THE BRAND NEW JACK WEST THRILLER AND SUNDAY TIMES BESTSELLER 'Spectacular...Part-Jack Reacher, part-Indiana Jones' SMH THE END IS HERE Jack West Jr has made it to the Supreme Labyrinth. Now he faces one last race - against multiple rivals, against time, against the collapse of the universe itself - a headlong race that will end at a throne inside the fabled labyrinth. AN IMPOSSIBLE MAZE But the road will be hard. For this is a maze like no other: a maze of mazes. Uncompromising and complex. Demanding and deadly. A CATACLYSMIC CONCLUSION It all comes down to this. It ends here - now - in the most lethal and dangerous place Jack has encountered in all of his many adventures. And in the face of this indescribable peril, with everything on the line, there is only one thing he can do. Attempt the impossible. * * * * * PRAISE FOR THE JACK WEST THRILLERS 'An action hero worthy of Lee Child' Sydney Morning Herald 'Thrilling, action-packed adventure from cover to cover' Guardian 'Nobody writes action like Matthew Reilly' Vince Flynn 'Get ready for a wild ride' Daily Telegraph 'Exciting and entertaining' Chicago Sun-Times * * * * * READERS LOVE THE JACK WEST THRILLERS 'Indiana Jones in a book . . . Immensely entertaining' 'A super duper kick ass soldier' 'A first class all-action historical thriller' 'Heart-pounding stuff' 'Enjoy the rollercoaster ride'

The concept of pharaonic Egypt as a unified, homogeneous, and isolated cultural entity is misleading. Ancient Egypt was a rich tapestry of social, religious, technological, and economic interconnections among numerous cultures from disparate lands. This volume uniquely examines Egypt's relationship with its wider world through fifteen chapters arranged in five thematic groups. The first three chapters detail the geographical contexts of interconnections through examination of ancient Egyptian exploration, maritime routes, and overland passages. The next three chapters address the human principals of association: peoples, with the attendant difficulties differentiating ethnic identities from the record; diplomatic actors, with their complex balances and presentations of power; and the military, with its evolving role in pharaonic expansion. Natural events, too, played significant roles in the pharaonic world: geological disasters, the effects of droughts and floods on the Nile, and illness and epidemics all delivered profound impacts, as is seen in the third section. Physical manifestations of interconnections between pharaonic Egypt and its neighbors in the form of objects are the focus of the fourth set: trade, art and architecture, and a specific case study of scarabs. The final section discusses in depth perhaps the most powerful means of interconnection: ideas. Whether through diffusion and borrowing of knowledge and technology, through the flow of words by script and literature, or through exchanges in the religious sphere, the pharaonic Egypt that we know today was constantly changing-and changing the cultures around it.

This book provides an introduction to one of the greatest civilizations of all time - ancient Egypt. Beginning with a geographical overview that explains the development of Egyptian belief systems as well as its subsequent political development, it examines methodology, the history of the discipline of Egyptology, religion, social organization, urban and rural life, and death. It also includes a section on how people of all ranks lived. Lavishly illustrated, with many unusual photographs of rarely seen sites that are seldom illustrated, this volume is suitable for use in introductory-level courses on ancient Egypt. It offers a variety of student-friendly features, including a glossary, a bibliography, and a list of sources for those who wish to further their interest in ancient Egypt.

The Italian son of a barber. A failed hydraulic engineer. A giant who performed feats of strength and agility in the circus. Giovanni Belzoni (1778-1824) was all of these before going on to become one of the most controversial figures in the history of Egyptian archaeology. A man of exceptional size with an ego of comparable proportions, he procured for the British Museum some of its largest and still awe-inspiring treasures. Today, however, the typical museum visitor knows nothing of Belzoni, and many modern archaeologists dismiss him as an ignorant vandal. In this captivating new biography, Ivor Noel Hume re-creates an early nineteenth century in which there was no established archaeological profession, only enormous opportunity. Belzoni landed in Egypt, where he was unsuccessful in selling a hydraulic machine of his own invention, and came under the patronage of diplomat Henry Salt, who convinced him to travel to Thebes in search of artifacts. Among the many treasures Belzoni would bring back was the seven-ton stone head of Ramesses II, the ""Young Memnon."" The book includes gripping accounts of Belzoni's wildly productive, and physically brutal, expeditions, as well as an unforgettable portrait of his wife, Sarah, who suffered the hardships of the Egyptian deserts and later bore the brunt of the disillusionment that came with the declining popular perception of her husband. Including numerous illustrations, many in color, this volume brings one of archaeology's most fascinating figures vividly to life.

