An engaging, easy-to-use and informative biography of Shakespeare with humorous illustrations. So what was it like to live in Shakespeare's time? What do we actually know about him? And how does someone become that famous? These are just a few of the questions addressed in this lively and accessible book on the life and works of William Shakespeare by award-winning author Michael Rosen. Ideal for browsing, the text is divided into clear sections and includes studies of four of Shakespeare's plays, intriguing facts and information about Shakespeare himself and the world at this time, accompanied by a useful timeline.

Developed in cooperation with the IB, this student-friendly, concept-based Course Book has been comprehensively updated to support all aspects of the new English A: Literature syllabus, for first teaching in September 2019. With in-depth coverage of the new Areas of Exploration, concepts and global concerns, the resource provides a clear and accessible route through the course - from text selection and analysis to assessment. The IB English A: Literature Course Book is available in print, online and as a print and online pack.

He was the greatest poet and playwright who ever lived, the dramatist who penned lines that we quote without even realising their origin. Shakespeare's glorious works have even inspired animated films - like Disney's "The Lion King". Introduce children to the Bard with this wonderful, fully annotated collection of sonnets and soliloquies, enhanced with beautiful, highly realistic colour paintings that bring each excerpt to vivid life. Here are Shakespeare's most famous speeches: including everything from "Hamlets" - 'To be or not to be' - and "Macbeth's" witches cackling 'Double, double, toil and trouble' to the sonnets, "Shall I compare thee to a summer's day?" and humourous songs sung in comedies such as "Twelfth Night". Every entry is a revelation.

'Our mother has been gone now for a long time. It's hard to remember anything about her except her name, which is Thandi Modiba.' Serena runs away to Johannesburg, where the streets are like dongas that the light cannot reach. She is looking for her mother, and her search involves her in the lives of the many people she meets. There is Jane, a white hobo, Sipho and the Cool Blue Gang, and the notorious Beauty Mangele, who holds the key to the mystery of her mother's disappearance. Johannesburg is frightening and exciting. Serena confronts the harshness of city life, and learns about true fear and true courage.

In the heart of Northern England, three respectable couples, married on the same day, at the same church, and by the same vicar, join to celebrate 25 years of blissful matrimony. Or so they think.

One dark stormy night in 1740, a ship was trying to dock in Table Bay but could not see the fire Beacon clearly. This is a true account o f how the lighthouse in Mouille Point originated.

One day Joffrey gets caught in a storm on the mountain and unexpectedly makes a new friend. This gentle story about friendship will help learners explore their own experiences of making friends.

This easy to use photocopiable resource is designed with a focus on fun as well as learning. This resource can be used alongside the "Classical Comics" graphic novel as well as any traditional text. Many of the activities can stand on their own as introductions to the world of Charles Dickens. Most of the activities look at Dickens's use of language, but you will also see applications for history, ICT, drama, and art. Suitable for teaching ages 10-17, this is a photocopiable study guide to "Charles Dickens: Great Expectations". It is packed with activities to help make Dickens fun. It includes applications in English, history, ICT, drama and art.

Michelle is a young South African girl who finds that growing up means making choices and coming to terms with herself. Brought up by her family's domestic worker, Pauline, she tries to break out of her isolated white existence, tryingto see how other people live. She then meets walter, Pauline's grandson, and is inexplicably attracted to him. Can their different worlds meet?

This graded course for teaching students to understand and enjoy poetry introduces students to the pleasures of reading and discussing poetry, through a varied anthology. The many poets of the Caribbean are presented, along with a wide range of material from Africa, USA, the UK and the rest of the world. The series offers: carefully graded selections every poem is supported by questions for class discussion and written work key terms for studying poetry introduced in the activity sections many poems suitable for choral orchestration and a wide selection of new poems and established favourites. This book is an introduction to reading and discussing poetry for second-year students. There are many poems to read out loud and questions suitable for verbal discussion. Derek Walcott, winner of the 1992 Nobel Prize for Literature, is featured in this volume, in "Bite In 3" and in "Time for Poetry".

Bite In is a three book graded course for teaching students to understand and enjoy poetry at Secondary school level. This third edition offers a carefully graded selection of poems to cater for all abilities, questions for discussion and written work, activity sections to encourage students to further explore the use of language and dialect in the interpretation of poetry and poems suitable for putting to music to increase students' enjoyment and motivation.

Get your learners reading! Spot On readers contain delightful South African stories, a variety of interesting characters and beautiful illustrations to get learners excited about reading. Spot On readers are developed by a team of language specialists and teachers. The readers use sight words, phonics and high frequency words to ensure that learners quickly and easily gain the reading skills required in Grade 1.

All eight titles are available as Big Books for shared reading as well as small books for independent reading. Spot On readers are the latest addition to Heinemann's best-selling Spot On series, which is approved by the Department of Education. Spot On readers are available from Grades 1-3 in Afrikaans, English, IsiXhosa, IsiZulu, Sepedi and Setswana.

21 characters (4 males, 6 females (w/ doubling) This popular children's book has been magically adapted into a play that toured extensively before its successful West End production at the Duke of York Theatre. "While the kids will be thrilled by the dazzling illusions and the complex puppetry, their parents will be no less engaged by the sly humor that lurks within this ostensibly frivolous confection."-What's On

In the four centuries since Shakespeare's death in 1616, Hamlet has almost always been regarded as Shakespeare's greatest play. This is not surprising. As Barbara Everett has observed, Hamlet was not only "the first great tragedy in Europe for two thousand years"; it was, and still is, "the world's most sheerly entertaining tragedy, the cleverest, perhaps even the funniest". The character of Hamlet utterly dominates the play he so reluctantly inhabits to a degree that is rivalled only by Prospero in The Tempest. Even when he isn't on stage, speaking nearly 40% of the play's text, the other characters are talking and worrying about him. This is the most obvious reason why Hamlet criticism over the years has been so Hamlet-centred: many critics, from Coleridge through to A. C. Bradley and beyond, see the play and its other characters almost entirely through Hamlet's eyes. In this book Graham Bradshaw sets out to correct this. For in his view the play is no exception to - and indeed can be seen as an extreme example of - Shakespeare's usual dramatic method, which was never to press or even reveal his own view on controversial issues like the divine right of kings or honour or ghosts and purgatory, but to "frame" these issues by assembling characters who think and feel differently about them. With Shakespeare it is hard, even impossible, to know what he thinks about (say) revenge or incest or suicide - and Hamlet's view is often strikingly different from the views of those around him. If the doubts about whether the Ghost in Hamlet is the messenger of divine justice or a devilish instrument of damnation were ever finally resolved, the play would be diminished, or shrivel into a museum piece.

This is one of the best-known plays by Africa's major dramatist, Wole Soyinka.

It is set in the Yoruba village of Ilunjinle. The main characters are Sidi (the Jewel), 'a true village belle' and Baroka (the Lion), the crafty and powerful Bale of the village, Lakunle, the young teacher, influenced by western ways, and Sadiku, the eldest of Baroka's wives. How the Lion hunts the Jewel is the theme of this ribald comedy.