Berenice II (c. 264-221 BCE), daughter of King Magas of Cyrene and wife of Ptolemy III Euergetes, came to embody all the key religious, political, and artistic ideals of Ptolemaic Alexandria. Though she arrived there nearly friendless, with the taint of murder around her, she became one of the most accomplished and powerful of the Macedonian queens descended from the successors of Alexander the Great. She was at the center of a group of important poets and intellectuals associated with the Museum and Library, not the least of which was Callimachus, the most important poet of the age. These men wrote poems not just for her, but about her, and their eloquent voices projected her charisma widely across the Greek-speaking world. Though the range of Berenice's interests was impressive and the quantity and quality of the poetry she inspired unparalleled, today she is all but known. Assimilating the scant and scattered evidence of her life, Dee L. Clayman presents a woman who was more powerful and fascinating than we had previously imagined. Berenice II and the Golden Age of Ptolemaic Egypt offers a portrait of a woman who had access to the cultural riches of both Greece and Egypt and who navigated her way carefully through the opportunities and dangers they presented, ultimately using them to accrue unprecedented honors that were all but equal to those of the king.

For more than 4,000 years the pyramids of Giza have stood like giant question marks that have intrigued and endlessly fascinated people. Who exactly built them? When? Why? And how did they create these colossal structures? But the pyramids are not a complete mystery - the stones, the hieroglyphs, the landscape and even the layers of sand and debris hold stories for us to read. Mark Lehner and Zahi Hawass, with over four decades of involvement with Giza, provide their unique and personal insight into the site, bringing together all the information and evidence to create a record unparalleled in its detail and scope. The celebrated Great Pyramid of Khufu, or Cheops, is the only one of the seven wonders of the ancient world still standing, but there is much more to Giza. We may think of the pyramids as rising from the desert, isolated and enigmatic, yet they were surrounded by temples, tombs, vast cemeteries and even teeming towns of the living. All are described in detail here and brought back to life, with hundreds of illustrations including detailed photographs of the monuments, excavations and objects, as well as plans, reconstructions and the latest images from remote-controlled cameras and laser scans. Through the ages, Giza and the pyramids have inspired the most extraordinary speculations and wild theories, but here, finally, in this prestigious publication, is the full story as told by the evidence on the ground, by the leading authorities on the site.

The life of Arsinoe II (c. 316-c.270 BCE), daughter of Ptolemy Soter, the founder of the Ptolemaic dynasty, is characterized by dynastic intrigue. Her marriage to her full brother Ptolemy II, king of Egypt, was the first of the sibling marriages that became the "dynastic signature" of the Ptolemies. With Ptolemy II, she ended her days in great wealth and security and was ultimately deified. However, in order to reach that point she was forced to endure two tumultuous marriages, both of which led her to flee for her life, leaving war, murder, and bloodshed in her wake. Throughout much of her life, Arsinoe controlled great wealth and exercised political influence, but domestic stability characterized only her last few years. Arsinoe was the model for the powerful role Ptolemaic women gradually acquired as co-rulers of their empire. Her image continued to play a role in dynastic loyalty and solidarity for centuries to come. Despite the fact that Arsinoe was the pivotal figure in the eventual evolution of regnal power for Ptolemaic women, and despite a considerable body of recent scholarship across many fields relevant to her life, there is no up-to-date biography in English on the life of this queen. Elizabeth Carney, in sifting through the available archaeological and literary evidence, creates an accessible and reasoned picture of this royal woman. In describing Arsinoe's significant role in the courts of Thrace and Alexandria, Carney dicusses the role of earlier Macedonian royal women in monarchy, the institution of sibling marriage, and the reasons for its longstanding success in Hellenistic Egypt. Ultimately, this book provides a broader view of an integral player in the Hellenistic world.