The American archaeologist James H. Breasted (1865-1935) published this history in 1906. His intention was to create a one-volume work which would be suitable for the increasing number of tourists visiting the Nile valley, for those interested in the rise of Greek and Roman civilisation, and for students of the Old Testament. Drawing on Breasted's own four-volume Records of Egypt, which contains fresh readings and translations of almost all of the ancient Egyptian historical inscriptions available at the time, the book follows the conventional chronology from 'earliest Egypt' to the Old Kingdom and the Middle Kingdom, characterised as a 'feudal age', the intermediate period of the Hyksos, and the New Kingdom, described here as 'the Empire'. The account ends with 'the Decadence', invasions by Libyans and Nubians, and the Persian conquest after the battle of Pelusium in 525 BCE. The book contains nearly 200 photographs and drawings.

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1902 edition. Excerpt: ...is gaily dressed in yet another costume, his pleated tunic stiffened uncomfortably, and an elaborately-coloured ribbon, to which, perhaps, an amulet is suspended, hung round his neck. He is accompanied by his wife and hound, and by a son (Asa?) who brings a gift of birds and flowers. His titles seem written in disorderly columns, as before, The signs 4 must belong to the lost name of the herdsman. Surety they cannot form an attribute of Asa.: Not represented to Ecalc in the plate. but little save the repetition of the name, Rahenem, is preserved. In front, in the top register, two sons present offerings of birds and cruses of ointment. They are the "Sole Companion, Lector, and Great Chief of the Du-ef Nome "(Asa or Qehua?) and Qednes. Behind them is a barque, which contains a chest inscribed for "The Sole Companion, Chief Lector, Sempriest, and Great Chief of the Du-ef Nome, Rahenem." This coffin or ark is set on a bier under a light baldachin, and the two sacred eyes are represented above it. A man in attitude of adoration, and carrying the kherpsceptre, stands in the prow. This boat is followed by a ship under sail, which contains, besides the crew, the figure of Asa (?) seated in a chair. From the attitude of the female figure before him, whether she be his wife or a professional mourner, it would seem that the deceased prince is here represented. Two sacrificial oxen led by herdsmen follow this scene, one of which wears the gay collar which was put on valuable animals when presented for inspection. The dancing scene in the second register may be loosely connected with the funeral procession. Most of the dancers are dressed in the garb already familiar from previous examples, but one, who may be a singer, is in ordinary...

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1902 edition. Excerpt: ...is gaily dressed in yet another costume, his pleated tunic stiffened uncomfortably, and an elaborately-coloured ribbon, to which, perhaps, an amulet is suspended, hung round his neck. He is accompanied by his wife and hound, and by a son (Asa?) who brings a gift of birds and flowers. His titles seem written in disorderly columns, as before, The signs 4 must belong to the lost name of the herdsman. Surety they cannot form an attribute of Asa.: Not represented to Ecalc in the plate. but little save the repetition of the name, Rahenem, is preserved. In front, in the top register, two sons present offerings of birds and cruses of ointment. They are the "Sole Companion, Lector, and Great Chief of the Du-ef Nome "(Asa or Qehua?) and Qednes. Behind them is a barque, which contains a chest inscribed for "The Sole Companion, Chief Lector, Sempriest, and Great Chief of the Du-ef Nome, Rahenem." This coffin or ark is set on a bier under a light baldachin, and the two sacred eyes are represented above it. A man in attitude of adoration, and carrying the kherpsceptre, stands in the prow. This boat is followed by a ship under sail, which contains, besides the crew, the figure of Asa (?) seated in a chair. From the attitude of the female figure before him, whether she be his wife or a professional mourner, it would seem that the deceased prince is here represented. Two sacrificial oxen led by herdsmen follow this scene, one of which wears the gay collar which was put on valuable animals when presented for inspection. The dancing scene in the second register may be loosely connected with the funeral procession. Most of the dancers are dressed in the garb already familiar from previous examples, but one, who may be a singer, is in ordinary...

The career of Arthur Weigall (1880-1934) encompassed Egyptology but also stage design, film criticism and journalism, as well as fiction and books about ancient Egypt. After studying in Germany, he worked at Abydos with Flinders Petrie, but in 1905 he was unexpectedly promoted to Chief Inspector of Antiquities for Upper Egypt, when Howard Carter was forced to resign. His work in Egypt, especially in the area of Luxor, focused on the conservation of monuments and the prevention of the shipping of artefacts abroad, until 1911, when he returned to London. In the preface to this two-volume work, published in 1925, Weigall likens the writing of a history of Egypt to the piecing together of a jigsaw puzzle consisting of thousands of pieces, but presents a chronological narrative at a level to satisfy both the scholar and the interested amateur. Volume 2 covers the period from the twelfth to the mid-eighteenth dynasty.

