These illustrations of historic Alaska by Byron Birdsall, one of the state’s most renowned artists, portray the territory from the beginning of the twentieth century through the first decades after Alaska achieved statehood in 1959. Accompanied by informative captions, the black-and-white drawings are organized by region: Southcentral Alaska including Anchorage, the Arctic, the Interior, the western/Bering Sea coast, and Southeast. Birdsall’s masterful illustrations depict a myriad of scenes, from tents on Ship Creek in 1915 to a train unloading tourists at McKinley Park Station in 1935, from the Governor’s Mansion in 1939 in the capital city of Juneau to the Good Friday earthquake in 1964 and the Trans-Alaska Pipeline near the Koyukuk River in 1975.

We are the result of our experiences; hence, focusing on what is carried out in our day-to-day is what makes life extraordinary. This illustrated journal presents 10 artists from all over the world that take small daily luxuries, nature, and welfare as inspiration to evoke instants of fleeting happiness.

The follow-up title to the hit title, Drawing Cutting Edge Comics which has been translated into 7 languages, this drawing tutorial shows artists how to draw the exaggerated musculature of super-sized figures in action poses. The guesswork is taken out of figuring out which muscles show through to the surface and how muscles appear through clothing. This instructional manual even gives both the Latin and the common term for particular body parts such as scapula/shoulder blade. Hart covers all aspects of extreme anatomy. The book opens by providing detailed diagrams of all of the various muscle groups, including chest, back, shoulder, arm, and leg muscles. Then he covers many of the various extreme comic book types including good guy, bad guy, insane guy, punk, genius, and brute for men; and the heroine, bad gal, trashy gal, seductress, fighter babe, and cyber chick for women. As an added bonus, this book closes with two invaluable sections to all aspiring comic book artists. One provides a roadmap of all the steps an artist must take if he or she is going to get started in the comic book business, and advice on how the comic book business works. The second section features interviews with people from two of the most significant companies in the world of comics, Marvel Comics and Dark Horse!

A solid foundation for improving your drawing skills

Teaching a new observational method based on math and computer graphics principles, this book offers an innovative approach that shows you how to use both sides of your brain to make drawing easier and more accurate. Author Wei Xu, PhD, walks you through his method, which consists of scientific theories and principles to deliver real-world techniques that will improve your drawing skills. Xu's pioneering approach offers a solid foundation for both traditional and CG artists. Encourages you to use both sides of your brain for drawing with the highest efficiency possibleIntroduces an innovative method invented by the author for improving your drawing skills

If you are eager to learn how to draw, then this book is a must read.

Known internationally for designing buildings that take their inspiration from the land, Antoine Predock explores many of his ideas about architecture through the fluent medium of drawing. This collection of 172 sketches, many published here for the first time, surveys nearly fifty years of his work. Presented in a format that evokes Predock's sketchbooks, the drawings are arranged according to the logic of their internal topologies. Like a Moebius strip, they fold back on themselves, equating objects in space to drawn connections on a surface through a continuous process of transformation. Whether sketching sites around the world or designing buildings, Predock has learned through years of experience to condense multiple sensations and ideas into line and color. Christopher Curtis Mead traces Predock's aesthetic impulse back to the primal sense that through drawing we reach out to touch the world.

Tattoo artist Megan Massacre presents a beautiful collection of her best work, with instructive how-to and inspiration for both professional tattoo artists as well as tattoo aficionados. With a personal behind-the-scenes peek into the making of a tattoo, from concept to execution, plus fan favorite tattoos and tattoo cover-ups, this approachable, full-color paperback will feature everything Massacre has learned over the years. Part idea sourcebook, part tattoo opus, this is an art book that tattoo fans will be eager to read and display.

"Drawing relies on a clear vision. It also requires thought which, in, turn, builds understanding. Drawing cannot be detached from seeing and thinking about the fundamental nature of the subject matter being represented. The knowledge and understanding gained through drawing from life directly enhances our ability to draw from the imagination. Just as thought can be put into words, ideas can be made visible in a drawing to promote visual thinking and further stimulate the imagination. Once what is seen or imagined is made visible in a drawing, the image takes on a life of its own and communicates graphically. However eloquently or crudely, all drawings, speak to the eye." From the Preface … Francis D.K. Ching

Many people crave a creative outlet, but more often than not, don't know where to start. In Yellow, Valentina Zucchi and Sylvie Bello invite you to nurture your creativity and build your confidence by taking inspiration from modern works of art that celebrate yellow, the most cheerful and inviting of colours.

Explore some of the many different yellows that artists have used over the years to give substance to the beauty of light, from precious gold to butterscotch and cadmium yellow.

Throughout the book, Valentina and Sylvie provide creative and fun prompts - many based on famous works of art - which will encourage you to draw or paint on the pages using various techniques. Packed with inspiration from the world's most celebrated artists, including Olafur Eliassoni, Vincent van Gogh, JMW Turner and more, you will discover the many shades of yellow and just some of the ways it can be used to convey meaning.

