissenschaftlicher Disziplinen der Frage nach, was
asthetische Erfahrungen sind. Indem sie interdisziplinar sowie
asthetisch-transformatorisch arbeiten, koennen sie eroertern, wie
sich etwas derart Fluchtiges und der Subjektivitat Verhaftetes
empirisch fassen und in Bildungsinstitutionen initiieren und
vermitteln lasst. In den Projekten verlassen die Teilnehmerinnen
und Teilnehmer den gewohnten Lernort, ubersetzen Materialien in
Sprache und Schrift, Texte in Film oder Literatur in Tanz oder
werden dazu angehalten, ihre eigenen Wahrnehmungsmuster zu
hinterfragen.
This book deals with the critical nature and crucial role of
architectural drawings. A manual which is essentially not a manual;
it is an elucidation of an elegant manner for practising
architecture. Organized around eleven exercises, the book does not
emphasize speed, nor incorporate many timesaving tricks typical of
drawing books, but rather proposes a slow, meditative process for
construing drawings and for drawing constructing thoughts. This is
an indispensable reference text and an effective textbook for
students seeking to advance their appreciation of the nature and
exercise of architectural drawings.
Known as the master of French Romanticism for his energetic
paintings, Eugene Delacroix (1798-1863) was also a consummate
draftsman. This handsome book, one of the few to explore this topic
in depth, provides new insight into Delacroix's drawing practice,
paying particular attention to his materials and techniques and the
ways in which the artist pushed the boundaries of the medium. The
remarkable group of nearly 130 drawings featured here, many of
which have been rarely seen, include academic and anatomical
studies, sketches from nature, and preparatory drawings related to
many of Delacroix's most renowned canvases, among them The Massacre
at Chios and Liberty Leading the People.
|
|