When Roger H. Guichard Jr. discovered a French translation of the works of Carsten Niebuhr, sole survivor of the 1761-1767 Royal Danish Expedition to the Yemen, he was astounded. 'They were not just another dry account of one man's travels, but represented the record of a serious intellectual enterprise involving Enlightenment science, sacred philology, the Bible as history, 'Orientalism', Egyptology, and discovery'. Having translated them from French to English, and then cross-referenced his translations with the original German texts, 'Niebuhr in Egypt' is not, as one might expect, simply a presentation of his translation. Instead Guichard offers his readers an account of the expedition's year in Egypt, with lengthy excursions into the several subplots - Enlightenment science, the Bible as history, and Egyptology - that he found so engaging in the original works. This is not a scholarly work but would appeal to anyone with an interest in any of the areas mentioned or simply to anyone interested in this country's past and present.

During the building of the Aswan High Dam between 1960 and 1970, the Nubian Rescue Campaign, operating under the auspices of UNESCO, was an international effort to rescue those of the Nubian monuments which would be submerged once the dam was completed. The most famous monument to be thus rescued and reconstructed is the Great Temple of Ramesses II at Abu Simbel, but altogther four areas in Nubia around Lake Nasser now contain ancient monuments that were reconstructed and moved from their original positions: Abu Simbel, New Amada, New Wadi al-Sebua, and New Kalabsha. These impressive sites are becoming increasingly popular with international visitors. Dr. Jocelyn Gohary opens this compact and attractive guide, the first of its kind, with an introduction to the history and culture of Nubia during the pharaonic period. She then describes each monument in detail, providing a simple plan for each and highlighting its history, religion, and art. Also included are brief descriptions of the four temples that were transported and re-erected abroad -- the most notable being the Temple of Dendur in the Metropolitan Museum in New York.

"Never Had the Like Occurred" examines Ancient Egypt's own multifaceted encounters with its past. As Egyptian culture constantly changed and evolved, this book follows a chronological arrangement, from early Egypt to the attitudes of the Coptic population in the Byzantine Period. Within this framework, it asks what access the Egyptians had to information about the past, whether deliberately or accidentally acquired; what use was made of the past; what were the Egyptians attitudes to the past; what sense of past time did the Egyptians have; and what kinds of reverence for the past did they entertain? This is the first book dedicated to the whole range of these themes. It provides an explanatory context for the numerous previous studies that have dealt with particular sets of evidence, particular periods, or particular issues. It provides a case study of how civilizations may view and utilize their past.

This book presents and analyses the results of the use and adaptation of ancient Egyptian architecture in modern times. It traces the use of ancient Egyptian motifs and constructions across the world, from Australia, the Americas and Southern Africa to Western Europe. It also inquires into the cultural, economic and social contexts of this practice. Imhotep Today is exceptional not only in its global coverage, but in its analyses of thorny questions such as: what was it about Ancient Egypt that inspired such Egyptianizing monuments, and was it just one idea, or several different ones which formed the basis of such activities? The book also asks why only certain images, such as obelisks and sphinxes, were incorporated within the movement. The contributors explore how these 'monuments' fitted into the local architecture of the time and, in this context, they investigate whether 'Egyptianizing architecture' is an ongoing movement and, if so, how it differs from earlier, similar activities.

The Pyramids on the Giza Plateau represent perhaps the most famous archaeological site in the world, capturing on tomb walls frozen moments from almost every aspect of life in ancient Egypt. This book, by one of the foremost experts on the history of Giza, explores new approaches to "cataloging" the site, highlighting efforts at the Museum of Fine Arts Boston and Harvard University. The site experienced its first "golden age" as the burial place of three pharaohs of the Egyptian Old Kingdom (Dynasty 4, ca. 2640-2510 BCE). A second golden age came almost five millennia later, when the first modern excavators applied their newly devised archaeological craft to the Giza Plateau. Now, with the advent of many new technologies in the twenty-first century, the Giza Necropolis is available in two, three, and even four dimensions. Children and specialized scholars alike may study the material culture of this ancient civilization from afar, often with greater access than could be achieved in person. However, these new approaches do raise questions: Does 3-D modeling and animation truly improve scholarly comprehension and interpretation? Can interacting with animations still be called scholarship? Where is the border between academic knowledge and mere entertainment? Through specific case studies and an in-depth history of this important project, Peter Der Manuelian provides an excellent model for other digital visualization initiatives. He also offers more general philosophical reflection on the nature of visualization in archaeology and speculates about emerging technologies and how they may be useful in the future.