Yellow is a short course in unlocking your creative self - perfect for budding artists of all ages who are keen to try out different techniques and materials and begin their artistic journey.

The RF 1475-1556 Louvre Album is universally regarded as a corpus of drawings that was executed by the Venetian painter Jacopo Bellini. The album's trajectory prior to coming into the possession of the Bellini family is elucidated in the present book. Based on Norberto Gramaccini's interpretation, it was the Paduan painter Francesco Squarcione who was the mastermind and financier behind the drawings. The preparatory work had actually been delegated to his most gifted pupils, among them Andrea Mantegna, Jacopo Bellinis future son-in-law. The drawing's topics -anatomy, perspective, archeology, mythology, contemporary chronicles, and zoology -were part of the teaching program of an art academy established by Squarcione in the 1440s, famous in its day, which provided crucial impulses for the training of artists in the modern era.

Evelyn Karet's in-depth study of the Antonio II Badile Album - the earliest known example of an art collection pasted onto the pages of a book - is both focused and broad in its appeal to those interested in the early modern era. The provenance of the album is traced from its assemblage to the seventeenth-century collection of Conte Lodovico Moscardo to its dismantling by the dealer Francis Matthiesen in the 1950s, establishing that the volume conserved in the Frits Lugt Collection is not an original but a replica produced by Matthiesen. Although Antonio II must be celebrated as the collector of the drawings, new paleographic analysis has identified the actual compiler of the album after Antonio's death providing a terminus post quem in the late 1530s or early 1540s. Karet enlarges the focus from the album itself to the historic tradition of collecting drawings in northern Italy in the early modern era before Vasari, for which the album provides a new point of reference. Throughout the book, Karet discusses the Badile family, examines the individual drawings in the book, investigates the contacts between artists and humanists, their rich, diverse collections and the humanist mind-set that fostered the appreciation of drawings. She explores notable early drawing collections in northern Italy and the role of northern Italy as a center of collection in the sixteenth and seventeenth centuries. The book concludes with two appendices: a reconstruction of the original album, including a discussion of the reconstruction process, suggestions about what the album originally looked like, and a page-by-page guide to its contents; and a detailed analysis of Francis Matthiesen's career. This book opens up new areas of inquiry into an overlooked subject.

Ateliers have produced the greatest artists of all time - and now that educational model is experiencing a renaissance. These are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. "Classical Drawing Atelier" is an atelier in a book - and the master is Juliette Aristides, a classically trained artist. Aristides uses the works of works of Old Masters and today's most respected realist artists to demonstrate and teach the principles of realist drawing and painting, taking students step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, "Classical Drawing Atelier" is a serious art course for serious art students. Juliette Aristides, whose beautiful art is featured throughout this book, is the founder and director of the Classical Atelier at the Seattle Academy of Fine Arts. She studied with realist master Jacob Collins and at the National Academy of Design.

An easy-to-follow, step-by-step manga drawing instruction book from fan favorite manga artist and painter Camilla d'Errico, featuring 30 lessons on illustrating cute, cool, and quirky characters in the Pop Surrealist style with pencils.

With wildly popular appearances at Comic Cons and her paintings displayed in art galleries around the world, Camilla d'Errico has established herself as a go-to resource for manga-influenced art. Following in the footsteps of her past art instruction books Pop Manga and Pop Painting, Pop Manga Drawing provides the most direct and accessible lessons yet for rendering characters in her signature Pop Surrealist style. Written in the fun and encouraging voice that fans have come to expect, Pop Manga Drawing takes you step-by-step through lessons on drawing with graphite and mechanical pencils, along with insights on enhancing pieces with other mediums (including acrylics, markers, and colored pencils). It also provides tips and expert advice on drawing specific elements, including hair, eyes, and animals, that can take your manga art to the next level. Pop Manga Drawing grants one-of-a-kind access to the basic building blocks of artistic expression, giving you the tools you need to create your own pop manga masterpieces.

A prominent artist ventured behind locked doors to portray three "forgotten" social classes: the elderly, people in mental institutions, and the prison population. Alan E. Cober began his career in the 1960s, when illustration took a turn toward a new expressionism. Influenced by the works of Ben Shahn, George Grosz, and Albrecht Durer, he believed that narrative art could inform public attitudes toward political and social issues. Cober's aim as a "visual journalist" was to effect change by graphically exposing the realities of our times.
"The Forgotten Society" presents ninety-two of Cober's most compelling and emotionally charged "visual essays." The distinctive pen-and-ink portraits reveal the hidden worlds of people removed from the public eye, including residents of retirement homes, of Staten Island's Willowbrook State School, and of Sing Sing Correctional Facility. The artist, who frequently befriended his subjects, offers compassionate views of the isolation of lives lived on the margins of society. Cober received many awards in his lifetime and was recently inducted into the Society of Illustrators' Hall of Fame. This edition features an insightful introduction by his daughter, Leslie Cober-Gentry, who notes, "Cober's art was about communication. The world was his audience."

