A welcoming drawing guide for creating beautiful worlds and wondrous wildlife from bestselling artist Johanna Basford Through her bestselling coloring books and distinctive illustrations, Johanna Basford's beautiful forests, ocean depths, and hidden magical kingdoms have enchanted millions of people around the world. In this lovely and accessible guide, she shares the fun, simple, no-skills-needed secrets to creating your own wondrous realms through fanciful, expressive line drawing. With step-by-step exercises, inspiring prompts, and still plenty of pages to color, you'll be free to let your creativity run wild. How to Draw Inky Wonderlands invites you to develop your personal drawing style and master creating marvelous creatures and landscapes using only the pen or pencil in your hand and the wildest reaches of your imagination.

The 30-Day Sketchbook Project will forever transform the way you view your sketchbook. Through gorgeous yet simple step-by-step projects for each day of the month, illustrator Minnie Small will help you improve your skills, build your confidence and eradicate your fears of the blank page. Each day presents a new practice with three forms of inspiration: first, an overview of the topic with an approachable tutorial, followed by a prompt to help you make the lesson your own. Last, you'll get a glimpse into Minnie's process, as she shares some of her own sketchbook pages. Through this insight, you'll not only learn how to put the prompts into practice, but you'll also gain a greater appreciation of intuitive learning and the beauty of creative imperfection. Get started in the first days with exciting exercises like the Timed Challenge and Master Study before easing into more elaborate ones like Observational Drawing and Monochrome Paintings. Keep the rhythm going with Collage Paintings and Ink Illustration. Then, see how far you've come when you reach more advanced lessons like Plein Air, Realism and Alternative Self-Portrait. Whether your artwork lives only in the pages of your sketchbook or you use these exercises as a launching point for other work, it won't take long to see the positive impact of this daily practice in your art. Let your imagination run wild, your love of creativity renew and your faith in your skills flourish, one day at a time.

Dogs can be a pleasure to draw, whether they are dignified, elegant, cute or scruffy. Suzie Hodges shows you how to capture the character of a great selection of popular dog breeds. This delightful introduction to drawing dogs completely demystifies the drawing process. It shows how images can be built up easily, from initial geometric shapes right through to the finished animals. Susie Hodges includes a good selection of popular breeds and she uses a helpful two colour method that clearly shows every line and curve of the step-by-step pictures. Even absolute beginners will find themselves creating great drawings when they use this book and there is much to inspire more experienced artists too. An invaluable guide for anyone interested in this subject.

Master the art of linear perspective. If you're an animator, illustrator, comic book artist, game artist or anything in between, you need to be able to create images that accurately and realistically show space, dimension and form. Simplifying Perspective is the one and only guide that thoughtfully and clearly breaks down the principles of perspective into something that's easy to understand and use. With approachable lessons and clear visual step-by-step instruction, Robert Pastrana provides you with powerful techniques that help you turn a troubled drawing into a living, breathing, dimensional scene. With Simplifying Perspective, you'll never have to wade through dense, complex technical manuals again - this comprehensive guide to perspective is tailored specifically for artists who need to learn the ins and outs of one, two, and three-point perspective, measuring, shadows, reflections, and more. Simplifying Perspective presents complex drawing concepts in an easy-to-follow, approachable manner so you can finally learn the essentials of perspective without the anticipated frustration. Provides clarity, depth, and a wealth of examples - this is your must-have guide to understanding and using linear perspective Detailed visual instruction includes hundreds of color coded, step-by-step diagrams that allow you to easily follow the technical process of each construction Comprehensive companion website includes additional resources on perspective with a range of work to help further your skills

Ways of Drawing brings together a sophisticated, exciting range of reflections on markmaking by practising artists, teachers and writers. From explorations of how it feels to draw and personal accounts of artistic development, to short, imaginative propositions for looking, understanding and experiencing afresh, this collection repositions drawing as a vital creative and intellectual endeavour. The book is divided into three sections: 'Studio Space', which focuses on drawing within four walls; 'Open Space', which ventures out into the cityscapes and landscapes around us; and 'Inner Space', which returns to the living, feeling, drawing person. Each section is comprehensively illustrated with a wealth of drawings, prints and paintings by faculty and alumni of the Royal Drawing School, works by established artists past and present, and photographs of artists at work.