Designed as a guide for visitors to the Egyptian monuments from Abydos to the Sudan frontier, this book contains a wealth of archaeological information, as well as practical advice for those who plan to visit the sites described. The book's contents are arranged by location, and are illustrated with informative diagrams and maps.

This volume offers the first comprehensive overview of the evolution over time of a foundational concept of the Egyptian afterlife beliefs: the Duat, or netherworld. The Duat is a complicated, multifaceted notion, which was never canonized into a single version of the beyond, but offered instead a variety of alternatives attempting to describe the metaphysical realms beyond the visible world, and beyond life. Theological speculations gave rise to a rich textual and visual repertoire, which underwent a process of evolution over thousands of years, during which newer ideas and images were constantly introduced. The book provides analysis of royal and non-royal funerary texts from the late Old Kingdom to the end of the New Kingdom, tracing the development of the conceptualization of the notion of Duat, outlining what it encompassed and where it was imagined to be located. In addition to the translation and discussion of the most significant passages of the texts analysed, each chapter also provides an overview of the individual compositions and of the relevant theological, cosmological and astronomical notions complementing the conceptual framework, of which the Duat formed but a part. Additionally, discussions of concurrent changes in Egyptian culture, society and ideology are included in order to clarify the context in which afterlife beliefs and related texts evolved. An analysis of the correlation between funerary compositions and their material supports complements the study, emphasizing the Egyptians' belief in a magical synergy between texts, images, and their contexts in the activation of a suitable, effective afterlife for the recipients of the texts.

When a freshly-mummified body is discovered at the Brighton Museum of Natural History, Detective Francis Sullivan is at a loss to identify the desiccated woman. But as Egyptian burial jars of body parts with cryptic messages attached start appearing, he realises he has a serial killer on his hands.

Revenge, obsession and an ancient religion form a potent mix, unleashing a wave of terror throughout the city. Caught in a race against time while battling his own demons, Francis must fight to uncover the true identity of the Embalmer before it's too late...

Explores four mummies and three coffins from the Chau Chak Wing Museums Mummy Project, which has undertaken interdisciplinary research through a combination of scientific and Egyptological methods. - The mummies and coffins explored in the book are now on permanent display at the Chau Chak Wing Museum in Australias only dedicated Mummy Room. - These mummies constitute Australias most celebrated collection of Egyptian mummies, and are visited by over 100,000 people per year - There is significant demand in Australia and beyond for Egyptological research that is accessible to general audiences Speak my name so that I may live again was often written on the walls of Egyptian tombs, imploring visitors to speak the names of the dead and make offerings on their behalf. These acts of continued remembrance sustained the dead in the afterlife. Speak My Name: Investigating Egyptian Mummies explores the coffins and mummies of Meruah, Padiashaikhet, Horus and Mer-Neith-it-es, who lived in Egypt between 1200 BCE and 100 CE and whose mummies and/or coffins are now in the Chau Chak Wing Museum at the University of Sydney. A multidisciplinary team provides new insights into mummification and coffin manufacture in ancient Egypt through a combination of scientific and Egyptological methods, including CT imaging, skeletal analysis, radiocarbon dating, and digital modelling and illustration. Their discoveries illuminate the personhood of the individuals these mummies and coffins represent. Advances in technology allow us to respectfully learn about their daily lives, including nutrition, health and disease. Beautifully illustrated, Speak My Name demonstrates how science and archaeology work together to help us better understand the past. By studying the life and death of Meruah, Padiashaikhet, Horus and Mer-Neith-it-es, we speak their names again.

In the autumn of 1915, in a "slightly heroic mood", E.M. Forster arrived in Alexandria, full of lofty ideals as a volunteer for the Red Cross. Yet most of his time was spent exploring "the magic, antiquity and complexity" of the place in order to cope with living in what he saw as a "funk-hole". With a novelist's pen, he brings to life the fabled, romantic city of Alexander the Great, capital of Graeco-Roman Egypt, beacon of light and culture symbolised by the Pharos, where the doomed love affair of Antony and Cleopatra was played out and the greatest library the world has ever known was built. Threading 3,000 years of history with vibrant strands of literature and punctuating the narrative with his own experiences, Forster immortalised Alexandria, painting an incomparable portrait of the great city and, inadvertently, himself.

