First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.

Women, Gender and Identity in Third Intermediate Period Egypt clarifies the role of women in Egyptian society during the first millennium BCE, allowing for more nuanced discussions of women in the Third Intermediate Period. It is an intensive study of a corpus that is both geographically and temporally localized around the city of Thebes, which was the cultural and religious centre of Egypt during this period and home to a major national necropolis. Unlike past studies which have relied heavily on literary evidence, Li presents a refreshing material culture-based analysis of identity construction in elite female burial practices. This close examination of the archaeology of women's burial presents an opportunity to investigate the social, professional and individual identities of women beyond the normative portrayals of the subordinate wife, mother and daughter. Taking a methodological and material culture-based approach which adds new dimensions to scholarly and popular understandings of ancient Egyptian women, this fascinating and important study will aid scholars of Egyptian history and archaeology, and anyone with an interest in women and gender in the ancient world.

A generously illustrated selection of John Baines's influential writings on two core areas of ancient Egyptian civilization: the role of writing, which was very different in antiquity from what is familiar in the modern world, and the importance of visual culture. These questions are explored through a number of case studies. The volume assembles articles that were scattered in publications in a variety of disciplines, making available key contributions on core problems of theory, comparison, and analysis in the study of many civilizations and offering important points of departure for further research. Three wholly new essays are included, and the overall approach is an interdisciplinary one, synthesizing insights from archaeology, anthropology, and art history as well as Egyptology.

This book focuses on the decorative schemes of several chapels in the earlier part of the Temple of Hibis, one of the most important temples from Late Period Egypt. The chapels studied here were either established and/or decorated during the first Persian Period (525-404 BCE). 45 b/w illustrations & 20 pages of colour plates. Ancient Egyptian temple walls expressed royal and political ideologies, reflected the ancient Egyptian secular and spiritual world order, supplied a medium for the reenactments of assorted myths, and implied a metaphor for the universe. Despite the conventional overall architecture plan of the Temple of Hibis, it exhibits numerous particularities and, while the more prominent parts of the temple, such as the sanctuary, have been studied by numerous scholars, in other areas the decoration schemes remain largely unexplained. The chapels studied in this book were located around the main sanctuary A, but have rarely been the subject of scholarly discussions. The book concentrates on chapels F and G to the south of sanctuary A on the first level of the temple and all the decorated chapels, E1, E2, H1, and H2, on the second level of the temple. Each chapter begins with a brief description of the scenes and their basic layout and a complete translation of the accompanying texts. A more in-depth analysis regarding both text and image follows in the commentary. It includes the analysis of the different aspects of the gods, their origins, and the development of their cults that are significant to the scenes and to each other. Also discussed are their coherence, any aspects that are especially emphasized, and any other information that could be gleaned from the whole scene. The analysis tries to detail the specific composition that makes up the mosaic of the picture, wall, or room. Attention is paid to both the scenic arrangement and the hieroglyphic inscriptions, as the interpretation of one would be meaningless without the other. Attention is given to investigating the general function of the different rooms by means of their decoration and by identifying the patterns or important themes generated by the layout of the scenes. The results are summarized in the last chapter. A number of line drawings have been inserted into the text beside a described scene as an aid to the reader.

2012 American Publishers (PROSE) Awards winner for Best Archaeology & Anthropology Book
For most of the modern world, ancient Nubia seems an unknown and enigmatic land. Only a handful of archaeologists have studied its history or unearthed the Nubian cities, temples, and cemeteries that once dotted the landscape of southern Egypt and northern Sudan. Nubia's remote setting in the midst of an inhospitable desert, with access by river blocked by impassable rapids, has lent it not only an air of mystery, but also isolated it from exploration. Over the past century, particularly during this last generation, scholars have begun to focus more attention on the fascinating cultures of ancient Nubia, ironically prompted by the construction of large dams that have flooded vast tracts of the ancient land.
This book attempts to document some of what has recently been discovered about ancient Nubia, with its remarkable history, architecture, and culture, and thereby to give us a picture of this rich, but unfamiliar, African legacy.

