Unique digital drawings from one of Switzerland's most prolific artists of today. Since early in his career, the Swiss artist Yves Netzhammer has used digital drawings as the basis of his work, which oscillates between sculpture and the moving image. Lines drawn into a space in abeyance visualize his figurative thought and beguile the viewer into bizarre, comical, and eerie associations. Netzhammer's refined and precise pictorial rhetoric plays a subtle game that permits the viewer a variety of interpretations and continually evades the deceptive moment of unambiguity. This results in images in which complexity and levity, formal strictness, or conceptual proliferation come to the front depending on one's point of view. Convex Thoughts is a bibliographical space that complements its predecessor, Concave Thoughts-together they are a guide for dreamers and musers, an endless storyboard from an art at the highs and lows of its time.

The fast and easy way to learn the art of fashion drawing

This fun guide gives you dozens of step-by-step diagrams that walk you through the process of preparing creative illustrations that you can later develop into dynamic presentations for your design portfolio. Plus, you'll not only learn how to draw clothes and fabric, but also how to show details that make up the total look: faces and hairstyles, fashion accents, and a wide variety of textures.

If you're an aspiring fashion designer, you know it's essential to be able to draw, prepare, and present a fashion drawing. Whether you have little or no prior drawing experience, "Fashion Drawing For Dummies" gives you easy-to-follow, non-intimidating instructions for mastering the drawing skills you need to design like a pro.Learn the rules and techniques of fashion drawingDraw the fashion figure in different poses and from multiple anglesDiscover how to complement your drawings with accessories, clothing, and style

If you're a fledgling designer looking for non-intimidating guidance on learning the ins and outs of fashion drawing, this friendly guide has you covered

Generations of students have benefited from the teachings of this 19th-century master, whose sketches of vignettes from natural settings are accompanied by a series of lessons emphasizing both practical and theoretical considerations. This edition features the added attraction of 23 outstanding plates from the author's Lessons on Trees.

An inspired collection of the authors' own work spanning 30 years into the 'Visual Art Language'. Demonstrates a variety of mediums including oil paint, etching and drawing. Will appeal to readers with an interest in Fine Art, practitioners or those with an interest in the development of a visual language. This is a book of original art works comprising 49 colour and 62 black and white images, most are at full page size. The book is divided into six sections which look at different aspects of visual language in terms of either subject matter or media. It contains works from memory, etchings, still life, portrait, figure drawings and student work which form these six sections. Readers are able to see the development of a language which has evolved from early student work to current work. There are brief introductions to each section which aim to explain how the ideas came about, providing some detail about the artistic process, the inspiration behind the work and the challenges encountered along the way. Complementing the visual art are short and concise introductions to each section. A biography of the author is included at the end.

A book whose sales have not diminished but rather increased dramatically since its publication 45 years ago, this bestselling classic is the ultimate manual of drawing taught by the late Robert Beverly Hale, who's famed lectures and classes at New York City's Art Student League captivated artists and art educators from around the world.
Faithfully producing and methodically analyzing 100 master drawings--including works of Michelangelo, Leonardo da Vinci, Rodin, Goya, and Rembrandt among others--Hale shows how these artists tackled basic problems such as line, light and planes, mass, position and thrust, and anatomy. With detailed analytical captions and diagrams, every lesson is clearly delineated and illustrated. Throughout, also, is commentary that sheds light on the creative process of drawing and offers deep insight into the unsurpassed achievements of the masters.

This book is an expert guide to producing beautiful lifelike drawings of birds in their natural habitat. Artists of all interests will find a lot to inspire them in this detailed, practical and beautiful guide on drawing birds. The book includes sections on materials, basic techniques and reference gathering, as well as how to draw the key features of birds such as beaks, eyes, claws, wings and feathers. A special section focuses on birds in flight, and this is followed by chapters on the main bird groups including: Waders and water birds, Wildfowl, Birds of prey, Owls, Garden and woodland birds, Seabirds and Game birds. Each chapter covers the techniques specific to the group as well as numerous examples and a full step-by-step demonstration. The absence of colour means that Andrew uses other aspects such as pattern, shading and shape to give his paintings life and interest. Written for artists who wish to apply their skills to drawing birds, as well as experienced artists who want to improve their drawing skills, this is an expert guide to producing exquisitely rendered, lifelike drawings of birds in their natural habitats and nothing could be more inspirational than Andrew's accurately observed and truly beautiful drawings.

