Theban Tomb 188 is the sole archaeological site in the ancient Theban necropolis securely dated to the reign of the "heretic pharaoh" Akhenaten (1353-1336 BCE). The result of several years of clearance and recording by Dr. Susan Redford, director of the Akhenaten Temple Project's Theban Tomb Survey, this richly illustrated book provides a detailed description of the remaining wall scenes and texts of this historically important ancient monument. In the fourteenth century BCE, Pharaoh Akhenaten attempted to institute a radical religious reform and moved his capital city to Amarna. This book publishes important evidence related to the Amarna period in ancient Egypt, specifically the plans, reliefs, and inscriptions of Theban Tomb 188, belonging to Parennefer, the tutor and butler of the king. Dr. Redford's detailed archaeological study traces the rapid evolution of ideology, iconography, and iconoclasm, as revealed in Parennefer's tomb. The decoration kept pace with the momentous changes in the king's thinking, so that, when dovetailed with the pictorial evidence from the excavations of the great Gem-pa-aten temple at Karnak, it becomes possible to chronicle these rapid changes. This definitive study of the tomb of Parennefer will appeal to archaeologists, Egyptologists, historians of religion, and art historians working on the ancient Near East.

Do shifts in material culture instigate administrative change, or is it the shifting political winds that affect material culture? This is the central question that Shlomit Bechar addresses in this book, taking the transition from the Middle to Late Bronze Age (seventeenth-fourteenth centuries BCE) in northern Canaan as a test case. Combining archaeological and historical analysis, Bechar identifies the most significant changes evident in architectural and ceramic remains from this period and then explores how and why contemporary political shifts may have influenced, or been influenced by, these developments. Bechar persuasively argues that the Egyptian conquest of the southern Levant-enabled by local economic decline following the expulsion of the Hyksos and the fall of northern Syrian cities-was the impetus for these changes in ceramics and architecture. Using a macro-typological approach to examine the ceramic assemblages, she also discusses the impact of the influx of Aegean imports, suggesting that while "attached specialists" were primarily responsible for ceramic production in the Middle Bronze Age, Late Bronze Age ceramics were increasingly made by "independent specialists," another important result of the new administrative system created following Thutmose III's campaign. An important contribution to our understanding of the transition between the Middle and Late Bronze Ages, this original and insightful book will appeal to specialists in the Bronze Age Levant, especially those interested in using ceramic assemblages to examine social and political change.

The first season of survey work in 1993 was undertaken in advance of the construction of the North Challenge Road initially between Geili and Atbara. This work was carried out in the SARS concession area from BM98, opposite the Pyramids of Meroe, to Atbara. A total of 170 sites were recorded and this was published in the first volume of Road Archaeology in the Middle Nile (Mallinson et al. 96). In addition, a report was prepared advising the Sudan National Committee for Roads and Bridges of areas which were likely to be damaged by the road construction. The following year it was indicated that due to the advanced development of the road design no rerouting would be possible. In response to this a rescue season was proposed to excavate the sites clearly at risk in the remaining few months before construction and grading began. A limited amount of funds was provided by the Haycock Fund and within this resource a project was assembled with SARS directed by Laurence Smith and Michael Mallinson. As a total of eight sites with 30 archaeological structures appeared directly on the road line a methodology was needed that would permit these to be properly excavated and recorded in the available time of three weeks that the funds would accommodate.

The Seventh Central European Conference of Egyptologists. Egypt 2015: Perspectives of Research (CECE7) was held at the University of Zagreb in Croatia in 2015. It was co-organised by two scholarly institutions: the Department of History at the Centre for Croatian Studies of the University of Zagreb, Croatia (Dr Mladen Tomorad), and the Department of Ancient Cultures of the Pultusk Academy of Humanities in Pultusk, Poland (Dr Joanna Popielska-Grzybowska). This book presents a selection of papers which were read at the conference. The volume is divided into six sections in which thirty-two scholars from fourteen European countries cover various fields of modern Egyptological research. The first group of five papers is devoted to language, literature and religious texts; in the second section three authors describe various themes related to art, iconography and architectural studies; the third group contains four contributions on current funerary and burial studies; in the fourth (largest) section, ten authors present their recent research on material culture and museum studies; the fifth is concerned with the history of Ancient Egypt; and in the last (sixth), two authors examine modern Egyptomania and the 19th century travellers to Egypt.