The Battle of Pinkie, fought between the English and the Scots in 1547, was the last great clash between the two as independent nations. It is a well-documented battle with several eyewitness accounts and contemporary illustrations. There is also archaeological evidence of military activities. The manoeuvres of the two armies can be placed in the landscape near Edinburgh, despite considerable developments since the 16th century. Nevertheless, the battle and its significance has not been well understood. From a military point of view there is much of interest. The commanders were experienced and had already had battlefield successes. There was an awareness on both sides of contemporary best practice and use of up-to-date weapons and equipment. The Scots and the English armies, however, were markedly different in their composition and in the strategy and tactics they employed. There is the added ingredient that the fire from English ships, positioned just off the coast, helped decide the course of events. Using contemporary records and archaeological evidence, David Caldwell, Victoria Oleksy, and Bess Rhodes reconsider the events of September 1547. They explore the location of the fighting, the varied forces involved, the aims of the commanders, and the close-run nature of the battle. Pinkie resulted in a resounding victory for the English, but that was by no means an inevitable outcome. After Pinkie it briefly seemed as if the future of Britain had been redefined. The reality proved rather different, and the battle has largely slipped from popular consciousness. This book provides a reminder of the uncertainty and high stakes both Scots and English faced in the autumn of 1547.

The thirty-nine articles in this volume, One Who Loves Knowledge, have been contributed by colleagues, students, friends and family in honour of Richard Jasnow, professor of Egyptology at Johns Hopkins University. Despite his claiming to be "just a demoticist," Richard Jasnow's research interests and specialties are broad, spanning religious and historical topics, along with new editions of demotic texts, including most particularly the Book of Thoth. A number of the authors demonstrate their appreciation for Jasnow's contributions to the understanding of this difficult text. The volume also includes other studies on literature, Ptolemaic history and even the god Thoth himself. It features detailed images and abundant hieroglyphic, hieratic, demotic, Coptic and Greek texts.

Collected Studies CS1070 The present book collects 31 articles that Jacques van der Vliet, a leading scholar in the field of Coptic Studies (Leiden University / Radboud University, Nijmegen), has published since 1999 on Christian inscriptions from Egypt and Nubia. These inscriptions are dated between the third/fourth and the fourteenth centuries, and are often written in Coptic and/or Greek, once in Latin, and sometimes (partly) in Arabic, Syriac or Old Nubian. They include inscriptions on tomb stones, walls of religious buildings, tools, vessels, furniture, amulets and even texts on luxury garments. Whereas earlier scholars in the field of Coptic Studies often focused on either Coptic or Greek, Van der Vliet argues that inscriptions in different languages that appear in the same space or on the same kind of objects should be examined together. In addition, he aims to combine the information from documentary texts, archaeological remains and inscriptions, in order to reconstruct the economic, social and religious life of monastic or civil communities. He practiced this methodology in his studies on the Fayum, Wadi al-Natrun, Sohag, Western Thebes and the region of Aswan and Northern Nubia, which are all included in this book.

This book explores literary and Egyptological cultures from the closing decades of the nineteenth century to the opening decades of the twentieth, culminating in the aftermath of the high-profile discovery of the tomb of Tutankhamun in 1922. Analysing the works of Egyptologists including Howard Carter, Arthur Weigall and E. A. Wallis Budge alongside those of their literary contemporaries such as H. Rider Haggard, Marie Corelli and Oscar Wilde, it investigates the textual, cultural and material exchanges between literature, Egyptology and visual and material culture across this period.

Has the ancient Egyptian cult of immortality resurfaced in Brighton? When a freshly-mummified body is discovered at the Brighton Museum of Natural History, Detective Francis Sullivan is at a loss to identify the desiccated woman. But as Egyptian burial jars of body parts with cryptic messages attached start appearing, he realises he has a serial killer on his hands. Revenge, obsession and an ancient religion form a potent mix, unleashing a wave of terror throughout the city. Caught in a race against time while battling his own demons, Francis must fight to uncover the true identity of the Embalmer before it's too late...

