An inspired collection of the authors' own work spanning 30 years into the 'Visual Art Language'. Demonstrates a variety of mediums including oil paint, etching and drawing. Will appeal to readers with an interest in Fine Art, practitioners or those with an interest in the development of a visual language. This is a book of original art works comprising 49 colour and 62 black and white images, most are at full page size. The book is divided into six sections which look at different aspects of visual language in terms of either subject matter or media. It contains works from memory, etchings, still life, portrait, figure drawings and student work which form these six sections. Readers are able to see the development of a language which has evolved from early student work to current work. There are brief introductions to each section which aim to explain how the ideas came about, providing some detail about the artistic process, the inspiration behind the work and the challenges encountered along the way. Complementing the visual art are short and concise introductions to each section. A biography of the author is included at the end.

Colour your way to better focus! Colouring books ... for grown-ups. Remember the long hours spent colouring in the lines of your most-cherished colouring books, full box of crayons within reach, the demanding adult world tuned out? Secretly long for an excuse to retreat back into that world? Now you can. Find your inner artist and colour your way to better focus! Mindfulness helps us to appreciate the world around us - to feel centred, less stressed and more fully alive. Art for Mindfulness offers the perfect aid - 60 intricate blank vintage fabric patterns to help focus your mind, unlock your creativity and calm your conscious as you pour colour into them. With an introduction from art therapist and mindfulness practitioner Imi Lo, plus accompanying quotes with each illustration to inspire meditation as you go through, Art for Mindfulness is the beautiful colouring book for grown-ups you can mindfully complete. So pick up your pencil, unleash your creativity and watch your well-being thrive!

Learn how to draw all kinds of farm animals using this fun and easy step-by-step method. Starting with simple shapes, Susie Hodge shows you how easy it is to develop circles, rectangles, squares and ovals into an exciting selection of animals and birds including sheep, ponies, pigs and piglets, turkeys, hens, cows and ducks. If you have never drawn before this is definitely the book for you, and there is a lot here to inspire more experienced artists too.

Easy-to-follow guide by a renowned artist and teacher offers a systematic approach to learning proportion, rules of repose and motion, and basic forms. Using the anatomic details of the horse and cow, the student learns how to modify these drawings to portray a dog, lion, and other animals. 71 black-and-white illustrations; 78 figures in color.

The master drawings at the Crocker Art Museum, dating from the late-15th to the mid-19th centuries, form an unusually rich and historic collection, known to include of many keystones of the history of art. Sheets by Carpaccio, D rer, Callot, and Boucher only scratch the surface of a collection whose sources include the great eighteenth-century collectors Pierre-Jean Mariette, Pierre Crozat, Joshua Reynolds, and Antoine-Joseph Dezallier d'Argenville; their 17th-century predecessors Evrard Jabach, Nicolas Lanier, Jan Pietersz Zoomer, and Pieter Lely; as well as 19th-century collectors like William Esdaile, Thomas Lawrence, and Dominique Vivant-Denon.

Purchased for the most part in 186971 by the founders of the Crocker Art Museum, the works are in some ways a time capsule that gives insight into the European art market and the taste of the patrons. Through this catalogue the Museum introduces a selection of the best drawings to the public for the first time, and provides a splendid overview of this unique collection, shedding fuller light on its history and context, both in relation to California events and to American patronage.

This volume, originally published in 1989, is intended as a practical guide to archaeological illustration, from drawing finds in the field to technical studio drawing for publication. It is also an invaluable reference tool for the interpretation of illustrations and their status as archaeological evidence. The book's ten chapters start from first principles and guide the illustrator through the historical development of archaeological illustration and basic skills. Each chapter then deals with a different illustrative technique - drawing in the field during survey work and excavation, drawing artefacts, buildings and reconstructions, producing artwork for publication and the early uses of computer graphics. Information about appropriate equipment, as well as a guide to manufacturers, is also supplied. An obvious and important feature of Archaeological Illustration is the 120 line drawings and half-tones which show the right - and the wrong - way of producing drawings. This volume will therefore be of interest to amateur and professional archaeologists alike.

Im Rahmen der aktuellen Diskussion zur asthetischen und kulturellen Bildung gehen Autorinnen und Autoren unterschiedlicher kulturwissenschaftlicher Disziplinen der Frage nach, was asthetische Erfahrungen sind. Indem sie interdisziplinar sowie asthetisch-transformatorisch arbeiten, koennen sie eroertern, wie sich etwas derart Fluchtiges und der Subjektivitat Verhaftetes empirisch fassen und in Bildungsinstitutionen initiieren und vermitteln lasst. In den Projekten verlassen die Teilnehmerinnen und Teilnehmer den gewohnten Lernort, ubersetzen Materialien in Sprache und Schrift, Texte in Film oder Literatur in Tanz oder werden dazu angehalten, ihre eigenen Wahrnehmungsmuster zu hinterfragen.