This book is the first economic history of ancient Egypt covering the entire pharaonic period, 3000-30 BCE, and employing a New Institutional Economics approach. It argues that the ancient Egyptian state encouraged an increasingly widespread and sophisticated use of writing through time, primarily in order to better document and more efficiently exact taxes for redistribution. The increased use of writing, however, also resulted in increased documentation and enforcement of private property titles and transfers, gradually lowering their transaction costs relative to redistribution. The book also argues that the increasing use of silver as a unified measure of value, medium of exchange, and store of wealth also lowered transaction costs for high value exchanges. The increasing use of silver in turn allowed the state to exact transfer taxes in silver, providing it with an economic incentive to further document and enforce private property titles and transfers.

Vibrant tapestries of beribboned birds, cantering centaurs, and Dionysian dancers, woven in Coptic Egypt more than a thousand years ago, were artfully arranged in a handsome pair of albums in 1913. Some of the fabrics are shown in unique collage compositions. Sandals, spindles, and a mysterious lock of hair are assembled in a shallow box at the back of one album. Many textiles in this important collection, housed at the Henry Art Gallery at the University of Washington, were once joined by warp and weft with those from the Mus e du Louvre and other major museums. Nancy Hoskins deftly interweaves the creation of the textiles in the Greco-Roman city of Antino, Egypt, with their discovery by the charismatic French archaeologist Albert Gayet (1856-1916). Gayet staged stunning exhibitions of the pieces in Paris at the turn of the century and ultimately gave them to museums or sold them. One collector, Henry Bryon, had his 144 fabrics bound into the two albums featured here. The album pages and covers are illustrated in glowing color, along with archival photographs from Gayet's expeditions. The style, structure, and iconography of each tapestry, tabby, and tablet-woven textile are discussed within the cultural construct of Late Antique and Early Christian Egypt. Detailed technical drawings illustrate the special weaving techniques of the Copts. Directions for six weaving projects inspired by the album fragments are included. The story of the inimitable Coptic tapestry albums will delight weavers, textile historians, art historians, and archaeologists. Nancy Arthur Hoskins, a former college weaving instructor, researched Coptic collections in over fifty museums around the world. She is the author of Universal Stitches for Weaving, Embroidery, and Other Fiber Arts and Weft-Faced Pattern Weaves: Tabby to Taquet . OMaster weaver, scholarly detective, and sensitive connoisseur, Nancy Hoskins combines all these skills to describe and identify this unusually wide range of Egyptian Coptic textile fragments. Her descriptions of weaving techniques create a fundamental glossary of technical terms, which all who study textiles should use. The detailed data on each piece are a benchmark for all who work in the field.O N Jere L. Bacharach, Director, American Research Center in Egypt"

First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.

The unique relationship between word and image in ancient Egypt is a defining feature of that ancient culture's records. All hieroglyphic texts are composed of images, and large-scale figural imagery in temples and tombs is often accompanied by texts. Epigraphy and palaeography are two distinct, but closely related, ways of recording, analyzing, and interpreting texts and images. This Handbook stresses technical issues about recording text and art and interpretive questions about what we do with those records and why we do it. It offers readers three key things: a diachronic perspective, covering all ancient Egyptian scripts from prehistoric Egypt through the Coptic era (fourth millennium BCE-first half of first millennium CE), a look at recording techniques that considers the past, present, and future, and a focus on the experiences of colleagues. The diachronic perspective illustrates the range of techniques used to record different phases of writing in different media. The consideration of past, present, and future techniques allows readers to understand and assess why epigraphy and palaeography is or was done in a particular manner by linking the aims of a particular effort with the technique chosen to reach those aims. The choice of techniques is a matter of goals and the records' work circumstances, an inevitable consequence of epigraphy being a double projection: geometrical, transcribing in two dimensions an object that exists physically in three; and mental, an interpretation, with an inevitable selection among the object's defining characteristics. The experiences of colleagues provide a range of perspectives and opinions about issues such as techniques of recording, challenges faced in the field, and ways of reading and interpreting text and image. These accounts are interesting and instructive stories of innovation in the face of scientific conundrum.