Boston-based urban artist Mike Daikubara gives beginners a crash course in location sketching that you can use in any city in Sketch Now, Think Later. Everyone wishes they could sketch stylish scenes, but busy lives leave almost no room for sitting down with a pad and pen to practicing. Many people give up on their potential hobby (and artistic outlet) because they feel they just don't have the time to lay the groundwork. Here's a secret though: you do! All you is a strategy for incorporate sketching into your daily life. Sketch Now, Think Later covers the tools, techniques and tips that author and Urban Sketching Correspondent of Boston Mike Daikubara has developed in his more than 15 years as a practicing artist, and will show you how to fully dive into any sketching situation with limited time and tools, and still be able to produce memorable, great looking, fun sketches!

Award-winning manga artist Sonia Leong, with the help of other acclaimed manga creators and educators, gives you all the tips, tricks and tools you will need to get your ideas onto the page. - Discover how to get started, build your confidence, and boost your skills, beginning from first principles. - Learn how to draw faces, bodies, hands, feet, and create unique characters with their own styles. - Get the most out of your drawing materials, from traditional pens and pencils to digital software, and discover how best to use them to work up your own manga stories and comics. - Benefit from advice on pacing, layout, composition and lettering.

Chibis are mini versions of Japanese anime and manga characters and are defined by their large heads and tiny bodies. They also have characteristically large eyes and all these features together give them a huge score on the cuteness factor. This book marries the widely popular 'chibi' style with important figures from the worlds of sport, entertainment, science, natural history and many more. The book shows you how to draw 50 well-known characters in the super cute chibi style from Albert Einstein and Muhammad Ali to Simone Biles and Malala Yousafzai. Featuring fabulously clear step-by-step drawings and clear instructions, this instructional book is a great way to teach anyone to draw while introducing them to countless inspirational figures whose achievements inform our world.

This work introduces not only the techniques of oil painting but also the underlying principles of figure drawing. The book features 32 full-colour pages and an introduction by James Gurney.

The "Art of Drawing Animals" focuses on how to draw domesticated animals - the tamed creatures that share our lives. Written by bestselling author J.C. Amberlyn, the book features everyone's favourite animals, ranging from the most popular breeds of dogs and cats to horses and other hoofed mammals, rodents, birds and reptiles. The focus is on realistic appraoch to drawing with an emphasis on anatomy/structure; the physical details of each species; and the action, facial and body expressions that give life to drawing. The book shows each type of animal in general and then goes into the various traits that make each breed distinctive.

What is 'performance drawing'? When does a drawing turn into a performance? Is the act of drawing in itself a performative process, whether a viewer is present or not? Through conversation, interviews and essays, the authors illuminate these questions, and what it might mean to perform, and what it might mean to draw, in a diverse and expressive contemporary practice since 1945. The term 'performance drawing' first appeared in the subtitle of Catherine de Zegher's Drawing Papers 20: Performance Drawings, in particular with reference to Alison Knowles and Elena del Rivero. In this book, it is used as a trope, and a thread of thinking, to describe a process dedicated to broadening the field of drawing through resourceful practices and cross-disciplinary influence. Featuring a wide range of international artists, this book presents pioneering practitioners, alongside current and emerging artists. The combination of experiences and disciplines in the expanded field has established a vibrant art movement that has been progressively burgeoning in the last few years. The Introduction contextualises the background and identifies contemporary approaches to performance drawing. As a way to embrace the different voices and various lenses in producing this book, the authors combine individual perspectives and critical methodology in the five chapters. While embedded in ephemerality and immediacy, the themes encompass body and energy, time and motion, light and space, imagined and observed, demonstrating how drawing can act as a performative tool. The dynamic interaction leads to a collective understanding of the term, performance drawing, and addresses the key developments and future directions of this applied drawing process.

If you love drawing people but don't know where to start, this is the book for you! 10 Step Drawing: People will help you turn simple lines or shapes into lifelike images in just 10 steps. There are instructions for the individual elements of the face and body, as well as complete faces and people. With advice on basic equipment and colouring techniques, each drawing includes colour palettes so readers can easily find the right tones for their drawing. Learning to draw has never been so simple!

If you love drawing plants and animals but don't know where to start, this is the book for you! 10 Step Drawing: Nature will help you turn simple shapes into beautiful nature images in just 10 steps. Create 60 different flowers, trees, animals and objects, from a bird's nest to a cheeky harvest mouse, by following the instructions inside. Learning to draw has never been so simple!

From basic skills to sketch construction using grids, frames, and shapes to the creation of tone, texture, color, and detail, and experimentation with digital rendering, Freehand Sketching helps you build your drawing skill and confidence through mastery of fundamentals. Carefully designed exercises guide you step by step in effective sketching in the studio and in the field. Also covered are helpful topics such as useful equipment, observation skills, framing and editing sketches, rendering people, and keeping a journal. An array of the author s lively sketches as well as examples from other architectural professionals fill the pages of Freehand Sketching, making this an ideal handbook for architecture and design students and all who wish to be more effective at visual communication."

