This Is A New Release Of The Original 1921 Edition.

Handbook to Lothar Kaser's Textbook "Animism - A Cognitive Approach." If we want to understand the animistic cognitive system we must focus particularly on its concept of man. Access to it can only be achieved by proceeding systematically. A basic prerequisite for this is a knowledge of the language spoken by the people whose culture is shaped by such an animistic system of thought. Incidentally acquired knowledge is not enough to give the outsider, whether missionary, teacher, doctor or nurse, the necessary insights for operating effectively within a society governed by an animistic cognitive framework. Why a textbook and a handbook on the same subject? A textbook seeks to address foundational issues and to ask general questions. A handbook on the other hand is concerned to deal with qualitative and quantitative research. This book is the companion volume of Lothar Kaser's textbook on Animism - A Cognitive Approach and provides the interested researcher a tool to guide one's own research into the cognitive aspects of a particular dimension of animism, namely, the concept of man. Robert Badenberg, trained at the Theological Seminary of the Liebenzell Mission. Graduate study at the Columbia International University (M.A.). Doctorate Degree from the University of South Africa (DTh). As author, missionary (he worked in Africa from 1989 to 2003), and mission ethnologist he commands much experience in this field.

Christian churches erected in Mexico during the early colonial era represented the triumph of European conquest and religious domination. Or did they? Building on recent research that questions the ""cultural"" conquest of Mesoamerica, Eleanor Wake shows that colonial Mexican churches also reflected the beliefs of the indigenous communities that built them. European authorities failed to recognize that the meaning of the edifices they so admired was being challenged: pre-Columbian iconography integrated into Christian imagery, altars oriented toward indigenous sacred landmarks, and carefully recycled masonry. In Framing the Sacred, Wake examines how the art and architecture of Mexico's religious structures reveals the indigenous people's own decisions regarding the conversion program and their accommodation of the Christian message. As Wake shows, native peoples selected aspects of the invading culture to secure their own culture's survival. In focusing on anomalies present in indigenous art and their relationship to orthodox Christian iconography, she draws on a wide geographical sampling across various forms of Indian artistic expression, including religious sculpture and painting, innovative architectural detail, cartography, and devotional poetry. She also offers a detailed analysis of documented native ritual practices that - she argues - assist in the interpretation of the imagery. With more than 260 illustrations, Framing the Sacred is the most extensive study to date of the indigenous aspects of these churches and fosters a more complete understanding of Christianity's influence on Mexican peoples.

Ifa: A Forest of Mystery by Nicholaj de Mattos Frisvold is a major study on the cosmology, metaphysics, philosophy and divination system of Ifa, written by a tradition holder and member of the council of elders, known as the Ogboni society, of Abeokuta, Nigeria. Ifa - an alternative name for its prophet Orunmila - is a religion, a wisdom tradition and a system of divination encoding the rich and complex oral and material culture of the Yoruba people. The Yoruba culture is grounded in memory, an ancestral repository of wisdom, that generates good counsel, advises appropriate ebo (sacrifice) and opens the way to develop a good character on our journey through life and in our interactions with the visible and invisible worlds. The work is a presentation of the first sixteen odu of the Ifa corpus of divination verses explained in stories, allegories and proverbs reflecting the practical wisdom of Ifa. The work is both a presentation of Ifa for those with little knowledge of it, and a dynamic presentation of the wealth of its wisdom for those already familiar with Ifa. The deities and key concepts of Ifa metaphysics are discussed, including: Obatala, Onile, Sango, Ogun, Oya, Osanyin, Yemoja, Esu, ase (power), egungun (ancestry), iwa (character), and ori (head/consciousness/daimon). Notably, Dr Frisvold has created a work which celebrates the Yoruba wisdom tradition and makes a bridge with the Western world. It is of value for the light that it casts on the origins and mysteries of Esu and orisa, and an important source for those practicing Quimbanda, Palo, Santeria, Vodou and the African Diaspora religions. Yet its lessons are universal, for it is the art of developing character, of attracting good fortune and accruing wisdom in life. "Ifa is a philosophy, a theogony, theology and cosmology rooted in a particular metaphysic that concerns itself with the real and the ideal, the world and its beginning. It is rooted in the constitution of man and the purpose of life and the nature of fate. Ifa is a philosophy of character. The philosophy of Ifa lies at the root of any religious cult or organization involving the veneration of orisa. [...] Through stories and legends, divinatory verses and proverbs, this philosophy will be revealed piece by piece until the landscape has been laid open before you." - Nicholaj de Mattos Frisvold

Contents: About Skergard, In Memory of Lorenz Frolich, Haakon Jarl of Norway, Teaching Children Our Heathen Faith, The Dead In The Mountains, The Nine Affirmations (9a), How To Make A Viking Shield, Community (Prose), The Way of The Warrior, Ancestors (Prose), Path of Northern Shadows. The name "Skertru Now" is symbolic, because after Nine Years of "The Silence" it is the realization of Skertru, the commonality of our belief system as written in "Old Norse Religion, A Family Tradition, The Skergard Handbook." We have survived the Nine Year Silence as an organization and now our words will be shared with everyone. We chose a Raven holding three keys as our logo because the first two ravens answer to Odin, the third... we believe, answers to Holde.