Includes fundamental information on drawing in pencil, from choosing materials to handling the tools

Many aspiring artists want to draw a portrait of their best friend-especially where their pal has four paws and fur! This newest addition to the "Drawing Made Easy" series pairs our best-selling medium with the wildly popular subject of dogs and puppies. Unlike similar titles on the market, this book doesn't simply provide a collection of dogs for artists to re-create exactly. Instead, the book focuses on techniques specific to drawing accurate depictions of dogs and puppies-from creating a variety of fur types and features to achieving accurate proportions-so that artists can use the knowledge to render their own canine portraits. The book also includes a series of easy-to-follow, step-by-step projects showcasing a range of dog breeds, poses and props. This allows artists to practice their developing skills, guiding them from simple sketches through the study of various techniques to polished renderings.

Intended for creative professionals, this book offers 100 tips, resources and techniques for those who want to take their drawing skills to the next level. Through the work of contemporary artists, amateurs and even children, the author gives the basic concepts of this art form: colour, line and style. With his characteristical sense of humor, clarity and direct style, his lessons and tips will engage the reader.

This enlightening study explores the set design drawings for theatre and live performance, highlighting their unique qualities within the greater arena of drawing practice and theory. The latest volume in the Drawing In series, Scenographic Design Drawing encourages an interdisciplinary dialogue in the field of drawing with the inclusion of illustrations throughout. Scenographic design drawings visualize the images in the designer's 'mind's eye' early in the design process. They are the initial design tool in the creative engagement with theatre, opera, dance, and non-text-based performance. It is, in particular, this body of drawings that is unique as both a performative and a theatrical representation of multiple worlds within the 'stage space'. Sue Field illuminates this illustration process and identifies how these drawings have functioned and developed over time. Scenographic Design Drawing serves to satisfy an emerging global curiosity and a thirst for new knowledge and understanding in relation to the drawings executed by the historical and contemporary scenographer. This work addresses a critical research gap and shows how the scenographic design drawing continues to be a principal site of innovation, subjectivity, originality and authorship in theatre and live performance.

Learn about key elements of character art from traditional and digital illustrator, Simone Grunewald. Simone, also known as "Schmoe", creates heart-felt and personal designs inspired by her everyday life experiences and passion for the arts. As a new mother, she also draws on her humorous experiences of bringing up a small child in the modern world. Discover in-depth visual breakdowns of Simone's techniques as well as a varied and extensive collection of Simone's stunning art. From linework advice to character design considerations, Simone generously shares her creative practice. A book that appeals to artists at every stage of their creative journey, this title teaches how to avoid common mistakes and pitfalls, as well as how to improve technique. Feel motivated to practice every day to develop engaging characters of all shapes, ages and sizes. With special focus on developing dynamic poses and expressions, Simone's advice will ensure that you create emotive characters with energy and personality.

Delve deeper into the work of the intriguing and iconic artist Aubrey Beardsley with this beautiful reissue of his classic 1897 illustrated book, containing fifty of his best known works. Aubrey Beardsley (1872–1898) lived a desperately short life and his career spanned just seven years. Nonetheless, his output as a draughtsman and illustrator was prolific. Beardsley's subversive illustrations became synonymous with decadence: he delighted in the erotic, shocking audiences with his bizarre sense of humour and fascination with the grotesque. His work was deemed too scandalous by many publishers of the period, but found a suitably unseemly home with the notorious Leonard Charles Smithers.  This book, published by Smithers in 1897, and now reproduced in a near-facsimile edition, is as much a historic document as it is a beautiful introduction to Beardsley's art.

In an era which has seen many forms of artistic creation becoming digitized, the practice of drawing, in the traditional sense, has remained constant. However, many publications about the relationship between drawing and thinking rely on discipline-dependent distinctions to discuss the activity's function. Drawing: The Enactive Evolution of the Practitioner redefines drawing more holistically as an enactive phenomenon, and makes connections between a variety of disciplines in order to find out how drawing helps us understand the world. Instead of the finite event of producing an artefact, drawing is a process and an end in itself, through which the practitioner might gain self-awareness.By synthesizing enactive thinking and the practice of drawing, this volume provides valuable insights into the creative mind, and will appeal to scholars and practitioners alike.