Lost in Egypt's honeycombed hills, distanced by its western desert, or rendered inaccessible by subsequent urban occupation, the monumental decorated tombs of the Graeco-Roman period have received little scholarly attention. This volume serves to redress this deficiency. It explores the narrative pictorial programs of a group of decorated tombs from Ptolemaic and Roman-period Egypt (c.300 BCE-250 CE). Its aim is to recognize the tombs' commonalities and differences across ethnic divides and to determine the rationale that lies behind these connections and dissonances. This book sets the tomb programs within their social, political, and religious context and analyzes the manner in which the multicultural population of Graeco-Roman Egypt chose to negotiate death and the afterlife.

This book explores literary and Egyptological cultures from the closing decades of the nineteenth century to the opening decades of the twentieth, culminating in the aftermath of the high-profile discovery of the tomb of Tutankhamun in 1922. Analysing the works of Egyptologists including Howard Carter, Arthur Weigall and E. A. Wallis Budge alongside those of their literary contemporaries such as H. Rider Haggard, Marie Corelli and Oscar Wilde, it investigates the textual, cultural and material exchanges between literature, Egyptology and visual and material culture across this period.

The career of Arthur Weigall (1880-1934) encompassed Egyptology but also stage design, film criticism and journalism, as well as fiction and books about ancient Egypt. After studying in Germany, he worked at Abydos with Flinders Petrie, but in 1905 he was unexpectedly promoted to Chief Inspector of Antiquities for Upper Egypt, when Howard Carter was forced to resign. His work in Egypt, especially in the area of Luxor, focused on the conservation of monuments and the prevention of the shipping of artefacts abroad, until 1911, when he returned to London. In the preface to this illustrated two-volume work, published in 1925, Weigall likens the writing of a history of Egypt to the piecing together of a jigsaw puzzle consisting of thousands of pieces, but intends to present a chronological narrative at a level to satisfy both the scholar and the interested amateur. Volume 1 covers the first eleven dynasties.

Arthur Weigall (1880-1934) is chiefly remembered as an Egyptologist, although he also wrote novels, screenplays and film reviews. Following a period spent working with Flinders Petrie at Abydos, he succeeded Howard Carter in 1905 as Chief Inspector of Antiquities for Upper Egypt at Luxor. Here he worked diligently to protect Egyptian artefacts from the ravages of thieves, antiques dealers, public works, and amateur excavators. Ill health then forced a return to London, where Weigall became a successful set designer and later moved into journalism. He returned to Egypt to report on Carter's discovery of Tutankhamen's tomb for the Daily Mail. This collection of essays, accessible to non-specialists, appeared in 1923. Written in response to the extraordinary surge of public interest in Egyptology, the book covers various archaeological and historical subjects, taking Tutankhamun's magnificent tomb in the Valley of the Kings as its starting point.

The most lasting achievement of the German Egyptologist Heinrich Karl Brugsch (1827-94) is perhaps his work on the Egyptian demotic script, which had been relatively neglected since Champollion's death. This illustrated two-volume history of Egypt, 'derived entirely from the monuments', was first published in an English translation (by H. D. Seymour, from the 1876 first German edition, and edited by Philip Smith) in 1879. Brugsch brings to bear his wide experience of the archaeological sites together with his linguistic expertise, and deliberately eschews later Greek and Roman accounts of Egypt. Volume 1 gives a detailed survey of the physical environment of Egypt before considering the pre-dynastic period, and the emergence of Menes, the first known pharaoh. He then takes the narrative through the Old and Middle Kingdoms, and the intermediate period, to the emergence of the New Kingdom and the flowering and end of the Eighteenth Dynasty.

The most lasting achievement of the German Egyptologist Heinrich Karl Brugsch (1827-94) is perhaps his work on the Egyptian demotic script, which had been relatively neglected since Champollion's death. This two-volume illustrated history of Egypt, 'derived entirely from the monuments', was first published in an English translation (by H. D. Seymour, from the 1876 first German edition, and edited by Philip Smith) in 1879. Brugsch brings to bear his wide experience of the archaeological sites together with his linguistic expertise, and deliberately eschews later Greek and Roman accounts of Egypt. Volume 2 covers the period from the Nineteenth Dynasty, the time of the empire's widest extent under Seti I and Rameses II, through the later decline and disintegration, with ruling dynasties from Nubia and Assyria, to the Persian conquest in 525 BCE. An appendix discusses the biblical account of Exodus in the context of Egyptian material remains.