Illustration is applied imagination. But this book is not only about illustration, though it does contain illustrations-lots of them. But there's more. This book examines the profession of illustrator, from the vexing subject of money to the question of the right workplace. How do you get commissions? How do you negotiate successfully? What's a fair price? How do you handle the everyday routines involved in illustration work? And, of course, it presents a wide variety of illustra- tion techniques. In short, it makes an effort to enlighten, be useful and answer as many questions as possible. Its author does so, on the one hand, by offering more than twenty really useful tips for budding illustrators-for example, how to stop the fear that a blank page often inspires-and, on the other, by presenting the twenty-five most important illustration techniques in a practical way that awakens the reader's desire to learn more. As a parallel narrative accompanying the humorous texts, there are images by very different illustrators who work with a wide variety of techniques and styles. These pictures are diverse yet easy to compare, because they all show the same thing: a bird.

A lively, colorful figure drawing instruction book that encourages aspiring illustrators to work in ink and watercolor to create quick, confident renderings of diverse, contemporary people.

While today's illustrators work primarily in ink and watercolor, figure drawing instruction still tends to emphasize work in pencil. Commercial illustrator Kagan McLeod offers an approach to figure and portrait drawing more in keeping with today's preferred tools and techniques, one that focuses on cultivating spontaneity, energy, and confidence by providing exercises for brush work in ink and watercolor. By breaking figure and portrait drawing into the three major aspects of line, tone, and color and recommending time limits for each exercise, McLeod encourages working fast and fearless, rather than worrying about getting your figures just right. Filled with numerous illustrative examples of diverse, modern people, Draw People Every Day reflects practical, applicable techniques to get you drawing the people you see in the world around you with speed and proficiency.

Dazzling works on paper from a vast and celebrated collection The Harvard Art Museums house one of the most significant collections of works on paper in North America. Among its many strengths are sheets by draftsmen of the French School, including notable masters such as Simon Vouet, Claude Lorrain, Nicolas Poussin, Jean-Antoine Watteau, François Boucher, Jean-Baptiste Greuze, and Jean-Honoré Fragonard. Following an introductory essay that charts the formation of this group of drawings, this catalogue provides thorough entries on more than 100 outstanding examples from the 16th to 18th century that encompass a range of genres and motifs—from landscapes and figure studies to historical and mythological scenes—many of which were produced for major commissions or mark key moments in the development of style and taste in early modern France. Alvin L. Clark Jr. marshals his decades-long engagement with these works, pairing a discerning eye with perceptive readings that deepen our understanding of the drawings and their makers. Distributed for the Harvard Art Museums

A timely, large-format collection of fine art maps from Adam Dant, looking at the fractious world of politics.Adam Dant's Political Maps is an all-new collection of this highly regarded artist's intricate, absorbing and beautiful maps, this time focused on the world of politics. Informed by his experiences as the official artist of the UK general election in 2015, these glorious works of art are amusing and subversive, hugely imaginative and packed with eye-catching detail.Themes range across the spectrum of British and global politics past and present, bringing in recent political upheavals ('Stop That Brexit') and current issues such as the controversy around certain statues ('Iconoclastic London'), alongside more timeless subjects like a map of US presidents ('Presidents of the United States of America'), and, of course, the pandemic ('Viral London'). Other highlights include: *Johnson's London: Notorious places associated with Prime Minister Boris Johnson, including all the houses he has ever lived in *New York Tawk: A visualisation of New York City through a century of its slang *British Left Groups: A fascinating history of left-wing parties and pressure groups through the decades *Quitting Europe: Brexit encapsulated in exotic European cigarette packets from the artist's youthWitty, acerbic and intelligent, this unique collection will delight history enthusiasts, art lovers and politics buffs of all persuasions, and its large format guarantees hours of happy browsing of the densely packed detail Adam Dant brings to all his images.