The main aim of this book is to reconstruct a philosophical context for the Hieroglyphica of Horapollo, a late 5th century Greek study of hieroglyphic writing. In addition to reviewing and drawing on earlier approaches it explores the range of signs and meanings for which Horapollo is interested in giving explanations, whether there are characteristic types of explanations given, what conception of language in general and of hieroglyphic Egyptian in particular the explanations of the meanings of the glyphs presuppose, and what explicit indications there are of having been informed or influenced by philosophical theories of meaning, signs, and interpretation.

The discovery of ancient Egypt and the development of Egyptology are momentous events in intellectual and cultural history. The history of Egyptology is the story of the people, famous and obscure, who constructed the picture of ancient Egypt that we have today, recovered the Egyptian past while inventing it anew, and made a lost civilization comprehensible to generations of enchanted readers and viewers thousands of years later. This, the first of a three-volume survey of the history of Egyptology, follows the fascination with ancient Egypt from antiquity until 1881, tracing the recovery of ancient Egypt and its impact on the human imagination in a saga filled with intriguing mysteries, great discoveries, and scholarly creativity. Wonderful Things affirms that the history of ancient Egypt has proved continually fascinating, but it also demonstrates that the history of Egyptology is no less so. Only by understanding how Egyptology has developed can we truly understand the Egyptian past.

Thebes offers a scholarly survey of the history and archaeology of the city, from 1600 BCE - 476 CE. Discussions of major developments in politics, war, society and culture form the basis of a chronological examination of one of Greece's most powerful and dynamic cities. By taking a broad view, the book's account speaks to larger trends in the ancient Mediterranean world while also demonstrating how Thebes was unique in its ancient context. It provides an up-to-date examination of all available information: topographic, demographic, numismatic, epigraphic, archaeological and textual discussions provide the most complete, current picture of ancient Thebes and illustrate the value of an interdisciplinary approach.

The Great Oasis of Egypt provides the first full study of the Dakhla and Kharga Oases in antiquity, written by participants in several of the current archaeological projects in this region. The oases were closely tied to Egypt and to each other, but not always easy to control, and their agricultural productivity varied with climatic conditions. The book discusses the oases' geology, water resources, history, administration, economy, trade connections, taxation, urbanism, religion, burial practices, literary culture, and art. New evidence for human health and illness from the cemeteries is presented along with a synthesis on the use of different types of cloth in burial. A particular emphasis is placed on pottery, with its ability to tell us both about how people lived and how far imports and exports can be seen from the shapes and fabrics, and both literature and art suggest full participation in the culture of Greco-Roman Egypt.

This book presents a comprehensive corpus of beads and pendants found during excavations undertaken by the Oriental Institute of the University of Chicago between 1960 and 1968 at the Lower Nubian sites of Qustul, Adindan, Serra East, Dorginarti, Ballana and Kalabsha and stored in the Oriental Institute Museum. This vast, illustrated catalogue organises the finds first chronologically according to the main periods of Nubian history and then by cultural units, beginning with the A-Group and ending with modern times. The present volume-the first of two-comprises beads from Early Nubian (A-Group, Post-A-Group), Middle Nubian (C-Group, Pan Grave, Kerma, Middle Kingdom), and New Kingdom sites. The discussion of each cultural unit begins with background information and develops into a fascinating story of the most characteristic types that form part of that group's identity, though types and materials often cross chronological and regional borders. The story is also one of jewellery fashions and the wealth and long-distance contacts of Lower Nubia, which lay at the crossroads of ancient routes in this part of the world. More specialized information on bead types, ordered by the materials from which the beads were made, is given in the second section of each cultural category. An outline of the preserved beadwork and an anthropological analysis of the remains of the beads' owners, together with references to parallels known from relevant literature and museum research, are also provided. The book concludes with illustrated synoptic and concordance tables that allow the reader to switch easily between catalogue, Oriental Institute Museum, and Oriental Institute Nubian Expedition find numbers.