This highly illustrated 1900 work on Egypt old and new by John Ward (1832-1912) seeks to guide the visitor to the ancient sites while also remarking on the radical changes to the economy and the development of the modern state since the intervention of the British government in 1883 and the appointment of Lord Cromer as consul-general and effective ruler. This blending of ancient and modern can be seen in discussions of Port Said ('not an Egyptian town at all') alongside the abandoned and silted-up delta ports of the Egyptians, Ptolemies and Ottomans. Thebes is discussed both as a city of the living and a city of the dead, and Ward notes approvingly the flattening of the ancient town of Assouan (Aswan), to form the foundations for new public buildings, on the orders of Lord Kitchener. Ward's subsequent book, Our Sudan (1905), is also reissued in this series.

The career of Arthur Weigall (1880-1934) encompassed Egyptology but also stage design, film criticism and journalism, as well as fiction and books about ancient Egypt. After studying in Germany, he worked at Abydos with Flinders Petrie, but in 1905 he was unexpectedly promoted to Chief Inspector of Antiquities for Upper Egypt, when Howard Carter was forced to resign. His work in Egypt, especially in the area of Luxor, focused on the conservation of monuments and the prevention of shipping of artefacts abroad, until 1911, when he returned to London. He did not revisit Egypt until, as a journalist, he covered the opening of Tutankhamen's tomb in 1922. In this 1910 guide, writing 'from careful and prolonged personal observation and thought', Weigall describes the less frequented ancient sites of Upper Egypt, beginning north of Thebes and descending to the Second Cataract and the Sudanese border.

This 1838 work by Samuel Sharpe (1799-1881) is the second of two volumes on the history of ancient Egypt; the first, dealing with the earlier period, is also reissued in this series. From a banking family, Sharpe was fascinated by Young's and Champollion's work in deciphering the hieroglyphs. He taught himself Coptic, and compiled his own hieroglyphic vocabulary lists. His facility for decipherment was assisted by a natural gift for solving cryptograms, but his inferences sometimes led him into error. This book, in which Sharpe follows his earlier technique of using inscriptions as well as historical works as sources, begins with a survey of the history of Egypt up to the time of Alexander the Great; the interested reader is referred to Sharpe's earlier volume for more details. He then surveys the Ptolemaic era by reigns, ending with the battle of Actium and the conquest of Egypt by Augustus.

This 1836 work by Samuel Sharpe (1799-1881) is the first of two volumes on the history of ancient Egypt; the second, dealing with the Ptolemaic period, is also reissued in this series. From a banking family, Sharpe was fascinated by Thomas Young's and Champollion's work in deciphering the hieroglyphs. He taught himself Coptic, and compiled his own hieroglyphic vocabulary lists. His facility for decipherment was assisted by a natural gift for solving cryptograms, but his inferences sometimes led him into error. His objective in this book is 'to collect out of the writings of the ancients every particular relating to the History of Egypt', marshalling ancient authorities including the Old Testament, Herodotus, Diodorus Siculus and the Ptolemaic priest Manetho, whose division of the rulers into dynasties is still relied on. The second part of the book uses this evidence to discuss Egyptian life, language, beliefs and customs.

The career of Arthur Weigall (1880-1934) encompassed Egyptology but also stage design, film criticism and journalism. After studying in Germany, he worked at Abydos with Flinders Petrie, but in 1905 he was unexpectedly promoted to Chief Inspector of Antiquities for Upper Egypt, when Howard Carter was forced to resign. His work in Egypt, especially in the area of Luxor, focused on the conservation of monuments and the prevention of shipping of artefacts abroad, until 1911, when he returned to London. This 1907 book on the condition of the monuments between the First Cataract and the Sudanese frontier arose from his work as inspector, and is intended as 'a preliminary description of monuments and ancient remains which require to be thoroughly studied'. Unlike Weigall's travellers' guides to Egypt, this is a factual and technical work, drawing attention to the threats to monuments from neglect, plunder, and the Nile floods.

A companion volume to the third edition of the author's popular Middle Egyptian, this book contains eight literary works from the Middle Kingdom, the golden age of Middle Egyptian literature. Included are the compositions widely regarded as the pinnacle of Egyptian literary arts, by the Egyptians themselves as well as by modern readers. The works are presented in hieroglyphic transcription, transliteration and translation, accompanied by notes cross-referenced to the third edition of Middle Egyptian. These are designed to give students of Middle Egyptian access to original texts and the tools to practise and perfect their knowledge of the language. The principles of ancient Egyptian verse, in which all the works are written, are discussed, and the transliterations and translations are versified, giving students practice in this aspect of Egyptian literature as well. Consecutive translations are also included for reference and for readers more concerned with Middle Egyptian literature than language.

