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Books > Arts & Architecture > Art forms, treatments & subjects > Drawing & drawings
With a rare combination of great economy of means and unfailing
panache, Antony Cleminson's drawings of palatial buildings and
urban settings are endlessly delightful and fascinating. Collected
from more than 60 years of traveling with his wife Jan, a concert
violinist, they take in England, France, Italy, Spain, Germany,
Croatia, Russia, Jordan, Syria, and Yemen. They bring not only
extreme sensitivity to place, but also an engineer's understanding
of structure, and an historian's understanding of style. Pencil,
chalk, charcoal, red and black ink, and india ink are some of the
media used, and the book is printed on genuine Ingres paper to
reproduce these beautiful drawings as closely as possible. Will
appeal to those with a love of architectural heritage in Europe and
the Middle East.
In this superb guidebook, a master of figure drawing shows readers in precise detail how to render human anatomy convincingly. Over 460 illustrations reveal the structure of the body by presenting careful, knowledgeable articulation of the muscles and bones lying beneath the skin.
The fourth volume in PAJ’s Performance Ideas series, The Sun on
the Tongue unfolds in an expanding universe of philosophical
reflections on love, art, war, nature, and human existence. Etel
Adnan, the internationally renowned Arab American writer and visual
artist, crosses genres and continents and centuries in her literary
texts, plays, poems, and art. Her plays At A Certain Hour of the
Night, Crime of Honor and Tolerance are featured here, along with
essays on Pina Bausch and Paul Klee, and an interview on her life
and work. Her texts have been performed or adapted for theatre,
opera, and radio in the U.S. and Europe. Robert Wilson invited her
to write the French section of his multi-country opera, the CIVIL
warS: a tree is best measured when it is down, in 1984.
This book covers producing concepts and character sketches to
laying out the final page of art. From comics icon Stan Lee,
creator of the Mighty Marvel Universe and characters such as
Spider-Man, Incredible Hulk and the X-Men, comes this ultimate
how-to book for aspiring comic book artists. In Stan Lee's "How to
Draw Comics", the author sets out to teach everything he knows
about writing, drawing and creating comic book characters. The book
focuses primarily on action-adventure comics, but will touch upon
other genres and styles, such as romance, humour, horror and the
widely influential manga style. From producing concepts and
character sketches to laying out the final page of art, the man
with no peer, Stan Lee, is the ultimate guide to the world of
creating comics.
Want to know how to draw the scales on a fire-breathing dragon? Or
on a Mermaid's tail? How about the feathers on a giant Roc? Or the
clothes of a giant? Drawing fire-breathing beasts and mysterious,
magical creatures has never been so much fun-or so easy! In this
64-page how-to-draw book, fantasy artist Kythera of Anevern
demonstrates how to draw dragons, fairies, ogres, merfolk, and
everything in between! Readers will discover in-depth tips and
techniques for drawing textures such as fur, hair, scales, and
teeth, as well as features like tails, wings, talons, hooves, and
horns. With a wealth of fanciful drawings and in-depth instruction
on re-creating extraordinary creatures in graphite, this book is
ideal for anyone who is fascinated by the fantastic.
This book is an expert guide to producing beautiful lifelike
drawings of birds in their natural habitat. Artists of all
interests will find a lot to inspire them in this detailed,
practical and beautiful guide on drawing birds. The book includes
sections on materials, basic techniques and reference gathering, as
well as how to draw the key features of birds such as beaks, eyes,
claws, wings and feathers. A special section focuses on birds in
flight, and this is followed by chapters on the main bird groups
including: Waders and water birds, Wildfowl, Birds of prey, Owls,
Garden and woodland birds, Seabirds and Game birds. Each chapter
covers the techniques specific to the group as well as numerous
examples and a full step-by-step demonstration. The absence of
colour means that Andrew uses other aspects such as pattern,
shading and shape to give his paintings life and interest. Written
for artists who wish to apply their skills to drawing birds, as
well as experienced artists who want to improve their drawing
skills, this is an expert guide to producing exquisitely rendered,
lifelike drawings of birds in their natural habitats and nothing
could be more inspirational than Andrew's accurately observed and
truly beautiful drawings.
Though computer rendering has been a huge boon to designers,
drawing by hand is still indispensable when it comes to developing
ideas and presenting concept art. Creative Sketching in Product
Design offers readers a square-one guide to all the skills required
to create professional, realistic product drawings: perspective,
including one-, two-, three-point and cavalier perspective; light
& shadow, including shadow boundaries and projections; and
coloring techniques, which includes material effects for wood,
plastic and metal. Step-by-step diagrams and exercises make this an
ideal resource for the classroom, while also being fully accessible
to the self-directed learner. A broad selection of existing
products, with photographs alongside the original concept
development sketches, offer a look into the ways in which sketching
can be the bridge between an idea and a usable product.
Created by one of Japan's most popular artists, this book provides
detailed and complete instruction for illustrating fun and
appealing characters and elements that celebrate life. The author's
special and distinct style is simple, appealing, happy, and cute
and offers artists, crafters, and art enthusiasts--with and without
experience--the instruction and inspiration to draw in the Japanese
character style. This book is for artists and crafters of all skill
levels that want to bring their own illustration to their work. It
offers both entertaining and fun drawing instruction and techniques
along with inspiring and sweet unique-style characters and
elements.
