A practical book with simple excercises showing the basics of drawing.Learning to draw is quicker and easier than you might think. This practical and concise book contains simple exercises and techniques to encourage you to start drawing, whether you want to be able to create a sketch, a visual diary of your holiday, or draw for sheer creative pleasure.Sharon Finmark covers the basics of drawing, sharing advice on texture, pattern and form. She shows how to achieve light and shade, solidity of form and how to add simple perspective to your compositions. There is an introduction to working with different drawing media including pencil, pen and ink, charcoal, coloured pencils and watercolour.Subjects covered are still life, flowers and plants, landscapes, interiors and people. By the end of this little book you should be able to draw with confidence and have fun with it!

This is an inspiring must-have resource for artists seeking new approaches to drawing the human figure. It features more than 20 fundamental figure drawing exercises. It empowers students and artists of all levels to make progress with the figure beyond their expectations. Throughout the history of art, figure drawing has been regarded as the very foundation of an artist's education and at the centre of the art-making process. In "Expressive Figure Drawing", innovative teacher and author, Bill Buchman, explores the idea that the way we draw is a direct expression of our emotions and perceptions. It includes 20 plus fundamental figure drawing exercises that are undertaken one step at a time so that students and artists of all levels are empowered to make progress with the figure beyond their expectations. Throughout the book, the author reveals his methods for developing proficiency using a variety of traditional media and the latest art materials available today.

Watson-Guptill's all-time best-selling drawing book. A best-seller for 35 years! This is a timeless classic that has taught generations of artists - and will teach generations more. When it was originally published in 1970, "How to Draw What You See" zoomed to the top of Watson-Guptill's best-seller list - and it has remained there ever since. "I believe that you must be able to draw things as you see them - realistically," wrote Rudy de Reyna in his introduction. Today, generations of artists have learned to draw what they see, to truly capture the world around them, using de Reyna's methods. "How to Draw What You See" shows artists how to recognize the basic shape of an object - cube, cylinder, cone, or sphere - and use that shape to draw the object, no matter how much detail it contains.

With a great range of flowers--from daffodils, fuchsias, geraniums, and poppies to sunflowers, tulips, and water lilies--beginning artists will discover the delights of creating floral pictures from this invaluable resource. Showing how to break down basic flower shapes and add elegant detail with an easy-to-follow process, this guidebook carefully leads new drawing students through a step-by-step process, resulting in display-worthy creations.

Learn how to draw all kinds of farm animals using this fun and easy step-by-step method. Starting with simple shapes, Susie Hodge shows you how easy it is to develop circles, rectangles, squares and ovals into an exciting selection of animals and birds including sheep, ponies, pigs and piglets, turkeys, hens, cows and ducks. If you have never drawn before this is definitely the book for you, and there is a lot here to inspire more experienced artists too.

Pierre Rosenberg, the distinguished art historian and director of the Musee du Louvre, has long admired and studied both paintings and drawings. This dual interest may seem commonplace but is in fact highly unusual: specialists in the field of drawing rarely write about painting, and vice versa. From Drawing to Painting offers a unique perspective by interweaving biographical information about five renowned French artists--Nicolas Poussin, Antoine Watteau, Jean-Honore Fragonard, Jacques-Louis David, and Jean-Auguste-Dominique Ingres--with a fascinating look at dozens of their drawings and the links that they have to their paintings. Presenting over 260 illustrations, this book explores drawing as a site of reflection, the space between the idea of a painted image and its realization on canvas.

How, why, and for whom did these artists draw? What value did they place on their drawings? How did their drawings get handed down to us? In what way do they enable us better to understand the artists' intentions, their creative processes, and to penetrate their worlds? Rosenberg determines that each artist approached drawing in a distinctive way, reflecting his individual training, work habits, and personal ambitions. For example, Poussin viewed his drawings simply as working documents, Watteau preferred his drawings to his paintings, and Fragonard made a lucrative business selling his graphic work. For David and Ingres, drawing had a considerable pedagogical function, whether in copying the great works of their predecessors or in sharpening their own techniques.

Originally delivered as a series of Mellon Lectures at the National Gallery of Art, Washington, D.C., "From Drawing to Painting" gives the reader an unprecedented view of the artistic process. This richly illustrated book will make an important and beautiful addition to any art library."