Die Studie widmet sich Lea Grundig (1906-1977) als Prasidentin des Verbandes der Bildenden Kunstler Deutschlands (VBKD) von 1964 bis 1970. Nach Inhaftierung und Verfolgung wahrend der NS-Diktatur fluchtete Grundig 1940 nach Palastina und kehrte 1949 nach Deutschland zuruck, wo sie zur Professorin fur Graphik an der Dresdner Kunstakademie berufen wurde. Sie gehoerte zur "Weimarer Generation" von bildenden Kunstlern und genoss in der ehemaligen DDR hohes Ansehen. Im Jahre 1964 erfolgte die Wahl Grundigs zur neuen Prasidentin des VBKD. Sie war die erste und einzige Frau an der Spitze des ostdeutschen Kunstlerverbandes. Lag das Hauptaugenmerk der Forschung bislang auf dem Wandel Grundigs wahrend der 50er und 60er Jahre zur angepassten und konservativen Kulturfunktionarin, beleuchtet diese kunsthistorisch-zeitgeschichtliche Studie erstmals anhand von bislang unbeachteten Archivunterlagen der Akademie der Kunste zu Berlin die Faktoren, Massnahmen und Auswirkungen der Prasidentschaftszeit Grundigs. Besonderes Augenmerk liegt dabei auf den Beziehungen der Grundig zu Israel vor der Folie des staatlichen Antizionismus und Holocaust-Gedenken in der DDR, den deutsch-deutschen Kunstbeziehungen, den Diskursen innerhalb des VBKD sowie dem Verhaltnis des VBKD zu den kulturpolitischen Liberalisierungsbewegungen in der Tschechoslowakischen Sozialistischen Republik sowie in der Volksrepublik Polen.

The artist Beatrice Wood, born in 1893, lived and worked until the age of 105. She was known variously as the Mama of Dada and the Queen of Luster. In 1917 she was part of the avant-garde Dada movement in New York. By the mid-1950s she had become a leading practitioner of luster-glazed ceramics. Wood moved from being a debutante to joining one of the most bohemian circles of her day. Her work played with sexuality, but her aesthetic was often more comic than erotic. Now featured in over one hundred museums across the world, Wood is often quoted for her recipe to a long life: "art books, chocolates, and young men." This book contains a collection of risque drawings that document an intimate relationship she enjoyed with a married couple, Jack and Rhea Case, in Ojai, California, during the 1950s and 1960s. The collection was later acquired by Betsy Ross Rowland, who has sponsored this limited-edition book to benefit the ceramics educational programs of the nonprofit CFile Foundation.

From the Middle Ages to the present, master draftsmen have used the technique of metalpoint to create some of the most beautiful and technically accomplished drawings in the history of art. Drawing in Silver and Gold examines the history of this evocative medium, in which a metal stylus is used on a specially prepared surface to create lines of astonishing delicacy. This beautifully illustrated book examines the practice of metalpoint over six centuries, in the work of artists ranging from Leonardo, Durer, and Rembrandt to Otto Dix and Jasper Johns. A team of authors--curators, conservators, scientists--address variations in technique across time and between different schools, incorporating new scientific analysis, revealing patterns of use, and providing a rare demonstration of the medium's range and versatility. They reappraise famous metalpoints of the Renaissance and shed new light on infrequently studied periods, such as the seventeenth century and the Victorian silverpoint revival. A new examination of an exquisite but not thoroughly understood medium, Drawing in Silver and Gold offers fresh interpretations of a practice central to the history of drawing and will serve as the most authoritative reference on metalpoints for years to come. Exhibition schedule: * National Gallery of Art - http://www.nga.gov/content/ngaweb/exhibitions/2015/leonardo-to-jasper-johns.html, May 3-July 26, 2015* The British Museum, September 10-December 6, 2015