Domesticating Empire is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlin Barrett draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire.

Pottery of Manqabad presents a catalogue of selected pottery from the monastic site of Manqabad (Asyut, Egypt), which has, since 2011, been the object of an ongoing study and conservation project at the University of Naples 'L'Orientale' (UNIOR). The ceramic material, dated to the Late Antique Period, derives mostly from the SCA warehouse of el-Ashmunein, where it was kept soon after its accidental discovery in 1965. About 40 items derive from the surface collection and survey conducted on the site during the last fieldwork season (2018). The typologies identified include the most relevant Byzantine classes and a particular link with production from the Middle Egypt region. Part of the field survey was devoted to the analysis of the pottery material still in situ, found in the Northern Sector of the site where a 230m long row of monastic housing units is located. Further investigations will hopefully support the hypothesis of a local pottery production area, which could be identified in a large 'dump' at the southern end of the site. More generally, the analysis of the ceramics from Manqabad has underlined the undoubtedly high cultural level of the local monastic community, which can be deduced also from the textual, architectural and wall depiction evidence from the site. Manqabad was largely unknown to the scientific community, but since the first season of work by the Italian-Egyptian project, it has emerged as an important venue for the religious development of Coptic culture between the second half of the Vth to the end of the VIII- early IXth century AD.

Current Research in Egyptology 2017 presents papers delivered during the eighteenth meeting of this international conference, held at the University of Naples "L'Orientale", 3-6 May, 2017. Some 122 scholars from all over the world gathered in Naples to attend three simultaneous sessions of papers and posters, focussed on a large variety of subjects: Graeco-Roman and Byzantine Egypt, Nubian Studies, Language and Texts, Art and Architecture, Religion and Cult, Field Projects, Museums and Archives, Material Culture, Mummies and Coffins, Society, Technologies applied to Egyptology, Environment. The participants attended seven keynote presentations given by Rosanna Pirelli (Egyptologist), Irene Bragantini (Roman Archaeologist) and Andrea Manzo (Nubian Archaeologist) from the University of Naples "L'Orientale"; Marilina Betro (Egyptologist) from Pisa University; Patrizia Piacentini (Egyptologist) from Milan University; Christian Greco (Director of Turin Egyptian Museum) and Daniela Picchi (Archaeological Museum of Bologna). Delegates were able to take advantage of a guided tour of the Oriental Museum Umberto Scerrato (University of Naples "L'Orientale"), access to the National Archaeological Museum of Naples (MANN) and guided tours of the archaeological site of Pompeii and the Gaiola Underwater Park. The editors dedicate this volume to the late Prof. Claudio Barocas who inaugurated the teaching of Egyptology and Coptic Language and Literature in Naples.

This archaeological study investigates the meaning of the Egyptian and egyptianising artefacts that have been preserved from the Roman world in different ways. Its point of departure is a detailed study on the so-called Nilotic scenes or Nilotic landscapes. The book presents a comprehensive and illustrated catalogue of the genre that was popular all around the Mediterranean from the Hellenistic period to the Christian era as well as a contextualisation and interpretation. Drawing on the conclusions thus reached the whole group of Aegyptiaca Romana is subsequently studied. Based on a general overview of this material in the Roman world and, moreover, a case-study of the Aegyptiaca from the city of Rome the different meanings of this cultural phenomenon are mapped. Together with other Egyptian deities popular in the Roman world, the goddess Isis plays an important role in this discussion. Aegyptiaca Romana, among them the Nilotic scenes, are part of the reflection of the Roman attitude towards and thoughts on Egypt, Egyptian culture and the East. The concluding part of the book illustrates and tries to explain this Roman discourse on Egypt.

The themes of sedentarisation, urbanisation and state formation are fundamental ones in the archaeology of many diverse parts of the world but have been little explored in relation to early societies of the Saharan zone. Moreover, the possibility has rarely been considered that the precocious civilisations bordering this vast desert were interconnected by long-range contacts and knowledge networks. The orthodox opinion of many of the key oasis zones within the Sahara is that they were not created before the early medieval period and the Islamic conquest of Mediterranean North Africa. Major claims of this volume are that the ultimate origins of oasis settlements in many parts of the Sahara were considerably earlier, that by the first millennium AD some of these oasis settlements were of a size and complexity to merit the categorisation 'towns' and that a few exceptional examples were focal centres within proto-states or early state-level societies.