Image-transforming techniques such as close-up, time lapse, and layering are generally associated with the age of photography, but as Florike Egmond shows in this book, they were already being used half a millennium ago. Exploring the world of natural history drawings from the Renaissance, Eye for Detail shows how the function of identification led to image manipulation techniques that will look uncannily familiar to the modern viewer. Egmond shows how the format of images in nature studies changed dramatically during the Renaissance period, as high-definition naturalistic representation became the rule during a robust output of plant and animal drawings. She examines what visual techniques like magnification can tell us about how early modern Europeans studied and ordered living nature, and she focuses on how attention to visual detail was motivated by an overriding question: the secret of the origins of life. Beautifully and precisely illustrated throughout, this volume serves as an arresting guide to the massive European collections of nature drawings and an absorbing study of natural history art of the sixteenth century. "

46 outstanding studies, including sketches for David, Sistine Ceiling, Last Judgment, etc. Nudes, figure studies, children, animals, mythical and religious works, more. New volume in Dover Art Library affords insight into mastery of proportion, anatomy, perspective, shading, contrast. Essential for artists, museum-goers.

Focusing on the charming and adorable pets and animals that enrich manga stories, Supercute Animals and Pets teaches readers how to draw animals from a fox, to a cow, to a penguin, all in the style of manga. After an introduction to basic body constructions, faces, tails, legs, and more, readers will have a chance to follow along Hart's in-depth step-by-steps, and will even be invited to draw on their own, right in the book's pages.

The exhibited works of Kurt Jackson (b.1961) do not necessarily reveal his day-to-day working practice. Behind his finished canvases are hundreds of sketchbooks borne out of his continual routine of making drawings, marks, notes, poems and scribbles. This book, newly available in paperback, examines the importance of the sketchbook to Jackson. For Jackson, sketchbooks are vital to the development and completion of his paintings. Often sketching while a painting evolves, the artist values each medium equally - the pages of his sketchbooks reveal how the hastily executed images can help him to work out what he wants to achieve on canvas, or simply capture a spontaneous image when there is not enough time to paint or draw properly. Illustrating mundane daily events and happenings as well as key moments, journeys and the overlapping ongoing project work, Jackson's sketchbooks are key to understanding his inspirations as an artist. Drawing on a selection of 20 sketchbooks, of differing sizes and a variety of media, this fascinating publication provides a rare insight in to the mind of a highly creative and original artist.

This delightful introduction to drawing faces completely demystifies the drawing process. It shows how images can be built up easily, from initial geometric shapes right through to the finished faces. Susie Hodge includes a good selection of head-and-shoulder portraits in this book including couples, children, babies and older people in a variety of poses, and showing a range of expressions. She uses a helpful two-colour method that clearly shows every line and curve of the step-by-step pictures. Even absolute beginners will find themselves creating great drawings when they use this book and there is much to inspire more experienced artists too. An invaluable guide for anyone interested in this subject.

How to Rule at Drawing features 50 bite-size tips and tricks to help you improve your art skills. This easy-to-follow, irresistibly illustrated book will get you in the habit of capturing not just what you see, but also what you feel. Whether you're a beginner just learning the basics or an expert looking to hone your skills, this handbook is the perfect easy-breezy volume for anyone who wants to up their art-making game. The simple and actionable takeaways will help readers take their sketching skills to new heights. * Filled with irresistible illustrations from artist Rachel Harrell * Accessible to beginners but still useful for the advanced artist * Easy-to-follow instructional content In How to Rule at Drawing, budding artists will discover new ways to warm up, master new tools and techniques, and make good art. Part of the How to Rule series, a collection of tiny how-to books you can take anywhere to improve your creative skills. * A perfect gift for aspiring and hobbyist artists, art students, burgeoning creatives, sketchers, doodlers, and mark-makers of all sorts * Makes drawing easy, approachable, and super fun * Great for readers and artists who enjoyed How to Draw What You See by Ruby De Reyna, Drawing for the Absolute Beginner: A Clear & Easy Guide to Successful Drawing by Mark Willenbrink, and Draw the Draw 50 Way by Lee J. Ames

These extraordinary works by Cecily Brown, of wrecked ships, frantic and prone bodies, carefully illuminate the tensions between the past and the present. Taking inspiration from Delacroix's shipwreck paintings, as well as one of the most feted paintings in the world; Gericault's, The Raft of the Medusa, 1818-19. In her introduction to the book, Whitworth curator Dr Samantha Lackey writes, 'These extraordinary works by Cecily Brown, of wrecked ships, frantic and prone bodies, carefully illuminate the tensions between the past and the present. Of course, these drawings also push to the forefront of our minds the images we see every day on our screens, of shipwrecked refugees attempting, and failing, to make their own sea voyages.' The exhibition 'Cecily Brown: Shipwreck Drawings' was shown at The Whitworth (University of Manchester) from 12 November 2017 to 15 April 2018.