Draw amazingly accurate portraits starting today! Even if you're an
absolute beginner, you can render strikingly realistic faces and
self-portraits! Instructor and FBI-trained artist Carrie Stuart
Parks makes it simple with foolproof step-by-step instructions that
are fun and easy to follow. You'll quickly begin to: Master
proportions and map facial features accurately Study shapes within
a composition and draw them realistically Use value, light and
shading to add life and depth to any portrait Render tricky
details, including eyes, noses, mouths and hair Proven, hands-on
exercises and before-and-after examples from Parks' students ensure
instant success! It's all the guidance and inspiration you need to
draw realistic faces with precision, confidence and style!
Latin inscriptions found on buildings, tombstones, altars and
votive monuments form a rich source of information for historians
about classical Rome. By the early seventeenth century, ancient
epigraphy had become a highly developed branch of learning, and the
drawings of inscriptions preserved in the Paper Museum offer a
fascinating insight into this earlier world of scholarship - in
some cases providing our only record of the piece being
illustrated. The drawings in this volume cover a wide chronological
range and provide details about Roman law, the Roman army and
officials of the Roman Empire as well as aspects of Roman life
overlooked in literary sources.
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Uduit
(Paperback)
H W Dinlocker
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R451
Discovery Miles 4 510
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Ships in 18 - 22 working days
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"As long as humans have been alive, we have drawn." Justin Maas
Drawing is the most essential of all visual arts. Everyone, from
sculptors to painters, draws in one form or another. It is also the
simplest and most affordable form of artistic expression. All you
need is a pencil and paper to make something magical. But to create
a successful portrait, one must understand how to capture a
person's likeness--their spirit--and portray it in graphite. In
Drawing Realistic Pencil Portraits, artist and teacher Justin Maas
provides a step-by-step guide for both novice and experience
portraitists looking to enhance their skillsets. His tried-and-true
techniques for mastering the basics and accurately rendering
proportion, placement and nuance when drawing the head and face
will help you add energy and life to your drawings and create
recognizable and moving portraits. In this book: Lessons in drawing
basics, including value, line, shadow, light and anatomy How to
work from both reference photographs and live models, plus tips for
selecting your subjects Step-by-step demos to create crucial
features, such as eyes, ears, and hair Methods for building
successful portraits, including the grid method, the tracing method
and the author's own Maas method 15 detailed step-by-step
portrait-drawing demos with subjects of different ages, genders and
ethnicities A gallery of additional portrait examples in both
black-and-white and full color
The Monochrome of the Sala delle Asse is a portion of wall
decoration left at the drawing stage and represents the roots of
one of the sixteen mulberry trees that, regularly spaced on the
walls of the room, intertwine above to create a polychrome arboreal
pavilion on the vault. The Monochrome of the Sala delle Asse is a
portion of wall decoration left at the drawing stage and represents
the roots of one of the sixteen mulberry trees that, regularly
spaced on the walls of the room, intertwine above to create a
polychrome arboreal pavilion on the vault. The decoration of the
room, which was never completed, is historically tied to the name
of Leonardo da Vinci by a letter written in April 1498 by Gualtiero
da Bascape, the secretary of Ludovico il Moro, to the duke of
Milan, explaining that Lunedi si desarmara la camera grande da le
Asse c[i]oe da la tore. Magistro Leonardo promete finirla per tuto
Septembre. The room was subjected to radically changing fortunes
over the centuries, and was later the object of two complex
restoration campaigns, the first carried out between 1893 and 1902
by Luca Beltrami and the second between 1955 and 1956 by Costantino
Baroni. This volume provides an account of the result of these
restorations. It describes the complex diagnostic research and the
technical assessments that form the foundations of a broader
project for the conservation of the painted area. Text in English
and Italian.
In the fields of literature and the visual arts, 'zero degree'
represents a neutral aesthetic situated in response to, and outside
of, the dominant cultural order. Taking Roland Barthes' 1953 book
Writing Degree Zero as just one starting point, this volume
examines the historical, theoretical and visual impact of the term
and draws directly upon the editors' ongoing collaboration with
artist and writer Victor Burgin. The book is composed of key
chapters by the editors and Burgin, a series of collaborative texts
with Burgin and four commissioned essays concerned with the
relationship between Barthes and Burgin in the context of the
spectatorship of art. It includes an in-depth dialogue regarding
Burgin's long-term reading of Barthes and a lengthy image-text,
offering critical exploration of the Image (in echo of earlier
theories of the Text). Also included are translations of two
projections works by Burgin, 'Belledonne' and 'Prairie', which work
alongside and inform the collected essays. Overall, the book
provides a combined reading of both Barthes and Burgin, which in
turn leads to new considerations of visual culture, the
spectatorship of art and the political aesthetic.
There are three standard methods to visually represent a building:
the plan, elevation, and section. The section drawing is a vertical
slice of a building, depicting the relationships between interior
and exterior as well as any level changes. While the section can
serve as merely a functional drawing for construction, it can also
be an exciting, revelatory drawing that can artfully depict a
building, landscape, or object. Throughout history, many
individuals have used the cross section as a tool to create,
explore, or investigate. Visual Discoveries: A Collection of
Sections is an image-forward book that is devoted to showcasing
notable section drawings throughout history and demonstrating that
the section drawing, while having roots in architecture, has spread
to many other professions and disciplines. These professions
include medicine, transportation, product design, geology, and
landscape architecture. Some of the greatest thinkers and inventors
in history like Leonardo da Vinci, Charles Darwin, and Robert
Fulton, have created remarkable section drawings for their
investigations, research, and work.
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