The diffusion of the cults of Isis is recently again intensively studied. Research on this fascinating phenomenon has traditionally been characterised by its focus on L'Egypte hors d'Egypte, while developments in Hellenistic and Roman Egypt itself were often seen as belonging to a different domain. This volume tries to overcome that unhealthy dichotomy by studying the cults of Isis in Hellenistic and Roman Egypt itself in relation to developments in the Mediterranean at large. The book not only presents an overview of the most important deities, often based on new or unpublished material, but also pays ample attention to the cultural processes behind Isis on Nile, like relations between style and identity, religious choice, social- and cultural memory and Egypt's view of its own past.

Amazing discoveries of over 35 major links between the enigmatic and beautiful 'Amarna Period' of Pharoah Akhenaten and the Biblical Exodus, proving beyond any reasonable doubt that the Exodus actually happened, and who the relevant Pharoahs were, together with astounding photos and hundreds of translated ancient texts as well as mummy analyses which exactly match the Biblical account in detail and explain the likely motivations and reasons for most of the strange but vitally significant phenomena and features. Other writers have puzzled over Akhenaten's missing army and gold as well as his monotheism, together with his father's (Amenhotep III) loss of a firstborn heir... but these things are just the starting point for solid answers in this astounding collection of discoveries. The style of the book is progressive, for the benefit of those less familiar with the topic, whilst providing more scholarly detail as the book progresses.

Catalog of bronze figures in the Petrie Museum of Egyptian Archaeology. The museum houses 510 statuettes or fragments of statuettes made of bronze. Most of them represent Egyptian gods, but there are also Hellenistic and Roman figures.

Of the Nubian Archaeological Campaigns responding to the construction of the Aswan High Dam, the survey and excavations carried out within Sudanese Nubia represent the most substantial achievement of the larger enterprise. Many components of the larger project of the UNESCO - Sudan Antiquities Service Survey have been published, in addition to the reports of a number of other major projects assigned separate concessions within the region. However, the results of one major element, the Archaeological Survey of Sudanese Nubia (ASSN) between the Second Cataract and the Dal Cataract remain largely unpublished. This volume, focusing on the pharaonic sites, is the first of a series which aims to bring to publication the records of the ASSN. These records represent a major body of data relating to a region largely now lost to flooding. This is also a region of very considerable importance for understanding the archaeology and history of Nubia more generally, not least in relation to the still often poorly understood relationships between Lower Nubia to the north and the surviving areas of Middle and Upper Nubia, to the south. The ASSN project fieldwork was undertaken over six years between 1963 and 1969, investigating c.130km of the river valley between Gemai, at the south end of the Second Cataract, and Dal.

Perspectives on materiality in ancient Egypt - agency, cultural reproduction and change expresses the authors' broad theoretical interest on materiality and how it helps us to understand the crucial role of material culture in ancient Egyptian society in a more complex way. In the volume, mainly young scholars in Brazil, France, Germany and the UK approach the potential of materiality based on several case studies covering a wide range of topics such as Egyptian art, recent perspectives on sex and gender, hierarchies, and the materiality of textual sources and images. The idea of gathering young scholars to discuss 'materiality' first took place in the form of a colloquium organised in Sao Paulo, but soon after became a more encompassing project aspiring to produce a publication. The editors' aimed to include researchers from various places, which makes the volume a materialisation of fruitful collaborations between individuals coming from different scholarly traditions. The combination of different ways of looking at the ancient material culture can hopefully contribute to the renovation of theory and practice in Egyptology. The editors believe that the emphasis on diversity- of background histories, national traditions and mind-sets-is one the main elements that can be used to boost new perspectives in a connected, globalised and hopefully less unequal world.