In this expansive new biography of George Reisner, Egyptologist Peter Der Manuelian examines the life and work of America's greatest archaeologist. Manuelian presents Reisner's undeniable impact and considers his life within the context of Western colonialism, racism, and nationalism. Pyramids with hidden burial chambers. Colossal royal statues and minuscule gold jewelry. Decorated tomb chapels, temples, settlements, fortresses, ceramics, furniture, stone vessels, and hieroglyphic inscriptions everywhere. This is the legacy of forty-three years of breathtakingly successful excavations at twenty-three different archaeological sites in Egypt and Sudan (ancient Nubia). George Reisner (1867-1942) discovered all this and more during a remarkable career that revolutionized archaeological method in both the Old World and the New. Leading the Harvard University-Boston Museum of Fine Arts Expedition, Reisner put American Egyptology on the world stage. His uniquely American success story unfolded despite British control of Egyptian politics, French control of Egyptian antiquities, and an Egypt yearning for independence, all while his Egyptian teams achieved the fieldwork results and mastered the arts of recording and documentation. Reisner's lifespan covers the birth of modern archaeology. It also intersects powerfully with aspects of colonialism, racism, and nationalism, as Western powers imposed their influence on Egypt especially during the two World Wars. The wholesale export of dynastic Egypt's treasures to European and American museums also raised issues of repatriation and cultural patrimony long before they became the hot topics they are today. Walking Among Pharaohs, by distinguished Egyptologist Peter Der Manuelian, gathers unpublished documents from all over the world to present a fascinating and intimate biography of one of the founding fathers of modern Egyptology and one of America's greatest archaeologists.

The Living Inca Town presents a rich case study of tourism in Ollantaytambo, a rapidly developing destination in the southern Peruvian Andes and the starting point for many popular treks to Machu Picchu. Tourism is generally welcomed in Ollantaytambo, as it provides a steady stream of work for local businesses, particularly those run by women. However, the obvious material inequalities between locals and tourists affect many interactions and have contributed to conflict and aggression throughout the tourist zones. Based on a number of research visits over the course of fifteen years, The Living Inca Town examines the experiences and interactions of locals, visitors, and tourism brokers. The book makes room for unique perspectives and uses innovative visual methods, including photovoice images and pen and ink drawings, to represent different viewpoints of day-to-day tourist encounters. The Living Inca Town vividly illustrates how tourism can perpetuate gendered and global inequalities, while also exploring new avenues to challenge and renegotiate these roles.

The discovery of ancient Egypt and the development of Egyptology are momentous events in intellectual and cultural history. The history of Egyptology is the story of the people, famous and obscure, who constructed the picture of ancient Egypt that we have today, recovered the Egyptian past while inventing it anew, and made a lost civilization comprehensible to generations of enchanted readers and viewers thousands of years later. This, the first of a three-volume survey of the history of Egyptology, follows the fascination with ancient Egypt from antiquity until 1881, tracing the recovery of ancient Egypt and its impact on the human imagination in a saga filled with intriguing mysteries, great discoveries, and scholarly creativity. Wonderful Things affirms that the history of ancient Egypt has proved continually fascinating, but it also demonstrates that the history of Egyptology is no less so. Only by understanding how Egyptology has developed can we truly understand the Egyptian past.

This volume, published in honour of Egyptologist Professor Rosalie David OBE, presents the latest research on three of the most important aspects of ancient Egyptian civilisation: mummies, magic and medical practice. Drawing on recent archaeological fieldwork, new research on human remains, reassessments of ancient texts and modern experimental archaeology, it attempts to answer some of Egyptology's biggest questions: how did Tutankhamun die? How were the Pyramids built? How were mummies made? Leading experts in their fields combine traditional Egyptology and innovative scientific approaches to ancient material. The result is a cutting-edge overview of the discipline, showing how it has developed over the last forty years and yet how many of its big questions remain the same. -- .