Nearly two decades have passed since the last edition of Miroslav Verner's seminal The Pyramids. In that time, fresh explorations and new sophisticated technologies have contributed to ever more detailed and compelling discussions around Egypt's enigmatic and most celebrated of ancient monuments. A pyramid, as the posthumous residence of a king and the place of his eternal cult, was just a single, if dominant, part of a larger complex of structures with specific religious, economic, and administrative functions. The first royal pyramid in Egypt was built at the beginning of the Third Dynasty (ca. 2592-2544 BC) by Horus Netjerykhet, later called Djoser, while the last pyramid was the work of Ahmose I, the first king of the Eighteenth Dynasty (ca. 1539-1292 BC). This newly revised and updated edition of The Pyramids brings Verner's rich erudition and long years of site experience to bear on all the latest discoveries and archaeological and historical aspects of over 70 of Egypt's and Sudan's pyramids in the broader context of their more than one-thousand-year-long development. Lucidly written, with 300 illustrations, and filled with insights, this comprehensive study illuminates an era that is both millennia away and, thanks to the work of scientists like Verner, relevant today.

The Roman emperor Augustus gave his name to the age he dominated, from the latter half of the first century BC until the second decade of the following century. Yet he shared the age with several royal women who ruled parts of the Mediterranean world, in a symbiotic relationship with Rome. This book is the first detailed portrait of these remarkable women. Previous accounts of the period have centered on Augustus or Rome's allied kings, with scant attention to the women who ruled as their partners or on their own. The most famous of these is Cleopatra Selene, the daughter of the great Cleopatra VII of Egypt and her partner, the Roman magistrate Marcus Antonius. Her very survival following Roman victory over her mother's forces is itself noteworthy but she went on to rule Mauretania (northwest Africa) with her husband for more than twenty years. She even attempted to reconstitute her mother's legacy in this remote region and, like her mother, was an ardent patron of the arts and scholarship. Other women of note included in this book are Pythodoris of Pontos, who ruled northern Asia Minor for forty years, and Salome of Judaea, the sister of Herod the Great, who, while never queen, exercised significant power for nearly half a century. These and others - Glaphyra of Cappadocia, Dynamis of Bosporos, Abe of Olbe, and Mousa of Parthia - were all part of the interrelated dynasties of the Augustan Age. Their values and attitudes toward rule directly affected the emergent Roman imperial system, and their legacy survived for centuries through their descendants and the goals of the royal women of Rome, such as Livia and Octavia, the wife and sister of Augustus. Assimilating all of the historical and archaeological evidence, Cleopatra's Daughter recovers these extraordinary women from the dim shadows of the ancient past.

Originally published between 1920-70, the aim of the general editor, C.K. Ogden, was to summarize the most up-to-date findings and theories of historians, anthropologists, archaeologists and sociologists. This reprinted material is available as a set or in the following groupings: "Prehistory and Historical Ethnography" set of 12: 0-415-15611-4 (u800); "Greek Civilization" set of 7: 0-415-15612-2 (u450); "Roman Civilization" set of 6: 0-415-15613-0 (u400); "Eastern Civilizations" set of 10: 0-415-15614-9 (u650); "Judaeo-Christian Civilization" set of 4: 0-415-15615-7: (u250); "European Civilization" set of 11: 0-415-15616-5 (u700).