Draw the cutest unicorn pictures for a whole year and never be bored again! This fun book for the young, and young at heart, covers the widest range of unicorn designs ever - 365 of them no less! In the magical universe all animals can have wings, unicorn horns and rainbow colours. And where unicorns live there are kawaii objects, pretty landscapes and sweet treats to make life joyful. To communicate, unicorns write with cute letters, decorate their messages with pretty motifs and even have their own emoticons! Learn the secrets of kawaii drawing, from sketching the outlines to adding personality and choosing colours. Then follow 365 step-by-step sequences showing you exactly how to build up a huge range of unicorn-themed designs, starting with simple shapes and progressing to add details and colours. Each sequence is entirely visual, with no complicated instructions to read, so it really is easy to create your own unicorn-themed drawings straight away. All you need is paper and some pens! Inside you'll find every type of unicorn you could possibly imagine... and many more! They all have their own unique characters - will you choose to draw the flamboyant, thoughtful, romantic or angry unicorn first? Some are even carrying out fun activities, such as horse-riding, meditating, skipping, roller-skating, ice-dancing, boxing, reading, cheerleading, guitar-playing and diving. The unicorn's magical world is full of kawaii objects, buildings, vehicles, clothing, food and scenery too. You can recreate sweet houses, fairytale castles, trees, flowers, fruits, musical instruments, magic potions, and even some everyday items like a toothbrush, candle, headphones and backpack. There's also a range of other wonderful animals to draw, including a uni-bear, uni-rabbit, uni-cat, uni-pig, uni-fox, uni-puppy, uni-llama, uni-monkey, uni-bat, uni-otter, uni-penguin, uni-whale, uni-dinosaur, squirrel, raccoon, hedgehog, reindeer, sheep, toucan, lion, rainbow fish, duck and zebra. Discover your animal mascot according to Chinese astrology and draw a fun version of its character. Finally, learn how to communicate with the unicorns by creating a range of letters, numbers, symbols and emoticons, all with a cute kawaii twist. This adorable value-packed book will entertain endlessly and open the door to a rainbow-filled unicorn world every day of the year.

The self-portrait of Baccio Bandinelli in the Isabella Stewart Gardner Museum, Boston, shows the scupltor pointing not to a work of marble or bronze, but to a drawing. Bandinelli was particularly proud of his skills as a draughtsman, and he was prolific in his production of works on paper. This set him apart from contemporaries in his profession; many Renaissance sculptors left us no drawings at all. Accompanying an exhibition at the Gardner Museum, this publication will put Bandinelli's portrait in context by looking at the practice of drawing by scupltors from the Renaissance to the Baroque in Central Italy. A focus of the book will be Bandinelli's own drawings and the development of his practice across his career and his experimentation with different media. Bandinelli's drawings will be compared with those of Michelangelo and Cellini. The broader question considered, however, is when, how, and why scupltors drew. EVery Renaissance sculptor who set out to make a work in metal or stone would first have made a series of preparatory models in wax, clay, and/or stucco. Drawing was not an essential practice for sculptors in teh way it was for painters, and indeed, most surviving sculptors' drawings are not preparatory studies for works they subsequently executed in three dimensions. By comparing bot rough sketches and more finished drawings with related three-dimensional works by the same artists, the importance of drawing for various individual sculptors will be examined. When sculptors did draw, it often indicated something about the artist's training or about his ambitions. Among the most accomplished draftsmen were artists like Pollaiuolo, Verrocchio, and Cellini, who had come to sculpture by way of goldsmithery, a profession that required profieciency in ornamental design. Artists who soought to become architects, meanwhile - the likes of Michelangelo, Giambologna, and Ammanati - similarly needed to learn to draw, since architects had to provide plans, elevations, and other drawings to assistants and clients and had to imagine the place of individual figures within a larger multi-media ensemble. Certain kinds of projects, moreover - fountains and tombs, for example - required drawings to a degree that others did not. Sections on the Renaissance goldsmith-sculptor and sculptor-architect will allow comparison of the place drawing had in various artists' careers. Beginning with a chapter dedicated to the importance of draftsmanship in the education of sculptors, showing works by Finiguerra, Cellini Bandinelli, and Giambologna, the book will be split up into chapters dealing with the various challenges scupltors faced while drawing objects in the round, reliefs, and architectural structures. A central section will focus on Bandinelli, demonstrating the importance drawing held for him while he was preparing sculptures and as an independent token of his artistry.