Jewelry was worn by ancient Egyptians at every level of society and, like their modern descendants, they prized it for its aesthetic value, as a way to adorn and beautify the body. It was also a conspicuous signifier of wealth, status, and power. But jewelry in ancient Egypt served another fundamental purpose: its wearers saw it as a means to absorb positive magical and divine powers-to protect the living, and the dead, from the malignant forces of the unseen. The types of metals or stones used by craftsmen were magically important, as were the colors of the materials, and the exact positioning of all the elements in a design. Ancient Egyptian Jewelry: 50 Masterpieces of Art and Design draws on the exquisite collections in the archaeological museums of Cairo to tell the story of three thousand years of jewelry-making, from simple amulets to complex ritual jewelry to the spells that protected the king in life and assisted his journey to the Otherworld in death. Gold, silver, carnelian, turquoise, and lapis lazuli were just some of the precious materials used in many of the pieces, and this stunningly illustrated book beautifully showcases the colors and exceptional artistry and accomplishment that make ancient Egyptian jewelry so dazzling to this day.

Cleopatra of Egypt is one of history's most famous rulers, but who was responsible for founding the Ptolemaic dynasty from which she came, how, and when? For the answers we go back 300 years before Cleopatra's time, to Ptolemy of Macedonia. He was a friend of Alexander the Great, fighting with him in the epic battles and sieges, which toppled the Persian Empire, and after Alexander's death taking over Egypt after the dead king's commanders carved up his vast empire among themselves. They were soon at war with each other, the co-called Wars of the Successors, as each man fought to increase his share of the spoils. They made and broke alliances with each other cynically and effortlessly, with Ptolemy showing himself no different from the others. But unlike them he had patience and cunning that arguably made him the greatest of the Successors. He built up his power base in Egypt, introduced administrative and economic reforms that made him fabulously wealthy, and as a conscious imperialist he boldly attempted to seize Greece and Macedonia and be a second Alexander. As well as his undoubted military prowess, Ptolemy was an intellectual. He founded the great Library and Museum at Alexandria, making that city the intellectual center of the entire Hellenistic age, and even patronized the mathematician Euclid. Ptolemy ruled Egypt first as satrap and then as its king and Pharaoh for forty years, until he died of natural causes in his early eighties. On his death, his son, Ptolemy II, succeeded him, and the Ptolemaic dynasty was thus established. It was the longest-lived of all the Hellenistic dynasties, falling with Cleopatra three centuries later. As a king, soldier, statesman, and intellectual, Ptolemy was one of a kind, but, unlike Alexander, he never forgot his Macedonian roots. Against all odds, Ptolemy fought off invasions, invaded opponents' territories, and established an Egyptian empire, making his adopted country a power with which to be reckoned. His achievements shaped both Egypt's history and that of the early Hellenistic world.

This Element offers a new approach to ancient Egyptian images informed by interdisciplinary work in archaeology, anthropology, and art history. Sidestepping traditional perspectives on Egyptian art, the Element focuses squarely on the ontological status of the image in ancient thought and experience. To accomplish this, section 2 takes up a number of central Egyptian terms for images, showing that a close examination of their etymology and usage can help resolve long-standing question on Egyptian imaging practices. Section 3 discusses ancient Egyptian experiences of materials and manufacturing processes, while section 4 categorizes and discusses the different purposes and functions for which images were created. The Element as a whole thus offers a concise introduction to ancient Egyptian imaging practices for an interdisciplinary readership, while at the same introducing new ways of thinking about familiar material for the Egyptological reader.

Discover and explore the most incredible statues, monuments, temples, bridges, and ancient cities with this unparalleled survey of the most famous buildings and structures created by humans. From Stonehenge to the Sagrada Familia, from the Great Wall of China to the Burj Khalifa, Manmade Wonders of the Worldplots a continent-by-continent journey around the world, exploring and charting the ingenuity and imagination used by different cultures to create iconic buildings. This truly global approach reveals how humans have tackled similar challenges - such as keeping the enemy out or venerating their gods - in vastly different parts of the world. As writer, historian, and broadcaster Dan Cruickshank writes in his foreword, "reading this book is like taking a journey through the world not only of the present but also of the past, because the roots of many wonders lie in antiquity." By combining breathtaking photography with 3D cutaway artworks, floorplans, and other illustrations, the hidden details and engineering innovations that make each building remarkable are revealed. Featuring the most visited monuments in the world - such as the Eiffel Tower, Taj Mahal, and Machu Picchu - as well as some hidden gems, Manmade Wonders of the World can help you to map out the trip of a lifetime or simply be enjoyed as a celebration of the world that humans have built over thousands of years.