An army officer and politician, Richard William Howard Vyse (1784-53) also made his mark as an Egyptologist. This three-volume work, published in 1840-2, has remained an instructive resource in Egyptology up to the present day. Adopting the style of a journal, with illustrations and diagrams throughout, it narrates in detail his excavations at Giza, surveying and measuring the pyramids. Following Vyse's return to England, the work was continued by the engineer and surveyor John Shae Perring (1813-69). Vyse gives observations of his travels, and of the landscape, people and architecture he encountered, as well as details of the important work he carried out. Most notable was his discovery, using gunpowder, of four new chambers in the Great Pyramid containing 'quarry marks' - graffiti by the pyramid builders. Volume 2 (1840) contains detailed descriptions of the excavation of several pyramids and their contents, and appendices with extensive measurements.

An army officer and politician, Richard William Howard Vyse (1784-53) also made his mark as an Egyptologist. This three-volume work, published in 1840-2, has remained an instructive resource in Egyptology up to the present day. Adopting the style of a journal, with illustrations and diagrams throughout, it narrates in detail his excavations at Giza, surveying and measuring the pyramids. Following Vyse's return to England, the work was continued by the engineer and surveyor John Shae Perring (1813-69). Vyse gives observations of his travels, and of the landscape, people and architecture he encountered, as well as details of the important work he carried out. Most notable was his discovery, using gunpowder, of four new chambers in the Great Pyramid containing 'quarry marks' - graffiti by the pyramid builders. Volume 3 (1842) describes the work continued by Perring on various pyramids, and on the mummy pits at Saqqara.

Oimenepthah I, better known to us as Seti I, was regarded as a great pharaoh by his contemporaries, although his son Ramesses II would claim greater renown. Seti's tomb was discovered by Belzoni in 1817 and was the first to be found to have extensive decorations throughout. The huge alabaster coffin found in the tomb was sold to Sir John Soane, who held a three-day party upon its arrival at his London house, where it can still be seen. Written by the noted Egyptologist Samuel Sharpe (1799-1881), this illustrated description of the intricately decorated sarcophagus was published in 1864. By the time of his death, Sharpe was regarded in Britain as one of the most important figures in helping to popularise all things Egyptian. With the artist and sculptor Joseph Bonomi (1796-1878), who provided the drawings here, he collaborated in organising the Egyptian court at the Crystal Palace in 1854.

The sensational discovery in 1922 of Tutankhamun's tomb, close on the heels of Britain's declaration of Egyptian independence, accelerated the growth in Egypt of both Egyptology as a formal discipline and of 'pharaonism'-popular interest in ancient Egypt-as an inspiration in the struggle for full independence. Emphasizing the three decades from 1922 until Nasser's revolution in 1952, this compelling follow-up to Whose Pharaohs? looks at the ways in which Egypt developed its own archaeologies-Islamic, Coptic, and Greco-Roman, as well as the more dominant ancient Egyptian. Each of these four archaeologies had given birth to, and grown up around, a major antiquities museum in Egypt. Later, Cairo, Alexandria, and Ain Shams universities joined in shaping these fields. Contesting Antiquity in Egypt brings all four disciplines, as well as the closely related history of tourism, together in a single engaging framework. Throughout this semi-colonial era, the British fought a prolonged rearguard action to retain control of the country while the French continued to dominate the Antiquities Service, as they had since 1858. Traditional accounts highlight the role of European and American archaeologists in discovering and interpreting Egypt's long past. Donald Reid redresses the balance by also paying close attention to the lives and careers of often-neglected Egyptian specialists. He draws attention not only to the contests between westerners and Egyptians over the control of antiquities, but also to passionate debates among Egyptians themselves over pharaonism in relation to Islam and Arabism during a critical period of nascent nationalism. Drawing on rich archival and published sources, extensive interviews, and material objects ranging from statues and murals to photographs and postage stamps, this comprehensive study by one of the leading scholars in the field will make fascinating reading for scholars and students of Middle East history, archaeology, politics, and museum and heritage studies, as well as for the interested lay reader.

This is a reproduction of a book published before 1923. This book may have occasional imperfectionssuch as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed worksworldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Essay On Dr. Young's And M. Champollion's Phonetic System Of Hieroglyphics: With Some Additional Discoveries, By Which It May Be Applied To Decipher The Names Of The Ancient Kings Of Egypt And Ethiopia Henry Salt Longman, Hurst, Rees, Orme, Brown, and Green, 1825 History; Ancient; Egypt; Champollion, J.F., 1790-1832; Egyptian language; Egyptian language Writing, Hieroglyphic; History / Ancient / Egypt