Philosophical and biographical accounts of Antonin Artaud's late visual work, all reproduced in color. Antonin Artaud (1896-1948)-stage and film actor, director, writer, and visual artist-was a man of rage and genius. Expelled from the Surrealist movement for his refusal to renounce the theatre, he founded the Theater of Cruelty and wrote The Theater and Its Double, one of the key twentieth-century texts on the topic. Artaud spent nine years at the end of his life in asylums, undergoing electroshock treatments. Released to the care of his friends in 1946, he began to draw again.This book presents drawings and portraits from this late resurgence, all in color. Accompanying the images are texts by by Artaud's longtime friend and editor Paule Thevenin and the philosopher Jacques Derrida. "We won't be describing any paintings," Derrida warns the reader. Derrida struggles with Artaud's peculiar language, punctuating his text with agitated footnotes and asides (asking at one point, "How will they translate this?"). Thevenin offers a more straightforward biographical and historical account. (It was on the walls of her apartment that Derrida first saw Artaud's paintings and drawings.) These two texts were previously published by the MIT Press in The Secret Art of Antonin Artaud without the artwork that is their subject. This book brings together art and text for the first time in English.

Conjure creatures and characters from your imagination! To generate fantasy characters and inhabitants that populate an imaginary world, sometimes you need a little creative fuel...and a 20-sided die. Fantasy Genesis Characters is a choose-your-own-adventure game where a roll of the dice decides what type of creature you create. Each chapter expands on mimicking the observable world to engineer original populations by mashing up unrelated quirks and concepts--think "vegetarian zombie," "Byzantine goth" or "gangster sheep." Roll the dice to combine traits from word lists. Mix random emotions, behaviors, costumes, cultures and anthropomorphic attributes to create infinite and unexpected characters. Short lessons supply the building blocks to develop character components--expressions, gestures, posture, etc.--while mini demos, creative challenges and RPG-like activities help you bring them to life. 30+ challenges and demonstrations illustrate how to conceptualize and create fully developed fantasy characters Use free-association word games to jump-start your brain into forming original ideas, crazy-cool mash-ups and visual solutions Includes a crash course in anatomy, plus tips for drawing from life and reference photos Learn to sketch facial expressions and modify classic archetypes

Following in the steps of Gerhard Richter's catalogue raisonne of drawings, published 20 years ago, HENI Publishing's new monograph devoted to Gerhard Richter's recent drawings will illustrate 80 works produced between 1999 and 2021. Drawings 1999-2021 highlights a recent period of extraordinary creativity and inventiveness that includes expansive series of graphite drawings on paper, vivid watercolours and overpainted photographs of forests. Like the accompanying exhibition at the Hayward Gallery, London, this publication offers a rare chance to study the most intimate aspect of Gerhard Richter's work.

Chibis are mini versions of Japanese anime and manga characters and are defined by their large heads and tiny bodies. They also have characteristically large eyes and all these features together give them a huge score on the cuteness factor. This book marries the widely popular 'chibi' style with important figures from the worlds of sport, entertainment, science, natural history and many more. The book shows you how to draw 50 well-known characters in the super cute chibi style from Albert Einstein and Muhammad Ali to Simone Biles and Malala Yousafzai. Featuring fabulously clear step-by-step drawings and clear instructions, this instructional book is a great way to teach anyone to draw while introducing them to countless inspirational figures whose achievements inform our world.

Helga Zahn (1936-1985) was one of the leading jewellery artists in Britain during the 1960s and 1970s. The autodidact, who was raised in Schwarzenbach an der Saale, had a preference for silver and natural materials such as pebbles. Her one-off jewellery is made unique by the clarity of simple geometric forms, the lightness and simplicity of the combinations, and a reduced colour palette. With novel systematic thinking, in the mid 1960s she revolutionised the studio jewellery movement that was forming across the globe. With around a hundred jewellery objects, this comprehensive review invites you on a journey of rediscovery and reappraisal of this exceptional artist.

The 30-Day Sketchbook Project will forever transform the way you view your sketchbook. Through gorgeous yet simple step-by-step projects for each day of the month, illustrator Minnie Small will help you improve your skills, build your confidence and eradicate your fears of the blank page. Each day presents a new practice with three forms of inspiration: first, an overview of the topic with an approachable tutorial, followed by a prompt to help you make the lesson your own. Last, you'll get a glimpse into Minnie's process, as she shares some of her own sketchbook pages. Through this insight, you'll not only learn how to put the prompts into practice, but you'll also gain a greater appreciation of intuitive learning and the beauty of creative imperfection. Get started in the first days with exciting exercises like the Timed Challenge and Master Study before easing into more elaborate ones like Observational Drawing and Monochrome Paintings. Keep the rhythm going with Collage Paintings and Ink Illustration. Then, see how far you've come when you reach more advanced lessons like Plein Air, Realism and Alternative Self-Portrait. Whether your artwork lives only in the pages of your sketchbook or you use these exercises as a launching point for other work, it won't take long to see the positive impact of this daily practice in your art. Let your imagination run wild, your love of creativity renew and your faith in your skills flourish, one day at a time.