The unique relationship between word and image in ancient Egypt is a defining feature of that ancient culture's records. All hieroglyphic texts are composed of images, and large-scale figural imagery in temples and tombs is often accompanied by texts. Epigraphy and palaeography are two distinct, but closely related, ways of recording, analyzing, and interpreting texts and images. This Handbook stresses technical issues about recording text and art and interpretive questions about what we do with those records and why we do it. It offers readers three key things: a diachronic perspective, covering all ancient Egyptian scripts from prehistoric Egypt through the Coptic era (fourth millennium BCE-first half of first millennium CE), a look at recording techniques that considers the past, present, and future, and a focus on the experiences of colleagues. The diachronic perspective illustrates the range of techniques used to record different phases of writing in different media. The consideration of past, present, and future techniques allows readers to understand and assess why epigraphy and palaeography is or was done in a particular manner by linking the aims of a particular effort with the technique chosen to reach those aims. The choice of techniques is a matter of goals and the records' work circumstances, an inevitable consequence of epigraphy being a double projection: geometrical, transcribing in two dimensions an object that exists physically in three; and mental, an interpretation, with an inevitable selection among the object's defining characteristics. The experiences of colleagues provide a range of perspectives and opinions about issues such as techniques of recording, challenges faced in the field, and ways of reading and interpreting text and image. These accounts are interesting and instructive stories of innovation in the face of scientific conundrum.

There is a notable lack of archaeological science used in Egyptology and Egyptian archaeology today. The reasons behind this are twofold: one, the discipline started with the early translation of Hieroglyphs which, combined with the large amount of written and pictorial material available, has long overshadowed the study of the material culture, including archaeology. Second are the practical and bureaucratic challenges to be found in obtaining access to material. In the light of these challenges, the lack of application of archaeological science in Egypt is hardly surprising.

Science in the Study of Ancient Egypt demonstrates how to integrate scientific methodologies into Egyptology broadly, and in Egyptian archaeology in particular, in order to maximise the amount of information that might be obtained within a study of ancient Egypt, be it field, museum, or laboratory-based. The authors illustrate the inclusive but varied nature of the scientific archaeology being undertaken, revealing that it all falls under the aegis of Egyptology, and demonstrating its potential for the elucidation of problems within traditional Egyptology.

.Tells the story of the tomb of Tutankhamun, placing the discoveries in their historical context and includes many historical documents that are being published here for the first time .Includes painstaking recreations, in color, of a number of key contemporary photographs taken at the time by Harry Burton .Published to accompany an exhibition at The Ashmoleam Museum, Oxford, UK from July 24th to October 26th 2014 Howard Carter's excavation of the tomb of Tutankhamun in 1922 was one of the most significant archaeological discoveries of the 20th century. The name of Egypt's 'boy king' is now synonymous with the glories of this ancient civilization, and the spectacular contents of his tomb continue to capture the public's imagination. This book tells the story of the search for Tutankhamun's tomb and its discovery using Howard Carter's original excavation records that were deposited in the archives of the Griffith Institute at the University of Oxford. The meticulous recording process and conservation work on the thousands of objects took Carter and his team an astonishing 10 years and for its time the entire enterprise was a model of archaeological investigation. Against this backdrop of painstaking scholarship, the book also explores the phenomenon of 'Tut-mania', when the world was gripped by all things Tutankhamun, from jewelry and clothing to dance music and curses. In the final section, the authors re-evaluate what the tomb's contents can tell us about the king and his time, and explore various projects that have in recent years sought to ensure the preservation of Tutankhamun's tomb and its contents for future generations. For all of these projects, the Howard Carter archive in the Griffith Institute remains an invaluable resource."

The author uses the heb-sed, or Sed-festival, an ancient Egyptian religious festival that can be traced to the Archaic period, as the basis for a comparative study for providing insights into the controversial reign of Amenhotep IV - Akhenaten.

The Judean community at Elephantine has long fascinated historians of the Persian period. This book, with its stellar assemblage of important scholarly voices, provides substantive new insights and approaches that will advance the study of this well-known but not entirely understood community from fifth-century BCE Egypt. Since Bezalel Porten's pioneering Archives from Elephantine, published in 1968, the discourse on the subject of the community of Elephantine during the Persian period has changed considerably, due to new data from excavations, the discovery and publication of previously unknown texts, and original scholarly insights and avenues of inquiry. Running the gamut from archaeological to linguistic investigations and encompassing legal, literary, religious, and other aspects of life in this Judean community, this volume stands at a crossroads of research that extends from Hebrew Bible studies to the history of early Jewish communities. It also features fourteen new Aramaic ostraca from Aswan. The volume will appeal to students and scholars of the Hebrew Bible and ancient Judaism, as well as to a wider audience of Egyptologists, Semitists, and specialists in ancient Near Eastern studies. In addition to the editor, the contributors to this volume include Annalisa Azzoni, Bob Becking, Alejandro F. Botta, Lester L. Grabbe, Ingo Kottsieper, Reinhard G. Kratz, Andre Lemaire, Helene Nutkowicz, Beatrice von Pilgrim, Cornelius von Pilgrim, Bezalel Porten, Ada Yardeni, and Ran Zadok. Moreover, a video recording of an interview conducted with Porten on his long career in Elephantine studies accompanies the book through a link on the Eisenbrauns website.