For the past hundred years, much has been written about the early editions of Christian texts discovered in the region that was once Roman Egypt. Scholars have cited these papyrus manuscripts--containing the Bible and other Christian works--as evidence of Christianity's presence in that historic area during the first three centuries AD. In "Early Christian Books in Egypt," distinguished papyrologist Roger Bagnall shows that a great deal of this discussion and scholarship has been misdirected, biased, and at odds with the realities of the ancient world. Providing a detailed picture of the social, economic, and intellectual climate in which these manuscripts were written and circulated, he reveals that the number of Christian books from this period is likely fewer than previously believed.

Bagnall explains why papyrus manuscripts have routinely been dated too early, how the role of Christians in the history of the codex has been misrepresented, and how the place of books in ancient society has been misunderstood. The author offers a realistic reappraisal of the number of Christians in Egypt during early Christianity, and provides a thorough picture of the economics of book production during the period in order to determine the number of Christian papyri likely to have existed. Supporting a more conservative approach to dating surviving papyri, Bagnall examines the dramatic consequences of these findings for the historical understanding of the Christian church in Egypt.

The decorated tombs of the Egyptian Old Kingdom offer detailed knowledge of a society that in all probability was the first nation state in history. Yet scholars continue to find it difficult to access the full potential of this great body of data because so few of the tombs can be dated with sufficient precision to provide a relative chronology for the evidence they offer. The system of dating these monuments presented here builds on the work of previous scholars. In this volume the author explains how the dating method was devised. This required establishing 'life-spans' for 104 criteria, features drawn from tomb iconography. The system is then applied to Memphite and provincial monuments spanning the Fourth to the Sixth Dynasties. The findings are that the more criteria a monument contains, the closer the system can narrow its date, certainly to a particular reign and within a generation in some cases. The final chapter analyses and discusses the strengths and weaknesses of the system.

Hieroglyphs were far more than a language. They were an omnipresent and all-powerful force in communicating the messages of ancient Egyptian culture for over three thousand years; used as monumental art, as a means of identifying Egyptianness, and for rarefied communication with the gods. In this exciting new study, Penelope Wilson explores the cultural significance of the script with an emphasis on previously neglected areas such as cryptography, the continuing decipherment into modern times, and examines the powerful fascination hieroglyphs still hold for us today. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Shaft tombs which had only been noted in two brief paragraphs by Howard Carter in 1917 have now been revealed to be burial places of hitherto unrecognised members of the family of Amenhotep III. These architecturally unique shaft tombs had been repeatedly robbed but still contained the shattered remains of the largest collections of canopic jars ever found in Egypt. These and other surviving contents of the tomb seem to have been deliberately destroyed in phaoronic times in an attempt - successful until recently - to remove the names of the dead from history. The tombs were used over several generations and included the burials of the King's Great Wife, son, daughter, another of his wives and at least a dozen women bearing the title `Ornament of the King'. Although now the site of the burials appears remote, it was the site of a major crossroads during the XVIIIth dynasty - traces of plant life within the tombs point to a more fertile climate when they were created. The most pressing question the tombs raise is why and when these burials were destroyed, and why the names of several of the family of Amenhotep III and a group of court women should have been subjected to deliberate, systematic and official destruction.

At the end of the 19th century W.M.F. Petrie excavated a series of assemblages at the New Kingdom Fayum site of Gurob. These deposits, known in the Egyptological literature as 'Burnt Groups', were composed by several and varied materials (mainly Egyptian and imported pottery, faience, stone and wood vessels, jewellery), all deliberately burnt and buried in the harem palace area of the settlement. Since their discovery these deposits have been considered peculiar and unparalleled. Many scholars were challenged by them and different theories were formulated to explain these enigmatic 'Burnt Groups'. The materials excavated from these assemblages are now curated at several Museum collections across England: Ashmolean Museum, British Museum, Manchester Museum, and Petrie Museum. For the first time since their discovery, this book presents these materials all together. Gasperini has studied and visually analysed all the items. This research sheds new light on the chronology of deposition of these assemblages, additionally a new interpretation of their nature, primary deposition, and function is presented in the conclusive chapter. The current study also gives new information on the abandonment of the Gurob settlement and adds new social perspective on a crucial phase of the ancient Egyptian history: the transition between the late New Kingdom and the early Third Intermediate Period. Beside the traditional archaeological sources, literary evidence ('The Great Tomb Robberies Papyri') is taken into account to formulate a new theory on the deposition of these assemblages.