The inherent paradox of Egyptology is that the objective of its study - people living in Egypt in Pharaonic times - are never the direct object of its studies. Egyptology, as well as archaeology in general, approach ancient lives through material (and sometimes immaterial) remains. This Element explores how, through the interplay of things and people - of non-human actants and human actors - Pharaonic material culture is shaped. In turn, it asks how, through this interplay, Pharaonic culture as an epistemic entity is created: an epistemic entity which conserves and transmits even the lives and deaths of ancient people. Drawing upon aspects of Actor Network Theory, this Element introduces an approach to see technique as the interaction of people and things, and technology as the reflection of these networks of entanglement.

Collected Studies CS1070 The present book collects 31 articles that Jacques van der Vliet, a leading scholar in the field of Coptic Studies (Leiden University / Radboud University, Nijmegen), has published since 1999 on Christian inscriptions from Egypt and Nubia. These inscriptions are dated between the third/fourth and the fourteenth centuries, and are often written in Coptic and/or Greek, once in Latin, and sometimes (partly) in Arabic, Syriac or Old Nubian. They include inscriptions on tomb stones, walls of religious buildings, tools, vessels, furniture, amulets and even texts on luxury garments. Whereas earlier scholars in the field of Coptic Studies often focused on either Coptic or Greek, Van der Vliet argues that inscriptions in different languages that appear in the same space or on the same kind of objects should be examined together. In addition, he aims to combine the information from documentary texts, archaeological remains and inscriptions, in order to reconstruct the economic, social and religious life of monastic or civil communities. He practiced this methodology in his studies on the Fayum, Wadi al-Natrun, Sohag, Western Thebes and the region of Aswan and Northern Nubia, which are all included in this book.

The main aim of this book is to reconstruct a philosophical context for the Hieroglyphica of Horapollo, a late 5th century Greek study of hieroglyphic writing. In addition to reviewing and drawing on earlier approaches it explores the range of signs and meanings for which Horapollo is interested in giving explanations, whether there are characteristic types of explanations given, what conception of language in general and of hieroglyphic Egyptian in particular the explanations of the meanings of the glyphs presuppose, and what explicit indications there are of having been informed or influenced by philosophical theories of meaning, signs, and interpretation.

Thebes offers a scholarly survey of the history and archaeology of the city, from 1600 BCE - 476 CE. Discussions of major developments in politics, war, society and culture form the basis of a chronological examination of one of Greece's most powerful and dynamic cities. By taking a broad view, the book's account speaks to larger trends in the ancient Mediterranean world while also demonstrating how Thebes was unique in its ancient context. It provides an up-to-date examination of all available information: topographic, demographic, numismatic, epigraphic, archaeological and textual discussions provide the most complete, current picture of ancient Thebes and illustrate the value of an interdisciplinary approach.

The ancient Egyptians were firmly convinced of the importance of magic, which was both a source of supernatural wisdom and a means of affecting one's own fate. The gods themselves used it for creating the world, granting mankind magical powers as an aid to the struggle for existence. Magic formed a link between human beings, gods, and the dead. Magicians were the indispensable guardians of the god-given cosmic order, learned scholars who were always searching for the Magic Book of Thoth, which could explain the wonders of nature. Egyptian Magic, illustrated with wonderful and mysterious objects from European museum collections, describes how Egyptian sorcerers used their craft to protect the weakest members of society, to support the gods in their fight against evil, and to imbue the dead with immortality, and explores the arcane systems and traditions of the occult that governed this well-organized universe of ancient Egypt.