Ancient Egypt, with its spectacular temples and tombs, its history, gods, and legends, has enticed the human imagination for centuries. This fascination--and the irresistible drive to unearth the buried secrets of a lost civilization--have been the life work of archaeologist Donald P. Ryan. "Beneath the Sands of Egypt" is the gripping first-person account of a real-life "Indiana Jones" as he recalls a career spent delving into the remains of Egypt's past--including his headline-making rediscovery of a lost tomb in the Valley of the Kings containing the mummy of the famous female pharaoh Hatshepsut.

Infused with the irrepressible curiosity and the incomparable wonder of discovery that have fueled Ryan's lifelong journey, "Beneath the Sands of Egypt" is the extraordinary story of a man who has always embraced adventure whenever--and wherever--he finds it.

The Tomb-Builders of the Pharaohs brings to life the people who lived and died at Deir el-Medina over three thousand years ago: their loves and hates, disputes and scandals, work and leisure. The author carried out extensive research on the tomb-builders and draws on the thousands of documents, letters, literary texts, and drawings found at Deir el-Medina to give a fascinating and intimate glimpse of life in the village.

The thirty-nine articles in this volume, One Who Loves Knowledge, have been contributed by colleagues, students, friends and family in honour of Richard Jasnow, professor of Egyptology at Johns Hopkins University. Despite his claiming to be "just a demoticist," Richard Jasnow's research interests and specialties are broad, spanning religious and historical topics, along with new editions of demotic texts, including most particularly the Book of Thoth. A number of the authors demonstrate their appreciation for Jasnow's contributions to the understanding of this difficult text. The volume also includes other studies on literature, Ptolemaic history and even the god Thoth himself. It features detailed images and abundant hieroglyphic, hieratic, demotic, Coptic and Greek texts.

During the Old Kingdom, the ancient Egyptians constructed elaborately decorated mortuary monuments for their pharaohs. By the late Old Kingdom (ca. 2435-2153 BCE), these pyramid complexes began to contain a new and unique type of statue, the so-called prisoner statues. Despite being known to Egyptologists for decades, these statues of kneeling, bound foreign captives have been only partially documented, and questions surrounding their use, treatment, and exact meaning have remained unanswered. Ancient Egyptian Prisoner Statues-the first comprehensive analysis of the prisoner statues-addresses this gap, demonstrating that the Egyptians conceived of and used the prisoner statues differently over time as a response to contemporary social, cultural, and historical changes. In the process, the author contributes new data and interpretations on topics as diverse as the purpose and function of the pyramid complex, the ways in which the Egyptians understood and depicted ethnicity, and the agency of artists in ancient Egypt. Ultimately, this volume provides a fuller understanding of not only the prisoner statues but also the Egyptian late Old Kingdom as a whole.

The 1924-1935 University of Michigan excavations at the Graeco-Roman period Egyptian village of Karanis yielded thousands of artifacts and extensive archival records of their context. The Karanis material in the Kelsey Museum of Archaeology and the University of Michigan Library Papyrology Collection forms a unique body of information for understanding life in an agricultural village in Ptolemaic and Roman Egypt. In 2011 and 2012, the Kelsey Museum of Archaeology presented the exhibition Karanis Revealed in two parts, using artifacts from the excavations and archival material to explore aspects of the site and its excavation in the 1920s and 1930s. As preparation for the exhibition progressed, it became clear that part of the story of the Michigan Karanis expedition lay in the current and ongoing research on the material it yielded by curators, faculty, staff, and students from the University of Michigan. Such projects include new work on known artifacts and papyri, the discovery or rediscovery of important unpublished artifacts and archival sources, new field research at Karanis, and even sonic investigations of the site and its history. The present volume summarizes the recent exhibition and presents some of the new research that helped inspire it.