This book and accompanying compact disc provide a rare excursion in the innovative ways a community of Haitian migrants to South Florida has maintained religious traditions and familial connections. It demonstrates how religion, ritual, and aesthetic practices affect lives on both sides of the Caribbean, and it debunks myths of exotic and primitive vodou (often spelled ""voodoo""), which have long been used against Haitians. As Karen Richman shows, Haitians at home and in migrant settlements make ingenious use of audio and video tapes to extend the boundaries of their ritual spaces and to reinforce their moral and spiritual anchors to one another. The book and CD were produced in collaboration to give the reader intimate access to this new expressive media. Sacred songs are recorded on tapes and circulated among the communities. Migrants are able to hear not only the performance sounds--drumming, singing, and chatter--but also a description, as narrators tell of offerings, sacrifices, prayers, and the exchange of possessions. Spirits who inhabit the bodies of ritual actors are aware of the recording devices and personally address the absent migrants, sometimes warning them of their financial obligations to family members in Haiti. The migrants' dependence on their home village is dramatically reinforced while their economic independence is restricted. Using standard ethnographic methods, Richman's work illuminates the connections among social organization, power, production, ritual, and aesthetics. With its transnational perspective, it shows how labor migration has become one of Haiti's chief economic exports. A volume in the series New World Diasporas, edited by Kevin A. Yelvington

In their efforts to convert indigenous peoples, Franciscan friars brought the Spanish Inquisition to early-sixteenth-century Mexico. Patricia Lopes Don now investigates these trials to offer an inside look at this brief but consequential episode of Spanish methods of colonization, providing a fresh interpretation of an early period that has remained too long understudied.Drawing on previously underutilized records of Inquisition proceedings, Don examines four of the most important trials of native leaders to uncover the Franciscans' motivations for using the Inquisition and the indigenous response to it. She focuses on the consecutive impact of four trials - against nahualli Martin Ocelotl, an influential native priest; Andres Mixcoatl, an advocate of open resistance to the Franciscans; Miguel Pochtecatl Tlaylotla, a guardian of native religious artifacts; and Don Carlos of Texcoco, a native chief burned at the stake for heresy. Don reveals the heart of Bishop Zumarraga's methods of conducting the trials - including spectacular bonfires in which any native idols found in the possession of professed converts were destroyed. Don's knowledge of the contemporary Spain that shaped the friars' perspectives enables her to offer new understanding of the evolution of Franciscan attitudes toward evangelization. Bonfires of Culture reexamines important primary documents and offers a new perspective on a pivotal historical era.