Self-presentation is the oldest and most common component of ancient Egyptian high culture. It arose in the context of private tomb records, where the character and role of an individual-invariably a well-to-do non-royal elite official or administrator-were presented purposefully: published by inscription and image, to a contemporary audience and to posterity. Living Forever: Self-presentation in Ancient Egypt looks at how and why non-royal elites in ancient Egypt represented themselves, through language and art, on monuments, tombs, stelae, and statues, and in literary texts, from the Early Dynastic Period to the Thirtieth Dynasty. Bringing together essays by international Egyptologists and archaeologists from a range of backgrounds, the chapters in this volume offer fresh insight into the form, content, and purpose of ancient Egyptian presentations of the self. Applying different approaches and disciplines, they explore how these self-representations, which encapsulated a discourse with gods and men alike, yield rich historical and sociological information, provide examples of ancient rhetorical devices and repertoire, and shed light on notions of the self and collective memory in ancient Egypt.

During the Old Kingdom, the ancient Egyptians constructed elaborately decorated mortuary monuments for their pharaohs. By the late Old Kingdom (ca. 2435-2153 BCE), these pyramid complexes began to contain a new and unique type of statue, the so-called prisoner statues. Despite being known to Egyptologists for decades, these statues of kneeling, bound foreign captives have been only partially documented, and questions surrounding their use, treatment, and exact meaning have remained unanswered. Ancient Egyptian Prisoner Statues-the first comprehensive analysis of the prisoner statues-addresses this gap, demonstrating that the Egyptians conceived of and used the prisoner statues differently over time as a response to contemporary social, cultural, and historical changes. In the process, the author contributes new data and interpretations on topics as diverse as the purpose and function of the pyramid complex, the ways in which the Egyptians understood and depicted ethnicity, and the agency of artists in ancient Egypt. Ultimately, this volume provides a fuller understanding of not only the prisoner statues but also the Egyptian late Old Kingdom as a whole.

The discovery of ancient Egypt and the development of Egyptology are momentous events in intellectual and cultural history. The history of Egyptology is the story of the people, famous and obscure, who constructed the picture of ancient Egypt that we have today, recovered the Egyptian past while inventing it anew, and made a lost civilization comprehensible to generations of enchanted readers and viewers thousands of years later. This, the third of a three-volume history of Egyptology, follows the progress of the discipline from the trauma of the First World War, through the vicissitudes of the twentieth century, and into Egyptology's new horizons at the beginning of the twenty-first century. Wonderful Things affirms that the history of ancient Egypt has proved continually fascinating, but it also demonstrates that the history of Egyptology is no less so. Only by understanding how Egyptology has developed can we truly understand the Egyptian past.

This book presents a concise account of the lives and times of some of the more significant occupants of the Egyptian throne, from the unification of the country around 3000 BC down to the extinction of native rule just under three millennia later. Some, such as Thutmose III, had a major impact on their time, and were remembered by their own people until the very civilization collapsed. Others, such as Tutankhamun, were soon forgotten by the Egyptians themselves, only to burst into popular culture thousands of years after their deaths, as a result of the labors of modern archaeologists. Still more remain unknown outside the small circle of professional archaeologists, but led lives that call out for wider dissemination. This book sets out to provide a mix of all three categories, in an attempt to present a balanced view of Egyptian kings and their range of achievements.First published in 1995, Monarchs of the Nile has now been extensively revised and rewritten to take into account two further decades of research and excavation.

In the hearts of London and New York stand their two oldest public monuments, Cleopatra's Needles, the last of a series of obelisks from Ancient Egypt to be moved abroad during a period of over two thousand years. This book uses the Needles to examine how objects embody the cultures that create them, and how the use, value, and meaning of these objects change as they are transferred between cultures by gift, sale, barter, or theft. It explores the way in which obelisks functioned as imperial trophies, how their transfer was part of the complex political manoeuvring between European powers, America, the Ottoman Empire, and the semi-autonomous rulers of Egypt, and how their acquisition reflected the relative power of these parties. In contrast, it also examines the crucial role that private individuals and finance played in the acquisition and transport of the obelisks, and how popular understanding of them, and of the culture they came from, often differed from those of social and professional elites. It also relates the Needles to contemporary debates about the ownership of cultural artefacts, the legacy of colonial history, and the nature of reception as the process of understanding and valuing the past and its surviving material and immaterial culture.