Handbook to Lothar Kaser's Textbook "Animism - A Cognitive Approach." If we want to understand the animistic cognitive system we must focus particularly on its concept of man. Access to it can only be achieved by proceeding systematically. A basic prerequisite for this is a knowledge of the language spoken by the people whose culture is shaped by such an animistic system of thought. Incidentally acquired knowledge is not enough to give the outsider, whether missionary, teacher, doctor or nurse, the necessary insights for operating effectively within a society governed by an animistic cognitive framework. Why a textbook and a handbook on the same subject? A textbook seeks to address foundational issues and to ask general questions. A handbook on the other hand is concerned to deal with qualitative and quantitative research. This book is the companion volume of Lothar Kaser's textbook on Animism - A Cognitive Approach and provides the interested researcher a tool to guide one's own research into the cognitive aspects of a particular dimension of animism, namely, the concept of man. Robert Badenberg, trained at the Theological Seminary of the Liebenzell Mission. Graduate study at the Columbia International University (M.A.). Doctorate Degree from the University of South Africa (DTh). As author, missionary (he worked in Africa from 1989 to 2003), and mission ethnologist he commands much experience in this field.

The Knowledge Seeker tells the story of the developing Indigenous-run education movement and calls forth the urgent need to teach about Indigenous spirituality.

Contents: About Skergard, In Memory of Lorenz Frolich, Haakon Jarl of Norway, Teaching Children Our Heathen Faith, The Dead In The Mountains, The Nine Affirmations (9a), How To Make A Viking Shield, Community (Prose), The Way of The Warrior, Ancestors (Prose), Path of Northern Shadows. The name "Skertru Now" is symbolic, because after Nine Years of "The Silence" it is the realization of Skertru, the commonality of our belief system as written in "Old Norse Religion, A Family Tradition, The Skergard Handbook." We have survived the Nine Year Silence as an organization and now our words will be shared with everyone. We chose a Raven holding three keys as our logo because the first two ravens answer to Odin, the third... we believe, answers to Holde.

Christian churches erected in Mexico during the early colonial era represented the triumph of European conquest and religious domination. Or did they? Building on recent research that questions the ""cultural"" conquest of Mesoamerica, Eleanor Wake shows that colonial Mexican churches also reflected the beliefs of the indigenous communities that built them. European authorities failed to recognize that the meaning of the edifices they so admired was being challenged: pre-Columbian iconography integrated into Christian imagery, altars oriented toward indigenous sacred landmarks, and carefully recycled masonry. In Framing the Sacred, Wake examines how the art and architecture of Mexico's religious structures reveals the indigenous people's own decisions regarding the conversion program and their accommodation of the Christian message. As Wake shows, native peoples selected aspects of the invading culture to secure their own culture's survival. In focusing on anomalies present in indigenous art and their relationship to orthodox Christian iconography, she draws on a wide geographical sampling across various forms of Indian artistic expression, including religious sculpture and painting, innovative architectural detail, cartography, and devotional poetry. She also offers a detailed analysis of documented native ritual practices that - she argues - assist in the interpretation of the imagery. With more than 260 illustrations, Framing the Sacred is the most extensive study to date of the indigenous aspects of these churches and fosters a more complete understanding of Christianity's influence on Mexican peoples.

This Is A New Release Of The Original 1921 Edition.

This comparative study of African and Hindu popular religions in the Republic of Trinidad and Tobago charts the development of religion in the Caribbean by analyzing the ways ecstatic forms of worship, enacted through trance performance and spirit mediumship, have adapted to capitalism and reconfigured themselves within the context of modernity. Showing how diasporic traditions of West African Orisha Worship and South Asian Shakti Puja converged in their ritual adaptations to colonialism in the West Indies, as well as diverged politically within the context of postcolonial multiculturalism, Keith McNeal reveals the unexpected ways these traditions of trance performance have become both globalized and modernized. The first book-length work to compare and contrast Afro- and Indo-Caribbean materials in a systematic and multidimensional manner, this volume makes fresh and innovative contributions to anthropology, religious studies, and the historiography of modernity. By giving both religious subcultures and their intersections equal attention, McNeal offers a richly textured account of southern Caribbean cultural history and pursues important questions about the history and future of religion.