This book provides the first systematic and comprehensive discussion of the intra-urban distribution of high-status goods, and their production or role as a marker of the nature of the settlements known as royal cities of New Kingdom Egypt (c.1550-1069 BC). Using spatial analysis to detect patterns of artefact distribution, the study focuses on Amarna, Gurob, and Malqata, incorporating Qantir/Pi-Ramesse for comparison. Being royal cities, these three settlements had a great need for luxury goods. Such items were made of either highly valuable materials, or materials that were not easily produced and therefore required a certain set of skills. Specifically, the industries discussed are those of glass, faience, metal, sculpture, and textiles. Analysis of the evidence of high-status industrial processes throughout the urban settlements, has demonstrated that industrial activities took place in institutionalized buildings, in houses of the elite, and also in small domestic complexes. This leads to the conclusion that materials were processed at different levels throughout the settlements and were subject to a strict pattern of control. The methodological approach to each settlement necessarily varies, depending on the nature and quality of the available data. By examining the distribution of high-status or luxury materials, in addition to archaeological and artefactual evidence of their production, a deeper understanding has been achieved of how industries were organized and how they influenced urban life in New Kingdom Egypt.

The Tell el-Ghaba project was born as part of an international project launched in the early 1990s by the Egyptian government and UNESCO to save the monuments of North Sinai threatened by the imminent construction of the El-Salam Canal and its distributaries. This is the third volume of the work undertaken by the Argentine Archaeological Mission (AAM) at Tell el-Ghaba in North Sinai. This volume of Tell el-Ghaba consolidates and extends the results of the excavations undertaken in the first stage between 1995 and 1999 and includes the results of the fieldwork conducted in the second stage in 2010. The overall objective of this project is to study the history, archaeology and environment of Tell el-Ghaba. Our research has been directed at developing a deep knowledge of the site: its environment, occupancy levels, architecture, economy, urban planning and social structure, and towards understanding the role of Tell el-Ghaba at a regional level, taking into account its particular location in the north-eastern boundary of the Delta and its proximity to the route that once connected Egypt with the south of Palestine. The volume is divided into an introduction and four main sections: The environmental and physical studies; the fieldwork; pottery; other finds.

The ancient Egyptians had very definite views about their neighbours, some positive, some negative. As one would expect, Egyptian perceptions of 'the other' were subject to change over time, especially in response to changing political, social and economic conditions. Thus, as Asiatics became a more familiar part of everyday life in Egypt, and their skills and goods became increasingly important, depictions of them took on more favourable aspects. The investigation by necessity involves a multi-disciplined approach which seeks to combine and synthesize data from a wider variety of sources than drawn upon in earlier studies. By the same token, the book addresses the interests of, and has appeal to, a broad spectrum of scholars and general readers.

In this volume, a pleiade of Egyptologists, Archaeologists, Archaeoastronomers, Archaeoanthropologists, Historians and other scholars from fifteen countries (Hellas, Egypt, France, Russia, Ukraine, Sweden, Switzerland, Belgium, Italy, Germany, Poland, Hungary, Croatia, Turkey, Australia) have combined their efforts in order to honour Alicia Maravelia, whose important work in Egyptology and in the foundation of the Hellenic Institute of Egyptology are highly acknowledged. This book, with foreword by His Eminence the Archbishop of Sinai and Abbot of the Holy Monastery of St Catherine, Mgr Damianos, contains thirty original articles, two abstracts and a plethora of accompanying texts including Dr Maravelia's list of publications. The book is divided into three parts: 1. Nut and the Realm of Stars [15 contributions]; 2. Ancient Egyptian Religion and its Celestial Undertones [12 contributions]; and 3. Ancient Egyptian Science, Medicine, Archaeoanthropology, Egyptomania, Egyptophilia, etc. [5 contributions]. The reader will find papers that deal mainly with the goddess Nut and her mythology and cosmographic notions related to her, the stars and other celestial luminaries, orientations of monuments, ancient Egyptian constellations and decans, the notion of time, calendars, religious and funerary observances related to the sky, ancient Egyptian religion, religious and amuletic artefacts, religious mythology, as well as archaeoanthropological and medicinal studies, papers on ancient Egyptian Mathematics, Egyptophilia, Egyptomania and ancient Egyptian collections.