The fast and easy way to learn the art of fashion drawing

This fun guide gives you dozens of step-by-step diagrams that walk you through the process of preparing creative illustrations that you can later develop into dynamic presentations for your design portfolio. Plus, you'll not only learn how to draw clothes and fabric, but also how to show details that make up the total look: faces and hairstyles, fashion accents, and a wide variety of textures.

If you're an aspiring fashion designer, you know it's essential to be able to draw, prepare, and present a fashion drawing. Whether you have little or no prior drawing experience, "Fashion Drawing For Dummies" gives you easy-to-follow, non-intimidating instructions for mastering the drawing skills you need to design like a pro.Learn the rules and techniques of fashion drawingDraw the fashion figure in different poses and from multiple anglesDiscover how to complement your drawings with accessories, clothing, and style

If you're a fledgling designer looking for non-intimidating guidance on learning the ins and outs of fashion drawing, this friendly guide has you covered

Oxford has a special place in the history of Pre-Raphaelitism. Thomas Combe (superintendent of the Clarendon Press) encouraged John Everett Millais and William Holman Hunt at a crucial early stage of their careers, and his collection became the nucleus of the Ashmolean collection of works by the Brotherhood and their associates. Two young undergraduates, William Morris and Edward Burne-Jones, saw the Combe collection and became enthusiastic converts to the movement. With Dante Gabriel Rossetti, in 1857 they undertook the decoration of the debating chamber (now the Old Library) of the Oxford Union. The group's champion John Ruskin also studied in Oxford, where he oversaw the design of the University Museum of Natural History and established the Ruskin School of Drawing. Jane Burden, future wife of Morris and muse (probably also lover) of Rossetti, was a local girl, first spotted at the theatre in Oxford. Oxford's key role in the movement has made it a magnet for important bequests and acquisitions, most recently of Burne-Jones's illustrated letters and paintbrushes. The collection of watercolours and drawings includes a wide variety of appealing works, from Hunt's first drawing on the back of a tiny envelope for The Light of the World (Keble College), to large, elaborate chalk drawings of Jane Morris by Rossetti. It is especially rich in portraits, which throw an intimate light on the friendships and love affairs of the artists, and in landscapes which reflect Ruskin's advice to 'go to nature'. More than just an exhibition catalogue, this book is a showcase of the Ashmolean's incredible collection, and demonstrates the enormous range of Pre-Raphaelite drawing techniques and media, including pencil, pen and ink, chalk, watercolour, bodycolour and metallic paints. It will include designs for stained glass and furniture, as well as preparatory drawings for some of the well-known paintings in the collection.

Francis Bacon is considered one of the most important painters of the twentieth century. A major exhibition of his paintings at the Royal Academy of Arts, planned for 2020 but postponed because of the pandemic, explores the role of animals in his work – not least the human animal. Having often painted dogs and horses, in 1969 Bacon first depicted bullfights. In this powerful series of works, the interaction between man and beast is dangerous and cruel, but also disturbingly intimate. Both are contorted in their anguished struggle, and the erotic lurks not far away: ‘Bullfighting is like boxing,’ Bacon once said. ‘A marvellous aperitif to sex.’ Twenty-two years later, a lone bull was to be the subject of his final painting. In this fascinating publication – a significant addition to the literature on Bacon – expert authors discuss Bacon’s approach to animals and identify his varied sources of inspiration, which included wildlife photography and the motion studies of Eadweard Muybridge. They contend that, by considering animals in states of vulnerability, anger and unease, Bacon was able to lay bare the role of instinctual behaviour in the human condition. Images below, left to right: Francis Bacon (1909-1992), Fragment of a Crucifixion, 1950. Oil and cotton wool on canvas, 140 x 108.5 cm. Stedelijk van Abbemuseum, Eindhoven. Photo Hugo Maertens Francis Bacon (1909-1992), Study for Portrait (with Two Owls), 1963. Oil on canvas, 198.1 x 144.8 cm. Private collection. Photo Prudence Cuming Associates Ltd Francis Bacon (1909-1992), Man with Dog, 1953. Oil on canvas, 152 x 117 cm. Albright-Knox Art Gallery, Buffalo, New York. Gift of Seymour H. Knox Jr, 1955, inv. K1955:3. Photo Prudence Cuming Associates Ltd All images © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2020.

Illustrated with 200 barn sketches, diagrams, and maps, this book takes you on a journey through the St Croix River Valley. It grounds you in the geography, geology and biology of the region and introduces you to its original inhabitants, the Dakota and Ojibwe peoples, European explorers, fur traders and loggers and the settlers that followed them. It is a celebration of regional diversity and architectural expression through a single type of building - the barn.