Did the Exodus occur? This question has been asked in biblical scholarship since its origin as a modern science. The desire to resolve the question scientifically was a key component in the funding of archaeological excavations in the nineteenth century. Egyptian archaeologists routinely equated sites with their presumed biblical counterpart. Initially, it was taken for granted that the Exodus had occurred. It was simply a matter of finding the archaeological data to prove it. So far, those results have been for naught. The Exodus: An Egyptian Story takes a very real-world approach to understanding the Exodus. It is not a story of cosmic spectaculars that miraculously or coincidentally occurred when a people prepared to leave Egypt. There are no special effects in the telling of this story. Instead, the story is told with real people in the real world doing what real people do. Peter Feinman does not rely on the biblical text and is not trying to prove that the Bible is true. He places the Exodus within Egyptian history based on the Egyptian archaeological record. It is a story of the rejection of the Egyptian cultural construct and defiance of Ramses II. Egyptologists, not biblical scholars, are the guides to telling the Exodus story. What would you expect Ramses II to say after he had been humiliated? If there is an Egyptian smoking gun for the Exodus, how would you recognize it? To answer these questions requires us to take the Exodus seriously as a major event at the royal level in Egyptian history.

This is the only substantial and up-to-date reference work on the Ptolemaic army. Employing Greek and Egyptian papyri and inscriptions, and building on approaches developed in state-formation theory, it offers a coherent account of how the changing structures of the army in Egypt after Alexander's conquest led to the development of an ethnically more integrated society. A new tripartite division of Ptolemaic history challenges the idea of gradual decline, and emphasizes the reshaping of military structures that took place between c.220 and c.160 BC in response to changes in the nature of warfare, mobilization and demobilization, and financial constraints. An investigation of the socio-economic role played by soldiers permits a reassessment of the cleruchic system and shows how soldiers' associations generated interethnic group solidarity. By integrating Egyptian evidence, Christelle Fischer-Bovet also demonstrates that the connection between the army and local temples offered new ways for Greeks and Egyptians to interact.

Self-presentation is the oldest and most common component of ancient Egyptian high culture. It arose in the context of private tomb records, where the character and role of an individual-invariably a well-to-do non-royal elite official or administrator-were presented purposefully: published by inscription and image, to a contemporary audience and to posterity. Living Forever: Self-presentation in Ancient Egypt looks at how and why non-royal elites in ancient Egypt represented themselves, through language and art, on monuments, tombs, stelae, and statues, and in literary texts, from the Early Dynastic Period to the Thirtieth Dynasty. Bringing together essays by international Egyptologists and archaeologists from a range of backgrounds, the chapters in this volume offer fresh insight into the form, content, and purpose of ancient Egyptian presentations of the self. Applying different approaches and disciplines, they explore how these self-representations, which encapsulated a discourse with gods and men alike, yield rich historical and sociological information, provide examples of ancient rhetorical devices and repertoire, and shed light on notions of the self and collective memory in ancient Egypt.

In the autumn of 1915, in a "slightly heroic mood", E.M. Forster arrived in Alexandria, full of lofty ideals as a volunteer for the Red Cross. Yet most of his time was spent exploring "the magic, antiquity and complexity" of the place in order to cope with living in what he saw as a "funk-hole". With a novelist's pen, he brings to life the fabled, romantic city of Alexander the Great, capital of Graeco-Roman Egypt, beacon of light and culture symbolised by the Pharos, where the doomed love affair of Antony and Cleopatra was played out and the greatest library the world has ever known was built. Threading 3,000 years of history with vibrant strands of literature and punctuating the narrative with his own experiences, Forster immortalised Alexandria, painting an incomparable portrait of the great city and, inadvertently, himself.

In Ancient Egyptian Phonology. James Allen studies the sounds of the language spoken by the ancient Egyptians through application of the most recent methodological advances for phonological reconstruction. Using the internal evidence of the language, he proceeds from individual vowels and consonants to the sound of actual ancient Egyptian texts. Allen also explores variants, alternants, and the development of sound in texts, and touches on external evidence from Afroasiatic cognate languages. The most up to date work on this topic, Ancient Egyptian Phonology is an essential resource for Egyptologists and will also be of interest to scholars and linguists of African and Semitic languages.

Violence and Power in Ancient Egypt examines the use of Egyptian pictures of violence prior to the New Kingdom. Starting with the assertion that making and displaying such images served as a tactic of power, related to but separate from the actual practice of violence, the book explores the development and deployment of this imagery across different contexts. By comparatively utilizing violent images from a variety of other times and cultures, the book asks that we consider not only how Egyptian imagery was related to Egyptian violence, but also why people create pictures of violence and place them where they do, and how such images communicate what to whom. By cataloging and querying Egyptian imagery of violence from different periods and different contexts-royal tombs, divine temples, the landscape, portable objects, and private tombs-Violence and Power highlights the nuances of the relationship between aspects of royal ideology, art, and its audiences in the first half of pharaonic Egyptian history.