This stunning treasury features full-page plates of the finest works by the famed English artist, Arthur Rackham (1867-1939). A leading figure in the early twentieth century's Golden Age of Illustration, Rackham interpreted scenes from such diverse material as fairy tales, Wagnerian opera, and Shakespearean comedy. His memorable images, which combine whimsy, romance, and sophistication, continue to enchant children and adults alike.
Magnificently reprinted from more than 25 rare early editions, these 86 illustrations were selected from hundreds of possibilities and include many plates that have not been reproduced in decades. They span Rackham's career -- from his landmark 1905 edition of "Rip Van Winkle" to masterworks such as "Undine" and "A Midsummer Night's Dream" and his final publication, "Wind in the Willows, " in 1939. Art lovers, book collectors, and anyone with an appreciation for imaginative visual storytelling will prize this marvelous treasury.

Ateliers have produced the greatest artists of all time - and now that educational model is experiencing a renaissance. These are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. "Classical Drawing Atelier" is an atelier in a book - and the master is Juliette Aristides, a classically trained artist. Aristides uses the works of works of Old Masters and today's most respected realist artists to demonstrate and teach the principles of realist drawing and painting, taking students step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, "Classical Drawing Atelier" is a serious art course for serious art students. Juliette Aristides, whose beautiful art is featured throughout this book, is the founder and director of the Classical Atelier at the Seattle Academy of Fine Arts. She studied with realist master Jacob Collins and at the National Academy of Design.

In the tradition of Persepolis, In the Shadow of No Towers, and Our Cancer Year, an illustrated memoir of remarkable depth, power, and beauty Danny Gregory and his wife, Patti, hadn't been married long. Their baby, Jack, was ten months old; life was pretty swell. And then Patti fell under a subway train and was paralyzed from the waist down. In a world where nothing seemed to have much meaning, Danny decided to teach himself to draw, and what he learned stunned him. Suddenly things had color again, and value. The result is Everyday Matters, his journal of discovery, recovery, and daily life in New York City. It is as funny, insightful, and surprising as life itself.

This publication brings together over 60 works on paper created from 2005 to the present day by London-based artist Neil Gall (born 1967, Aberdeen), whose works balance the profound with the absurd. In works that buzz with art historical reference, Gall has consistently explored matters of perception and mimesis through the visual language of household detritus. He translates the visceral and psychological interactions between materials and their surfaces - corrugated cardboard and pressed tinfoil, ping-pong balls enshrouded in black tape - to an unsettling, surreal and sometimes erotic effect. Essays by art historian Lexi Lee Sullivan and artist Alexander Ross are augmented by thoughtful insights from gallerist George Newall and an introduction from Gall's dealers David Nolan and Aurel Scheibler.

With instructions and step-by-step projects for creating an array of portaits, this all-inclusive book covers everything about portraiture in the most popular drawing and painting media. Ideal for beginning artists who would like to experiment with different media, The Art of Drawing & Painting Portraits teaches the artist how to create beautiful and realistic portraits in pencil, pastel, watercolor, oil, and acrylic.

Condensed thoughts transformed to matter with sequence of drawings. With exceptions of the author's other books, no similar published case studies exist. Uniquely relevant in both the education and practice architecture. This book aims to unify knowing and feeling with drawing. Since this process is influenced by the memory of our body, the outcome could be unpredictable, mysterious and timeless. If the drawn investigation questions the fundamentals of knowledge, existence and truth, then the resulting architecture might embody a new branch of philosophy. It will affect simultaneously our cerebral, tactile, and spatial perceptions and appear as a circumstantial singularity.

Do something amazing and learn a new skill thanks to the Little Ways to Live a Big Life books! As children, when we learn to write, we gain an important life skill: a practical means of communicating that we end up using almost every day of our lives, if only to jot down a shopping list or dash out an email. As children, we also know instinctively that drawing is a great way to communicate, but later in life it isn't universally valued and nurtured in the way that writing is. It's not seen as a necessity, it's seen as a specialism. As a result, most of us stop drawing completely, apart from the odd doodling. More than that, we lose all confidence in our ability to draw. Yet drawing is an incredibly prac tical way of turning what's inside your head into something tangible and useful. It can equip you with new means of solving problems, sharing ideas and telling stories. How to Draw Anything sets out to repair our broken relationship with drawing. It will inspire you to pick up that pencil from where you left it all those years ago and start making pictures again. It will give you back the confidence and joy in drawing you never should have lost. And it will take drawing out of the art world and put it into your world, introducing you to drawing as a practical tool for everyday life that will change the way you work, think and communicate.