This is the second of three volumes, first published in 1906, which explore the Egyptian theology of the afterlife. It contains the complete hieroglyphic text of the short form of the Am-Tuat and of the Book of Gates, with translations and reproductions of all the illustrations. In the Book of Gates the doctrines of the sophisticated cult of Osiris are prominent: they affirm that the beatified live for ever in the kingdom of Osiris, and feed daily upon his eternal body. The object of all the Books of the Other World was to provide the dead with a 'guide' or 'handbook,' containing a description of the regions through which their souls would have to pass on their way to the Kingdom of Osiris, and which would supply them with the words of power and magical names necessary for an unimpeded journey from this world to the next.

Cleopatra of Egypt is one of history's most famous rulers, but who was responsible for founding the Ptolemaic dynasty from which she came, how, and when? For the answers we go back 300 years before Cleopatra's time, to Ptolemy of Macedonia. He was a friend of Alexander the Great, fighting with him in the epic battles and sieges, which toppled the Persian Empire, and after Alexander's death taking over Egypt after the dead king's commanders carved up his vast empire among themselves. They were soon at war with each other, the co-called Wars of the Successors, as each man fought to increase his share of the spoils. They made and broke alliances with each other cynically and effortlessly, with Ptolemy showing himself no different from the others. But unlike them he had patience and cunning that arguably made him the greatest of the Successors. He built up his power base in Egypt, introduced administrative and economic reforms that made him fabulously wealthy, and as a conscious imperialist he boldly attempted to seize Greece and Macedonia and be a second Alexander. As well as his undoubted military prowess, Ptolemy was an intellectual. He founded the great Library and Museum at Alexandria, making that city the intellectual center of the entire Hellenistic age, and even patronized the mathematician Euclid. Ptolemy ruled Egypt first as satrap and then as its king and Pharaoh for forty years, until he died of natural causes in his early eighties. On his death, his son, Ptolemy II, succeeded him, and the Ptolemaic dynasty was thus established. It was the longest-lived of all the Hellenistic dynasties, falling with Cleopatra three centuries later. As a king, soldier, statesman, and intellectual, Ptolemy was one of a kind, but, unlike Alexander, he never forgot his Macedonian roots. Against all odds, Ptolemy fought off invasions, invaded opponents' territories, and established an Egyptian empire, making his adopted country a power with which to be reckoned. His achievements shaped both Egypt's history and that of the early Hellenistic world.

This volume offers the first comprehensive overview of the evolution over time of a foundational concept of the Egyptian afterlife beliefs: the Duat, or netherworld. The Duat is a complicated, multifaceted notion, which was never canonized into a single version of the beyond, but offered instead a variety of alternatives attempting to describe the metaphysical realms beyond the visible world, and beyond life. Theological speculations gave rise to a rich textual and visual repertoire, which underwent a process of evolution over thousands of years, during which newer ideas and images were constantly introduced. The book provides analysis of royal and non-royal funerary texts from the late Old Kingdom to the end of the New Kingdom, tracing the development of the conceptualization of the notion of Duat, outlining what it encompassed and where it was imagined to be located. In addition to the translation and discussion of the most significant passages of the texts analysed, each chapter also provides an overview of the individual compositions and of the relevant theological, cosmological and astronomical notions complementing the conceptual framework, of which the Duat formed but a part. Additionally, discussions of concurrent changes in Egyptian culture, society and ideology are included in order to clarify the context in which afterlife beliefs and related texts evolved. An analysis of the correlation between funerary compositions and their material supports complements the study, emphasizing the Egyptians' belief in a magical synergy between texts, images, and their contexts in the activation of a suitable, effective afterlife for the recipients of the texts.

Offers an up to date exploration of Egyptian society. The case study format allows students to grasp the material, while also teaching them how to analyse evidence and make judgements about challenging social issues.